Chapter XXXII: Appendix: III (3)

Domenico, S., Perugian Confraternity of: inventory of their dramatic
properties in 1339, iv. 310

Dominic, S., contrast of S. Dominic and S. Francis, iii. 205

Dominico di Viterbo, story of his crimes and execution by Innocent
VIII., i. 404 _note_ 1

Donatello, ii. 8, 433;
a friend of Niccolo de' Niccoli's, 180;
his statue of Poggio, 246;
his statues at Florence, 440, iii. 138;
his work as a sculptor and bronze founder in Italian churches, iii.
78 _note_ 1;
said to have been consulted in the competition for the Baptistery
Gates at Florence, 127;
his fidelity to nature, 136;
his smaller works, 139-141;
the _Judith and Holofornes_: its fortunes, 139 (cp. i. 233);
the equestrian statue of Gattamelata at Padua, 140;
contrast of his genius with that of Ghiberti, 141;
Brunelleschi's criticism of his _Christ_, 233;
employed by Cosimo de' Medici, 138, 139, 263

Donati, the, at Florence, i. 210 _note_ 2, iv. 71

Donati, Alesso, his Madrigals, iv. 157;
their realistic energy, 157 (see Appendix iii. vol. iv. for
translations);
Gemma, wife of Dante, iv. 71

Doni, Antonfrancesco, enters the Servite Order, v. 88;
obliged to quit Florence, 88;
his friendship and quarrel with Domenichi, 88;
his correspondence with Aretino: suspicion that part may have been
written by Aretino himself, 398 _note_ 1, 410 _note_ 1;
settles at Venice, 89;
his praises of Aldo Manuzio, ii. 391;
his quarrel with Aretino, v. 90, 96, 419, 422;
becomes a member of the _Pellegrini_ Academy, 90;
his life at Monselice, 91;
his account of two comedies performed in the Palazzo Vecchio,
Florence, 144 _note_ 4;
his _Novelle_, 92;
his miscellaneous works, 92;
his _Marmi_, 93-95;
his Comedies, 181

Doria, Andrea, i. 201

Dossi, Dosso, his _Circe_, illustrating his treatment of mythology,
iii. 291, 502, iv. 422, 482

Doucas, Demetrius, a member of the Aldine Academy, ii. 387

Drama, the Italian, a national drama never fully developed in Italy,
ii. 8, iv. 357, v. 110, 112-114, 125, 181, 241, 310;
imperfect connection of the Italian theatre with the _Sacre
Rappresentazioni_, iv. 306, v. 109;
want of profoundly tragical element in Italian art, v. 114-116;
reasons for this, 116-120;
the first attempts in Italian: Boiardo's _Timone_ and Poliziano's
_Orfeo_, 108;
early Latin plays, 110;
contrast between the Italian and the Elizabethan drama, 111;
the growth of a national Italian drama hindered by the adherence of
playwrights to classical models, 121-125;
poverty of the early Italian tragedies, 126, 132, 135;
Seneca's influence over Italian tragedies, 129, 131, 132 _note_ 1;
Italian tragedies adapted from the Greek tragedians, 133-135;
imperfect evolution of Italian comedy, 136-138, 140;
influence of the Ferrarese stage on Italian comedy, 142;
the want of permanent theatres in Italian towns, 144;
character of the Italian _Commedia erudita_, 181;
tendency of the Italians to adopt stereotyped forms for dramatic
representation, 182 _note_ 2;
fixed elements in Italian comedy, 183-185;
employment of the _burla_ or _beffa_, 185;
vicious philosophy of life taught by the Italian playwrights, 192;
the pastoral drama the culmination of Italian dramatic effort, 114,
223, 241;
contained the germs of the Italian opera, 114, 241

Duccio, Agostino di, his facade in marble and terra-cotta of S.
Bernardino at Perugia, iii. 79 _note_ 1, 150

Duccio di Buoninsegna, his _Majesty of the Virgin_ in the Duomo of
Siena, iii. 215

Duranti, Durante, attempts the murder of Benvenuto Cellini, iii. 467

Education, modern education founded upon the system of Vittorino and
Guarino, ii. 537, v. 492;
present tendency to diminish Greek and Latin elements in education:
how far justifiable, ii. 537-540;
identity of male and female education in Italy at the Renaissance,
v. 287 _note_ 1

Egidius of Viterbo, quoted for the acknowledgment of his children by
Innocent VIII., i. 403 _note_ 1

Egnazio, Giambattista, a member of the Aldine Academy, ii. 387

Emilia Pia, wife of Antonio da Montefeltro, introduced in
Castiglione's _Cortegiano_, i. 184

England, Poggio's journey to, ii. 231

Enzo, King, reputed ancestor of the Bentivogli, i. 115, iv. 49;
his _Greeting to the Provinces of Italy_, 49

Ephors, the Spartan, compared with the Venetian Council of Ten, i. 234

Epic, the Italian Romantic: its anomalies explained by a large
plebeian element, iv. 426-428, 439;
manner in which the Roland Legend passed into its Italian form, 428

Epicureans, in Italy during the middle ages, iv. 10, 109

Epistolography, Latin, importance of, in the Renaissance, ii. 107,
531, v. 507

Erasmus, i. 24, 27;
quoted on the worldly tendency of classical learning, 456 _note_,
ii. 44;
his ridicule of 'Ciceronianism,' ii. 108, 414 (cp. 528);
his visit to Aldo Manuzio at Venice, 384;
popularity of his _Adagia_, 384 _note_ 1;
hatred of the clergy against him, 385;
quoted for Musurus' knowledge of Latin, 386 _note_ 2;
a member of the Aldine Academy, 387;
his praises of Aldo Manuzio, 391;
his visit to Rome, 408;
cited for Inghirami's eloquence, 425 _note_ 2;
initiated a second age of scholarship, 541;
quoted for the Italian origin of Northern culture, 544

Erizzo, Sebastiano, his _Sei Giornate_, v. 60

Este, House of, i. 52, 57, 145;
confirmed in their succession by the Papacy, 111;
their crimes and tragic history, 125, 168, 423;
their patronage of learning, ii. 298;
important part played by the D'Esti in the resuscitation of Latin
comedy in Italy, v. 139

---- Alberto d', i. 146;
Alfonso d', aids Frundberg's army on the march to Rome, 245, 444;
married (1) to Anna Sforza, v. 140, (2) Lucrezia Borgia, 420, 422,
423, v. 141;
his skill as a gunsmith, i. 423, iii. 403;
takes Ariosto into his service, iv. 498;
builds the first permanent theatre in Italy, iv. 499, v. 144;
makes Ariosto governor of the Garfagnana, iv. 500;
his warfare with the Papacy, 500;
Azzo d', i. 168;
Beatrice d' (1), mentioned by Dante, 133;
Beatrice d' (2), wife of Lodovico Sforza, 555;
Borso d', 173;
his reception of Filelfo, ii. 285;
the friend of Boiardo, iv. 457;
Ercole d', his assassination attempted by Nicolo d'Este, i. 168;
urges Ludovico Sforza to invite the French, 546;
meets Charles at Pavia, 554;
the friend of Boiardo, iv. 457;
his interest in the representation of Latin comedies, v. 139;
his translation of the _Menaechmi_, 140;
his visit to Milan, iv. 498, v. 140;
festivities prepared by him at the marriage of Lucrezia Borgia to
Alfonso d'Este, v. 141;
his marriage to Renee, daughter to Louis XII., 297;
Ferdinand d', shares Giulio's plot against Alfonso, i. 423;
Giulio d', his attempt on Alfonso, 423;
his eyes put out by order of Ippolito d'Este, 423, iv. 495;
Cardinal Ippolito d', invites Cellini to the Court of Francis I.,
iii. 472, 476;
takes Ariosto into his service, iv. 494;
wishes him to enter the Church, 495;
quarrel between them, 496 (cp. 509);
puts out the eyes of Giulio d'Este, i. 423, iv. 495;
Lionello d', the pupil of Guarino, i. 173, ii. 240, 299;
his correspondence with eminent scholars, 173, ii. 300;
his portrait in the National Gallery, ii. 300;
Alberti's _Teogenio_ dedicated to him, iv. 205;
Nicolo d' (Nicolas III.), his journey to Rome, ii. 152 _note_ 1;
reopens the High School of Ferrara, 298;
his patronage of men of letters, i. 173;
Obizzo d', sells Parma to Lucchino Visconti, i. 134;
murdered by his uncle, 146;
Ugo d', his journey to Rome, ii. 152 _note_ 1

_Eterei, Gli_, an Academy at Padua, v. 272

Eugenius IV., consulted by Cosimo de' Medici as to how he should make
restitution, ii. 172;
Lionardo Bruni's translation of Aristotle's _Politics_ dedicated to
him, 184;
retires to Florence after his expulsion from Rome, 185, 186, 196, 219;
makes Traversari General of the Camaldolese Order, 194;
his proclivities rather monastic than humanistic, 219;
makes Marsuppini and Aurispa Papal Secretaries, and patronises
other scholars, 220;
proscribes the reading of Beccadelli's _Hermaphroditus_, 256;
attacked by Valla in the treatise on _Constantine's Donation_, 260;
his saying on the malice of the Humanists, 511;
pageants in his honour at Perugia, iv. 315

Euripides, compared with Ariosto, v. 35, 37

Eusebi, Ambrogio degli, a secretary of Aretino's, v. 421

Exarchate and Pentapolis, the, i. 48, 51;
Exarchs, the, 35, 43

Excommunication, terrors of, i. 132, 133 _note_ 1, 471, 531, ii. 332

Ezzelino da Romana, i. 69, 75, 110;
his cruelty, 106-110, iv. 279;
influence of his example on Italy, i. 107, 108, iv. 280;
his love of astrology, 119

_Fabliaux_, the, of the middle ages, iv. 107

Fabriano, paper factory of, ii. 371, 37 [Transcriber's Note: so in
original]

Fabrizio, early Bolognese poet, iv. 48

Faenza, massacre of, i. 82;
sold by Astorre Manfredi, 114;
Church of S. Costanzo: Benedetto da Majano's bas-reliefs, iii. 160

Falconetto, Giovanni Maria, his work as an architect at Padua, iii. 86

Farnesi, the, origin of their greatness, i. 417 _note_ 2

---- Cardinal Alessandro, v. 283;
Alexander (_see_ Paul III.);
Giulia, surnamed La Bella, mistress of Alexander VI., i. 407 _note_ 1;
her portrait statue on Paul III.'s tomb, 417 _note_ 2, iii. 108;
captured by the French, i. 417;
Pier Luigi (son of Paul III.), 428 _note_ 1, iii. 422 _note_ 1,
460, 462, 465, v. 283;
Aretino's lines on him, v. 402 _note_ 1;
Cardinal Ranuccio, 283;
Ranuzio, orders the building of the Teatro Farnese at Parma, 144

_Farse_, the, at Naples, v. 136, 137;
cultivated by Cecchi at Florence, 188;
his description of the _Farsa_, 188;
how related to the English type of drama, 188, 189

Faust, Legend of, ii. 53;
in Italy and England, iv. 347

Fazio, Bartolommeo, the historiographer of Alfonso the Magnanimous,
i. 569, ii. 38;
his criticisms on Valla, ii. 263

Federigo d'Arezzo, poems of, iv. 164

Felix, the Anti-Pope, ii. 236

Feltre, Vittorino da, i. 171;
a scholar of Giovanni da Ravenna, ii. 100, 290;
acquainted with Filelfo at Venice, 267;
his poverty and early education, 289;
begins teaching, 290;
summoned to Mantua, i. 176, ii. 291;
Traversari's account of his system of education, 177 (cp. ii. 291-297);
his single-mindedness contrasted with the self-seeking of other
scholars, ii. 290, 523;
his nobility of character, 297;
effect of his labours, 273, 537

Ferdinand the Catholic, his hypocrisy, i. 296, 358;
his persecution of the Jews, 399-401;
his alliance with Louis XII., 428;
obtains Roussillon from Charles VIII. as the price of neutrality, 542;
joins the League of Venice against Charles, 577

Ferdinand I., King of Naples, i. 113 _note_ 1;
his cruelty and avarice, 139 _note_ 1, 395, 570;
supports Virginio Orsini against Alexander VI., 545;
character of him by Comines, 572;
his judgment of Pope Alexander VI., 409;
his opinion of the Papacy, 451

Ferdinand II., King of Naples, retires before the approach of the
French, i. 574;
his marriage and death, 575

Fernus, Michael, his panegyric of Alexander VI., i. 408

Ferrara, share of, in Italian literature, iv. 364, 365;
retained more feudal feeling than other towns, iv. 460

---- the Castle of, i. 423, iii. 60, iv. 456;
the Palazzo della Ragione, v. 141

---- the High School, ii. 117;
reopened by Niccolo III., 298;
most flourishing at the beginning of the sixteenth century, 427,
v. 497;
difference of character between the Universities of Ferrara and
Padua, v. 460

Ferrari, Gaudenzio, belongs to the Lombard school, iii. 484;
his masters and mixed style, 488-490

Ferrucci, his part in the siege of Florence, i. 238, 285, 521

Feudalism, uncongenial to the Italian character, i. 42, 58, 61, 62,
100, 359, 484, ii. 3, iii. 51, iv. 6, 7, 27, 44, 140, 405, 426,
459, v. 492, 503, 505, 524, 530;
had a stronger hold on the valley of the Po than elsewhere in
Italy, iv. 6, 460;
and on Naples, 460

Fiamma, Galvano, his Milanese Annals, i. 81

Fiammetta, the natural daughter of King Robert, iv. 120 _note_ 1;
her relations with Boccaccio, 120

Fiandino, Ambrogio, takes part in the controversy raised by the
publication of Pomponazzi's _De Immortalitate Animae_, v. 460

Ficino, his attempt to combine ancient philosophy and Christianity,
i. 171, 456, ii. 209, 325, 470, iii. 35, v. 452;
educated by Cosimo de' Medici in order to teach Greek philosophy,
ii. 177, 207, 324;
his influence over Italian thought, 207, 327;
his translations the most valuable part of his work, v. 453;
one of the circle gathered round Lorenzo de' Medici, ii. 322, 323;
his earnestness of character, 325, 523;
in common with his age, did not comprehend Plato's system, 327, v. 452;
his letter to Jacopo Bracciolini describing a celebration of
Plato's birthday, ii. 329;
his praise of Palmieri's _Citta di Vita_, iv. 171;
part of the _Morgante_ erroneously ascribed to him by Tasso, 455
_note_ 3;
his description of the village feasts at Montevecchio, v. 196

Fieschi, Isabella, poisons her husband, Lucchino Visconti, i. 134

Fiesole, the Cathedral, Mino's altar, iii. 158 _note_ 1;
Mino's bust of Bishop Salutati, 158

Filarete, Antonio, builds the _Ospedale Maggiore_ at Milan, iii. 59, 77;
his treatise on the building of the ideal city, 77 _note_ 2;
his work as a bronze founder, 78 _note_ 1;
executes the bronze gates of S. Peter's, 108, v. 424

Filelfo, Francesco, corresponds with Lionello d'Este, i. 173;
his epigrams on Pius II., 381;
patronised by Francesco Sforza, ii. 38, 282 (cp. 511);
his boasts of his learning, 84, 271, 347;
his wanderings, 100, 268, 277;
a scholar of Giovanni da Ravenna, 100;
his various emoluments and offers of stipends, 122, 274, 277;
obliged to leave Florence by Niccoli's opposition, 182, 275;
offended by Marsuppini's success at Florence, 187, 275, 278 _note_ 1;
patronised by Eugenius IV., 220;
receives a present from Nicholas V. for his satires, 236, 284 (cp.
514);
his quarrel with Poggio, 238-240;
teaches at Venice, 267;
his journey to Constantinople, 267;
his diplomatic employments, 268 (cp. 532);
his marriage with Theodora Chrysoloras, 268;
returns to Venice, 270;
list of Greek books brought by him, 270;
leaves Venice, first for Bologna, finally for Florence, 273;
his success and literary labours at Florence, 273;
his Lectures on Dante, 274, iv. 235;
his feud with the Medicean party, 275;
they attempt his assassination, 170 _note_ 1, ii. 243, 275;
references in his Satires to his Florentine quarrels, ii. 276 _note_ 1;
his stay in Siena and in Bologna, 276;
settles in Milan, 277;
his labours in Milan, 278;
his position there, i. 171, ii. 265, 266, 277;
his second and third marriages, 279, 282;
his loose morals, 280;
solicits ecclesiastical preferment from Nicholas V., 281, 517;
his rapacity, 282;
the _Sforziad_, 283 _note_ 1, 284;
his journey to Naples, 284;
obtains the release of his mother-in-law at the fall of
Constantinople, 285;
invited to Rome by Sixtus IV., 285;
returns to Florence and dies, 288;
his importance as a typical scholar of the Renaissance, 288;
his answer when urged to open a school, 291;
quotation from a letter of his containing an early mention of
printed books, 306 _note_ 2;
poorness of his Latin verse, 452;
his contempt for Italian, 532 _note_ 1, iv. 235;
his Commentary on Petrarch, and _terza rima_ poem on S. John, iv. 235

Fiorentino, Bernardo, iii. 75

_Fioretti di S. Francesco_, beauty of the work, iv. 131;
has the childlike character of Italian _trecento_ prose, 131;
S. Anthony preaching to the fishes, quoted as a specimen of its
style, 134

Firenzuola, Agnolo, the friend of Aretino, v. 83;
their correspondence, 410 _note_ 1;
a member of the _Vignajuoli_ Academy at Rome, ii. 366 (cp. v. 83),
v. 357;
said to have been abbot in the Vallambrosan Order, v. 83;
his _Novelle_, 60;
their beauty of style, 84;
their subjects chiefly the weaknesses and the vices of the
clergy, 84;
the Introduction, 84;
his Discourse on the Beauty of Women, ii. 37, v. 83, 85-87;
his miscellaneous works and poems, v. 87, 187, 249;
his Comedies, 181, 186;
adhered closely to Latin models, 186;
his _Capitoli_, 249, 364;
his orthographical disputes with Trissino, 271, 306

Fisiraghi Family, the, of Lodi, i. 145

Fisiraga, Antonio, his murder of the Vistarini and death by poison,
i. 120

Fivizzano, massacre of, 557

Flagellants, the, i. 618, iv. 40, 73;
description of them from the Chronicle of Padua, iv. 280;
from a private letter from Rome (1399), 282 _note_ 1;
social danger caused by them, 282;
merged in the _Disciplinati_ and _Laudesi_, 282

Flaminio, Marcantonio, his verses upon the death of Navagero, ii. 488;
his Latin poems: their beauty and interest, 498-504 (cp. v. 196);
his friendship with Cardinal Pole and Vittoria Colonna, ii. 498,
502, v. 292

Flanders, artists brought from, by Frederick of Urbino, i. 179;
comparison between Flemish and Venetian art, iii. 362 _note_ 1

Flattery of great personages by the Humanists, ii. 492-496, 512, 514

Florence: struggle between Florence and the Visconti, i. 81, 149;
constitutional history of, 221 foll.;
parties at Florence in 1494, 528;
in 1527, 281;
the Ciompi Rebellion, 221, 227, iv. 111, 150;
the exclusion of the nobles, 224. iv. 27, 51;
Florence laid under interdict by Martin V., iv. 258;
war of the Florentines with Sixtus IV., 447;
harsh treatment of Pisa and other cities by Florence, i. 212, 237,
342, 560, ii. 165;
Florence under Savonarola, i. 526-529;
the Siege of Florence, 222, 284 foll., 319, 536 _note_ 2, iii. 393,
414, 438 (_see_ Savonarola);
Christ declared King of Florence, 222, 526, iii. 214, 308, 358;
goodwill of Florence to France, i. 518, 550 _note_ 1, 583 _note_ 2;
expulsion of the Medici, 222, 561, iii. 389;
political contrast of Florence and Venice, i. 221, 222 _note_ 1, 231;
comparison of Florence and Athens, 234, 236, 306 _note_ 2;
beauty of Florence, 504, 561, 562, ii. 322, iii. 63 (cp. iv. 520);
festivals of medieval Florence, iv. 50-58, 316-319, 520;
of Renaissance Florence, 387-398;
Florence the centre of the true Italic element in Italy, iv. 141;
population of Florence, i. 197 _note_ 2, 209, 256;
effects of the 'Black Death' at Florence, 259, ii. 120, iv. 111,
v. 191;
the revenues of Florence, i. 255;
wealth of the Florentines, 257;
the Guelf laws against _scioperati_, iv. 27, 204;
commercial spirit of the Florentines, i. 224, 238, 245, 600;
Florentine intelligence, 232, 250, 504, 505, ii. 26, iv. 45;
compared with the Athenian, i. 246;
fickleness of the Florentines, 236;
their immorality, 230, 476, 504, iv. 337, v. 81, 358;
illustrated by Machiavelli's Comedies and Letters, v. 163, 165, 433;
by the _Capitoli_, 355;
their malicious temper, iv. 150, 253, 255, v. 79, 82;
Florentine manners as depicted in Sacchetti's _Novelle_, iv. 149;
in Alessandra Strozzi's Letters, 176, 190 _note_ 1;
Florentine conceptions of nobility, 125;
Florence the centre of intellectual activity in Italy, ii. 108,
162, 250, 311, iv. 349, 364, 365;
leads the way in Italian literature, ii. 394, 426, iv. 27, 185, 243;
part played by Florence in the history of Italian thought, v.
452-454, 457, 481;
favourable conditions presented by Florence for the growth of
culture, ii. 163;
services of the Florentines to historical literature, i. 248 foll.;
the share taken by Florence in the Renaissance, v. 496;
the main elements of Florentine society represented severally by
Dante, Petrarch, and Boccaccio, iv. 98;
eagerness of the Florentines in learning Greek, ii. 197 _note_ 1,
206, 250;
early Florentine printers, 369, 376;
loss of the Florentine supremacy in literature, 506;
architecture of the Florentine palaces and churches, iii. 59, 72;
Florentine pre-eminence in architecture at the Renaissance, 76;
influence of the Florentine painters on sculpture, 161;
comparison between Florentine and Venetian art, 182, 354;
the ovation of Cimabue's _Madonna_, 11, 187;
Florentine influence on Italian painting, 261;
positive and scientific character of the Florentine intellect as
shown in their artistic productions, 182, 215, 221, 364, iv. 128,
402

Florence: S. Ambrogio, Mino's altar, iii. 158 _note_ 1;
the Annunziata, Del Sarto's, Franciabigio's, and Rossi's frescoes,
498 _note_ 1;
the _Badia_, monuments by Mino da Fiesole, 158;
Filippino Lippi's 'Madonna dictating her Life to S. Bernard,' 248
_note_ 2;
the Baptistery, the bronze gates--the first by Andrea Pisano, 119;
the second and third by Ghiberti, 128;
the Carmine, Masaccio's frescoes, 229, 231;
Filippino Lippi's frescoes, 248;
the Duomo, built by public decree, 64;
its proportions criticised, 65;
Arnolfo's intentions, 66;
Brunelleschi's Dome, 67, 73, 74;
Giotto's Campanile, 63, 190, iv. 251;
S. Lorenzo (by Brunelleschi), 73, 393, 399, 413;
Bronzino's _Christ in Limbo_, 499 _note_ 1;
the Medicean Chapel, its marble panelling, 79 _note_ 3;
the _Sagrestia Nuova_, character of its architecture, 87, 414, 415;
tombs of the Medici, i. 314, 319, iii. 354, 377 _note_ 2, 393,
415-419, 420;
S. Maria Maddalena dei Pazzi, Perugino's fresco of the
Crucifixion, 295;
S. Maria Novella, Cimabue's _Madonna_, iii. 188;
Ghirlandajo's _Birth of the Virgin_, 259;
(Spagnuoli Chapel), its frescoes, 205;
(Strozzi Chapels) Filippino Lippi's frescoes, 248;
Orcagna's frescoes, 199;
S. Maria Nuova, Fra Bartolomeo's Last Judgment, 306, 309, 331;
S. Miniato, 49;
Rossellino's monument of Cardinal di Portogallo, 153;
Spinello's frescoes in the sacristy, 220;
Orsammichele (by Taddeo Gaddi and Orcagna), 63, 124;
Orcagna's tabernacle, 125;
Donatello's statue of S. George, 138;
Santa Croce, 63;
Benedetto da Maiano's pulpit, 160;
Giotto's frescoes, 190;
S. Trinita, Desiderio's statue of the Magdalen, 159 _note_ 1;
Ghirlandajo's _Death of S. Francis_, 259;
S. Spirito (by Brunelleschi), 73;
Agnolo's Campanile, 86

Florence: Loggia del Bigallo (by Orcagna), 125;
Loggia de' Lanzi (wrongly ascribed to him), 125, 478

---- Palazzo Vecchio, 61-63;
---- del Bargello, Chapel of the Podesta, 191;
---- Pitti (by Brunelleschi), 73;
---- Riccardi (by Michelozzo), 59, 76;
---- Gozzoli's frescoes, 242;
---- Rucellai (by Alberti), ii. 342, iii. 75 (_see also_ Rucellai
Gardens, the);
---- Strozzi (by Benedetto da Maiano), iii. 77

---- Academy, the, founded by Cosimo de' Medici, ii. 177, 207;
influence exerted by, over Italian thought, 207;
celebrations of Plato by, 328;
later fortunes of, 366

Florence, University, the, its foundation, i. 259, ii. 118;
establishment of a Greek chair, ii. 106;
liberality of the Signory to the University, 120;
partial transfer of the High School to Pisa by Lorenzo de' Medici,
122, v. 497;
important services of Palla degli Strozzi to the University, ii. 166

Florence, Council of, impression left by, on the Florentines, ii.
196, 206

Fogliani, Giovanni, murder of, by his nephew, Oliverotto da Fermo, i. 354

Fojano, Fra, starved to death in the dungeons of S. Angelo, iii. 468

Folengo, Teofilo (Girolamo), story of his life, v. 312;
enters the Benedictine Order (cp. i. 459);
leaves the cloister, v. 313;
resumes the cowl, 313;
his pseudonym, Merlinus Cocaius, 313;
said to have once contemplated writing a serious Latin Epic, 334;
his aim at originality, 334;
his use of the Maccaronic style, 335;
the _Orlandino_--freedom of its satire, 314;
its roughness of style, 315;
the introduction, 316;
subject of the poem, 317;
Berta's prayer, 318 (_see_ for translation, Appendix ii.);
the story of how peasants were made, 319 (cp. 343 _note_ 2);
the _Resurrection_, 320;
translated, 320;
passage on the woes of Italy, i. 101, v. 320 _note_ 1;
the boyhood of Orlandino, 321;
the episode of Griffarosto, 322 (_see_ for translation, Appendix ii.);
Rainero's confession of faith, 323 (_see_ for translation,
Appendix ii.);
Lutheran opinions expressed in the _Orlandino_, 324, 486;
reasons why Folengo's religious opinions escaped censure, 325;
relation of the _Orlandino_ to the _Furioso_, 326;
the _Maccaronea_, 337;
its loss of popularity, 337;
plot of the poem, 337-345;
satire of the monks and clergy, 340;
the Court of Smirna Gulfora and the extirpation of the witches,
344, 348-350;
the Entry into Hell, 350-352;
probability that the poem was written with a serious aim, 352;
the bitterness of the satire increased by Folengo's consciousness
of his failure in life, 353 _note_ 1 (cp. 314);
value of the _Maccaronea_ to the student of literature, 353;
the _Moscheis_, 334 _note_ 2, 354;
the _Zanitonella_, 354;
written in mockery of the fashionable Arcadian poetry, 224, 354

Folgore da San Gemignano, the question of his date, iv. 54 _note_ 1,
163 _note_ 5;
his Sonnets on the Months and Days, 54-57;
the five Sonnets on the Arming of a Knight, 55 _note_ 1;
passage on the triumph of Uguccione, 163.
(_See_ Appendix ii. vol. iv. for translation of ten Sonnets.)

Fondulo, Gabrino, his massacre of the Cavalcabo family, i. 120;
leader of Condottieri under Gian Galeazzo Visconti, 150;
story of his taking the Pope and the Emperor up the Tower of
Cremona, 463 _note_ 1

Fontana, Domenico, his work at S. Peter's, iii. 93

Forgeries, literary, frequency of, at the Renaissance, ii. 156 _note_ 2

Form preferred to matter by the Humanists, ii. 471, 513, 514

Fornovo, battle of, i. 580, iii. 275 _note_ 1

Fortiguerra, Scipione, prefixes a Greek letter to Aldo Manuzio's
edition of Aristotle, ii. 382;
a member of the Aldine Academy, 385

Fortini, Pietro, his _Novelle_, v. 60, 97

Fortunio, Francesco, his suicide during the Sack of Rome, ii. 445

Foscari, Francesco, i. 155;
his policy and execution by the Council of Ten, 215 _note_ 1;
Jacopo, 215;
Marco, his Reports cited, 211 _note_ 2, 221 _note_ 1, 230 _note_ 1,
238 _note_ 1, 597 _note_ 2

Fossa, Evangelista, writer of Maccaronic poems, v. 331 _note_ 2, 332

Fracastorius, his _Syphilis_, i. 567 _note_ 1, ii. 477-481;
his adulatory verses, ii. 481, 496;
his Veronese birth, illustrating the movement of culture from
Tuscany to Lombardy, 506;
his friendship with Berni, v. 363

Fra Moriale, leader of Condottieri, i. 86

Francesco da Bologna (_i. e._ probably Francia, the painter), cuts
the Italian type for Aldo Manuzio, ii. 381

Francesco da Montepulciano, Frate, his preaching at Florence, i. 621

Francia, Francesco, probably identical with Francesco da Bologna, ii.
381 _note_ 1;
religious feeling and beauty of his works, iii. 303;
adhered to the earlier manner of painting, 303, 365

Franciabigio, his frescoes in the Annunziata, Florence, iii. 498 _note_ 1

Francis I. of France, i. 518, 584;
number of Italian artists invited by him to France, iii. 444;
summons Cellini to his Court, 473;
his visit to Cellini, 443 _note_ 1;
his character as described by Cellini, 473;
his patronage of Aretino and presents to him, v. 400, 404

Francis of Holland, his record of the conversations of Michelangelo
and Vittoria Colonna, iii. 434, v. 293

Francis, S., his revival of religion, iii. 182 (cp. iv. 296);
contrast of S. Francis and S. Dominic, iii. 205;
his first poetry composed in French, iv. 16;
his _Cantico del Sole_, 40, 73

Franciscans, the, imprison Roger Bacon, i. 10;
reasons for the popular hatred of them, 459;
their religious poetry, iv. 295;
their quarrel with the Benedictines, v. 325

Franco, Matteo, his quarrel with Luigi Pulci, iv. 431, 455 _note_ 3

---- Niccolo, his relations to Aretino, v. 419, 420;
quarrels with Aretino, 421;
writes satirical Sonnets against him, 381, 421;
composes a Latin Commentary on the _Priapea_, 421;
taken and hanged, 421

---- Veronica, v. 288

Franco-Italian, the language produced by the mixture of French and
Italian, iv. 15, 19

Franzesi, Mattio, his _Capitoli_, v. 364

Frate di S. Marco, the, his preaching at Milan, i. 620

Frateschi, name of the followers of Savonarola at Florence, i. 529

Fraticelli, the, an heretical sect of the Franciscan Order, i. 9

Frederick Barbarossa, his war with the Lombard cities, i. 63, 64, 67;
his defeat at Legnano, 42, 64, 95

Frederick of Naples, i. 552, 574, 575 _note_ 1

Frederick II., the Emperor, his warfare with the Church, i. 10, 41,
68, ii. 251, iv. 6, 279;
establishes a Saracen colony at Nocera, i. 105, 156 (cp. iv. 280);
began the system of government afterwards pursued by the despots,
105-107;
his terror under excommunication, 133 _note_ 1;
founds the University of Naples and attempts to suppress that of
Bologna, ii. 116;
his cultivation of vernacular literature, 251 (cp. i. 10), iv. 6, 21;
Italian testimonies to his character, iv. 21;
probably influenced by political motives in his cultivation of
Italian literature, 22;
his temper not in unison with that of his age, 61

Frederick III., the Emperor, i. 100, 163;
story of the Florentine embassy which went to congratulate him,
ii. 190;
representation of the _Passion_ in his honour at Naples, iv. 315

Fregosi, the, at Genoa, i. 201;
two Fregosi introduced in Castiglione's _Cortegiano_, i. 184, v.
257 _note_ 1

Fregoso, Cesare, v. 64

French, widely-spread use of, by medieval Italian writers, iv. 16

Frescobaldi, Matteo, his political poems, iv. 163

Frezzi, Frederigo, his _Quadriregio_, iv. 168-171;
its confusion of Christian and antique motives, 169

Friola, capture of, i. 108

Froben, John, i. 23;
prints the Greek Testament, ii. 391

Fulvio, Andrea, his _Antiquities of Rome_, ii. 428

Fusina, Andrea, works in concert with Amadeo at the Certosa, Pavia,
iii. 164

Gaddi, Cardinal, attacked by Aretino, v. 402 _note_ 1;
makes terms with him, 402

Gaddi, the, scholars of Giotto, iii. 197, 226

---- Gaddo, supposed to have worked on the frescoes of Assisi, 196;
Taddeo, his work as architect at Orsammichele, Florence, iii. 124;
the painter of the _Triumph of S. Thomas Aquinas_, in S. Maria
Novella, 205 _note_ 1

Galileo, his services to modern science, i. 29, v. 518;
his trial before the Inquisition, v. 462 _note_ 1, 478

Gallo, Antonio di San, iii. 76, v. 505;
his skill in military engineering, iii. 86;
his work at S. Peter's, 91, 398;
Giuliano di San, ii. 431, iii. 76;
his work at S. Peter's, iii. 91;
Francesco di San, his letter on the discovery of the _Laocoon_, ii. 431

Gambacorti, the, of Pisa, their rise to power, i. 114;
their downfall, 147

Gambara, Veronica, her virtues, v. 289;
her poems, 289;
society gathered round her, 289;
her correspondence with Aretino, 408 _note_ 1

Gandia, Duke of, son of Alexander VI. by Vanozza Catanei, i. 419;
story of his murder, 424

Garfagnana, Ariosto's governorship of, iv. 500-502, 514

Garofalo, Benvenuto, character of his paintings, iii. 502

Garter, the, conferred on Frederick of Urbino by Henry VII., i. 181;
on Guidobaldo, his son, ii. 420

Gasparino da Barzizza, the initiator of Latin epistolography, ii.
107, 531;
his position at Milan, 266

Gasparino of Verona, his panegyric of Alexander VI., i. 408

Gaza, Theodorus, translates Aristotle's History of Animals, for
Nicholas V., ii. 229;
joins in the controversy of Bessarion and Trapezuntius, 248

_Gelati_, the, an Academy at Bologna, ii. 366

Gelli, his Comedies, v. 124, 146 _note_ 1, 181, 186, 187;
took Machiavelli as his model, 187

Generosity, admiration of the Italians for this virtue, iv. 356

Genezzano, Fra Mariano da, preaching of, i. 506, 522

Gennadius, Patriarch of Constantinople, his controversy with Gemistos
Plethon, ii. 209

Genoa, annexed to the Milanese, i. 136, 568;
Constitution of 1528, 201;
intellectual and artistic backwardness of Genoa, ii. 212, iii. 181
_note_ 1, v. 497;
building of the Mole and Aqueduct at Genoa, iii. 42;
architecture of the Genoese palaces, 59, v. 498;
the Genoese painters, v. 498

---- S. Maria di Carignano, iii. 96

Gentile da Fabriano, his studies in natural history, iii. 226;
peculiarities of his genius, 238;
his power of colouring, 349

Gentile, Girolamo, his attempt against Galeazzo Sforza, i. 168

Gentleman, notion of the gentleman formed by Italians, i. 184-189,
192, ii. 408

Ghibellines and Guelfs, quarrel of, i. 38, 61, 69, 70, 71, 72, 73,
74, 80, 95, 101, 206, 221, 584, ii. 57, iv. 159-164, 367

Ghiberti, Lorenzo di Cino, cited for the enthusiasm of sculptors over
the remains of ancient art, ii. 432, iii. 134;
his work as a bronze founder in Italian churches, iii. 78 _note_ 1;
his treatment of the story of the creation of Adam and Eve, 118
_note_ 2, 130;
his designs in competition for the Baptistery Gates at Florence, 127;
criticism of his model, 129;
his introduction of picturesque treatment into sculpture, ii. 8,
iii. 132, 141;
reckons in his commentaries by Olympiads, iii. 135;
not really affected by the Paganism of the Renaissance, 135

Ghirlandajo, Domenico, his influence over Benedetto da Maiano, iii. 160;
his great qualities and prosaic plainness, 161, 258-261, 262

Ghislieri, a poet of Bologna, iv. 48

Giacomini, Antonio, aids Machiavelli in his plan for a national
militia, i. 313 _note_ 1

Giacomino, Fra, his works written in a North Italian dialect for
popular use, iv. 34

Giacomo of Florence, his wood-panelling at Urbino, iii. 78 _note_ 2

Giamboni, Bono, reputed author of many early popular Italian works,
iv. 129;
translates Latini's _Tesoro_ into Italian, 130

Gianni, Lapo, comparison of his _Amor eo chero_ with Folgore's Poems
on the Months, iv. 56 _note_ 1

Giannotti, Donato, on tyrannicide, i. 169;
on citizenship, 196 (cp. iii. 55);
influenced by Aristotle, i. 197 _note_ 1, 250 _note_ 1;
his translation of the word [Greek: ethos], 200 _note_ 1;
assigns to Savonarola the authorship of the Florentine constitution,
202 _note_ 2;
his estimation of the population of Venice, 210;
cited for the factions of Siena, 207 _note_ 2;
cited, 216 _note_ 1, 217 _note_ 1;
his description of the corruption of the State of Florence, 231;
his admiration of the Venetian polity, 234;
cited for the trading spirit of Florence, 238;
his Florentine History, 278;
his democratic spirit, 280;
his advocacy of the Governo Misto, 283;
cited for Italian notions of honour, 485 _note_ 1

Giano della Bella, i. 225 _note_ 1

Giasone de Nores, his panegyric of Trifone (in the Commentary on the
_Ars Poetica_), v. 253 _note_ 1

Giberti, Giammatteo, made Bishop of Verona by Clement VII., ii. 403;
his patronage of Berni, v. 357, 390 _note_ 1;
his animosity against Aretino, 390;
becomes reconciled to him, 402 _note_ 1

Gieremei, Bonifazio, i. 74

Giocondo, Fra, his collection of Roman inscriptions, ii. 429;
his work at S. Peter's, iii. 91

Gioja, said to have discovered the compass, i. 29

Giorgi, Marino, Venetian ambassador, cited for Leo's 'Let us enjoy
the Papacy,' i. 437;
for the refusal of Giuliano, Duke of Nemours, to take the Duchy of
Urbino, 438 _note_ 1

Giorgio, Francesco di, architect of palaces at Pienza, iii. 75

Giorgio, Francesco di, cited for the character of Frederick, Duke of
Urbino, i. 176 _note_ 1

Giorgione, greatness of his genius, iii. 366;
fate of his works, 366;
his power in depicting tranquillised emotion, 367

Giottino, the scholar of Giotto, iii. 197

Giotto, the Campanile at Florence, iii. 63, 190, iv. 251;
his work in S. Francis', Assisi, iii. 117, 190, 195;
his genius pictorial, 120, 177;
story of Cimabue's finding him, as a child, drawing, 190, 191;
amount of his work, 190;
his fidelity to nature, 191;
advances made by him in painting, 192;
his power of representation, 193;
excellence of his allegories, 194;
mention of him by Petrarch, 217 _note_ 1;
influenced by Dante, 283 _note_ 2;
his ode on Poverty, iv. 39 _note_ 1, 243 (cp. iii. 124, 194)

Giovanni da Capistrano, Fra, i. 490;
his preaching at Brescia, 615

Giovanni da Imola, his salary from the University of Padua, ii. 122

Giovanni da Ravenna, Petrarch's secretary, ii. 98;
the first of the vagabond Humanists, 99;
his influence, 100

Giovanni, Ser (of Florence), his _Novelle_, iv. 150;
called his work _Il Pecorone_, 150;
poverty of the framework of the _Novelle_, 151;
their antiquarian interest, 151;
one novel the source of the _Merchant of Venice_, 152 _note_ 1;
revision of the _Novelle_ by Domenichi, 152 _note_ 2;
Giovanni as a poet, 152

Giovanni da Udine, the scholar of Raphael, iii. 490

Giovanni, Fra, da Verona, his work as a wood-carver at Monte Oliveto
and Naples, iii. 78 _note_ 2

Giovio, Paolo, his description of Azzo Visconti, i. 134;
of Gian Galeazzo, 141, 142 _note_ 1;
of the marriage of Violante Visconti, 138;
his conception of history, 249 _note_ 2;
his untrustworthiness, 292 _note_ 2, ii. 354 _note_ 1, 417, 512;
his account of Machiavelli's education, 310;
praises the massacre of Sinigaglia, 324;
his criticism of Machiavelli's _Art of War_, 330;
believed that Alexander VI. died of poison, 429, 430;
on Lodovico Sforza, 547 _note_ 2;
on Poliziano's personal appearance, ii. 350 _note_ 1;
his account of Poliziano's death, ii. 354 _note_ 1;
his description of Poliziano's poetry, iv. 407;
made Bishop of Nocera, ii. 402, 417;
his versatility of talent, 417;
his criticism of Navagero, 485 _note_ 3;
relates that Navagero suffered from _atra bilis_, 487;
his confession that culture had left Italy, 544;
his correspondence with Aretino, v. 410 _note_ 1;
relates that Pomponazzi was ignorant of Greek, 459

Giraldi, Giovanbattista. (_See_ Cinthio.)

Giunta of Pisa, said to have worked on the frescoes of Assisi, iii. 196

Giunta, the Roman printer, his piracies on Aldo Manuzio, ii. 379
_note_ 2;
publishes the _Lysistrata_ and _Thesmaphoriazusae_ of Aristophanes, 382

Giunti, the, printers at Venice, v. 374;
Giunta prints the mutilated version of Boiardo's _rifacimento_ of
the _Orlando Innamorato_, 374;
acknowledges the fact of the mutilation in a second edition, 374, 377

Giulio Romano, his decoration of the Palazzo del Te, ii. 440, iii.
83, 492, iv. 403, v. 389;
his architectural work at Rome, iii. 83;
his superintendence of S. Peter's, 91;
the only great master produced by Rome, 184;
his occasional coarseness and vulgarity, 454, 492;
driven from Rome for designing a series of obscene figures, v. 389

Giustiniani, the, their patronage of learning at Venice, ii. 212

---- Venetian ambassador, his testimony to the death of Alexander VI.
by apoplexy, i. 430;
mentions the legend that Alexander had sold his soul to the devil, 431;
Lionardo, procures Filelfo a Secretaryship at Constantinople, ii. 267

Giusto de' Conti, his _Canzoniere_, iv. 165

_Gli Otto_, name of Council in some Italian cities, i. 35

Goldsmith's work, all the earlier Florentine artists served an
apprenticeship to this art, iii. 124, 442

Gonfaloniere di Giustizia, a name of office in some Italian cities,
i. 35;
at Florence, 224

Gonzaga, the, at Mantua, i. 145;
how they became tyrants, 112, 148 _note_ 1;
members of this family become Condottieri, 161;
distinguish themselves at Fornovo, 580 _note_ 1

---- Alessandro, educated by Vittorino da Feltre, 177, ii. 297;
Camilla, Molza's attachment to her, v. 226;
Cario, the pupil of Vittorino da Feltre, ii. 293;
betrays Milan to Sforza, 281;
Cecilia, educated by Vittorino da Feltre, i. 177, ii. 297;
Cesare, v. 122;
Elisabetta, i. 182, 184;
Francesco, (1) 147;
commands at Fornovo, 580, iii. 275 _note_ 1;
letter of, to his wife, quoted for the account of Alexander VI.'s
death, i. 431 _note_ 1, 432;
(2) Cardinal, his patronage of scholars, ii. 404 (cp. iii. 277
_note_ 1);
causes Poliziano to write the _Orfeo_, iii. 277 _note_ 1, iv. 411;
(3) a wild libertine student at Bologna, v. 312, 314;
Gian Francesco,
(1) his murder of his wife, i. 119 _note_ 2;
(2) summons Vittorino da Feltre to Mantua, 176, ii. 291, 295;
Gianlucido, educated by Vittorino da Feltre, i. 177, ii. 297;
Isabella, her reception at Rome by Leo X., v. 146;
Lodovico, the pupil of Vittorino da Feltre, ii. 291, iii. 276;
his reception of Filelfo, ii. 285;
invites Mantegna to Mantua, iii. 276;
Lucrezia, Bandello her tutor, v. 64, 65;
Ugolino, i. 134;
his murder, 119 _note_ 2

Gorboduc, tragedy of, praised by Sir Philip Sidney, v. 132 _note_ 1;
illustrates the character of the Italian tragedies, 136

Gorello, Ser, quoted for the character of Bishop Guido Tarlati of
Arezzo, i. 83

Goritz, John, why called _Corycius_, ii. 397;
his entertainments of the Roman Academy, 409;
his sufferings in the Sack of Rome, 444

Gothic architecture, its rarity in Rome, iii. 46;
never understood by the Italians, 50, 66, 69, iv. 345, v. 505

Gothic, Italian, its mixed, exotic character, iii. 50;
its relations to Northern styles, iv. 312

Goths, policy of the Goths in Italy, i. 94

_Governo Misto_, the ideal government of Italian statesmen, i. 283,
306, ii. 319

Gozzoli, Benozzo, his repetition of Traini's _Triumph of S. Thomas_,
iii. 208;
character of his genius, 241 (cp. iv. 261 _note_ 2, 372, 463);
various works of his, 242;
his excellence in portraying idyllic subjects, 243;
employed by Cosimo de' Medici to paint his private chapel, 263

_Gran Consiglio_, in Italian cities, i. 35, 57, 71

Granacci, Francesco, Michelangelo's friend in boyhood, iii. 386

Gravina, praised the _Italia Liberata_ of Trissino, v. 307

Graziani, quoted for the preaching of San Bernardino, i. 613;
for Fra Jacopo and Fra Roberto da Lecce, 614

Grazzini, Antonfrancesco. (_See_ Lasca, Il.)

Greece and Italy, contrasts and resemblances of, i. 195, 205, 237,
ii. 4, 10, 16, 43, 513, iii. 1, 121, 355, 410-412, iv. 45, 117, v.
112;
contrast between Greek and Christian religious notions, iii. 12, 136

Greek, utter ignorance of, in the Middle Ages, ii. 66, 94;
importance of the study of Greek, 112;
probability that the lost Greek classics perished before the fall
of Constantinople, 141;
impression produced by the Greek visitors to the Council of
Florence, 197;
Greek studies owed less to the Byzantine than to the Italian
scholars, 197, 250;
the first Greek books printed in Italy, 368, 375, 377, 382, 405
_note_ 1;
the first in Northern Europe, 391 _note_ 2;
Greek hardly studied in Italy by the end of the sixteenth century, 543

Greene, Robert, the dramatist, quoted for Italian immorality, i. 473

Gregoropoulos, John, the reader in Aldo Manuzio's Greek Press, ii. 378;
a member of the Aldine Academy, 387

Gregory the Great, i. 50;
his contempt for grammatical correctness, ii. 61

Gregory VI., i. 59

Gregory VII. (_See_ Hildebrand.)

Gregory IX., war of, with Frederick II., iv. 279

Gregory XI., 113 _note_ 1

Gregory XII., makes Antonio Losco Apostolic Secretary, ii. 218

Gregory of Tours, cited for medieval contempt of antiquity, ii. 60

Gritti, Andrea, Doge of Venice, his patronage of Aretino, v. 395;
Luigi (son of the Doge), gives Aretino a pension, 395

Grocin, his endeavours to introduce the study of Greek into England,
ii. 388, 391

Guardi, his sketch of a _Masked Ball in the Council Chamber, Ducal
Palace, Venice_, iii. 358

Guarini, Battista, shows the completion of the Italian reaction
against the middle ages, v. 244;
the _Pastor Fido_ with Tasso's _Aminta_ the perfection of the
Italian pastoral drama, 114, 223, 241, 511;
essentially lyrical nature of the _Pastor Fido_, 242;
its central motive the opposition of an ideal world of pleasure to
the world of facts and laws, 242

Guarino da Verona, the tutor of Lionello d'Este, i. 171, 173, ii. 299;
a scholar of Giovanni da Ravenna, ii. 100;
brings Greek MSS. to Italy, 141, 267;
obliged to leave Florence by Niccolo's opposition, 182;
his translation of Strabo, 228;
his quarrels with Poggio and other scholars, 240, 301;
his praise of Beccadelli's _Hermaphroditus_, 255, 301, 514;
his friendship with Filelfo, 267;
his success as a teacher at Ferrara, 300 (cp. 473, 537);
his nobility of character, 301, 523

Gubbio, the Pottery of, i. 80

Gucci, Agostino di. (_See_ Duccio, Agostino di.)

Guelfs and Ghibellines, quarrel of, i. 38, 61, 69, 70, 71, 72, 73,
74, 80, 95, 101, 206, 221, 584, ii. 57, iv. 159-164, 367

Guicciardini, Francesco, his life and character, i. 295-301;
pleads the cause of Alessandro de' Medici before Charles V., 232,
280, 298;
his services to the Medici, 280, 285, 297;
his cynicism, 278, 291, 302, v. 446;
portrait of him in Ariosto's Satires, iv. 515;
comparison of Guicciardini and Machiavelli, v. 446;
differences of opinion between Guicciardini and Machiavelli, i. 44,
45 _note_ 1, 91;
the Comment on the _Discorsi_ of Machiavelli, 306 _note_ 2;
the _Governo Misto_ (cp. passage cited from the _Reggimento di
F._, 306);
the decay of Italy due to the Papacy, 451 (cp. passage cited from
the _Ricordi_, 382, 452);
the _Istoria d'Italia_, 300-303;
the murder of Manfredi, 428 _note_ 1;
the death of Alexander VI, ascribed to poison, 429;
the joy in Rome at Alexander's death, 431;
character of Julius II., 434 _note_ 1, 552 _note_ 3;
the effect of the murder of Gian Galeazzo Sforza, 480 _note_ 2, 556;
character of Charles VIII., 540, 547;
of Lodovico Sforza, 548 _note_ 2;
the French invasion, 549, 582;
believes that it was guided by Providence, 553 _note_ 1;
the reception of Charles at Naples by Pontanus, ii. 363;
the _Reggimento di Firenze_, 304-308;
the ideal government of Florence, 223 _note_ 1;
the motives of tyrannicide, 169;
the corruption of Florence, 229;
the Venetian polity, 306;
his admiration for Venice, 234, 299;
the _Governo Misto_, 306 (cp. passage cited from the _Reggimento di
F., note_ 2);
the account of Savonarola, 304 (cp. passage cited from the _Storia
Fiorentina_, 308, 512 _note_ 1);
the _Ricordi_, 308, v. 446, 519;
the disunion of Italy, 92 _note_ 1;
'the blood of the citizens the mortar of tyranny,' 131, 298 _note_ 2;
the faults of democracy, 306 _note_ 1;
use of the word _popolo_, 306;
Guicciardini's conception of history, i. 249 _note_ 2;
the faith of the Florentine patriots in Savonarola during the
siege, 284 _note_ 1, 536 _note_ 2;
the character of the Medici, 298 _note_ 2, 299 _note_ 2;
the decay of Italy due to the Papacy, 382, 452 (cp. passage cited
from the Comment on the _Discorsi_ of Machiavelli, 451);
the balance of power created in Italy by Lorenzo de' Medici, 404
_note_ 2;
the _Storia Fiorentina_, 278, 279, 308;
the suspicious temper of Lorenzo de' Medici, 119 _note_ 1;
his sensuality, iv. 385 _note_ 1;
his policy, 386;
policy of Cosimo de' Medici, i. 229 _notes_ 1 and 2, ii. 170 (for
the Medici cp. also i. 298 _note_ 2, 299 _note_ 2);
the account of Savonarola, i. 308, 512 _note_ 1 (cp. passage cited
from the _Reggimento di Firenze_, i. 301);
character of Alexander VI., i. 412, 417 _note_ 1 (see also Appendix
iii. vol. i.)

Guicciardini, Luigi, his account of Clement's behaviour at the sack
of Rome, 444

Guicciardini, Francesco and Luigi, mentioned together, i. 197 _note_
1, 203 _note_ 1, 230

Guidalotto, Francesco, murders Biordo Michelotti, i. 148 _note_ 2

Guidicci, Mario, his Dissertations on Michelangelo's Sonnets, v. 297

Guidiccioni, Giovanni, Bishop of Fossombrone, his letters, quoted for
the profligacy of Rome, i. 446 _note_ 1, 459 _note_ 2, v. 190, 387
_note_ 1;
his Poems, their patriotic feeling, v. 282, 520;
Gyraldus' criticism of them, 282;
translation of a sonnet, 282;
his correspondence with Aretino, 410 _note_ 1

Guido delle Colonne, iv. 5 _note_ 1, 25

Guido da Siena, the earliest of the Sienese painters, iii. 214

Guidotto, of Bologna, iv. 48;
reputed author of many early popular Italian works, 129

Guilds, their importance in Italy, i. 72, 72 _note_ 1

Guinicelli, Guido, his services to Italian poetry, iv. 46;
Dante's praise of him, 47;
his treatment of love, 61

Guiniforte (son of Gasparino da Bartizza), tutor of Francesco
Sforza's children, ii. 266

Guinizzi, family of the, at Lucca, i. 148

Guittone of Arezzo, importance of his Epistles in the history of
Italian prose, iv. 36, 45, 130;
his Poems mentioned with contempt by Dante, 46;
his religious poems, 73

Gyraldus, Lilius, on the Academy of Naples, ii. 365;
cited for the purism of Italian scholars, 398;
teacher at the High School of Ferrara, 427, 506;
his criticism of Poliziano's _Sylvae_, 459;
of Sannazzaro's _De Partu Virginis_, 469 _note_ 1;
of Bembo's Latin verses, 484;
of Guidiccioni's Poems, v. 282;
his attack on the Humanists, ii. 518, 530;
his denunciations of the immorality of the Italian stage, v. 192

Hadrian, Cardinal, concerned in Pitrucci's conspiracy, i. 437

Haematomania, i. 109 (_see_ Appendix i. vol. i.)

Hawkwood, John, Sir, i. 113 _note_ 1, 362

Hegel, his criticism of Machiavelli's _Prince_, i. 367;
his saying that architecture preceded the other arts, iii. 40

Henry II. of France, appoints Bandello bishop of Agen, v. 64

Henry VII. the Emperor, marches into Italy, i. 76;
his death, 77, 80

Henry VII. of England, confers the Garter on Frederick of Urbino, i. 181;
on Guidobaldo, his son, ii. 420

Henry VIII. invites Torrigiano to England, iii. 444;
makes a present to Aretino, v. 405

Henry the German, an early printer, ii. 376

Heribert, Archbishop of Milan, i. 58

Heywood, the _Challenge for Beauty_ quoted for the character of
Italian plays, v. 111 (cp. 189)

Hildebrand, made Pope, i. 59;
declares war on the Empire, 60;
his arrogation of spiritual autocracy, 411

Historians, the Florentine, i. 246 foll. (_see_ also under the names
of the various writers);
contrast of the Historians of the Renaissance period with the
earlier writers, 278

Hobbes, his saying about the Papacy quoted, i. 6

Hohenstauffen, war between the House of Hohenstauffen and the Papacy,
i. 59, 60, 68, 74, 100, 374, ii. 251, iv. 6 (_see_ also Frederick
II.)

Honor, Italian notions of, i. 481, 485, v. 242, 520

Honorius, his retirement to Ravenna, i. 46

Howell, quoted for the English opinion on Italy, i. 472 _note_ 2

Human Life, medieval conception of, i. 10, 13, 14, iv. 289, v. 454,
455, 456

Humanism, definition of the word, ii. 71;
four periods of Italian Humanism, ii. 160-162, 310, 393, 440, 517;
Humanism a revival of Latin culture, and little affected by Greek
models, v. 132 _note_ 1, 509;
Italian tyrannicide and the Reformation had their origin in
Humanistic liberty, i. 465-468, v. 414

Humanists, the, persecution of the Roman Humanists by Paul the
Second, i. 384 _note_ 1, 386, 387, ii. 36, 511;
their quarrels, ii. 237-245, 264, 511, iv. 431 _note_ 1, 451, v.
89, 285;
formed a class by themselves, ii. 216, 510, 543, iv. 366;
their flatteries of the great, ii. 492, 496, 512, 514, iv. 367, 405;
their pretensions and vanity, ii. 511, 521, iv. 405;
their employment of invective, ii. 512 (cp. i. 387), v. 393;
their resemblance to the Greek sophists and rhetoricians, ii. 513;
emptiness of their works from their preference of form to matter,
514, 530, v. 247, 264;
came to be considered the corrupters of youth, ii. 515;
universal bad opinion of them, 518 (cp. the passages from Maccaronic
writers, v. 331-333);
injury occasioned to their character by their vagrant habits, ii. 520;
their irreligion and licentiousness, 520;
the better characters among them, 523;
the real value of their works, 524;
their study of style, 525;
their letter-writing, 532;
services rendered by their erudition, 533;
aided in diffusing a liberal spirit, 535;
their influence on modern education, 536;
the services rendered by them to Italy, iv. 367;
effect of their labours in preparing for the growth of Italian
literature, v. 496

Hussites, the, i. 9

Hutton, Von, Ulrich, i. 27, 437

_Hypnerotomachia Poliphili_. (_See_ Colonna, Francesco.)

_I Nove_, name of governing body at Siena, i. 35, 208

Ibrahim ibn Ahmed. (_See_ Appendix i. vol. i.)

Ibycus, lines on Peace translated, iv. 52

_Il Grasso, Legnaiuolo_, the metrical version of the novel so called,
iv. 253

Ilaria del Carretto, her monument in the Cathedral, Lucca, iii. 132, 165

Illicini, Bernardo Lapini, his Commentary on Petrarch's _Trionfi_, v. 99;
his _Novella_ of Anselmo Salimbeni and Carlo Montanini, 99-101

Imperia, la Bella, v. 288;
epitaph upon her, ii. 406 _note_ 1

_Incogniti_, the, an Academy at Naples, ii. 366

Infessura, Stefano, quoted, i. 22;
cited for the stories about Sixtus and Alexander, 388 _note_ 1;
quoted about the sale of offices by Sixtus, 394 _note_ 1;
upon his avarice, 395 _note_ 1;
upon his cruelty and sensuality, 395 _note_ 2;
about the Papacy of Innocent VIII., 404 _note_ 1, 405 _note_ 1, 405;
for the immorality of Rome, 474 _note_ 2

_Informi_, the, an Academy at Ravenna, ii. 366

_Ingannati, Gli_, Comedy of, v. 72 _note_ 1, 123

Inghirami, Tommaso, his rise into greatness, ii. 403 (cp. v. 139);
made Librarian of the Vatican, ii. 424;
Professor in the Sapienza at Rome, 427

Innocent III., war of, with Frederick II., iv. 279

Innocent IV., establishes the University of Piacenza, ii. 117

Innocent VIII., i. 113, ii. 359;
his additions to the Vatican, i. 384 _note_ 1;
employs Mantegna to paint his chapel there, iii. 277;
his Bull against witchcraft, i. 402 _note_ 1, v. 347;
his pontificate, i. 403-406;
his monument by Antonio del Pollajuolo, 415, iii. 147;
his detention of Prince Djem, i. 415, 461;
appoints Bruni Apostolic Secretary, ii. 218;
his destruction of ancient monuments at Rome, 430

Inquisition, the, foundation of, i. 399

_Insensati_, the, an Academy at Perugia, ii. 366

_Instabili_, the, an Academy at Bologna, ii. 366

_Intronati_, the, an Academy at Siena, their performance of the
Masque _El Sacrificio_, v. 143 _note_ 2;
volume published by them on the quarrel and reconcilement of
Aretino and Albicante, v. 420

Invention, effect of the progress of inventions on the Renaissance,
i. 3, 29

Investitures, War of, i. 59, 60, 97, iv. 7, 13

Isabella of Aragon, i. 555

_Istoria Bresciana_, cited, i. 615 _note_ 2