Chapter XX: Part 20

BRITTANY, or BRITANNY (Fr. _Bretagne_), known as Armorica (_q.v._) until the influx of Celts from Britain, an ancient province and duchy of France, consisting of the north-west peninsula, and nearly corresponding to the departments of Finistère, Côtes-du-Nord, Morbihan, Ille-et-Vilaine and Lower Loire. It is popularly divided into Upper or Western, and Lower or Eastern Brittany. Its greatest length between the English Channel and the Atlantic Ocean is 250 kilometres (about 155 English miles), and its superficial extent is 30,000 sq. kilometres (about 18,630 English sq. m.). It comprises two distinct zones, a maritime zone and an inland zone. In the centre there are two plateaus, partly covered with _landes_, unproductive moorland: the southern plateau is continued by the Montagnes Noires, and the northern is dominated by the Monts d'Arrée. These ranges nowhere exceed 1150 ft. in height, but from their wild nature they recall the aspect of high mountains. The waterways of Brittany are for the most part of little value owing to their torrent-like character. The only river basin of any importance is that of the Vilaine, which flows through Rennes. The coast is very much indented, especially along the English Channel, and is rocky and lined with reefs and islets. The mouths of the rivers form deep estuaries. Thus nature itself condemned Brittany to remain for a long time shut out from civilization. But in the 19th century the development of railways and other means of communication drew Brittany from its isolation. In the 19th century also agriculture developed in a remarkable manner. Many of the _landes_ were cleared and converted into excellent pasturage, and on the coast market-gardening made great progress. In the fertile districts cereals too are cultivated. Industrial pursuits, except in a few seaport towns, which are rather French than Breton, have hitherto received but little attention.

The Bretons are by nature conservative. They cling with almost equal attachment to their local customs and their religious superstitions. It was not till the 17th century that paganism was even nominally abolished in some parts, and there is probably no district in Europe where the popular Christianity has assimilated more from earlier creeds. Witchcraft and the influence of fairies are still often believed in. The costume of both sexes is very peculiar both in cut and colour, but varies considerably in different districts. Bright red, violet and blue are much used, not only by the women, but in the coats and waistcoats of the men. The reader will find full illustrations of the different styles in Bouet's _Breiz-izel, ou vie des Breions de l'Armorique_ (1844). The Celtic language is still spoken in lower Brittany. Four dialects are pretty clearly marked (see the article CELT: _Language_, "_Breton_," p. 328). Nowhere has the taste for marvellous legends been kept so green as in Brittany; and an entire folk-literature still flourishes there, as is manifested by the large number of folk-tales and folk-songs which have been collected of late years.

The whole duchy was formerly divided into nine bishoprics:--Rennes, Dol, Nantes, St Malo and St Brieuc, in Upper Brittany and Tréguier, Vannes, Quimper and St Pol de Léon in Lower.

_History._--Of Brittany before the coming of the Romans we have no exact knowledge. The only traces left by the primitive populations are the megalithic monuments (dolmens, menhirs and cromlechs), which remain to this day in great numbers (see STONE MONUMENTS). In 56 B.C. the Romans destroyed the fleet of the Veneti, and in 52 the inhabitants of Armorica took part in the great insurrection of the Gauls against Caesar, but were subdued finally by him in 51. Roman civilization was then established for several centuries in Brittany.

In the 5th century numbers of the Celtic inhabitants of Britain, flying from the Angles and Saxons, emigrated to Armorica, and populated a great part of the peninsula. Converted to Christianity, the new-comers founded monasteries which helped to clear the land, the greater part of which was barren and wild. The Celtic immigrants formed the counties of Vannes, Cornouaille, Léon and Domnonée. A powerful aristocracy was constituted, which owned estates and had them cultivated by serfs or villeins. The Celts sustained a long struggle against the Frankish kings, who only nominally occupied Brittany. Louis the Pious placed a native chief Nomenoë at the head of Brittany. There was then a fairly long period of peace; but Nomenoë rebelled against Charles the Bald, defeated him, and forced him, in 846, to recognize the independence of Brittany. The end of the 9th century and the beginning of the 10th were remarkable for the invasions of the Northmen. On several occasions they were driven back--by Salomon (d. 874) and afterwards by Alain, count of Vannes (d. 907)--but it was Alain Barbetorte (d. 952) who gained the decisive victory over them.

In the second half of the 10th century and in the 11th century the counts of Rennes were predominant in Brittany. Geoffrey, son of Conan, took the title of duke of Brittany in 992. Conan II., Geoffrey's grandson, threatened by the revolts of the nobles, was attacked also by the duke of Normandy (afterwards William I. of England). Alain Fergent, one of his successors, defeated William in 1085, and forced him to make peace. But in the following century the Plantagenets succeeded in establishing themselves in Brittany. Conan IV., defeated by the revolted Breton nobles, appealed to Henry II. of England, who, in reward for his help, forced Conan to give his daughter in marriage to his son Geoffrey. Thus Henry II. became master of Brittany, and Geoffrey was recognized as duke of Brittany. But this new dynasty was not destined to last long. Geoffrey's posthumous son, Arthur, was assassinated by John of England in 1203, and Arthur's sister Alix, who succeeded to his rights, was married in 1212 to Pierre de Dreux, who became duke. This was the beginning of a ducal dynasty of French origin, which lasted till the end of the 15th century.

From that moment the ducal power gained strength in Brittany and succeeded in curbing the feudal nobles. Under French influence civilization made notable progress. For more than a century peace reigned undisturbed in Brittany. But in 1341 the death of John III., without direct heir, provoked a war of succession between the houses of Blois and Montfort, which lasted till 1364. This war of succession was, in reality, an incident of the Hundred Years' War, the partisans of Blois and Montfort supporting respectively the kings of France and England. In 1364 John of Montfort (d. 1399) was recognized as duke of Brittany under the style of John IV.[1], but his reign [v.04 p.0618] was constantly troubled, notably by his struggle with Olivier de Clisson (1336-1407). John V. (d. 1442), on the other hand, distinguished himself by his able and pacific policy. During his reign and the reigns of his successors, Francis I., Peter II. and Arthur III., the ducal authority developed in a remarkable manner. The dukes formed a standing army, and succeeded in levying hearth taxes (_fouages_) throughout Brittany. Francis II. (1435-1488) fought against Louis XI., notably during the War of the Public Weal, and afterwards engaged in the struggle against Charles VIII., known as "The Mad War" (_La Guerre Folle_). After the death of Francis II. the king of France invaded Brittany, and forced Francis's daughter, Anne of Brittany, to marry him in 1491. Thus the reunion of Brittany and France was prepared. After the death of Charles VIII. Anne married Louis XII. Francis I., who married Claude, the daughter of Louis XII. and Anne, settled the definitive annexation of the duchy by the contract of 1532, by which the maintenance of the privileges and liberties of Brittany was guaranteed. Until the Revolution Brittany retained its own estates. The royal power, however, was exerted to reduce the privileges of the province as much as possible. It often met with vigorous resistance, notably in the 18th century. The struggle was particularly keen between 1760 and 1769, when E. A. de V. du Plessis Richelieu, duc d'Aiguillon, had to fight simultaneously the estates and the parliament, and had a formidable adversary in L. R. de C. de la Chalotais. But under the monarchy the only civil war in Brittany in which blood was shed was the revolt of the duc de Mercoeur (d. 1602) against the crown at the time of the troubles of the League, a revolt which lasted from 1589 to 1598. Mention, however, must also be made of a serious popular revolt which broke out in 1675--"the revolt of the stamped paper."

See Bertrand d'Argentré, _Histoire de Bretagne_ (Paris, 1586); Dom Lobineau, _Histoire de Bretagne_ (Paris, 1702); Dom Morice, _Histoire de Bretagne_ (1742-1756); T. A. Trollope, _A Summer in Brittany_ (1840); A. du Chatellier, _L'Agriculture et les classes agricoles de la Bretagne_ (1862); F. M. Luzel, _Légendes chrétiennes de la Basse-Bretagne_ (Paris, 1881), and _Veillées bretonnes_ (Paris, 1879); A. Dupuy, _La Réunion de la Bretagne à la France_ (Paris, 1880), and _Études sur l'administration municipale en Bretagne au XVIII^e siècle_ (1891); J. Loth, _L'Émigration bretonne en Armorique du V^e au VII^e siècle_ (Rennes, 1883); H. du Cleuziou, _Bretagne artistique et pittoresque_ (Paris, 1886); Arthur de la Borderie, _Histoire de Bretagne_ (Rennes, 1896 seq.); J. Lemoine, _La Révolte du papier timbré ou des bonnets rouges en Bretagne en 1675_ (1898); M. Marion, _La Bretagne et le duc d'Aiguillon_ (Paris, 1898); B. Pocquet, _Le Duc d'Aiguillon et la Chalotais_ (Paris, 1900-1902); Anatole le Braz, _Vieilles Histoires du pays breton_ (1897), and _La Légende de la mort_ (Paris, 1902); Ernest Lavisse, _Histoire de France_, vol. i. (Paris, 1903); Henri Sée, _Étude sur les classes rurales en Bretagne au moyen âge_ (1896), and _Les Classes rurales en Bretagne du XVI^e siècle à la Revolution_ (1906).

[1] Certain authorities count the father of this duke, another John of Montfort (d. 1345), among the dukes of Brittany, and according to this enumeration the younger John becomes John V., not John IV., and his successor John VI. and not John V.

BRITTON, JOHN (1771-1857), English antiquary, was born on the 7th of July 1771 at Kington-St-Michael, near Chippenham. His parents were in humble circumstances, and he was left an orphan at an early age. At sixteen he went to London and was apprenticed to a wine merchant. Prevented by ill-health from serving his full term, he found himself adrift in the world, without money or friends. In his fight with poverty he was put to strange shifts, becoming cellarman at a tavern and clerk to a lawyer, reciting and singing at a small theatre, and compiling a collection of common songs. After some slight successes as a writer, a Salisbury publisher commissioned him to compile an account of Wiltshire and, in conjunction with his friend Edward Wedlake Brayley, Britton produced _The Beauties of Wiltshire_ (1801; 2 vols., a third added in 1825), the first of the series _The Beauties of England and Wales_, nine volumes of which Britton and his friend wrote. Britton was the originator of a new class of literary works. "Before his time," says Digby Wyatt, "popular topography was unknown." In 1805 Britton published the first part of his _Architectural Antiquities of Great Britain_ (9 vols., 1805-1814); and this was followed by _Cathedral Antiquities of England_ (14 vols., 1814-1835). In 1845 a Britton Club was formed, and a sum of £1000 was subscribed and given to Britton, who was subsequently granted a civil list pension by Disraeli, then chancellor of the exchequer. Britton was an earnest advocate of the preservation of national monuments, proposing in 1837 the formation of a society such as the modern Society for the Preservation of Ancient Monuments. Britton himself supervised the reparation of Waltham Cross and Stratford-on-Avon church. He died in London on the 1st of January 1857.

Among other works with which Britton was associated either as author or editor are _Historical Account of Redcliffe Church, Bristol_ (1813); _Illustrations of Fonthill Abbey_ (1823); _Architectural Antiquities of Normandy_, with illustrations by Pugin (1825-1827); _Picturesque Antiquities of English Cities_ (1830); and _History of the Palace and Houses of Parliament at Westminster_ (1834-1836), the joint work of Britton and Brayley. He contributed much to the _Gentleman's Magazine_ and other periodicals.

His _Autobiography_ was published in 1850. A _Descriptive Account of his Literary Works_ was published by his assistant T.E. Jones.

BRITTON, the title of the earliest summary of the law of England in the French tongue, which purports to have been written by command of King Edward I. The origin and authorship of the work have been much disputed. It has been attributed to John le Breton, bishop of Hereford, on the authority of a passage found in some MSS. of the history of Matthew of Westminster; there are difficulties, however, involved in this theory, inasmuch as the bishop of Hereford died in 1275, whereas allusions are made in _Britton_ to several statutes passed after that time, and more particularly to the well-known statute _Quia emptores terrarum_, which was passed in 1290. It was the opinion of Selden that the book derived its title from Henry de Bracton, the last of the chief justiciaries, whose name is sometimes spelled in the fine Rolls "Bratton" and "Bretton", and that it was a royal abridgment of Bracton's great work on the customs and laws of England, with the addition of certain subsequent statutes. The arrangement, however, of the two works is different, and but a small proportion of Bracton's work is incorporated in _Britton_. The work is entitled in an early MS. of the 14th century, which was once in the possession of Selden, and is now in the Cambridge university library, _Summa de legibus Anglie que vocatur Bretone_; and it is described as "a book called Bretoun" in the will of Andrew Horn, the learned chamberlain of the city of London, who bequeathed it to the chamber of the Guildhall in 1329, together with another book called _Mirroir des Justices_.

_Britton_ was first printed in London by Robert Redman, without a date, probably about the year 1530. Another edition of it was printed in 1640, corrected by E. Wingate. A third edition of it, with an English translation, was published at the University Press, Oxford, 1865, by F. M. Nichol. An English translation of the work without the Latin text had been previously published by R. Kelham in 1762.

BRITZSKA, or BRITSKA (from the Polish _bryczka_; a diminutive of _bryka_, a goods-wagon), a form of carriage, copied in England from Austria early in the 19th century; as used in Poland and Russia it had four wheels, with a long wicker-work body constructed for reclining and a calash (hooded) top.

BRIVE, or BRIVES-LA-GAILLARDE, a town of south-central France, capital of an arrondissement in the department of Corrèze, 62 m. S.S.E. of Limoges on the main line of the Orléans railway from Paris to Montauban. Pop. (1906) town 14,954; commune 20,636. It lies on the left bank of the Corrèze in an ample and fertile plain, which is the meeting-place of important roads and railways. The _enceinte_ which formerly surrounded the town has been replaced by shady boulevards, and a few wide thoroughfares have been made, but many narrow winding streets and ancient houses still remain. Outside the boulevards lie the modern quarters, also the fine promenade planted with plane trees which stretches to the Corrèze and contains the chief restaurants and the theatre. Here also is the statue of Marshal Guillaume Marie Anne Brune, who was a native of Brive. A fine bridge leads over the river to suburbs on its right bank. The public buildings are of little interest apart from the church of St Martin, which stands in the heart of the old town. It is a building of the 12th century in the Romanesque style of Limousin, with three narrow naves of almost equal height. The ecclesiastical seminary occupies a graceful mansion of the 16th century, with a façade, a staircase and fireplaces of fine Renaissance workmanship. Brive is the seat of a sub-prefect [v.04 p.0619] and has a tribunal of first instance, a tribunal of commerce, a communal college and a school of industry. Its position makes it a market of importance, and it has a very large trade in the early vegetables and fruit of the valley of the Corrèze, and in grain, live-stock and truffles. Table-delicacies, paper, wooden shoes, hats, wax and earthenware are manufactured, and there are slate and millstone workings and dye-works.

In the vicinity are numerous rock caves, many of them having been used as dwellings in prehistoric times. The best known are those of Lamouroux, excavated in stages in a vertical wall of rock, and four grotto-chapels resorted to by pilgrims in memory of St Anthony of Padua, who founded a Franciscan monastery at Brive in 1226. Under the Romans Brive was known as _Briva Curretiae_ (bridge of the Corrèze). In the middle ages it was the capital of lower Limousin.

BRIXEN (Ital. _Bressanone_), a small city in the Austrian province of Tirol, and the chief town of the administrative district of Brixen. Pop. (1900) 5767. It is situated in the valley of the Eisack, at the confluence of that stream with the Rienz, and is a station on the Brenner railway, being 34 m. south-east of that pass, and 24 m. north-east of Botzen. The aspect of the city is very ecclesiastical; it is still the see of a bishop, and contains an 18th-century cathedral church, an episcopal palace and seminary, twelve churches and five monasteries. The see was founded at the end of the 8th century (possibly of the 6th century) at Säben on the rocky heights above the town of Klausen (some way to the south of Brixen), but in 992 was transferred to Brixen, which, perhaps a Roman station, became later a royal estate, under the name of _Prichsna_, and in 901 was given by Louis the Child to the bishop. In 1027 the bishop received from the emperor Conrad II. very extensive temporal powers, which he only lost to Austria in 1803. The town was surrounded in 1030 by walls. In 1525 it was the scene of the first outbreak of the great peasants' revolt. About 5½ m. north of Brixen is the great fortress of Franzensfeste, built 1833-1838, to guard the route over the Brenner and the way to the east up the Pusterthal.

(W. A. B. C.)

BRIXHAM, a seaport and market town in the Torquay parliamentary division of Devonshire, England, 33 m. S. of Exeter, on a branch of the Great Western railway. Pop. of urban district (1901) 8092. The town is irregularly built on the cliffs to the south of Torbay, and its harbour is sheltered by a breakwater. Early in the 19th century it was an important military post, with fortified barracks on Berry Head. It is the headquarters of the Devonshire sea-fisheries, having also a large coasting trade. Shipbuilding and the manufacture of ropes, paint and sails are industries. There is excellent bathing, and Brixham is in favour as a seaside resort. St Mary's, the ancient parish church, has an elaborate 14th-century font and some monuments of interest. At the British Seamen's Orphans' home boys are fed, clothed and trained as apprentices for the merchant service. A statue commemorates the landing, in 1688, of William of Orange.

_Brixham Cave_, called also Windmill Hill Cavern, is a well-known ossiferous cave situated near Brixham, on the brow of a hill composed of Devonian limestone. It was discovered by chance in 1858, having been until then hermetically sealed by a mass of limestone breccia. Dr Hugh Falconer with the assistance of a committee of geologists excavated it. The succession of beds in descending order is as follows:--(1) Shingle consisting of pebbles of limestone, slate and other local rocks, with fragments of stalagmite and containing a few bones and worked flints. The thickness varies from five to sixteen feet. (2) Red cave earth with angular fragments of limestone, bones and worked flints, and having a thickness of 3 to 4 ft. (3) Remnants (_in situ_) of an old stalagmitic floor about nine inches thick. (4) Black peaty soil varying in thickness, the maximum being about a foot. (5) Angular debris fallen from above varying in thickness from one to ten feet. (6) Stalagmite with a few bones and antlers of reindeer, the thickness varying from one to fifteen inches. Of particular interest is the presence of patches or ledges of an old stalagmitic floor, three to four feet above the present floor. On the under-side, there are found attached fragments of limestone and quartz, showing that the shingle bed once extended up to it, and that it then formed the original floor. The shingle therefore stood some feet higher than it does now, and it is supposed that a shock or jar, such as that of an earthquake, broke up the stalagmite, and the pebbles and sand composing the shingle sunk deeper into the fissures in the limestone. This addition to the size of the cave was partially filled up by the cave earth. At a later period the fall of angular fragments at the entrance finally closed the cave, and it ceased to be accessible except to a few burrowing animals, whose remains are found above the second and newer stalagmite floor.

The fauna of Brixham cavern closely resembles that of Kent's Hole. The bones of the bear, horse, rhinoceros, lion, elephant, hyena and of many birds and small rodents were unearthed. Altogether 1621 bones, nearly all broken and gnawed, were found; of these 691 belonged to birds and small rodents of more recent times. The implements are of a roughly-chipped type resembling those of the Mousterian period. From these structural and palaeontological evidences, geologists suppose that the formation of the cave was carried on simultaneously with the excavation of the valley; that the small streams, flowing down the upper ramifications of the valley, entered the western opening of the cave, and traversing the fissures in the limestone, escaped by the lower openings in the chief valley; and that the rounded pebbles found in the shingle bed were carried in by these streams. It would be only at times of drought that the cave was frequented by animals, a theory which explains the small quantity of animal remains in the shingle. The implements of man are relatively more common, seventeen chipped flints having been found. As the excavation of the valley proceeded, the level of the stream was lowered and its course diverted; the cave consequently became drier and was far more frequently inhabited by predatory animals. It was now essentially an animal den, the occasional visits of man being indicated by the rare occurrence of flint-implements. Finally, the cave became a resort of bears; the remains of 334 specimens, in all stages of growth, including even sucking cubs, being discovered.

See Sir Joseph Prestwich, _Geology_ (1888); Sir John Evans, _Ancient Stone Implements of Great Britain_, p. 512; Report on the Cave, _Phil. Trans._ (Royal Society, 1873).

BRIXTON, a district in the south of London, England, included in the metropolitan borough of Lambeth (_q.v._).

BRIZEUX, JULIEN AUGUSTE PÉLAGE (1803-1858), French poet, was born at Lorient (Morbihan) on the 12th of September 1803. He belonged to a family of Irish origin, long settled in Brittany, and was educated for the law, but in 1827 he produced at the Théâtre Français a one-act verse comedy, _Racine_, in collaboration with Philippe Busoni. A journey to Italy in company with Auguste Barbier made a great impression on him, and a second visit (1834) resulted in 1841 in the publication of a complete translation of the _Divina Commedia_ in _terza rima_. With _Primel el Nola_ (1852) he included poems written under Italian influence, entitled _Les Ternaires_ (1841), but in the rustic idyl of _Marie_ (1836) turned to Breton country life; in _Les Bretons_ (1845) he found his inspiration in the folklore and legends of his native province, and in _Telen-Aroor_ (1844) he used the Breton dialect. His _Histoires poétiques_ (1855) was crowned by the French Academy. His work is small in bulk, but is characterized by simplicity and sincerity. Brizeux was an ardent student of the philology and archaeology of Brittany, and had collected materials for a dictionary of Breton place-names He died at Montpellier on the 3rd of May 1858.

His _Oeuvres complètes_ (2 vols., 1860) were edited with a notice of the author by Saint-René Taillandier. Another edition appeared in 1880-1884 (4 vols.). A long list of articles on his work may be consulted in an exhaustive monograph, _Brizeux; sa vie et ses oeuvres_ (1898), by the abbé C. Lecigne.

BRIZO, an ancient goddess worshipped in Delos. She delivered oracles in dreams to those who consulted her about fishery and seafaring. The women of Delos offered her presents consisting of little boats filled with all kinds of eatables (with the exception of [v.04 p.0620] fish) in order to obtain her protection for those engaged on the sea (Athenaeus viii. p. 335).

BROACH, or BHARUCH, an ancient city and modern district of British India, in the northern division of Bombay. The city is on the right bank of the Nerbudda, about 30 m. from the sea, and 203 m. N. of Bombay. The area, including suburbs, occupies 2-1/6 sq. m. Pop. (1901) 42,896. The sea-borne trade is confined to a few coasting vessels. Handloom-weaving is almost extinct, but several cotton mills have been opened. There are also large flour-mills. Broach is the Barakacheva of the Chinese traveller Hsüan Tsang and the Barygaza of Ptolemy and Arrian. Upon the conquest of Gujarat by the Mahommedans, and the formation of the state of that name, Broach formed part of the new kingdom. On its overthrow by Akbar in 1572, it was annexed to the Mogul empire and governed by a Nawab. The Mahrattas became its masters in 1685, from which period it was held in subordination to the peshwa until 1772, when it was captured by a force under General Wedderburn (brother to Lord Loughborough), who was killed in the assault. In 1783 it was ceded by the British to Sindhia in acknowledgment of certain services. It was stormed in 1803 by a detachment commanded by Colonel Woodington, and was finally ceded to the East India Company by Sindhia under the treaty of Sarji Anjangaom.

The DISTRICT OF BROACH contains an area of 1467 sq. m. Consisting chiefly of the alluvial plain at the mouth of the river Nerbudda, the land is rich and highly cultivated, and though it is without forests it is not wanting in trees. The district is well supplied with rivers, having in addition to the Nerbudda the Mahi in the north and the Kim in the south. The population comprises several distinct races or castes, who, while speaking a common dialect, Gujarati, inhabit separate villages. Thus there are Koli, Kunbi or Voro (Bora) villages, and others whose lands are almost entirely held and cultivated by high castes, such as Rajputs, Brahmans or Parsees. In 1901 the population was 291,763, showing a decrease of 15%, compared with an increase of 5% in the preceding decade. The principal crops are cotton, millet, wheat and pulse. Dealing in cotton is the chief industry, the dealers being organized in a gild. Besides the cotton mills in Broach city there are several factories for ginning and pressing cotton, some of them on a very large scale. The district is traversed throughout its length by the Bombay & Baroda railway, which crosses the Nerbudda opposite Broach city on an iron-girder bridge of 67 spans. The district suffered severely from the famine of 1899-1900.

BROACH (Fr. _broche_, a pointed instrument, Med. Lat. _brocca_, cf. the Latin adjective _brochus_ or _broccus_, projecting, used of teeth), a word, of which the doublet "brooch" (_q.v._) has a special meaning, for many forms of pointed instruments, such as a bodkin, a wooden needle used in tapestry-making, a spit for roasting meat, and a tool, also called a "rimer," used with a wrench for enlarging or smoothing holes (see TOOL). From the use of a similar instrument to tap casks, comes "to broach" or "tap" a cask. A particular use in architecture is that of "broach-spire," a term employed to designate a particular form of spire, found only in England, which takes its name from the stone roof of the lower portion. The stone spire being octagonal and the tower square on plan, there remained four angles to be covered over. This was done with a stone roof of slight pitch, compared with that of the spire, and it is the intersection of this roof with the octagonal faces of the spire which forms the broach.

BROADSIDE, sometimes termed BROADSHEET, a single sheet of paper containing printed matter on one side only. The broadside seems to have been employed from the very beginning of printing for royal proclamations, papal indulgences and similar documents. England appears to have been its chief home, where it was used chiefly for ballads, particularly in the 16th century, but also as a means of political agitation and for personal statements of all kinds, especially for the dissemination of the dying speeches and confessions of criminals. It is prominent in the history of literature because, particularly during the later part of the 17th century, several important poems, by Dryden, Butler and others, originally appeared printed on the "broad side" of a sheet. The term is also used of the simultaneous discharge of the guns on one side of a ship of war.

BROADSTAIRS, a watering-place, in the Isle of Thanet parliamentary division of Kent, England, 3 m. S.E. of Margate, on the South-Eastern & Chatham railway. Pop. of urban district, Broadstairs and St Peter's (1901) 6466. From 1837 to 1851 Broadstairs was a favourite summer resort of Charles Dickens, who, in a sketch called "Our English Watering-Place," described it as a place "left high and dry by the tide of years." This seaside village, with its "semicircular sweep of houses," grew into a considerable town owing to the influx of summer visitors, for whose entertainment there are, besides the "Albion" mentioned by Dickens, numerous hotels and boarding-houses, libraries, a bathing establishment and a fine promenade. Dickens' residence was called Fort House, but it became known as Bleak House, through association with his novel of that name, though this was written after his last visit to Broadstairs in 1851. Broadstairs has a small pier for fishing-boats, first built in the reign of Henry VIII. An archway leading down to the shore bears an inscription showing that it was erected by George Culmer in 1540, and not far off is the site of a chapel of the Virgin, to which ships were accustomed to lower their top-sails as they passed. St Peter's parish, lying on the landward side of Broadstairs, and included in the urban district, has a church dating from the 12th to the end of the 16th century. Kingsgate, on the North Foreland, north of Broadstairs on the coast, changed its name from St Bartholomew's Gate in honour of Charles II.'s landing here with the duke of York in 1683 on his way from London to Dover. Stonehouse, close by, now a preparatory school for boys, was the residence of Archbishop Tait, whose wife established the orphanage here.

BROCA, PAUL (1824-1880), French surgeon and anthropologist, was born at Sainte-Foy la Grande, Gironde, on the 28th of June 1824. He early developed a taste for higher mathematics, but circumstances decided him in adopting medicine as his profession. Beginning his studies at Paris in 1841, he made rapid progress, becoming house-surgeon in 1844, assistant anatomical lecturer in 1846, and three years later professor of surgical anatomy. He had already gained a reputation by his pathological researches. In 1853 he was named fellow of the Faculty of Medicine, and in 1867 became member of the Academy of Medicine and professor of surgical pathology to the Faculty. During the years occupied in winning his way to the head of his profession he had published treatises of much value on cancer, aneurism and other subjects. It was in 1861 that he announced his discovery of the seat of articulate speech in the left side of the frontal region of the brain, since known as the convolution of Broca. But famous as he was as a surgeon, his name is associated most closely with the modern school of anthropology. Establishing the Anthropological Society of Paris in 1859, of which he was secretary till his death, he was practically the inventor of the modern science of craniology. He rendered distinguished service in the Franco-German War, and during the Commune by his organization and administration of the public hospitals. He founded _La Revue d'Anthropologie_ in 1872, and it was in its pages that the larger portion of his writings appeared. In his last years Broca turned from his labours in the region of craniology to the exclusive study of the brain, in which his greatest triumphs were achieved (see APHASIA). He was decorated with the Legion of Honour in 1868, and was honorary fellow of the leading anatomical, biological and anthropological societies of the world. He died on the 9th of July 1880. A statue of him by Choppin was erected in 1887 in front of the Faculty of Medicine in Paris.

BROCADE, the name usually given to a class of richly decorative shuttle-woven fabrics, often made in coloured silks and with or without gold and silver threads. Ornamental features in brocade are emphasized and wrought as additions to the main fabric, sometimes stiffening it, though more frequently producing on its face the effect of low relief. These additions present a distinctive appearance on the back of the stuff where [v.04 p.0621] the weft or floating threads of the brocaded or broached parts hang in loose groups or are clipped away.

n" (The Merciful) several times repeated in olive green on a gold-thread ground. Pairs of seated animals, _addorsed regardant_ and geese _vis-à-vis_ are worked within the lozenge-shaped compartments of the trellis framework which regulates the pattern. Both animals and birds are separated by conventional trees, and the latter are enclosed in inscriptions of Kufic characters. _Siculo-Saracenic_; 11th or 12th century. 5½ in. sq.]

The Latin word _broccus_ is related equally to the Italian _brocato_, the Spanish _brocar_ and the French _brocarts_ and _brocher_, and implies a form of stitching or broaching, so that textile fabrics woven with an appearance of stitching or broaching have consequently come to be termed "brocades." A Spanish document dated 1375 distinguishes between _los draps d'or é d'argent o de seda_ and _brocats d'or é d'argent_, a difference which is readily perceived, upon comparing for instance cloths of gold, Indian kincobs, with Lyons silks that are _brochés_ with threads of gold, silk or other material. Notwithstanding this, many Indian kincobs and dainty gold and coloured silk-weavings of Persian workmanship, both without floating threads, are often called brocades, although in neither is the ornamentation really _broché_ or brocaded. Contemporary in use with the Spanish _brocats_ is the word _brocado_. In addition to _brocarts_ the French now use the word _brocher_ in connexion with certain silk stuffs which however are not brocades in the same sense as the _brocarts_. A wardrobe account of King Edward IV. (1480) has an entry of "satyn broched with gold"--a description that fairly applies to such an enriched satin as that for instance shown in fig. 4. But some three centuries earlier than the date of that specimen, decorative stuffs were partly _brochés_ with gold threads by oriental weavers, especially those of Persia, Syria and parts of southern Europe and northern Africa under the domination of the Saracens, to whom the earlier germs, so to speak, of brocading may be traced. Of such is the 11th or 12th century Siculo-Saracenic specimen in fig. 1, in which the heads only of the pairs of animals and birds are broched with gold thread. Another sort of brocaded material is indicated in fig. 2, taken from a part of a sumptuous Siculo-Saracenic weaving produced in coloured silks and gold threads at the famous Hotel des Tiraz in Palermo for an official robe of Henry IV. (1165-1197) as emperor of the Holy Roman Empire, and still preserved in the cathedral of Regensburg. Fig. 3 is a further variety of textile that would be classed as _brocat_. This is of the 12th or 13th century manufacture, possibly by German or Rhenish-Byzantine weavers, or even by Spanish weavers, many of whom at Almeria, Malaga, Grenada and Seville rivalled those at Palermo. In the 14th century the making of satins heavily brocaded with gold threads was associated conspicuously with such Italian towns as Lucca, Genoa, Venice and Florence. Fig. 4 is from a piece of 14th-century dark-blue satin broached in relief with gold thread in a design the like of which appears in the background of Orcagna's "Coronation of the Virgin," now in the National Gallery, London. During the 17th century Genoa, Florence and Lyons vied with each other in making brocades in which the enrichments were as frequently of coloured silks as of gold intermixed with silken threads. Fig. 5 is from a piece of crimson silk damask flatly brocaded with flowers, scroll forms, fruit and birds in gold. This is probably of Florentine workmanship. Rather more closely allied to modern brocades is the Lyons specimen given in fig. 6, in which the brocading is done not only with silver but also with coloured silks. Early in the 18th century Spitalfields was busy as a competitor with Lyons in manufacturing many sorts of brocades, specified in a collection of designs preserved in the national art library of the Victoria and [v.04 p.0622] Albert Museum, under such trade titles as "brocade lutstring, brocade tabby, brocade tissue, brocade damask, brocade satin, Venetian brocade, and India figured brocade." Brocading in China seems to be of considerable antiquity, and Dr Bushell in his valuable handbook on Chinese art cites a notice of five rolls of brocade with dragons woven upon a crimson ground, presented by the emperor Ming Ti of the Wei dynasty, in the year A.D. 238, to the reigning empress of Japan; and varieties of brocade patterns are recorded as being in use during the Sung dynasty (960-1279). The first edition of an illustrated work upon tillage and weaving was published in China in 1210, and contains an engraving of a loom constructed to weave flowered-silk brocades such as are woven at the present time at Suchow and Hangchow and elsewhere. On the other hand, although they are described usually as brocades, certain specimens of imperial Chinese robes sumptuous in ornament, sheen of coloured silks and the glisten of golden threads, are woven in the tapestry-weaving manner and without any floating threads. It seems reasonable to infer that Persians and Syrians derived the art of weaving brocades from the Chinese, and as has been indicated, passed it on to Saracens as well as Europeans.

(A. S. C.)

Illustration: FIG. 5.--Piece of crimson silk damask brocaded in gold thread with symmetrically arranged flowers, scrolls, birds, &c. Italian (?Florentine). Late 17th century; about 2 ft. 6 in. long.]

BROCCHI, GIOVANNI BATTISTA (1772-1826), Italian mineralogist and geologist, was born at Bassano on the 18th of February 1772. He studied at the university of Pisa, where his attention was turned to mineralogy and botany. In 1802 he was appointed professor of botany in the new lyceum of Brescia; but he more especially devoted himself to geological researches in the adjacent districts. The fruits of these labours appeared in different publications, particularly in his _Trattato mineralogico e chemico sulle miniere di ferro del dipartimento del Mella_ (1808)--treatise on the iron mines of Mella. These researches procured him the office of inspector of mines in the recently established kingdom of Italy, and enabled him to extend his investigations over great part of the country. In 1811 he produced a valuable essay entitled _Memoria mineralogica sulla Valle di Fassa in Tirolo_; but his most important work is the _Conchiologia fossile subapennina con osservazioni geologiche sugli Apennini, e sul suolo adiacente_ (2 vols., 4to, Milan, 1814), containing accurate details of the structure of the Apennine range, and an account of the fossils of the Italian Tertiary strata compared with existing species. These subjects were further illustrated by his geognostic map, and his _Catalogo ragionato di una raccolta di rocce, disposto con ordine geografico, per servire alla geognosia dell' Italia_ (Milan, 1817). His work _Dello stato fisico del suolo di Roma_ (1820), with its accompanying map, is likewise noteworthy. In it he corrected the erroneous views of Breislak, who conceived that Rome occupies the site of a volcano, to which he ascribed the volcanic materials that cover the seven hills. Brocchi pointed out that these materials were derived either from Mont Albano, [v.04 p.0623] an extinct volcano, 12 m. from the city, or from Mont Cimini, still farther to the north. Several papers by him, on mineralogical subjects, appeared in the _Biblioteca Italiana_ from 1816 to 1823. In the latter year Brocchi sailed for Egypt, in order to explore the geology of that country and report on its mineral resources. Every facility was granted by Mehemet Ali, who in 1823 appointed him one of a commission to examine the district of Sennaar; but Brocchi, unfortunately for science, fell a victim to the climate, and died at Khartum on the 25th of September 1826.

BROCHANT DE VILLIERS, ANDRÉ JEAN FRANÇOIS MARIE (1772-1840), French mineralogist and geologist, was born at Villiers, near Nantes, on the 6th of August 1772. After studying at the École Polytechnique, he was in 1794 the first pupil admitted to the École des Mines. In 1804 he was appointed professor of geology and mineralogy in the École des Mines, which had been temporarily transferred to Pezay in Savoy, and he returned with the school to Paris in 1815. Later on he became inspector general of mines and a member of the Academy of Sciences. He investigated the transition strata of the Tarantaise, wrote on the position of the granite rocks of Mont Blanc, and on the lead minerals of Derbyshire and Cumberland. He was charged with the superintendence of the construction of the geological map of France, undertaken by his pupils Dufrénoy and Elie de Beaumont. He died in Paris on the 16th of May 1840. His publications include _Traité élémentaire de minéralogie_ (2 vols., 1801-1802; 2nd ed., 1808), and _Traité abrégé de cristallographie_ (Paris, 1818).

BROCHANTITE, a mineral species consisting of a basic copper sulphate Cu_4(OH)_6SO_4, crystallizing in the orthorhombic system. The crystals are usually small and are prismatic or acicular in habit; they have a perfect cleavage parallel to the face lettered a in the adjoining figure. They are transparent to translucent, with a vitreous lustre, and are of an emerald-green to blackish-green colour. Specific gravity 3.907; hardness 3½-4. The mineral was first found associated with malachite and native copper in the copper mines of the Urals, and was named by A. Lévy in 1824 after A.J.M. Brochant de Villiers. Several varieties, differing somewhat in crystalline form, have been distinguished, some of them having originally been described as distinct species, but afterwards proved to be essentially identical with brochantite; these are königine from the Urals, brongniartine from Mexico, krisuvigite from Iceland, and warringtonite from Cornwall. Of other localities, mention may be made of Roughten Gill, Caldbeck Fells, Cumberland, where small brilliant crystals are associated with malachite and chrysocolla in a quartzose rock; Rézbánya in the Bihar Mountains, Hungary; Atacama in Chile, with atacamite, which closely resembles brochantite in general appearance; the Tintic district in Utah. A microscopical examination of the green copper ores of secondary origin in the Clifton and Morenci district of Arizona proves brochantite to be of extremely common occurrence mostly intergrown with malachite which effectually masks its presence: it is not unlikely that the malachite of other localities will on examination be found to be intergrown with brochantite.

Mention may be here made of another orthorhombic basic copper sulphate not unlike brochantite in general characters, but differing from it in containing water of crystallization and in its fine blue colour; this is the Cornish mineral langite, which has the composition CuSO_4·3Cu(OH)_2+H_2O.

(L. J. S.)

BROCK, SIR ISAAC (1769-1812), British soldier and administrator, was born at St Peter Port, Guernsey, on the 6th of October 1769. Joining the army at the age of fifteen as an ensign of the 8th regiment, he became a lieutenant-colonel in 1797, after less than thirteen years' service. He commanded the 49th regiment in the expedition to North Holland in 1799, was wounded at the battle of Egmont-op-Zee, and subsequently served on board the British fleet at the battle of Copenhagen. From 1802 to 1805 he was with his regiment in Canada, returning thither in 1806 in view of the imminence of war between Great Britain and the United States. From September 1806 till August 1810 he was in charge of the garrison at Quebec; in the latter year he assumed the command of the troops in Upper Canada, and soon afterwards took over the civil administration of that province as provisional lieutenant-governor. On the outbreak of the war of 1812 Brock had to defend Upper Canada against invasion by the United States. In the face of many difficulties and not a little disaffection, he organized the militia of the province, drove back the invaders, and on the 16th of August 1812, with about 730 men and 600 Indians commanded by their chief Tecumseh, compelled the American force of 2500 men under General William Hull (1753-1825) to surrender at Detroit, an achievement which gained him a knighthood of the Bath and the popular title of "the hero of Upper Canada" From Detroit he hurried to the Niagara frontier, but on the 13th of October in the same year was killed at the battle of Queenston Heights. The House of Commons voted a public monument to his memory, which was erected in Saint Paul's cathedral, London. On the 13th of October 1824, the twelfth anniversary of his death, his remains were removed from the bastions of Fort George, where they had been originally interred, and placed beneath a monument on Queenston Heights, erected by the provincial legislature. This was blown up by a fanatic in 1840, but as the result of a mass-meeting of over 8000 citizens held on the spot, a new and more stately monument was erected.

His _Life and Correspondence_ by his nephew, Ferdinand Brock Tupper (2nd edition, London, 1847), still remains the best; later lives are by D.R. Read (Toronto, 1894), and by Lady Edgar (Toronto and London,1905).

(W. L. G.)

BROCK, THOMAS (1847- ), English sculptor, was the chief pupil of Foley, and later became influenced by the new romantic movement. His group "The Moment of Peril" was followed by "The Genius of Poetry," "Eve," and other ideal works that mark his development. His busts, such as those of Lord Leighton and Queen Victoria; his statues, such as "Sir Richard Owen" and "Dr Philpott, bishop of Worcester"; his sepulchral monuments, such as that to Lord Leighton in St Paul's cathedral, a work of singular significance, refinement and beauty; and his memorial statues of Queen Victoria, at Hove and elsewhere, are examples of his power as a portraitist, sympathetic in feeling, sound and restrained in execution, and dignified and decorative in arrangement. The colossal equestrian statue of "Edward the Black Prince" was set up in the City Square in Leeds in 1901, the year in which the sculptor was awarded the commission to execute the vast Imperial Memorial to Queen Victoria in front of Buckingham Palace. Brock was elected an associate of the Royal Academy in 1883 and full member in 1891.

BROCKEN, a mountain of Germany, in Prussian Saxony, the highest point (3733 ft.) of the Harz. It is a huge, bare, granite-strewn, dome-shaped mass and, owing to its being the greatest elevation in north Germany, commands magnificent views in all directions. From it Magdeburg and the Elbe, the towers of Leipzig and the Thuringian forest are distinctly visible in clear weather. Access to the summit is attained by a mountain railway (12 m.) from Dreiannen-Hohne, a station on the normal gauge line Wernigerode-Nordhausen, and by two carriage roads from the Bodetal and Ilsenburg respectively. In the folklore of north Germany the Brocken holds an important place, and to it cling many legends. Long after Christianity had penetrated to these regions, the Brocken remained a place of heathen worship. Annually, on Walpurgis night (1st of May), curious rites were here enacted, which, condemned by the priests of the Christian church, led to the belief that the devil and witches here held their orgies. Even to this day, this superstition possesses the minds of many country people around, who believe the mountain to be haunted on this night. In literature [v.04 p.0624] it is represented by the famous "Brocken scene" in Goethe's _Faust_.

See Jacobs, _Der Brocken in Geschichte und Sage_ (Halle, 1878); and Pröhle, _Brockensagen_ (Magdeburg, 1888).

BROCKEN, SPECTRE OF THE (so named from having been first observed in 1780 on the Brocken), an enormously magnified shadow of an observer cast upon a bank of cloud when the sun is low in high mountain regions, reproducing every motion of the observer in the form of a gigantic but misty image of himself.

BROCKES, BARTHOLD HEINRICH (1680-1747), German poet, was born at Hamburg on the 22nd of September 1680. He studied jurisprudence at Halle, and after extensive travels in Italy, France and Holland, settled in his native town in 1704. In 1720 he was appointed a member of the Hamburg senate, and entrusted with several important offices. Six years (from 1735 to 1741) he spent as _Amtmann_ (magistrate) at Ritzebtütel. He died in Hamburg on the 16th of January 1747. Brockes' poetic works were published in a series of nine volumes under the fantastic title _Irdisches Vergnügen in Gott_ (1721-1748); he also translated Marini's _La Strage degli innocenti_ (1715), Pope's _Essay on Man_ (1740) and Thomson's _Seasons_ (1745). His poetry has small intrinsic value, but it is symptomatic of the change which came over German literature at the beginning of the 18th century. He was one of the first German poets to substitute for the bombastic imitations of Marini, to which he himself had begun by contributing, a clear and simple diction. He was also a pioneer in directing the attention of his countrymen to the new poetry of nature which originated in England. His verses, artificial and crude as they often are, express a reverential attitude towards nature and a religious interpretation of natural phenomena which was new to German poetry and prepared the way for Klopstock.

Brockes' autobiography was published by J.M. Lappenberg in the _Zeitschrift des Vereins für Hamburger Geschichte,_ ii. pp. 167 ff. (1847). See also A. Brandl, _B. H. Brockes_ (1878), and D.F. Strauss, _Brockes und H.S. Reimarus_ (_Gesammelte Schriften_, ii.). A short selection of his poetry will be found in vol. 39 (1883) of Kürschner's _Deutsche Nationalliteratur_.

BROCKHAUS, FRIEDRICH ARNOLD (1772-1823), German publisher, was born at Dortmund, on the 4th of May 1772. He was educated at the gymnasium of his native place, and from 1788 to 1793 served an apprenticeship in a mercantile house at Düsseldorf. He then devoted two years at Leipzig to the study of modern languages and literature, after which he set up at Dortmund an emporium for English goods. In 1801 he transferred this business to Arnheim, and in the following year to Amsterdam. In 1805, having given up his first line of trade, he began business as a publisher. Two journals projected by him were not allowed by the government to survive for any length of time, and in 1810 the complications in the affairs of Holland induced him to return homewards. In 1811 he settled at Altenburg. About three years previously he had purchased the copyright of the _Konversations-Lexikon_, started in 1796, and in 1810-1811 he completed the first edition of this celebrated work (14th ed. 1901-4). A second edition under his own editorship was begun in 1812, and was received with universal favour. His business extended rapidly, and in 1818 Brockhaus removed to Leipzig, where he established a large printing-house. Among the more extensive of his many literary undertakings were the critical periodicals--_Hermes_, the _Literarisches Konversationsblatt_ (afterwards the _Blätter für literarische Unterhaltung_), and the _Zeitgenossen_, and some large historical and bibliographical works, such as Raumer's _Geschichte der Hohenstaufen_, and Ebert's _Allgemeines bibliographisches Lexikon_. F.A. Brockhaus died at Leipzig on the 20th of August 1823. The business was carried on by his sons, Friedrich Brockhaus (1800-1865) who retired in 1850, and Heinrich Brockhaus (1804-1874), under whom it was considerably extended. The latter especially rendered great services to literature and science, which the university of Jena recognized by making him, in 1858, honorary doctor of philosophy. In the years 1842-1848, Heinrich Brockhaus was member of the Saxon second chamber, as representative for Leipzig, was made honorary citizen of that city in 1872, and died there on the 15th of November 1874.

See H. E. Brockhaus, _Friedrich A. Brockhaus, sein Leben und Wirken nach Briefen und andern Aufzeichnungen_ (3 vols., Leipzig, 1872-1881); also by the same author, _Die Firma F. A. Brockhaus von der Begrundung bis zum hundertjahrigen Jubilaum_ (1805-1905, Leipzig, 1905).