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Chapter VIII (7)

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When Prince Charles, afterwards Charles II, was defeated at Worcester, it was only natural that he should go amongst his friends for protection, and a curious story was told here about his narrow escape from his pursuers in this neighbourhood. He had stayed a short time with the Wyndham family, near Chard, when news came that his pursuers were on his track, and that no time must be lost, so he was sent to Coaxden, two miles from Axminster, to take refuge with the Cogan family, relatives of the Colonel Wyndham who took a leading part in securing his safe retreat. He had only just gone when the soldiers arrived and insisted upon looking through the house and searching it thoroughly; even a young lady they met in the house was suspected of being the King in disguise, and it was with some difficulty that they were persuaded otherwise. They examined every room and linen chest, and then departed in full chase towards the south. Meanwhile, Charles had arrived at Coaxden, and entering the parlour, where Mrs. Cogan was sitting alone, threw himself upon her protection. It was then the fashion for ladies to wear very long dresses, and as no time was to be lost, the soldiers being on his heels, she hastily concealed him beneath the folds of her dress. Mrs. Cogan was in her affections a Royalist, but her husband, who was then out upon his estate, belonged to the opposite party. Observing the approach of the soldiers, he made towards the house, and together they entered the room where the lady was sitting, who affected surprise at their intrusion. The men immediately announced their business, stating that Prince Charles had been traced very near the house, and as he must be concealed upon the premises, they were authorised to make a strict search for him. Assenting with apparent readiness to their object, Mrs. Cogan kept her seat, whilst her husband accompanied the men into every room. At length, having searched the premises in vain, they took their departure, Mr. Cogan going out with them. Being now released from her singular and perilous situation, the lady provided for the security of the fugitive until it was prudent for him to depart, when, furnished with provisions and a change of apparel, he proceeded on his journey to Trent, and after further adventures, from thence to Brighthelmstone, then a poor fishing town, where he embarked for France. After he had reached the Continent Charles rewarded the lady's fidelity by sending her a handsome gold chain and locket having his arms on the reverse, which was long preserved in the family.

There was a curious stone in the churchyard at Axminster placed over the remains of a crippled gentleman whose crutches were buried with him, a copy of them being carved on the stone. He was the father of William Buckland, the eminent geologist, who was Dean of Westminster and died in 1856.

Our next stage was Honiton, the "town of lace," and we walked quickly onwards for about six miles until we reached the foot of Honiton Hill, a considerable elevation which stood between ourselves and that town; and after an upward gradient of a mile or two we gained a fine view both of the town and the beautiful country beyond, which included Dumpdown Hill, crowned with an ancient circular camp.

Several definitions of the word Honiton had been given, but the most acceptable, and perhaps the correct one and certainly the sweetest, was that of the "Honey Town," originating, it was said, at a time when the hills which surrounded the place were covered with thyme, "sweet to the taste and fragrant to the smell; and so attractive to the bees that large quantities of honey were produced there." The bee-farmers even in Saxon times were important personages, for sugar was not imported and honey was the sweetener for all kinds of food and liquor. Honiton, like many other towns, largely consisted of one wide street; and Daniel Defoe, in his journey from London to Land's End, early in the year 1700, described this "town of lace" as large and beautiful, and "so very remarkably paved with small pebbles, that on either side the way a little channel is left shouldered up on the sides of it; so that it holds a small stream of fine running water, with a little square dipping-place left at every door, so that every family in the town has a clear running river just at their own door; and this so much finer, so much pleasanter than that of Salisbury, that in my opinion there is no comparison." The running streams had now disappeared both here and at Salisbury, but we could quite understand why one was so much better than the other, as the water running through Salisbury was practically on the level, while that at Honiton ran down the hill and had ample fall.

Lancashire ideas of manufacturing led us to expect to find a number of factories at Honiton where the lace was made for which the town was so famous, but we found it was all being worked by hand by women and girls, and in private houses. We were privileged to see some very beautiful patterns that were being worked to adorn fashionable ladies in London and elsewhere. The industry was supposed to have been introduced here originally by Flemish refugees in the fifteenth century, and had been patronised by Royalty since the marriage of Queen Charlotte in 1761, who on that occasion wore a Honiton lace dress, every flower on which was copied from nature. We were informed by a man who was standing near the "Dolphin Inn," where we called for tea, that the lace trade was "a bigger business before the Bank broke," but he could not tell us what bank it was or when it "broke," so we concluded it must have been a local financial disaster that happened a long time ago.

The Roman road from Bath to Exeter passed through Honiton, and the weekly market had been held on each side of that road from time immemorial; the great summer fair being also held there on the first Wednesday and Thursday after July 19th. A very old custom was observed on that occasion, for on the Tuesday preceding the fair the town crier went round the town carrying a white glove on a pole and crying:

O yes! The Fair is begun,
And no man dare to be arrested
Until the Fair is done,

while on the Friday evening he again went round the town ringing his bell, to show that the fair was over. The origin of this custom appeared to be shrouded in mystery, as we could get no satisfactory explanation, but we thought that those three days' grace must have served as an invitation to evil-doers to visit the town.

The church contained the tomb of Thomas Marwood, who, according to an inscription thereon, "practised Physick and Chirurgery above seventy-five years, and being aged above 105 years, departed in ye Catholic Faith September ye 18th Anno Domini 1617." Marwood became famous in consequence of his having--possibly, it was suggested, by pure accident--cured the Earl of Essex of a complaint that afflicted him, for which service he was presented with an estate in the neighbourhood of Honiton by Queen Elizabeth.

The "Dolphin Inn" at Honiton was where we made our first practical acquaintance with the delectable Devonshire clotted cream, renewed afterwards on every possible occasion. The inn was formerly the private mansion of the Courtenay family, and its sign was one of the family crests, "a Dolphin embowed" or bent like a bow. This inn had been associated with all the chief events of the town and neighbourhood during the past three centuries, and occupied a prominent position near the market cross on the main road. In January 1688 the inn had been willed to Richard Minify, and after his death to his daughter Ann Minify, and it was in that year that William, Prince of Orange, set sail for England, and landed at Torbay in Devonshire. The advanced guard of his army reached Honiton on October 19th, and the commander, Colonel Tollemache, and his staff occupied the "Dolphin." William was very coldly received by the county families in Devonshire, as they remained strongly attached to the Jacobite cause, and to demonstrate their adhesion to the House of Stuart they planted Scotch fir trees near their mansions. On the other hand, many of the clergy sympathised with the rebellion, and to show their loyalty to the cause they planted avenues of lime trees from the churchyard gate to the church porch. James II, whom William came to replace, wrote in his memoirs that the events that happened at Honiton were the turning-point of his fortunes, and it was at the "Dolphin" that these events culminated, leading to the desertion of the King's soldiers in favour of William. It seemed strange that a popular song set to a popular tune could influence a whole army, and incidentally depose a monarch from his throne. Yet such was the case here.

Lieutenant-General Richard Talbot, who was in Ireland in 1685, had recommended himself to his bigoted master, James II, by his arbitrary treatment of the Protestants in that country, and in the following year he was created Earl of Tyrconnel, and, being a furious Papist, was nominated by the King to the Lord Lieutenancy of Ireland. In 1688 he was going to Ireland on a second expedition at the time that the advanced guard of William of Orange reached Honiton, and when the advanced guard of King James's English army was at Salisbury. It was at this critical period that Lord Wharton, who has been described as "a political weathercock, a bad spendthrift, and a poet of some pretensions," joined the Prince of Orange in the Revolution, and published this famous song. He seems to have been a dissolute man, and ended badly, although he was a visitor at the "Dolphin" at that time, with many distinguished personages. In the third edition of the small pamphlet in which the song was first published Lord Wharton was described "as a Late Viceroy of Ireland who has so often boasted himself upon his talent for mischief, invention, and lying, and for making a certain 'Lilliburlero' song with which, if you will believe himself, he sung a deluded Prince out of three kingdoms." It was said that the music of the song was composed by Henry Purcell, the organist of Westminster Abbey, and contributed not a little to the success of the Revolution. Be this as it may, Burnet, then Bishop of Salisbury, wrote:

It made an impression on the King's army that cannot be imagined....
The whole army, and at last the people, both in city and country,
were singing it perpetually ... never had so slight a thing so great
an effect.

Purcell's music generally was much admired, and the music to "Lilli Burlero," which was the name of the song, must have been "taking" and a good tune to march to, for the words themselves would scarcely have had such a momentous result. It was a long time before it died out in the country districts, where we could remember the chorus being sung in our childhood's days. A copy of the words but not the music appeared in Percy's _Reliques of Ancient English Poetry_:

Ho! broder Teague, dost hear de decree?
Lilli burlero, bullen a-la--
Dat we shall have a new deputie,
Lilli burlero, bullen a-la.

_Chorus_:

Lero lero, lilli burlero, lero lero, bullen a-la,
Lero lero, lilli burlero, lero lero, bullen a-la.

Ho! by Shaint Tyburn, it is de Talbote:
Lilli burlero, bullen a-la--
And he will cut all de English troate:
Lilli burlero, bullen a-la.

Dough by my shoul de English do praat,
Lilli burlero, bullen a-la--
De law's on dare side, breish knows what:
Lilli burlero, bullen a-la.

But if dispense do come from de Pope,
Lilli burlero, bullen a-la--
We'll hang Magna Charta and dem in a rope:
Lilli burlero, bullen a-la.

For de good Talbot is made a lord,
Lilli burlero, bullen a-la--
And with brave lads is coming a-board:
Lilli burlero, bullen a-la.

Who in all France have taken a sware,
Lilli burlero, bullen a-la--
Dat dey will have no Protestant heir:
Lilli burlero, bullen a-la.

Ara! but why does he stay behind?
Lilli burlero, bullen a-la.
Ho! by my shoul 'tis a Protestant wind:
Lilli burlero, bullen a-la.

But see de Tyrconnel is now come ashore.
Lilli burlero, bullen a-la--
And we shall have commissions gillore:
Lilli burlero, bullen a-la.

And he dat will not go to de mass,
Lilli burlero, bullen a-la--
Shall be turn out and look like an ass:
Lilli burlero, bullen a-la.

Now, now de hereticks all go down,
Lilli burlero, bullen a-la.
By Chrish and Shaint Patrick, de nation's our own:
Lilli burlero, bullen a-la.

Dare was an old Prophecy found in a bog,
Lilli burlero, bullen a-la--
"Ireland shall be rul'd by an ass and a dog":
Lilli burlero, bullen a-la.

And now dis Prophecy is come to pass,
Lilli burlero, bullen a-la--
For Talbot's de dog, and James is de ass:
Lilli burlero, bullen a-la.

_Chorus after each verse_:

Lero lero, lilli burlero, lero lero, bullen a-la,
Lero lero, lilli burlero, lero lero, bullen a-la.

Lilliburlero and Bullen a-la were said to have been words of distinction used among the Irish Papists in their massacre of the Protestants in 1641--a massacre which gave renewed strength to the traditions which made the name of Bloody Mary so hated in England.

In 1789 George III halted opposite the "Dolphin" to receive the loyal greetings of the townspeople, and on August 3rd, 1833, the Princess Victoria, afterwards Queen, stayed there to change horses; the inn was also the leading rendezvous at the parliamentary elections when Honiton returned two members to Parliament. In the eighteenth century the inn was often the temporary home of Sir William Yonge and Sir George Yonge, his equally famous son, and of Alderman Brass Crosby, Lord Mayor of London, each of whom was M.P. for Honiton. The family of Yonge predominated, for whom Honiton appeared to have been a pocket borough, and a very expensive one to maintain, as Sir George Yonge, who was first returned in 1754, said in his old age that he inherited £80,000 from his father, that his wife brought him a similar amount, and Government also paid him £80,000, but Honiton had swallowed it all! A rather numerous class of voters there were the Potwallers or Potwallopers, whose only qualification was that they had boiled their pots in the parish for six months. Several attempts were made to resist their claim to vote, but they were unsuccessful, and the matter was only terminated by the Reform Bill of 1832; so possibly Sir George had to provide the inducement whereby the Potwallopers gave the family their support during the full term in which he served the free and independent electors of Honiton in Parliament.

A hospital for lepers, founded as early as the fourteenth century, was now used for the deserving poor; and near the old chapel, attached to the hospital cottages, the place was pointed out to us where the local followers of the Duke of Monmouth who were unfortunate enough to come under the judgment of the cruel Judge Jeffreys were boiled in pitch and their limbs exhibited on the shambles and other public places.

We had a comparatively easy walk of sixteen miles to Exeter, as the road was level and good, with only one small hill. For the first four miles we had the company of the small river Otter, which, after passing Honiton, turned here under the highway to Ottery St. Mary, on its course towards the sea. The county of Devon is the third largest in England, and having a long line of sea-coast to protect, it was naturally warlike in olden times, and the home of many of our bravest sailors and soldiers. When there was no foreign enemy to fight they, like the Scots, occasionally fought each other, and even the quiet corner known as the Fenny Bridges, where the Otter passed under our road, had been the scene of a minor battle, to be followed by a greater at a point where the river Clyst ran under the same road, about four miles from Exeter. In the time of Edward VI after the dissolution of the monasteries by Henry VIII changes were made in religious services, which the West-country people were not prepared to accept. On Whit-Sunday, June 9th, 1549, the new service was read in the church of Sampford Courtenay for the first time. The people objected to it, and compelled the priest to say mass as before, instead of using the Book of Common Prayer, which had now become law. Many other parishes objected likewise, and a rebellion broke out, of which Humphrey Arundel, the Governor of St. Michael's Mount in Cornwall, took the lead. Their army of 10,000 men marched on to Exeter and besieged it, and they also occupied and fortified Clyst St. Mary and sent up a series of demands to the King. Lord Russell, who had been glutted with the spoils of the monasteries, and was therefore keen in his zeal for the new order, was sent with a small force accompanied by three preachers licensed to preach in such places as Lord Russell should appoint; but he was alarmed at the numbers opposed to him, and waited at Honiton until the arrival of more troops should enable him to march to the relief of Exeter. Being informed that a party of the enemy were on the march to attack him, Russell left the town to meet them, and found some of them occupying Fenny Bridges while the remainder were stationed in the adjoining meadow. He was successful in winning the fight, and returned to Honiton to recruit. He then attacked the rebels on Clyst Heath and defeated them, but it was a hard-fought fight, and "such was the valour of these men that the Lord Grey reported himself that he never, in all the wars he had been in, did know the like." The rebels were mercilessly butchered and the ringleaders executed--the Vicar of St. Thomas' by Exeter, a village we passed through the following morning, who was with the rebels, being taken to his church and hanged from the tower, where his body was left to dangle for four years.

We had been walking in the dark for some hours, but the road was straight, and as we had practically had a non-stop walk from Honiton we were ready on our arrival at Exeter for a good supper and bed at one of the old inns on the Icknield Way, which, with several churches, almost surrounded the Cathedral.

(_Distance walked thirty-eight miles_.)

_Saturday, November 11th._

Exeter, formerly known as the "City of the West" and afterwards as the "Ever-Faithful City," was one of the most interesting places we had visited. It had occupied a strong strategical position in days gone by, for it was only ten miles from the open sea, sufficient for it to be protected from sudden attacks, yet the river Exe, on which it is situated, was navigable for the largest ships afloat up to about the time of the Spanish Armada. Situated in the midst of a fine agricultural country, it was one of the stations of the Romans, and the terminus of the ancient Icknield Way, so that an army landed there could easily march into the country beyond. Afterwards it became the capital of the West Saxons, Athelstan building his castle on an ancient earthwork known--from the colour of the earth or rock of which it was composed--as the "Red Mound." His fort, and the town as well, were partially destroyed in the year 1003 by the Danes under Sweyn, King of Denmark. Soon after the Norman invasion William the Conqueror built his castle on the same site--the "Red Mound"--the name changing into the Norman tongue as Rougemont; and when King Edward IV came to Exeter in 1469, in pursuit of the Lancastrian Earls Clarence and Warwick, who escaped by ship from Dartmouth, he was, according to Shakespeare's _Richard III_, courteously shown the old Castle of Rougemont by the Mayor. We could not requisition the services of his Worship at such an early hour this morning, but we easily found the ruins of Rougemont without his assistance; though, beyond an old tower with a dungeon beneath it and a small triangular window said to be of Saxon workmanship, very little remained. The ruins had been laid out to the best advantage, and the grounds on the slope of the ancient keep had been formed into terraces and planted with flowers, bushes, and trees. As this work had originally been carried out as far back as the year 1612, the grounds claimed to be the oldest public gardens in England: the avenues of great trees had been planted about fifty years later.

Perkin Warbeck was perhaps one of the most romantic characters who visited Exeter, for he claimed to be Richard, Duke of York, who, he contended, was not murdered in the Tower of London, as generally supposed. As the Duke he claimed to be more entitled to the Crown of England than Henry VII, who was then on the throne, Perkin Warbeck, on the other hand, was described as the son of a Tournai Jew, but there seemed to be some doubt about this. In any case the Duchess of Burgundy acknowledged him as "her dear nephew," and his claim was supported by Charles VIII of France and James IV of Scotland; from the former he received a pension, and from the latter the hand of his relative Lady Catherine Gordon in marriage.

He arrived at Exeter on September 27th, 1497, with 7,000 men, and after burning the North Gate he forced his way through the city towards the Castle, but was defeated there by Sir Richard Courtenay, the Earl of Devon, and taken prisoner. For some mysterious reason it was not until November 3rd, 1499, more than two years after the battle, that he was hanged for treason, at Tyburn. Another strange incident was that when King Henry VII came to Exeter after the battle, and the followers of Perkin Warbeck were brought before him with halters round their necks and bare-headed, to plead for mercy, he generously pardoned them and set them at liberty.

The fighting in the district we had passed through last night occurred in 1549, the second year of the reign of King Edward VI. A pleasing story was related of this King, to the effect that when he was a boy and wanted something from a shelf he could not quite reach, his little playfellow, seeing the difficulty, carried him a big book to stand upon, that would just have enabled him to get what he wanted; but when Edward saw what book it was that he had brought he would not stand upon it because it was the "Holy Bible."

The religious disturbances we have already recorded were not confined to the neighbourhood of Exeter, but extended all over England, and were the result of an Act of Parliament for which the people were not prepared, and which was apparently of too sweeping a character, for by it all private Masses were abolished, all images removed from churches, and the Book of Common Prayer introduced. It was the agitation against this Act that caused the 10,000 Cornish and Devonian men, who were described as rebels, incited also by their priests, to besiege the city of Exeter, and to summon the Mayor and Council to capitulate. This the "Ever-Faithful City" refused to do, and held out for thirty-six days, until Lord Russell and Lord Grey appeared on the scene with the Royal army and raised the siege.

In 1643, during the Civil War, Exeter surrendered to Prince Maurice, the nephew of Charles I, and three years later capitulated to the Army of the Parliament on condition that the garrison should march out with all the honours of war.

The unhappy wife of Charles I arrived at Exeter in 1644, having a few days previously bidden her husband "Good-bye" for the last time, a sorrowful parting which we had heard about at Abingdon, where it had taken place, and whither Charles had accompanied her from Oxford. She stayed at Bedford House in Exeter, where she was delivered of a daughter, who was named Henrietta, being baptized in the cathedral in a magnificent new font erected especially for the occasion. The Queen left the city on July 14th, and sailed from Falmouth to France, where she stayed at the Court of Louis XIV. Twelve days later the King reached Exeter, and called to see his infant daughter, and he again stayed at Bedford House on his return from Cornwall on September 17th, 1645.

In 1671 Charles II, his son, also passed through Exeter, and stayed to accept a gift of £500 from the city as a testimony of its loyalty and gratitude for his restoration and return; and the "Merrie Monarch" afterwards sent the city a portrait of his sister, the unfortunate Henrietta, to whom he was passionately attached. As Duchess of Orleans she had an unhappy life, and her somewhat sudden death was attributed to poison. Her portrait, painted by Lely, was still hanging in the Guildhall, and was highly prized as one of the greatest treasures of the city.

We went to see the Cathedral, but were rather disappointed with its external appearance, which seemed dark and dismal compared with that of Salisbury. A restoration was in progress, and repairs were being carried out with some light-coloured and clean-looking stone, not of a very durable nature, which looked quite beautiful when new, but after being exposed to the weather for a few years would become as dull and dark-looking as the other. The interior of the cathedral, however, was very fine, and we were sorry we had not time to explore it thoroughly. Some very old books were preserved in it--the most valuable being a Saxon manuscript called _Codex Exoniensis_, dating from the ninth century, and also the _Exeter Domesday_, said to be the exact transcript of the original returns made by the Commissioners appointed by William the Conqueror at the time of the Survey, from which the great Domesday was completed.

The minstrel gallery dated from the year 1354, and many musical instruments used in the fourteenth century were represented by carvings on the front, as being played by twelve angels. The following were the names of the instruments: cittern, bagpipe, clarion, rebec, psaltery, syrinx, sackbut, regals, gittern, shalm, timbral, and cymbals!

Some of these names, my brother remarked, were not known to modern musicians, and they would be difficult to harmonise if all the instruments had to be played at the same time; his appreciation of the bagpipe was doubtless enhanced, seeing that it occupied the second position.

The cathedral also possessed a marvellous and quaint-looking clock some hundreds of years old, said to have been the production of that famous monk of Glastonbury who made the wonderful clock in Wells Cathedral, which on striking the hour sets in motion two armoured figures of knights on horseback, armed with spears, who move towards each other in a circle high above the central arches, as if engaged in a tournament.

The clock at Exeter showed the hour of the day and the age of the moon, and upon the face or dial were two circles, one marked from 1 to 30 for the days of the month, and the other figured I to XII twice over for the hours. In the centre was a semi-globe representing the earth, round which was a smaller ball, the moon, painted half gold and half black, which revolved during each month, and in turning upon its axis showed the various phases of the luminary that it represented. Between the two circles was a third ball representing the sun, with a fleur-de-lys which pointed to the hours as the sun, according to the ancient theory, daily revolved round the earth; underneath was an inscription relating to the hours:

PEREUNT ET IMPUTANTUR
(They pass, and are placed to our account.)

The notes telling the hours were struck upon the rich-toned bell named "Great Peter," which was placed above, the curfew or _couvre-feu_ ("cover-fire") being also rung upon the same bell.

The curfew bell was formerly sounded at sunset, to give notice that all fires and lights must be extinguished. It was instituted by William the Conqueror and continued during the reign of William Rufus, but was abolished as a "police regulation" in the reign of Henry I. The custom was still observed in many places, and we often heard the sound of the curfew bell, which was almost invariably rung at eight o'clock in the evening. The poet Gray commences his "Elegy written in a Country Churchyard" with--

The curfew tolls the knell of parting day;

and one of the most popular dramatic pieces in the English language, written by an American schoolgirl born in 1850, was entitled "The Curfew Bell." She described how, in Cromwell's time, a young Englishwoman, whose sweetheart was doomed to die that night at the tolling of the curfew bell, after vainly trying to persuade the old sexton not to ring it, prevented it by finding her way up the tower to the belfry and holding on to the tongue of the great bell. Meanwhile the old sexton who had told her "the curfew bell _must_ ring tonight" was pulling the bell-rope below, causing her to sway backwards and forwards in danger of losing her life while murmuring the words "Curfew shall _not_ ring to-night":

O'er the distant hills comes Cromwell. Bessie sees him; and her brow,
Lately white with sickening horror, has no anxious traces now.
At his feet she tells her story, shows her hands all bruised and torn;
And her sweet young face, still haggard with the anguish it had worn,
Touched his heart with sudden pity, lit his eyes with misty light.
"Go! Your lover lives!" cried Cromwell. "Curfew shall not ring to-night!"

Wide they flung the massive portals, led the prisoner forth to die,
All his bright young life before him. 'Neath the darkening English sky
Bessie came, with flying footsteps, eyes aglow with love-light sweet;
Kneeling on the turf beside him, laid his pardon at his feet.
In his brave, strong arms he clasped her, kissed the face upturned and
white,
Whispered: "Darling, you have saved me; curfew will not ring to-night!"

The "Great Peter" bell was presented to Exeter Cathedral in the fifteenth century by Bishop Peter Courtenay, and when re-cast in 1676 weighed 14,000 lb., being then considered the second largest bell in England. The curfew was tolled on "Great Peter" every night at eight o'clock, and after that hour had been sounded and followed by a short pause, the same bell tolled the number of strokes correspending with the day of the month. This was followed by another short pause, and then eight deliberate strokes were tolled.

Ever since the time of William the Conqueror there appeared to have been too many churches in Exeter, for it was said that thirty-two were known to have existed at the time of the Conquest, and that in the year 1222 the Bishop reduced the number to nineteen, of which sixteen still remained at the time of our visit, while the sites of the remaining three could be located. A further effort to reduce the number was made in the time of the Commonwealth, when an Act was passed to reduce them to four, but the accession of King Charles II prevented this from being carried out.

One of the old churches stood at the top of a small elevation known as Stepcote Hill, approached by a very narrow street, one half of which was paved and the other formed into steps leading to the "Church of St. Mary's Steps," the tower of which displayed a sixteenth-century clock. On the dial appeared the seated figure of King Henry VIII guarded by two soldiers, one on each side, who strike the hours; they are commonly known as "Matthew the Miller and his two sons."

Matthew was a miller who lived in the neighbourhood, and was so regular in his goings out and comings in that the neighbours set their time by him; but there was no doubt that the figure represented "Old King Hal," and it seemed strange that the same king should have been associated by one of the poets with a miller who had a mill in our county town of Chester:

There dwelt a Miller hale and bold
Beside the river Dee,
He work'd and sang from morn till night,
No lark more blithe than he;
And this the burden of his song
For ever used to be--
"I envy nobody, no, not I,
And nobody envies me!"

"Thou'rt wrong, my friend," cried Old King Hal
"Thou'rt wrong as wrong can be;
For could my heart be light as thine
I'd gladly change with thee.
And tell me now what makes thee sing
With voice so loud and free,
While I am sad though I'm the King,
Beside the river Dee!"

The Miller smil'd and doff'd his cap,
"I earn my bread," quoth he;
"I love my wife, I love my friend,
I love my children three;
I owe no penny I cannot pay;
I thank the river Dee,
That turns the mill that grinds the corn
To feed my babes and me."

"Farewell," cried Hal, and sighed the while,
"Farewell! and happy be--
But say no more, if thou'd be true,
That no one envies thee;
Thy mealy cap is worth my crown,
Thy mill, my kingdom's fee;
Such men as thou are England's boast,
Oh Miller of the Dee."

We thought the old Guildhall even more interesting than the Cathedral, the old Icknield Way, which entered the city by the High Street, passing close to it; and in fact, it seemed as if the Hall, which formed the centre of the civic life of the city, had encroached upon the street, as the four huge pillars which supported the front part were standing on the outside edge of the footpath. These four pillars had the appearance of great solidity and strength, as also had the building overhead which they supported, and which extended a considerable distance to the rear. The massive entrance door, dated 1593, thickly studded with large-headed nails, showed that the city fathers in former times had a lively sense of self-protection from troublesome visitors. But the only besiegers now were more apparent than real, as the covered footpath formed a substantial shelter from a passing shower. Behind this a four-light window displayed the Arms of France as well as those of England; there were also emblazoned in stained glass the arms of the mayors, sheriffs, and recorders from 1835 to 1864.

The city arms were ratified in 1564, and in the Letters Patent of that date they are thus described:

Uppon a wreathe golde and sables, a demye-lyon gules, armed and
langued azure crowned, supportinge a bale thereon a crosse botone
golde, mantelled azure doubled argent, and for the supporters two
pagassis argent, their houes and mane golde, their winges waney of
six argent and azure.

The motto "Semper Fidelis" (ever faithful) had been bestowed on the city by Queen Elizabeth, and Exeter has ever since been described as "The Ever-Faithful City." There were a number of fine old paintings in the Hall, but the one which attracted the most attention was that of the Princess Henrietta by Sir Peter Lely. In the turret above was hung the old chapel bell, which served as an alarm in case of fire, and bore an inscription in Latin, "Celi Regina me protege queso ruina," or "O Queen of Heaven, protect me, I beseech thee, from harm." The insignia case in the Guildhall contained four maces, two swords of state, a cap of maintenance, a mayor's chain and badge, four chains for the sergeants-at-mace, a loving cup, and a salver. The mayor's chain dated from 1697. The older sword of the two was given to the city by Edward IV on the occasion of his visit in 1470, "to be carried before the mayor on all public occasions." The sheath is wrapped in crape, the sword having been put in mourning at the Restoration; it was annually carried in the procession to the cathedral on the anniversary of the death of Charles I until the year 1859, when the service in commemoration of his death was removed from the Prayer-Book. The other sword was given to the city by Henry VII on his visit in 1497, after his victory over Perkin Warbeck, when "he heartily thanked his citizens for their faithful and valuable service done against the rebels"--promised them the fullness of his favour and gave them a sword taken from his own side, and also a cap of maintenance, commanding that "for the future in all public places within the said city the same should be borne before the mayor, as for a like purpose his noble predecessor King Edward the Fourth had done." The cap of maintenance was formerly worn by the sword-bearer on ceremonial occasions, but was now carried on a cushion. The cap was made of black beaver, and was preserved inside the embroidered crimson velvet cover made in 1634. The sword of Edward IV was said to be the only existing sword of the early English monarchs.

The beautiful silver chains worn by the sergeants-at-mace with alternate links of X and R, standing for Exeter, date from about the year 1500, and were previously worn by the city waits. Exeter is the only city that has four mace-bearers, and the common seal of the city is one of the oldest in the kingdom, dating from 1170, and still in use.

The civic ceremonies, and especially those on Assize Sunday, are very grand affairs. On that occasion the Judges and Corporation attend the cathedral in state. The Judges arrive in the state-coach attired in their robes and wigs, attended by the county sheriff in uniform, and escorted by trumpeters and a posse of police. The Corporation march from the Guildhall, the mayor in his sable robe and the sheriff in purple, attended by their chaplains and the chief city officials in their robes, and accompanied also by the magistrates, aldermen, and councillors. In front are borne the four maces, Henry VII's sword and the cap of maintenance, escorted by the city police. The Judges on their arrival at the great west door of the cathedral are met by the Bishop and other dignitaries of the Church in their robes and conducted to their official places in the choir, whilst the beautiful organ peals out the National Anthem.

On the third Tuesday in July a curious custom was observed, as on that day a large white stuffed glove decorated with flowers was hung in front of the Guildhall, the townspeople having been duly warned, to the sound of the drum and fife, that the great Lammas Fair, which lasted for three days, had begun; the glove was then hoisted for the term of the fair. Lammas Day falls on the first day of August, and was in Saxon times the Feast of First-fruits; sometimes a loaf of bread was given to the priest in lieu of first-fruit. It seems to have been a similar fair to that described at Honiton, but did not appear to carry with it freedom from arrest during the term of the fair, as was the case in that town.

The records or archives possessed by the city of Exeter are almost continuous from the time of Edward I, and have been written and compiled in the most careful manner. They are probably the most remarkable of those kept by the various towns or cities in the provinces. They include no less than forty-nine Royal Charters, the earliest existing being that granted by Henry II in the twelfth century, and attested by Thomas à-Becket. A herb (_Acorus calamus_ or sweet sage), which was found in the neighbourhood of Exeter, was highly prized in former times for its medicinal qualities, being used for diseases of the eye and in intermittent fevers. It had an aromatic scent, even when in a dried state, and its fragrant leaves were used for strewing the floors of churches. It was supposed to be the rush which was strewn over the floor of the apartments occupied by Thomas à-Becket, who was considered luxurious and extravagant because he insisted upon a clean supply daily; but this apparent extravagance was due to his visitors, who were at times so numerous that some of them were compelled to sit on the floors. It was quite a common occurrence in olden times for corpses to be buried in churches, which caused a very offensive smell; and it might be to counteract this that the sweet-smelling sage was employed. We certainly knew of one large church in Lancashire within the walls of which it was computed that 6,000 persons had been buried.

It was astonishing how many underground passages we had heard of on our journey. What strange imaginations they conjured up in our minds! As so few of them were now in existence, we concluded that many might have been more in the nature of trenches cut on the surface of the land and covered with timber or bushes; but there were old men in Exeter who were certain that there was a tunnel between the site of the old castle and the cathedral, and from there to other parts of the city, and they could remember some of them being broken into and others blocked up at the ends. We were also quite sure ourselves that such tunnels formerly existed, but the only one we had actually seen passed between a church and a castle. It had just been found accidentally in making an excavation, and was only large enough for one man at a time to creep through comfortably.

There were a number of old inns in Exeter besides the old "Globe," which had been built on the Icknield Way in such a manner as to block that road, forming a terminus, as if to compel travellers to patronise the inn; and some of these houses were associated with Charles Dickens when he came down from London to Exeter in 1835 to report on Lord John Russell's candidature for Parliament for the _Morning Observer_. The election was a very exciting one, and the great novelist, it was said, found food for one of his novels in the ever-famous Eatonswill, and the ultra-abusive editors. Four years afterwards Dickens leased a cottage at Alphington, a village about a mile and a half away from Exeter, for his father and mother, who resided there for three and a half years. Dickens frequently came to see them, and "Mr. Micawber," with his ample seals and air of importance, made a great impression on the people of the village. Dickens freely entered into the social life of Exeter, and he was a regular visitor on these occasions at the old "Turk's Head Inn," adjoining the Guildhall, where it was said he picked up the "Fat Boy" in _Pickwick_. Mrs. Lupin of the "Blue Dragon" appeared as a character in _Martin Chuzzlewit_, and "Pecksniff" was a local worthy whom he grossly and unpardonably caricatured.

On leaving Exeter we crossed the river by the Exe bridge and followed the course of that stream on our way to regain the sea-coast, entering the suburb of St. Thomas the Apostle, where at a church mentioned in 1222 as being "without the walls," we saw the tower from which the vicar was hanged for being concerned in the insurrection of 1549. At Alphington we had pointed out to us the "Mile End Cottage," formerly the residence of the parents of Charles Dickens, and then walked on to Exminster, expecting from its name to find something interesting, but we were doomed to disappointment. On the opposite side of the river, however, we could see the quaint-looking little town of Topsham, which appeared as if it had been imported from Holland, a country which my brother had visited seven years previously; we heard that the principal treasures stored in the houses there were Dutch tiles. Ships had formerly passed this place on their way to Exeter, but about the year 1290 Isabella de-Fortibus, Countess of Exeter, having been offended by the people there, blocked up the river with rocks and stones, thereby completely obstructing the navigation and doing much damage to the trade of Exeter. At that time cloths and serges were woven from the wool for which the neighbourhood of Exeter was famous, and exported to the Continent, the ships returning with wines and other merchandise; hence Exeter was at that time the great wine-importing depot of the country. The weir which thus blocked the river was still known as the "Countess Weir," and Topsham--which, by the way, unlike Exeter, absolutely belonged to the Earls of Devon--increased in importance, for ships had now to stop there instead of going through to Exeter. The distance between the two places is only about four miles, and the difficulty appeared to have been met in the first instance by the construction of a straight road from Exeter, to enable goods to be conveyed between that city and the new port. This arrangement continued for centuries, but in 1544 a ship canal was made to Topsham, which was extended and enlarged in 1678 and again in 1829, so that Exeter early recovered its former position, as is well brought out in the finely-written book of the _Exeter Guild of Merchant Adventurers_, still in existence. Its Charter was dated June 17th, 1599, and by it Queen Elizabeth incorporated certain merchants under the style of "The Governors Consuls, and Society of the Merchant Adventurers of the Citye and County of Exeter, traffiqueing the Realme of Fraunce and the Dominions of the French Kinge." The original canal was a small one and only adapted for boats carrying about fifteen tons: afterwards it was enlarged to a depth of fifteen feet of water--enough for the small ships of those days--for even down to Tudor times a hundred-ton boat constituted a man-of-war. This canal made Exeter the fifth port in the kingdom in tonnage, and it claimed to be the first lock canal constructed in England. Its importance gradually declined after the introduction of railways and the demand for larger ships, and the same causes affected Topsham, its rival.

Leaving Exminster, we had a delightful walk to Powderham, the ancient seat of the Courtenay family, the Earls of Devon, who were descended from Atho, the French crusader. The first of the three branches of this family became Emperors of the West before the taking of Constantinople by the Turks, the second intermarried with the royal family of France, and the third was Reginald Courtenay, who came to England in the twelfth century and received honours and lands from Henry II. His family have been for six centuries Earls of Devon, and rank as one of the most honoured in England.

We called to see the little church at Powderham, which stood quite near the river side, and which, like many others, was built of the dark red sandstone peculiar to the district. There were figures in it of Moses and Aaron, supposed originally to be placed to guard the two tablets containing the Ten Commandments; and there were the remains of an old screen, but the panels had suffered so severely that the figures and emblems could not be properly distinguished. There was also under an arch a very old monument, said to be that of the famous Isabella de-Fortibus, Countess of Devon, who died in 1293. She was the sister of the last Earl Baldwin de Redvers, and married William de-Fortibus, Earl of Albemarle, in 1282. Her feet rested on a dog, while on either side her head were two small child-angels, the dog and children being supposed to point to her as the heroine of a story recorded in a very old history of Exeter:

An inhabitant of the city being a very poor man and having many
children, thought himself blessed too much in that kind, wherefore to
avoid the charge that was likely to grow upon him in that way
absented himself seven years together from his wife. But then
returning, she within the space of a year afterwards was delivered of
seven male children at a birth, which made the poor man to think
himself utterly undone, and thereby despairing put them all in a
basket with full intent to have drowned them: but Divine Providence
following him, occasioned a lady then within the said city coming at
this instant of time in his way to demand of him what he carried in
that basket, who replied that he had there whelps, which she desired
to see, who, after view perceiving that they were children, compelled
the poor man to acquaint her with the whole circumstances, whom, when
she had sharply rebuked for such his humanity, presently commanded
them all to be taken from him and put to nurse, then to school, and
so to the university, and in process of time, being attained to man's
estate and well qualified in learning, made means and procured
benefices for every one of them.

The language used in this story was very quaint, and was probably the best tale related about Isabella, the Countess of Devon; but old "Isaacke," the ancient writer, in his history remarks that it "will hardly persuade credit."

We could not learn what became of William her husband; but Isabella seemed to have been an extremely strong-minded, determined woman, and rather spiteful, for it was she who blocked the river so that the people of Exeter, who had offended her, could have neither "fishing nor shipping" below the weir. On one occasion, when four important parishes had a dispute about their boundaries, she summoned all their principal men to meet her on the top of a swampy hill, and throwing her ring into the bog told them that where it lay was where the parishes met; the place is known to this day as "Ring-in-the-Mire."

We passed by Powderham Castle, and saw some magnificent trees in the park, and on a wooded hill the Belvedere, erected in 1773. This was a triangular tower 60 feet high, with a hexagonal turret at each corner for sight-seeing, and from it a beautiful view over land and sea could be obtained.

With regard to the churches in this part of England, we learned that while Somerset was noted for towers and Cornwall for crosses, the churches in Devonshire were noted for screens, and nearly every church we visited had a screen or traces where one had existed, some of them being very beautiful, especially that in Kenton church, which we now went to inspect. Farther north the images and paintings on the screens, and even the woodwork, had been badly disfigured, but some of the old work in Devon had been well preserved. The screens had been intended to protect the chancel of the church from the nave, to teach people that on entering the chancel they were entering the most sacred part of the church, and images and paintings were placed along the screens. The same idea, but in another direction, was carried out on the outside of the churches; for there also the people, scarcely any of whom in those days could read or write, were taught, by means of images and horrible-looking gargoyles worked in stone placed on the outside of the church and steeple, that everything vile and wicked was in the world outside the church. The beautiful pictures and images inside the church were intended to show that everything pure and holy was to be found within: the image of the patron saint being generally placed over the doorway.

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From John O'Groats to Land's EndChapter VIII (7)

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