Chapter XIX: Appendix: To Chapter XI

THE PONGOL FESTIVAL.

"The Pongol Festival in Southern India," by Charles E. Govat. "Journal of the Royal Asiatic Society of Great Britain and Ireland," new series, vol. v., part i. (1870.)

"I had seen the Pongol, the touching domestic festival it is now my chief object to describe. It had proved by its simple pathos that the Hindus were akin to the noblest nations of the world, and that in their antiquity they were worthy of the honour that has come to them of being the best and the least altered representatives of the 'Juventus Mundi,' which all nations count to have been the golden age." He contrasts it with the worship in the great temple at Siringham near Trichinopoly, in which there "was ample justification for every epithet employed by Ward, Dubois, or Wilberforce." "Yet the Pongol declared with equal force in favour of domestic love and chastity, of simple thanksgiving and rural contentment.... There is much reason to suppose that the Pongol is one of the most complete and interesting of these remnants of primitive life. That it is primitive is shown by the fact that the old Vedic deities are alone worshipped. Indra is the presiding deity. Agni is the main object of worship. A further proof of this point is given by the efforts that have constantly been made by the Brahmans to corrupt the ritual, and introduce Pauranic deities. Krishna is always declared by the Brahmans to be the Pongol god, but the _tradition itself_ bears witness that the feast is older than the god. The tale is that when the great wave of Krishna worship passed over the Peninsula, the people were so enamoured of him that they ceased to perform the Pongol rites to Indra. This made the latter deity _so angry that he poured down a flood upon the earth_. The affrighted people ran to Krishna, who seized the great mountain Govardhanas, wrenched it from its place, and held it aloft on the tip of his little finger, like some huge umbrella. The people then ran beneath with their flocks and were saved.... The occasion of the festival is also primitive, for the Pongol is another feast of ingathering, the centre of Hebrew festivals, as this is of those of Southern India.... The Pongol is remarkable, as will be seen, for the strange combination of pastoral, hunting, and agricultural life. There are 'harvest homes' in almost every nation, but I do not know of any other example of the combination. The _great_ days of the feast are two--one of these devoted to the new crops, the other to the cattle alone ... while the feast winds up with a grand hunt, first of the cattle themselves and next of a hare." Compare ch. vii.; compare Patagonian.

"Long before the commencement of the feast an unwonted activity pervades native society. The Pongol is _the_ social festival of the year, and must be celebrated with due honour, else an ineffaceable stain will rest on the family name. It is the Christmas and Whitsuntide of England made into one.... So soon as the _rains have finished_, and this may be expected by about the first week in December, the carpenter, the builder, and the artists are in full work repairing the houses.... The sides of the road in the bazaar are heaped with 'chatties' of all sizes and shapes. Presents are bought for children. Distant relatives have no fields of their own from which to get their rice, so a sack of the new grain from the ancestral acres goes off to each. To this is added a pot of ghee, a set of brass pots, or perhaps a jewel; that the Pongol may not lack wherewith to make it joyful." Creditors and debtors are often brought then to a compromise, or the process is postponed "till after Pongol."

"All must be ready by the early part of January, when, according to the Hindu astrologers, the sun enters the tropic of Capricorn. The feast hangs upon this, and it will be seen that the most interesting event of the celebration must exactly coincide with the passage of the sun. The festival commences on the previous day, and lasts for seven days, of which the second marks the sun's passage, and is called Mahâ (or great) Pongol, ... the next day is Bhôgi Pongol, or Pongol of rejoicing, equally well known by the name of Indra, ... bonfires and torches are illuminated (compare Boulanger, lib. i. ch. ii.) The feast is now begun, and all turn from the fire, as it is extinguished by the rising sun, to the _bath_, with which every religious rite must commence. No image is used during the whole course of the celebration, except that of Ganesa.... Indra is represented on ordinary occasions as _a white man_ sitting on an elephant. In his left hand is a bow (compare ch. xv.), and in his right a thunderbolt, while his body is studded with a thousand eyes. [Query, a reference to the peacock? Compare ch. xv.] Agni has also his special image, that of a stout man, red and hairy as Esau, riding on a goat [compare Bacchus, p. 214]. Sûrya is also a red man, sitting on a water lily. He has four arms and three eyes. But none of these (deities) are known at Pongol any more than they were at the time when the hymns of the Rig Veda were composed.... The gifts are laid out on trays,--a vase of sugar, or perhaps an idol, _peacock_ or elephant, round which will be grouped smaller works in sugar for the children.... One thing may not be forgotten, that is a lime [compare 'gourd,' p. 256]. This must be _as large_ as money can buy, and then be carefully encased in gold leaf till it looks like one of the golden apples of antiquity. The next day is Mahâ (or great) Pongol. It is often called Sûrya Pongol. At noon the sun will cross the equator, and bring the culminating glory of the feast. So great a day must commence with appropriate ceremonial, and _in this instance it is bathing_. In country places the women run early in the morning to the _nearest tank_ and _plunge bodily in without undressing_." [This is alluded to by Mr Gover as "an innovation so uncomfortable and possibly dangerous;" but no evidence is adduced of its being an innovation, and its being the custom of the "country parts" would incline us to the contrary belief.] The men also bathe very carefully, as if the occasion _were very solemn_. Reference is made to the Rig Veda, i. 23, 15-24 (Wilson, i. 57); but in these verses occur the words, "waters take away whatever sin has been found in me."

"Dripping wet, the women proceed, without changing their clothes, to prepare the feast, ... new chatties, or earthen vessels had been purchased for the occasion; one of them is now taken and is filled with rice, milk, sugar, dholghee or clarified butter, grain, and other substances, calculated to produce a tasty dish.... The ingathering must be celebrated with things that have just been garnered. Usually Hindoos will not eat new rice, as it is indigestible" (refer to Leviticus xxiii. 10-14). Another incident is that--"The head of the house approaches the image (of Ganesa), and performs pûja. Then follows a procession of the young married couples to propitiate their mothers-in-law.... So a present, the best the house can provide, is carefully put together on a tray. It may be fruit, or brass pots, or ghee, or whatever else may be thought most acceptable. Then a small procession is formed. In front go three or four men, beating on tom-toms and blowing pipes. Then follows the gift, held aloft. Over it, if the family be respectable, is held an umbrella, carried by a servant who walks behind the bearer of the gift.... The nearest relative steps forward and asks that the daughter and her husband may come to the 'boiling,' to fill up the family circle. Then follows the boiling of the pot; 'as the milk boils, so will the coming year be.' The Pongol is one long series of visits, entertainments, and social joys." (Comp. Mandan Festival, _supra_.)

"The third day of the feast is Mâttu Pongol, or the Pongol _of the cattle_. It commences with a general _wash_. They betake themselves to the nearest _sacred_ tank, driving or dragging with them the whole bovine possessions of the village. They are then driven home, and adornment commences; the horns are carefully painted _red_, _blue_, _green_, _or yellow_,--if the owner be rich, gold leaf is employed,--heavy garlands of flowers placed on the horns. Meanwhile the women have prepared another new chatty, filling it with water, steeping within saffron, cotton seeds, and mangora leaves. The master of the ceremonial, usually the head of the house, comes for it, and places himself at the head of a procession of all the men--the women may not see the rite we now describe. In solemn silence they march round each animal four times, while the first man sprinkles the bitter water upon it and the ground as often as they pass the four cardinal points of the compass.... This done, the women and children are again admitted. The patient cattle are led out one by one to receive their final adornment.... Then, at a given signal, every rope is untied, every tom-tom, pipe, and guitar is banged or blown to the extreme of its endurance, and in an instant the herd, hitherto so patient, is careering down the street in an extremity of terror.... Any one may possess himself of whatever is carried by the cattle. No little skill and a vast amount of courage are shown by the 'timid' Hindoos in this dangerous and exciting pell-mell. The next day is Kanen Pongol, or Pongol of the calves.

"On the evening of this day we find the only token of corruption in the ceremonial." ... Then follows a dance, just as is described by Catlin as _closing_ the Mandan ceremonial, in which very similar scenes occur.

Before adverting to the points of contrast
between the Pongol and the Mandan and Dahoman
ceremonies, I will give an extract from a
book recently published, giving an account of
a country hitherto unexplored--viz. Northern
Patagonia. Traces I think will be recognised of
the same primitive custom, though with evidences
of corruption.

"Three Years Slavery among the Patagonians," by
Guinnard (Bentley, 1871), p. 269.[233]

[233] Much doubt has been expressed as to the
veracity of M. Guinnard's narrative, but
the scenes and customs referred to are
not likely to have been invented; and on
the supposition of a fictitious narrative
(although I see nothing incredible) they
will probably have been imported from true
narratives of other tribes. In either case
they supply additional evidence.

"At certain periods of the year the Indians keep
religious festivals. The first takes place in the
summer, and is consecrated to Vita-ouènetrou (the
god of goodness) for the purpose of thanking him
for all his past favours, and of begging him to
continue them in the future. It is generally the
grand cacique who fixes the date and duration
of the festival.... The preparations are made
with all the religious pomp of which they are
capable; the Indians grease their hair and paint
their faces with greater care than usual.... At
the commencement of the ceremony the women move
their tents provisionally to the centre of the
spot chosen by the cacique. The men do not arrive
until these preparations are finished, they ride
three times round the place at full gallop,
shouting their war cry and shaking their lances.
Then, their rides ended, they range themselves
in single file, and tilt their lances with such
perfect regularity as to make it a striking
sight. The women _afterwards take the places of
their husbands_" (compare Catlin, _sup._, p.
260), "who, after dismounting and tying up their
horses, form a second rank behind them."

"The dance then commences without change of
place, except from right to left. The women sing
in a plaintive tone [laughter being expressly
forbidden during the whole continuance of the
ceremonies], accompanying themselves by striking
a _wooden drum_." Compare Catlin, _sup._, 257.
It is also said (Guinnard, p. 198), "The drum is
composed of a sort of wooden bowl, more or less
large, over which a wild-cat skin is stretched,
or a piece of the paunch of a _horse_. _This
instrument_ ... is much used by them, _especially
in their religious festivals_ and character
dances." The drum is "decorated with colours and
designs similar to those on their faces. The men
pirouette, limping upon the opposite leg to that
of the women." Compare Catlin, 254, 260. "At a
signal given by the cacique presiding over the
festival, cries of alarm are raised, the men
spring into their saddles, abruptly _interrupting
the dance_ to take part in a fantastic cavalcade
round the site of the festival, all waving their
weapons, and raising the sinister cry they utter
in their pillages."

"In the intervals of these exciting diversions
everybody _goes visiting_ in the hope of tasting
a little rotted _milk_ kept in a horse-hide."
Compare Pongol Festival, p. 280.

"At a very early hour on the fourth day, to close
the ceremony, a young _horse_, an _ox_, and two
sheep, given by the richest men amongst them, are
sacrificed to their god. The head turned towards
the east, and the heart still palpitating is hung
upon a lance and inclined towards the rising sun."

"The second festival takes place in the autumn;
it is celebrated in honour of Houacouvou
(_director of_ the evil spirits). The object
of it is to conjure him to preserve them from
all enchantment. As in the first festival, the
Indians dress themselves in their best, and
assemble by tribes only, headed by their cacique.
An assemblage of _all the cattle_ takes place
_en masse_. The men form a double circle around,
galloping unceasingly in opposite directions, so
that none of these unruly animals may escape.
They invoke Houacouvou aloud, throwing down, drop
by drop, fermented _milk_ out of _bull's horns_,
handed to them _by their wives_, while they are
riding round the cattle. After repeating this
ceremony three or _four_ times, they sprinkle
the horses and oxen with whatever remains of the
milk, with the view, they say, of preserving
them from all maladies; this done, each man
_separates his own cattle_, and _drives it to
some distance_, then returns for the purpose of
assembling round the cacique, who, in a long and
fervid address, advises them never to forget
Houacouvou in their prayers, and to lose no
time in preparing themselves to please him, by
carrying desolation amongst the Christians, and
increasing the number of their own flocks and
herds."

This festival, therefore, in its original
conception would not appear to be a worship of
the evil spirit, but of him who curbs him; the
same idea of the subordination of the evil spirit
will be seen in Catlin's account of the Mandans.

There is nothing certainly in this account which
directly connects these Patagonian ceremonies
with the diluvian commemorations, unless,
perhaps, the sacred drum; but there is much in
common with the Pongol and the Mandan which we
have seen to have been commemorative.

The prominence of sun worship will not have
escaped observation; but this discovery cannot
militate against my position, for I have already
shown (p. 160) that such admixture was
probable, and also indicated how it was likely
to have come about. Any hostile argument which
would seek to deprive those ceremonies of their
significance must be directed to the extrusion of
the diluvian symbols.

Further trace of these diluvian ceremonies
might be traced in the Buddhist systems; but
it would open out too large a question for
discussion here.