Chapter XXXIX

THIS way came Queen Elizabeth into Norwich on her great "progress" of 1578, by St Stephen's Plain and through St Stephen's Gate. Gates and walls are gone that once kept out the turbulent, or even condemned the belated citizen to lodge the night without the precincts of the city, in suburbs not in those times to be reckoned safe.

Norwich long ago swept away her defences and modernised her outskirts, for this is no Sleepy Hollow, this cathedral city in the valley of the Wensum, but the capital of East Anglia, throbbing with industry and in every way in the forefront of modern life. To the entrance from London Norwich turns perhaps its most unattractive side. No general view of the city, lying in its hollow beside the winding Wensum, opens out, and the eye seeks the cathedral spire and finds it with some difficulty, modestly peering over tangled modern roof-tops. It is from quite the opposite direction, from the noble height of Mousehold Heath, that Norwich unfolds itself in a majestic picture of cathedral, churches and houses, with trees and gardens, such as no other city can show, displayed within its bounds. Norwich does not jump instantly to the antiquarian eye, and its electric tramways that are the first to greet the traveller who enters from the old coach road are not a little forbidding. The city grows gradually upon the stranger in all its wealth of beauty and interest, and becomes more and more lovable the better he becomes acquainted with it.

Until these railway times, in the old days of slow, difficult, dangerous and expensive travelling, the capital of East Anglia was in a very high degree a capital, and sufficient to itself. Its shipping trade and weaving industries, and the famous Norwich School of artists, brought this exclusive attitude down from mediæval times to modern; and Norfolk county families until the era of political reform had almost dawned, still had their "town houses" in Norwich, just as, in bygone centuries, that typical old family, the Pastons, owned their town houses in Hungate and in what is now called King Street, formerly Conisford Street.

The coaches coming to Norwich threaded the mazy streets to inns widely sundered. The original "Norwich Machine" of 1762 traversed the greater part of the city, to draw up at the "Maid's Head," in Tombland. On the other hand, the Mails, the "Telegraph" and the "Magnet," came to and started from the "Rampant Horse" in the street of the same name, standing not far from the beginnings of the city. The street is there still, but the oddly-named inn has given place to shops, and where the "Rampant Horse" ramped rampageously, in violent contrast with the mild-mannered "Great White Horse" of Ipswich, drapers' establishments now hold forth seductive announcements of "alarming sacrifices."

Among other coaches, "Gurney's Original Day Coach" and the "Phenomenon" favoured the "Angel," in the Market Place, while the "Times" house was the "Norfolk Hotel," in St Giles's, and that of the "Expedition" the "Swan" Inn. Other inns, many of them huddled together under the lee of the castle mound, were then to be found in the Market Place and the Haymarket and in the narrow alley in the rear that still goes by name of "Back of the Inns." Others yet, many of mediæval age, are to be sought in old nooks of the city. The Pilgrim's Hostel, now the Rosemary Tavern, like the "Old Barge," belongs to the fourteenth century, the last named still standing between King Street and the river, with a picturesque but battered entrance. The steep and winding lane of Elm Hill, where the slum population of Norwich stew and pig together down ancient courts and dirty alleys, has more inns, ramshackle but unrestored; and in the wide open space by the cathedral, dolefully called Tombland, although it has not, nor ever had, anything to do with tombs, is the "Maid's Head," the one establishment in Norwich that stands pre-eminently for old times and good cheer. It is an "hotel" now, and has the modern conveniences of sanitation and electric light; but its restoration, effected through the enthusiasm of a local antiquary, with both the opportunity of purchasing the property and the means of doing so, has been carried through with taste and discrimination. The "Maid's Head" can with certainty claim a history of six hundred years, and is thought to have been built upon the site of a former Bishop's Palace. Heavily-raftered ceilings and masonry of evident antiquity may take parts of the present house back so far, or even a greater length, but the especial pride of the "Maid's Head" is its beautiful Jacobean woodwork. The old sign of the house was the "Molde Fish," or "Murtel Fish," a name that antiquaries still boggle at. It was long a cherished legend that this strange and unlovely name was changed to the present sign in complimentary allusion to Queen Elizabeth when she first visited the city, but later researches have proved the change to have been made at least a century earlier, and so goes another belief!

The "Music House," facing the now disreputable King Street, has not for so very long been an inn. Its name tells of a time when it was the meeting-place of the "city music," old-time ancestors of modern town bands, but its story goes back to the Norman period, when the crypt that bears up the thirteenth-century building above was part of the home of Moyses, a Jew, and afterwards of Isaac, his nephew. "Isaac's Hall," as it was known, was seized by King John and given to one of his creatures; the unhappy Israelites doubtless, if they were allowed to live at all, finding cool quarters in the castle dungeons. A long succession of owners, including the Pastons, followed; last among them Coke, afterwards Lord Chief Justice, who resided here in 1633.

It has already been hinted that the streets of Norwich are mazy. They are indeed the most perplexing of any town in England. Many roads run into the city, and from every direction. Glancing at a plan of it, these roads resemble the main strands of a spider's web, and the streets the cross webs. In midst of this maze is the great castle, like the spider himself; that cruel keep in whose dungeons old wrong-doing, religious and private spite, have immured many a wretched captive, like that unfortunate unknown "Bartholomew," who has left his name scratched on the walls, and the statement that he was here confined "saunz resun," a reason of the best in those times. Did he ever see the light of day again? Or did some midnight assassin murder him as many another had been done to death?

"Blanchflower," that Bigod, Earl of Norwich who built the castle called his keep when it arose on its great mound, its stone new and white. He built upon the site of a castle thought to have been Saxon, and built so well that it became a fortress impregnable save to famine and treachery. It has, therefore, unlike weaker places that have been stormed again and again, little history, and even seven hundred years ago was little more than a prison. And a prison of sorts--for State captives first, and for common malefactors afterwards--it remained until so recently as 1883, when it was restored and then opened as the Museum and Art Gallery it now is.

This is no place to speak at length of the cathedral that withdraws itself with such ecclesiastical reserve from the busy quarters of the city, and is approached decorously through ancient gateways in the walls of its surrounding close; the Ethelbert Gate, with that other, the Erpingham Gate, built in Harry the Fifth's time by Sir Thomas Erpingham, whose little kneeling effigy yet remains in its niche in the gable over the archway, and whose motto--variously held to be "Yenk," or "Think,"--"Denk," or "Thank"--is repeated many times on the stone work. Norman monastic gloom still broods over the close, for the cathedral, save the Decorated cloisters and the light and graceful spire in the same style, is almost wholly of that period, and the grammar school that was once a mediæval mortuary chapel and has its playground in the crypt, keeps a gravity of demeanour that, considering its history, is eminently proper.

Through the Close lies the way to Bishop's Bridge and the steep road up to Mousehold Heath: the "Monk's Hold," or monastic property, of times gone by when it was common land of the manor belonging to the Benedictine priory.