Chapter LXIII
This is most typical Vaishnava poetry, in one breath blaming Krishna's wiles and proclaiming Him One without second. The note of blame is specially characteristic. In the _Prema Sāgara_:
_'He forsakes goodness; He accepts badness: deceit is pleasing
to Him!'_
In Tagore's King of the Dark Chamber:
_'Well, I tell you, your King's behaviour is--mean, brutal,
shameful!'_
In the _Krishna_ of 'A.E.'
_'I saw the King pass lightly from the beauty that he had betrayed._
_I saw him pass from love to love; and yet the pure, allowed
His claim_
_To be the purest of the pure, thrice holy, stainless, without
blame.'_
6. The golden jar is Krishna's body.
12, 13. All love is one, though you may reject it,--sacred or profane:
_'Cowl of the monk and bowl of wine, how shall the twain by
man be wed'?_
_Yet for the love I bear to thee, these to unite I dare for thee.'_
Hafiz (translated by Walter Leaf).
Vidyāpati might have written (since Vaishnavas never used the Sufī symbol of wine), 'Lust of the flesh and love of Thee . . . these to unite I dare for Thee.'
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Vidyāpati: Bangīya padābali; songs of the love of Rādhā and KrishnaChapter LXIII
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