Chapter LII: Act IV: Scene iv

p. 402 _Joan Sanderson._ The air to which the Cushion Dance was usually performed. It may be found in Playford’s _Dancing Master_, 1686. Sometimes the dance itself was known as Joan Sanderson.

Act V: Scene i

p. 406 _The Tall Irishman._ Oliver Cromwell’s porter, yclept Daniel, was a giant. This fellow, through poring over mystical divinity, lost his wits: he preached, prophesied, and raved until finally he was incarcerated in Bedlam, where, after a while, his liberty was allowed him. A famous item amongst his books was a large Bible presented by Neil Gwynne. D’Urfey in his Prologue to _Sir Barnaby Whigg_ (1681), has: ‘Like Oliver’s porter, but not so devout.’ There is a rare, if not unique, portrait of Daniel in the Print Room, British Museum. The reputed portrait in Pierce Tempest’s _Cryes of the City of London_ (No. 71. Un insensé pour la Religion. M. Lauron del. P. Tempest ex.) is not that of a remarkably tall man.

p. 410 _Enter Hewson with Guards._ 5 December, 1659, Hewson did actually suppress a rising of London prentices, two or three of whom were killed and some score wounded. This made him very unpopular.

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