Skip to content

Chapter VI: Part 6

Text size

In fig. 417, we have trebles made in the same manner as fig. 416, only that instead of putting the needle under one edge of the stitch beneath, you put it under both, and between the trebles of the last row.

DOUBLE TREBLES OR ‘LONG STITCH’ (fig. 418).—Turn the thread twice round the needle, put it into a stitch of the work and bring the thread through in a loop, then take up the thread on the needle and bring it through two of the loops, three times in succession.

TRIPLE AND QUADRUPLE TREBLES OR ‘EXTRA LONG STITCH’ (fig. 419).—For a triple treble, twist the cotton three times round the needle, for a quadruple one, four times, then form the treble in the usual way by bringing the needle through two of the loops at a time. To make a series of trebles, of gradually increasing length, bring the needle, at every other treble, through the last three loops, so that before making a triple treble you will have to make columns, respectively, 1 treble, 1½ treble, 2 trebles and 2½ trebles long. Columns like these, of different lengths, are often required in crochet work, for leaves and scalloped edgings.

CONNECTED TREBLES (fig. 420).—Trebles, connected together, can be worked to and fro, and take the place of plain stitches. Begin with a chain, then make a treble of the required height, form as many loops as you made overs for the treble, take up the upper thread of the stitch nearest the treble, turn the thread round the needle, bring it back to the right side and draw the needle through the trebles, two at a time.

CROSSED TREBLES (figs. 421 and 422).—Trebles of this sort produce an open stitch, which is often used for the footing of lace, or for an insertion. Make a foundation of chain, or other stitches, and proceed as follows: 3 chain, miss 2 stitches of the row beneath, make 1 treble in the third stitch, 5 chain, 1 over, put the needle in between the loops of the connected trebles and finish with a treble. Then make a double over, put the needle into the next loop of the preceding row, make another over, draw the needle through the loops, make another over and join the two next loops. This leaves 3 loops on the needle. Make an over, put the needle into the third stitch of the row beneath, make an over, and bring the needle back to the right side.

Join the 5 loops on the needle together, 2 and 2, make 2 chain, 1 over, put the needle into the upper parts of the connected trebles and finish with a treble, and so on.

These trebles also can be lengthened if necessary, but in that case, the width of the crossed treble must correspond with the height. Generally speaking you make the trebles over the same number of stitches as you made overs on the needle, which should always be an even number.

TREBLES FOR A CHAIN.—A quicker way of making a wide footing for a crochet lace is to make the trebles in the following manner.

Make 4 chain stitches, 2 overs, put the needle into the first of the 4 chain, 1 over, draw the thread through the stitch *, 1 over, draw the thread through the next 2 loops and repeat twice from * = ** 2 overs, put the needle into the left bottom part of the treble, close the treble as before and repeat from **.

(5) KNOT STITCH (fig. 423).—This stitch which is composed of several loops forming a tuft, can only be worked from one side, consequently all one way. It looks best in a coarse material to show the interlacing of the threads.

Enter the needle through the two loops of the stitches of the bottom row, turn the thread round the needle, but away from you towards the back; bring it forward to the right side, put the needle again through one of the bottom stitches, make another over like the first and draw the needle through all the bars at once.

(6) BULLION STITCH (figs. 424 and 425).—For bullion stitch, select a needle, a little thicker towards the handle, and finer than you would use for any other crochet stitch.

Begin by making a chain of very loose stitches, then wind the thread several times, very evenly, round the needle. Insert the needle into a loop of the chain, make a single over, and draw it with the last over upon it, through all the other overs.

Trebles in bullion stitch, fig. 425, are worked in just the same manner, only that you have to turn the thread, at least 10 or 12 times round the needle and draw it through all the overs at once. To facilitate the passage of the needle, keep the overs in their place with the thumb and forefinger of the left hand.

Bullion stitch can only be worked with wool or a very fleecy thread, such as Coton à repriser D.M.C,[A] but trebles in bullion stitch can be worked in any of the D.M.C threads and cottons.

(7) CLUSTER STITCH (fig. 426).—Generally used as an insertion between rows of plain crochet.

Put the needle under one stitch of the preceding row, make an over, draw the thread through in a loop, make another over, put the needle in again under the same stitch, bring it back, make a third over, and pass a third time under the same stitch; bring the needle back, make a fourth over and pass the needle through all the loops that are upon it.

Then, after making a chain stitch, begin the same stitch over again, placing it in the second stitch of the lower row.

Cluster stitch may also be finished off by retaining the two last loops on the needle, making an over, and ending with a plain stitch.

(8) DOUBLE STITCH (fig. 427).—A rather coarse thread, such as Coton à tricoter D.M.C Nos. 6 to 12, Cordonnet 6 fils D.M.C Nos. 3 to 10, or Fil à pointer D.M.C Nos. 10 to 30[A] is better for this stitch than a loose fleecy thread which is apt to render it indistinct. Take up a loop right and left of a stitch of the preceding row, so that counting the loop of the last stitch, you have 3 loops on the needle, make an over and draw it through the 3 loops. Then take up a loop again by the side of the one you made on the left, and which now lies on the right. Take 2 loops in the next stitch, make an over and draw it through all the loops.

RAISED STITCH (fig. 428).—All the stitches that come under this heading require a foundation of a few plain rows for the raised trebles. In fig. 428, you will observe that the fourth stitch in the fourth row is a double treble, connected with a loop of the fourth stitch of the first row.

Miss the stitch of the preceding row, which is hidden under the treble, make 3 plain stitches, 1 double treble, and so on.

Having finished this row, turn the work and make a plain row. In the next row begin with 4 plain stitches, then make 1 double treble between the 3 stitches that are between the first trebles, 3 plain stitches, 2 double trebles and so on.

In the 8th row of plain stitches, the trebles must be placed in the same order as in the 4th.

RAISED STITCH WITH CROSSED TREBLES (fig. 429).—Begin, as in fig. 428, by 3 rows of plain stitches. The 4th row begins with 2 plain stitches followed by: * 1 double treble joined to the upper part of the 1st stitch of the 1st row; keep the 2 last loops of this treble on the needle; make a double over for the next treble, pass the needle through the fourth stitch of the first row, make an over, turn the thread round the needle, bring it back, finish the treble all but the last 3 loops, which you crochet together. Miss the stitch behind the treble, make 3 plain stitches and repeat from *.

Then turn the work, make one plain row, and turn the work back to the right side.

The second row of trebles begins with a plain stitch. The way in which the trebles are to be crossed is shewn in the illustration.

RAISED STITCH WITH DOTS (fig. 430).—After making 3 plain rows, begin the 4th with 3 plain stitches, and proceed as follows: * 6 trebles into the 4th plain stitch of the preceding row, leaving the last loop of each treble on the needle, so that altogether you have 7 loops upon it; then you turn the thread once round the needle and draw it through the loops; miss the stitch that is underneath the dot, make 3 plain stitches and repeat from *.

Then make 3 rows of plain stitches; in the 4th row, the 1st dot is made in the 4th stitch, so that the dots stand out in relief.

RAISED DOTS WITH TREBLES (fig. 431).—Turn the work after making 3 rows of plain stitches, make 3 stitches more in the 4th stitch of the 1st row, * 6 trebles, drop the last stitch of the 6th treble, put the needle into the stitch between the last plain stitch and the 1st treble, take the dropped loop of the last treble and draw it through the one on the needle; miss the stitch under the dot, make 5 plain stitches and repeat from *.

RAISED DOTS IN SLANTING LINES (fig. 432).—On the rows of stitches that have been previously prepared, make, for the 4th stitch of the 4th row, a cluster stitch, as in fig. 426, with 1 quadruple over and then 4 plain stitches, 1 cluster stitch and so on. The next row is plain; in the second you have to make 1 plain stitch more, and fasten the cluster stitches into the loops to the left of the second of the 3 covered rows. In this way you have to make each raised stitch, one stitch, in advance and to the left of the last, so that they run in slanting lines over the surface.

CLOSE SHELL STITCH (fig. 433).—This pretty stitch which can only be worked in rows, all one way, is more especially suitable for children’s jackets and petticoats; it is easy, and has the merit of being quickly done. On a foundation of chain, or other stitches, make: 2 chain, 7 trebles on the 4th stitch, * 1 chain, 7 trebles on the 5th stitch of the last row and repeat from *.

2nd row—** 7 trebles on the chain stitch of the last row which connects 7 bars, 1 plain stitch on the 4th of the 7 trebles of the first row and repeat from **.

PICOTS.—The edges of most crochet work are ornamented with picots, or small points of different shapes, called severally close picots, chain picots and lace picots.

Close picots may be subdivided into, large and small, pointed, and rounded, picots with rounded leaves and picots with pointed leaves.

SMALL ROUNDED PICOTS.—These may either be made separately and then sewn on, or made at once, on to a crochet border. In the first case, begin with 3 chain, then coming back, make 1 plain stitch on the second and on the first chain stitch. In the second case make: 1 chain, take the needle out of the stitch and put it in from the right side, under both edges of the last stitch, take up the dropped stitch, bring it to the right side, * 3 chain; then returning: 1 plain stitch on each chain, draw the needle out, put it in from the right side into the second stitch of the row beneath, take up the loop, bring it back to the right side, and repeat from *.

LARGE ROUNDED PICOTS.—5 chain, miss 3, 1 treble on the 2nd and 1 treble on the 1st chain stitch.

When you want to attach these picots at once to an existing piece of work, drop the last loop and bring it back again with the needle from the wrong side to the right and miss 2 stitches, instead of one, as in the case of the small picots.

POINTED PICOTS.—Cast on 6 chain, then returning, and missing the 6th stitch: 1 single stitch, 1 plain stitch, 1 half treble, 1 treble, 1 double treble.

PICOTS WITH ROUNDED LEAVES.—* 4 chain, and 3 trebles on the first stitch, and 1 single on the same stitch on which the trebles were, **, or 6 chain and repeat from * to **.

When these picots serve as a finish to a straight edge, make 2 single stitches in the preceding row instead of 2 chain.

PICOTS WITH POINTED LEAVES.—6 chain, on the first chain stitch: 3 double trebles, of which you retain the two last loops on the hook, 1 over, draw the thread through the 4 loops, 5 chain, 1 single on the stitch on which the trebles are.

CHAIN PICOTS.—For the small chain picots, make: 5 chain and 1 plain stitch on the first of these 5 stitches. For the large ones: 5 chain and 1 treble on the first stitch.

PICOTS IN BULLION STITCH (figs. 424 and 425).—5 chain, 1 treble in bullion stitch drawn up into a ring, and joined to the 5th chain stitch.

DROOPING PICOTS (fig. 434).—5 chain, drop the loop, put the needle into the first of the 5 chain, take up the dropped loop, and draw it through the stitch.

LACE PICOTS (figs. 435 and 436).—Fig. 435 represents picots formed of chain stitches, as follows: 2 chain, put the needle into the first, 1 over, bring the thread back to the front, 2 chain: * put the needle into the two loops, and at the same time, into the second loop and the first chain, draw the thread through in a loop, make 2 chain and repeat from *.

In order to make the picots more even and regular, it is advisable to form them over a coarse knitting needle or mesh.

Fig. 436 represents picots attached by plain stitches to the edge of a finished piece of work; this is done as follows: 1 plain stitch, draw out the loop to the proper length for a picot, and slip it on a mesh: put the needle into the horizontal parts of the last stitches, turn the thread round the needle, draw it through in a loop, and make 1 plain stitch on the next stitch and so on.

METHOD FOR COPYING TAPESTRY PATTERNS IN CROCHET WORK (figs. 437 and 438).—Printed cross stitch and embroidery patterns can very well be copied in crochet work especially when they are in two colours only, or rather, are drawn in one colour, on a plain ground.

The way in which such patterns are copied in crochet is by means of chain stitches and trebles, which, rising one above the other in rows, form little squares. For each square marked on the pattern, you must count, in the grounding, 1 treble and 2 chain stitches; in the solid parts, 3 trebles.

The squares formed by the chain stitches should always begin and end with a treble.

When, therefore, a solid square comes between empty or foundation squares, count 4 trebles for the solid square, because the last treble of the last empty square touches the third treble of the solid one.

Thus for 2 solid squares, side by side, count 7 trebles, and for 3 squares, 10. Embroidery patterns worked in several colours can be reproduced in crochet either by trebles and rows worked one way only, cutting off the thread at the end of each row, or by plain stitches, worked in rows to and fro.

When only three colours are used, pass two threads under the stitches; when more than two, leave those which are not in use, at the back of the work and only bring them to the front as they are wanted. The thread, you lay aside, takes at the back the place of the one in use. Of course, the threads not in use can only can be disposed of in this way when the work has a wrong side, otherwise they must be passed underneath the stitches. The colours should alternate in the order the pattern prescribes; moreover, the last stitch before you take another colour cannot be finished with the same thread, you must pass the new thread through the last loop and draw it up with that.

]

CROCHET WITH SOUTACHE OR LACET (BRAID) (figs. 439 and 440).—These are two patterns of crochet, worked with the ordinary crochet cottons and with Soutache or Lacet D.M.C, a material which has not been used for crochet work before.

Both patterns are worked entirely with trebles; in fig. 439, the red braid passes over and under 2 trebles; in fig. 440, it is brought, it will be observed, from the wrong side to the right after every 2 trebles, and passed between them, in such a manner as to form a slanting stitch between the rows of stitches.

CROCHET SQUARE (fig. 441).—Begin with 4 chain stitches, and work 1 single on the 1st chain, to make a round. Work, 1 chain and 2 plain on the next chain, 3 plain on each of the next 3 chain, 1 plain on the stitch on which the two first plain are worked.

Slip the next stitch, that is, put the needle in between the horizontal bars of the 1st plain stitch of the previous row, and draw the thread out without making a stitch.

Then make 1 chain and 2 plain on the slipped stitch.

After which, you make 3 plain on the second of the 3 plain that form the corner, and 1 plain on all the other stitches of the last row. The beginning and end of each row, are worked as described above.

Fig. 441 represents a square, worked in consecutive rows. In making a crochet square, the rows may end in the middle of a side.

When you use a stitch that has to be worked to and fro, you turn your work at the end of every row and work back along the stitches you have just made.

CROCHET HEXAGON (fig. 442).—Make a foundation chain of 6 stitches, join the round; 12 plain on the 6 chain; finish the row as indicated for the previous figure == turn the work == * 1 plain, 3 plain on the second plain of the last row; repeat 5 times from *. Finish the row with 1 single == turn the work == 2 plain, 3 plain on the second of the first 3 plain; 3 plain and so on. These hexagons can be made of any size.

COLOURED STAR WORKED INTO A LIGHT GROUND (fig. 443).—Begin with 3 chain, join the ring = 2 plain on each of the 3 chain; then for the foundation, 1 plain with the dark thread, and 1 with the light on each of the 6 plain.

In each subsequent row, make one dark stitch more, increasing regularly, that is, making 2 stitches on the last light stitch that comes before the dark ones.

Proceed in this manner until you have 6 or 8 dark stitches, in all and then begin to decrease in every row by one, until there is at last only one dark stitch remaining.

These stars are used in the making of purses, cap-crowns and mats for lamps, etc.

TUNISIAN CROCHET.—Tunisian crochet is also called crochet-knitting because, you have to cast on all the first row of stitches, as in knitting.

MATERIALS—Every kind of cotton, as well as wool and silk, can be used for Tunisian crochet: the stitches look equally well in all these materials, but for things that require frequent washing or cleaning, a good washing material should be selected, such as Coton à tricoter D.M.C and Cordonnet 6 fils D.M.C[A], both strong and suitable in all ways.

As we have already said, Tunisian crochet requires to be done with a long straight needle, with a knob at one end and it can only be worked on the right side.

PLAIN TUNISIAN CROCHET (fig. 444).—After making a foundation chain of the required length, begin the first, or loop row as it is called. Put the needle into the 2nd chain stitch, draw a loop through and so on, until you have taken up all the chain stitches on the needle. After having made the last stitch of the loop row, make 1 chain stitch and then pass to the second row that completes the stitch. Turn the thread round the needle, draw it through two loops, turn the thread round again, and again draw it through two loops, and so on to the end.

STRAIGHT PLAITED TUNISIAN STITCH (fig. 445).—Worked thus: miss the first loop in the 1st row, take up the second, and come back to the first, so that the 2 loops are crossed. Work the second row in the same manner as the second row of the preceding figure.

DIAGONAL PLAITED TUNISIAN STITCH (fig. 446).—Worked like the preceding, taking up first the second loop and then the first: the second row also, in the same way as before. In the third row, take up the first stitch, and draw the third through the second, so as to produce diagonal lines across the surface of the work.

OPEN TUNISIAN STITCH.—This is an easy kind of Tunisian crochet. The first row is worked as in fig. 444. In the row of plain stitches, you alternately join 2 and 3, or 3 and 4 loops of the preceding row together, and replace them by as many chain stitches.

DECREASING AND INCREASING IN TUNISIAN CROCHET (fig. 447). Our illustration shows how to decrease on both sides and by that means form scallops.

You miss a stitch alternately on the right and left. On the right you crochet the first two stitches together, and at the end of the row, the last two, and so on, to the end. You increase in the same order, first on the right and then on the left.

HAIRPIN CROCHET (figs. 448, 449, 450).—So called because it is worked on a kind of large steel hairpin or fork with two or more prongs. Wooden and nickel varieties of this implement, which are patented by Mme Besson, of Paris, are also used.

Very pretty laces, fringes, gimp headings and the like can be made in this kind of crochet work. It is often used in combination with ordinary crochet and plain and scalloped braids and gimps, or as a heading for fringes made of tufts and pendant balls. There are a great many stitches which can be worked in hairpin-crochet. We shall only describe those here that will best teach our readers how the work is done.

MATERIALS.—For washing laces, Cordonnet 6 fils D.M.C is the best; for furniture fringes, the lower numbers of Coton à tricoter D.M.C, and for producing the appearance of filoselle, the lower numbers of Coton à repriser D.M.C are to be taken.

STITCHES.—Begin by a chain stitch, made with an ordinary crochet needle, take the needle out of the loop, and insert the left prong of the fork upwards from below, holding the fork between the thumb and finger of the left hand. The thread should always be in front. Then put the thread over the right prong and the needle into the loop on the left prong, take up the thread, draw it through the loop, put the thread over the needle and draw it through the loop that is on the needle, twist the loop round the left prong, turn the needle round to the right (the thread will now be wound round the right prong); put the needle into the loop on the left prong, throw the thread over the needle, draw it through, tighten the loops and so on.

These stitches may be doubled, or you may make several trebles on each loop, or arrange the plain stitches in different ways.

MATERIALS: Fil à pointer D.M.C No. 20 or 30, or Cordonnet 6 fils D.M.C Nos. 4 to 15, white or écru.[A]]

HAIRPIN INSERTION (fig. 451).—Begin by making stripes with the fork, covering each thread with two plain stitches. Then join the stripes together by the loops, drawing the left loop over the right one and the right one over the left. When you come to the end of the stripes fasten off the last loops by a few stitches. To strengthen the edges, join two loops together by 1 plain, 2 chain, 1 plain and so on.

MATERIALS—For the hairpin work: Fil à pointer D.M.C Nos. 20 to 30, or Cordonnet 6 fils D.M.C Nos. 3 to 10, white or écru. For the edge. Coton à tricoter D.M.C Nos. 16 to 30.

COLOURS: Rouge-Cardinal 347, or Jaune-Rouille 364, or Brun-Marron 406.[A]]

HAIRPIN LACE (fig. 452).—When, by making two half trebles in each loop, you have got the necessary length of hairpin crochet, join the loops two and two, by means of a coloured thread which makes a good contrast with the thread of which the hairpin crochet is made. Work 1 plain stitch joining 2 loops on the right, 2 chain, 1 plain joining the 2 loops on the left; then 2 chain and come back to the right, and so on, until you have taken up all the loops. This forms the zigzag in the middle.

1st row—join 3 loops by: 1 plain, 5 chain.

2nd row—on the 5 chain stitches: 1 plain, 1 half-treble, 3 trebles, 1 picot, made with 5 chain (for the chain picots, see p. 237), 1 half-treble, 1 plain. The footing of this lace is made like the one in fig. 451.

HAIRPIN FRINGES (figs. 453, 454, 455, 456).—Fig. 453 is made with a fork composed of one branch and 3 or 4 rulers, round which the thread is wound in succession, so as to form loops of different lengths. You may use for this, either a single very coarse thread, or else several fine ones, used together as one.

The heading of the fringe is plain, and heavy tassels are fastened into the loops. The tassels are made as follows: take a thick skein of the same thread the fringe is made of, pass it through the loop, leaving just the length required for the tassel, at one end, thread a needle with the same thread and twist it round the skein, the right distance from the top to form the head of the tassel and then cut the ends even, at the bottom. As the loops are of different lengths, the tassels will hang in steps and the fuller and heavier they are, the handsomer the fringe will be.

MATERIALS: Coton à tricoter D.M.C Nos. 6 to 16.[A]

COLOURS: Écru and Jaune-Rouille 363, 368, or Gris-Tilleul 331 and Rouge-Cornouille 449 and 450, or three other shades.[A]]

Fig. 454 represents another pattern of fringe, the first part of which is made with the same fork as the preceding one. Instead however of winding the thread round the several prongs in succession, you pass it alternately round the two first and the fourth, thus making loops of two lengths only. Tassels of a length, suited to the purpose the fringe is intended for, depend from these loops and may be varied in the second row by balls made to issue from the middle, or by long meshes, which are made over the whole width of the fork and affixed to the loops.

Figs. 455 and 456 represent two pretty patterns of fringes made of écru cotton with a strong twist. These are very suitable for washing articles, as the cotton balls wash perfectly.

MATERIALS—For the crochet-work: Cordonnet 6 fils D.M.C Nos. 3 to 10, or Fil à pointer D.M.C Nos. 10 to 30. For the balls: Coton à repriser D.M.C Nos. 8 to 16.]

The loops in fig. 455 are all of one length and a ball hangs from every third. In the last chapter but one, a minute description is given of the way in which these balls are made. The heading of the loops is formed by a row of chain stitches, varying in number from four to six, according to the size of the cotton. The edge is ornamented with little picots. The fringe, in fig. 456, consists of three long and three short loops alternately, which causes, the balls that are made to depend from them, to form two parallel lines.

If you join the loops of the heading together, three and three, you will have to make enough chain stitches to cover the space that is to be filled.

The picots are made with 6 chain stitches, you put the needle back into the fifth stitch after closing the picot, make 1 chain, 2 plain, in the preceding row, 1 picot and so on.

FRINGE MADE WITH LACET OR BRAID (fig. 457).—This is an easy fringe to make and a very effective trimming for table-cloths, curtains etc., which are embroidered on coarse stuffs.

Begin with a foundation chain, in coarse écru twist, the light stitch in the middle of the heading of the fringe being also made of the same material.

In the next row, you use the twist and the braid together, as follows—with the twist = 1 chain stitch, put the needle into the first stitch of the foundation chain, take up the braid, draw it through, turn the twist round the needle, draw it through the braid and the chain stitch. To make the braid loops longer, they may be made over a wooden ruler. To the two rows of braid stitches, represented in the pattern, you may add as many other rows as you please. On the fringed side make: 4 plain, 3 chain, draw out one very long loop and fasten into it a cluster of lengths of braid from 10 to 12 c/m. long, and draw the loop tightly round it to secure the tassel; 3 plain on the chain stitches. Repeat from *.

MATERIALS: Lacet D.M.C No. 4 or Soutache D.M.C NO. 2½ in red. Cordonnet 6 fils D.M.C Nos. 3 to 10. Fil à pointer D.M.C Nos. 10 to 30, écru.[A]]

MATERIALS: Fil d’Alsace D.M.C Nos. 30 to 50, or Cordonnet 6 fils D.M.C No. 80, white[A] and Point Lace braid.]

LACE MADE ON POINT LACE BRAID (fig. 458).—For the rounds: 1 plain on the braid, 10 chain, then coming back, 1 single on the 4th chain.

In this first round you make: 1 chain, 1 half-treble, 12 trebles *, 1 half-treble, 1 chain, 1 single on the 4th chain; 3 chain, 1 single on the braid, far enough from the 1st chain for the rounds not to overlap each other. Then 10 chain, 1 single on the 4th chain, 1 single, 1 half-treble, 4 trebles, join to the first round between the 8th and 9th trebles, 8 trebles and repeat from *. For the footing: 1 treble, 1 chain, miss a few threads of the edge of the braid, 1 treble.

MATERIALS: Fil d’Alsace D.M.C Nos. 70 to 90. Cordonnet 6 fils D.M.C Nos. 80 to 120, or Fil à dentelle D.M.C Nos. 40 to 70.]

CROCHET GUIPURE LACE (fig. 459).—This charming little lace makes a very good substitute for real guipure. It can be made on a row of trebles, just as well as on point lace braid, or on a mignardise, after you have raised the picots of it by single and chain stitches.

6 plain *, 9 chain, leave an interval equalling in length 6 bars of the point lace braid used in our pattern; in the braid: 6 plain stitches, very close together, 8 chain, 1 single on the 7th of the 9 chain, 10 chain, 1 single on the 3d of the 9 chain, 8 chain, 1 plain close to the first of the first 6 plain.

1st scallop—7 plain, 5 chain, join to the 4th chain; on the 5th chain: 6 plain; on the 8th chain: 3 plain.

2nd scallop—on the 10 chain: 7 plain, 5 chain, join to the 4th chain = on the 5 chain: 6 plain = on the 10 chain, 5 plain, 5 chain, join to the 4th chain, 6 plain, 5 chain, join to the 4th chain, 6 chain, 1 plain on the 10th chain.

3rd scallop—like the first, then repeat from *.

MATERIALS: The same as for 458.]

LACE MADE ON POINT LACE BRAID (fig. 460).—On the braid, work a row of trebles, 1 or 2 chain stitches apart, according to the size of the braid and on this row of trebles, make two other rows as follows:

1st row—5 chain, 1 treble on the treble of the preceding row, 5 chain, 1 treble, on the same stitch to which the first treble is joined, 5 chain, miss 3 trebles, 1 treble on the 4th treble of the row beneath.

2nd row—1 plain on the 3rd of the 5 first chain, 3 plain, 1 treble on the 3rd of the chain stitches between the two trebles of the first row that come close together; 3 chain, 1 treble on the same stitch, 3 chain, 1 treble on the same stitch, 3 chain, 1 treble on the 3rd of the next 5 chain.

MATERIALS: Lacet superfin D.M.C No. 14 and Fil d’Alsace D.M.C Nos. 30 to 70.[A]]

CROCHET LACE (fig. 461).—1st row—3 plain close together, in the braid; * 13 chain, join to the 1st plain. On each of the first 6 chain; 1 plain; = on the 7th chain: 3 plain, then on the other chain stitches: 6 plain. In the braid: 7 plain and repeat from *.

2nd row—* miss 2 plain of the first row, 5 plain to reach the 2nd stitch added in the first row, 4 plain on the 2nd added stitch, 4 plain on the next stitches. Repeat from *.

For an insertion, drop the thread after the 2nd of the 4 stitches that are to be made at the point, then put the needle into the stitch of the finished stripe, take up the thread again, draw it through the stitch and proceed to the second side of the scallop.

MATERIALS—According to the mignardise used. Fil d’Alsace D.M.C Nos. 30 to 70, or Fil à dentelle D.M.C Nos. 25 to 70.[A]]

CROCHET LACE WITH MIGNARDISE (fig. 462).—This and all the patterns that follow, up to fig. 473, make very useful trimmings for all kinds of underclothing. Begin by raising the picots on both sides of the mignardise by: 1 plain stitch and 1 chain.

The rows of crochet work between, consist of: 1 treble on 1 chain, 4 chain, miss 2 picots of the mignardise, 1 treble between the 3rd and 4th picot.

Work the edge in two rows.

1st row—1 treble between 2 picots, 3 chain, miss 2 picots, 1 treble.

2nd row—1 treble on 3 chain, 3 chain, 1 treble, 3 chain, 3 trebles, 7 chain, turn back and join to the 1st of the 3 trebles, 2 chain, join them to the 2nd treble, 2 trebles on the 7 chain; keep the last loops of the last treble on the needle and join them to those of the next treble.

MATERIALS: Fil d’Alsace D.M.C Nos. 20 to 100, Cordonnet 6 fils D.M.C Nos. 25 to 80 or Fil à dentelle D.M.C Nos. 25 to 100.]

LACE WITH TWO ROWS OF LEAVES (fig. 463).—This is one of the pleasantest crochet patterns to work that we know. The leaves are made separately and fastened into a foundation with thread, at least two numbers finer than that of which the leaves are made.

Leaf with 5 petals: 8 chain, make a ring = 2 plain on the ring = 1st petal * 11 chain, miss 3 chain, 1 half-treble on the 8th chain, 1 chain, miss the 7th chain, 1 treble on the 6th chain, 1 chain, 1 treble on the 4th chain, 1 chain, 1 treble on the 3rd chain, 2 chain, 2 plain on the ring.

2nd petal: 15 chain, miss 3 chain, 1 half-treble *, 1 chain, miss 1 chain, 1 treble *. Repeat 4 times from * to *; add: 1 chain, 2 trebles on the ring.

3rd petal: 21 chain, miss 3 chain, 1 half-treble *, 1 chain, miss 1, 1 treble *. Repeat 7 times from * to *; add: 1 chain, miss 1, 2 trebles in the ring.

The 4th petal to be worked like the 3rd; the 5th like the 1st.

When the 5 petals are finished, make 2 plain stitches on the ring; then on the chain stitches of the 1st petal: 2 plain, 7 trebles, 2 trebles on the 10th stitch; then descending again: 7 trebles, 2 plain and 3 single on the 3 plain stitches of the ring.

On the 2nd petal work: 3 plain, 10 trebles, 2 trebles on the 14th chain, 10 trebles, 3 plain, 2 single, on the 2 trebles on the ring.

3rd petal: 2 single, 3 plain, 14 trebles, 2 trebles on the 20th chain, 14 trebles, 3 plain, a single.

The 4th petal is worked like the 2nd; the 5th like the 1st, to be followed by 1 single on the 1st of the 3 chain stitches of the ring.

For the stalk: 14 chain; miss 1, 9 plain on the 9 chain; 6 chain, miss 1, 5 plain on the 5 chain, 4 plain on the chain stitches that are still disengaged, 2 single on the ring and then fasten the thread off with a few stitches.

When you have enough leaves, join them together by a row of picots, working from left to right as follows: * take the second petal on the right side of a leaf, put the thread into the 12th stitch; make 2 plain, 1 picot, 1 plain on the stitch on which the picot was made = in all the leaves, the 3rd plain before the picot and the first after, meet in the same stitch beneath = 2 plain, 1 picot, 3 plain, 2 chain = on the 8th stitch of the 3rd petal: 1 plain, 2 plain more on the next stitches **, 1 picot, 3 plain. Repeat 6 times from ** and finish with 2 chain.

On the 7th stitch of the 4th petal: 1 plain, 2 plain on the next stitches ***, 1 picot, 3 plain. Repeat 4 times from ***.

On the 5th stitch of the 5th petal: 1 plain, and on the 4 next, 4 plain ****. Repeat from * to ** round each leaf, then instead of a picot, make 4 chain, join between the 1st and 2nd picot, 4 chain, close the picot. From this point the preceding series of stitches takes the place of the picot that immediately follows the sign **; proceed to ****.

Foundation for the footing of the lace, with a single row of leaves.—When all the leaves are joined together, take the finer number of cotton and fasten your thread to the last stitch of the small stalk; then make: * 2 chain, 1 plain on the 9th stitch of the 5th petal; 6 chain, miss 2, 1 plain on the 3rd stitch; 6 chain, 1 plain on the 3rd stitch, 1 chain, 1 plain on the 5th stitch of the 4th petal; 6 chain, 1 plain on the 3rd chain; 2 chain, 1 plain on the 4th stitch (counting from the bottom) of the 5th petal of the next leaf; 3 chain, 1 single on the last stitch of the long stalk; 3 chain, join to the 3rd chain stitch, 3 chain, draw the thread again in coming back through the 3rd of the second set of 6 chain stitches in the 1st petal; 1 single; turning back and from left to right: 1 single on the plain stitch between the chain stitches, 6 chain, 1 plain on the 2nd of the last 3 chain, 6 chain, 1 plain on the stalk, 6 chain, 1 plain on the 3rd stitch of the stalk; 6 chain, 1 plain on the 4th stitch of the stalk; 7 chain, 1 plain at the top of the little stalk, then repeat from *. The network in the next rows, which may be of any width, is composed of: 6 chain stitches and, 1 plain on the loop of the last row.

For the last row but one of the network, make: 4 chain, 1 plain over each loop, and complete the lace by a row of plain stitches.

To make the leaves stand out from the foundation, use two shades of thread, white and écru, white and Jaune-Rouille 365, or white and Gris-Cendre 415.

The following is the way to join two rows of leaves together, that have previously been edged with picots.

Fasten the thread on to the little stalk, * 3 chain, 1 plain on the 8th stitch of the leaf, 2 chain, join to the middle picot of the 3rd petal of the top leaf; 2 chain, 3 plain on the 5th petal of the bottom row, 1 picot, 3 plain.

For the 2nd petal of the bottom leaf: 3 plain, 1 picot, 3 plain.

For the 5th petal of the next leaf below: 3 plain, 4 chain, 1 single on the long stalk, 5 chain, 1 plain on the 2nd picot of the 1st petal of the preceding leaf, 5 chain, 1 single on the 2nd picot of the 4th petal of the top leaf, 4 chain, 1 plain on the 4th single of the stalk, 3 chain, 1 single on the 7th picot of the 3rd petal of the top leaf, 3 chain, miss 1 stitch of the stalk, 1 plain on the stalk, 3 chain, 1 plain on the 6th picot of the top leaf, 3 chain, 1 plain on the little stalk. Repeat from *.

Three and even four rows of leaves may be joined together in this manner and make a very handsome lace, particularly suitable for church linen.

INSERTION WITH WAVED BRAID (fig. 464).—1 plain stitch at the point of the braid, 7 chain, 1 single on the 2nd chain. On the next chain stitches: 1 half-treble, 1 treble, 1 double treble, 1 triple treble, 1 plain on the next point of the braid.

Repeat the same stitches on the second side, only that after the 6th chain stitch, you draw the thread through the 7th of the 1st finished row.

Little wheels, set between the crochet pyramids, and described in the chapters on filet-guipure and Irish lace, complete the insertion.

]

CROCHET LACE, MADE WITH LEAF BRAID (fig. 465).—Introduce the thread into one of the leaves of the braid and working from right to left, make for the outer border: * 1 plain, 2 chain, 1 picot in bullion stitch, with 5 twists of the thread, 2 chain, 1 treble near the end of the leaf. Leave the last 2 loops of the treble on the needle **.

Take 2 leaves of the braid, fold them one upon the other: 1 treble near the stalk of these folded leaves, tighten the loops of the 2 trebles; chain ***, 1 picot, 2 chain, 1 plain, 2 chain. Repeat 5 times from ***.

Proceed with 1 picot, 2 chain,—there will be 7 picots round the folded leaves—1 treble on the folded leaves and repeat from ** to *, therefore the inverse way, and begin again from *.

For the footing of the lace, 4 rows are required.

1st row—* 1 double treble close to the stalk of the leaf, 5 chain, 1 treble, at the third of the leaf, 1 double treble at the 2nd third of the leaf, 5 chain, 2 double trebles, one on the right leaf, one on the left, draw the last loops of the 2 trebles up together and repeat from *.

2nd row—On each of the little loops formed by the 5 chain of the last row: 1 plain, 3 chain, 1 picot in bullion stitch, 7 chain, 1 picot, 3 chain; 1 plain on the next loop and so on.

3rd row—1 plain on the 4th of the 7 chain, 5 chain, 1 plain and so on.

4th row—1 plain on each loop of the last row.

]

CROCHET LACE MADE WITH LEAF BRAID (fig. 466).—Begin with the outside edge:

1st row:—At the end of a leaf: 1 treble, 6 chain, 1 picot in bullion stitch, 6 chain, 1 treble = at the beginning of a 2nd leaf: 6 chain, 1 picot, 6 chain, 1 treble at the end of the leaf = 7 chain, 1 picot, 7 chain, 1 treble on the 3rd leaf = 6 chain, 1 picot, 6 chain, 1 treble at the end of the 3rd leaf = 6 chain, 1 treble, 6 chain, 1 treble on the 4th leaf = 1 double treble joined to the 4th and 1st leaf of the next scallop = 1 treble at the end of the 1st leaf, join and draw the last loops of these 3 trebles together.

2nd row—over each treble and picot: * 1 plain, 3 chain, 1 picot, 7 chain, 1 picot, 3 chain, 1 plain = repeat 6 times from *.

At the indent and before the last picot: 2 chain, 1 picot, 2 chain = 1 plain before the 1st picot of the next scallop.

3rd row—1 treble, 8 chain, repeat 6 times. In the indent join the 4th of the 7 chain stitches right and left together by 1 treble.

4th row—15 single on each loop of 8 chain.

Inside junction.—Begin at the edge of the first leaf, fasten on the thread and make 10 chain and, 1 double treble at the end of the leaf, 1 triple treble, and draw up both together, 5 chain, 2 triple trebles on the leaves to the right and left = 5 chain, 2 triple trebles, one at the end and the other at the beginning of the 3rd and 4th leaf = 2 chain, 1 picot in bullion stitch, 2 chain, 1 plain on the last stitch of the first trebles, 10 chain, 1 plain on the last stitch of the last trebles; 5 chain, 1 triple treble at the end of the 4th leaf.

]

Going back to the beginning: 5 chain, 1 single on the 10 chain above the picot = 5 chain, 1 single on the 5th of the first 10 chain = 12 chain, 1 plain on the loop of the last triple treble, 7 chain, 1 picot in bullion stitch, 6 chain = 1 plain on the stalk between the 2 leaves; 6 chain, 1 picot, 7 chain, 1 triple treble on the leaf, 5 chain, repeat from *.

2nd row—5 chain, 1 treble on the lower loops. Distribute the chain stitches equally.

3rd row—1 plain in the braid that forms the footing of the lace, 2 chain, 1 plain on the last chain stitches, 2 chain, 1 plain in the braid, continuing in this manner to join the crochet work and the braid together.

IRISH LACE (fig. 467).—Begin with the semicircles in the middle of the pattern, which arch over two scallops, and cast on 117 chain. Then lay a double or threefold thread of Cordonnet 6 fils D.M.C No. 2, over the chain stitches, and make one plain stitch on each; then cut the padding thread short off.

]

On the other side of the chain make 2 plain, * 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, miss 7; 1 plain on each of the 2 next stitches **.

Repeat 11 times from * to **; the 11th time making only 6 chain.

2nd and 3rd row—On the upper side, over a double thread of twist: 1 plain on each stitch of the last row; cut off the padding thread = 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 1 plain on the 4th of the 7 chain stitches after the first picot of the preceding row = 3 chain, 1 picot, 3 chain, 1 plain on the 4th of the next 7 chain stitches **. Repeat 11 times from * to ** and then make: 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 1 plain.

On the upper side and without a padding thread: 3 plain, 1 picot, * 5 plain, 1 picot, **. Repeat 20 times from * to **. Continue with: 3 plain, 10 chain, 1 picot, 2 chain, 2 plain on the 4th of the first 7 chain of the 2nd row on the inside of the semicircle = 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 1 plain on the plain stitch of the previous row = 1 plain on the 1st of the 3 chain = 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 2 plain as before, = 2 chain, 1 picot, 7 chain, 1 picot, 2 plain = 2 chain, 1 picot, 9 chain, 1 plain, return and make on the 9 chain: 7 plain, 2 chain, 1 picot, 2 chain, 2 plain = make 4 more scallops like the previous one = 2 chain, 1 picot, 9 chain, 1 plain = return and make on the 9 chain: 7 plain, 2 chain, 1 picot, 2 chain, 2 plain = make 2 more scallops, and then a 3rd joined to the scallop that terminates the semicircle on the right by the 2 plain stitches = 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 2 plain on the point of the crescent = 22 scallops consisting of: 2 chain, 1 picot, 7 chain, 1 picot, 2 chain, 2 plain.

9 plain on the scallop that terminates the semicircle on the left, 7 chain, 2 plain on the next scallop, 2 chain, 1 picot, 2 chain, 2 plain on the next scallop = make 2 bars more of the same kind = 7 chain, 2 plain = 3 bars like the previous ones = 7 chain, 2 plain = 3 bars as before = 2 plain, 7 chain, 7 plain on the next scallop = 1 bar consisting of 3 chain, 1 picot, 3 chain, 2 plain over all the scallops of the preceding row (24 scallops in all).

4th row—3 chain *, 8 trebles on the 7 chain that follow the 7 plain = turn the work = 1 single on the last treble, 3 chain, 1 treble on the 7th and 1 on the 6th of the 8 trebles, 2 chain, 1 treble on the 5th and 1 on the 4th of the 8 trebles, 2 chain, 1 treble on the 3rd and 1 on the 2nd of the 8 trebles, 3 chain, 1 single on the 1st of the 8 trebles = turn the work = ** on the 3 chain: 1 plain, 1 half-treble, 1 treble, 1 half-treble, 1 plain = 1 plain between the 2 trebles below = on the 2 chain, 1 plain, 1 half-treble, 1 treble, 1 half-treble, 1 plain *** = 1 plain between the 2 trebles beneath, repeat from *** to **, therefore the reverse way.

Comments

Log in to leave a comment.

Encyclopedia of NeedleworkChapter VI: Part 6

0%35 min left in chapter