The Evolution of Modern Orchestration
by OpenStories
Original author: Louis Adolphe Coerne
"The Evolution of Modern Orchestration" by Louis Adolphe Coerne is a scholarly examination of the history and development of orchestration, written in the early 20th century. This work aims to trace how orchestration has evolved in conjunction with the broader history of music, emphasizing the influences and key figures that have shaped the modern orchestra. As a study of musical evolution, it explores the intricacies of instrumental combinations, their roles, and techniques, providing insights into the art of writing for orchestras." The opening of the book sets the stage for a detailed exploration of the origins of instrumental music and its progression through various civilizations, including Egypt, Greece, and Rome. Coerne highlights how early music was intertwined with human emotions and rituals, evolving from primitive vocal expressions to the incorporation of instruments. As he moves through history, he discusses pivotal developments such as the introduction of harmony and notation, the resurgence of folk music, and the transformative influences of significant composers and theorists. The first chapters outline the foundational history of instrumental music and the rudimentary beginnings of orchestration, preparing the reader for a deeper analysis of its evolution in later periods.
The Evolution of Modern Orchestration, by Louis Adolphe Coerne. Republished by OpenStories from Project Gutenberg eBook #49747.
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- 32chapters
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32 Chapters
- 1.Preface1,172 words
- 2.Chapter I: The Cradle of Instrumental Music. (historical Review.)1,565 words
- 3.Chapter II: The Dawn of Independent Instrumentation1,195 words
- 4.Chapter III: Evolution of Musical Instruments3,303 words
- 5.Chapter IV: Beginnings of Orchestration4,268 words
- 6.Chapter I: The Cradle of Instrumental Music151 words
- 7.Chapter II: The Dawn of Independent Instrumentation96 words
- 8.Chapter III: Evolution of Musical Instruments285 words
- 9.Chapter IV: Beginnings of Orchestration413 words
- 10.Chapter V: Bach, Händel, and Their Contemporaries4,448 words
- 11.Chapter VI: Gluck and His Contemporaries3,770 words
- 12.Chapter VII: Haydn, Mozart, and Beethoven5,036 words
- 13.Chapter VIII: The Contemporaries of Beethoven4,150 words
- 14.Chapter V220 words
- 15.Chapter VI169 words
- 16.Chapter VII371 words
- 17.Chapter VIII228 words
- 18.Chapter IX: The Romantic School4,705 words
- 19.Chapter X: The Classical Romanticists3,149 words
- 20.Chapter XI: The New Movement (1)8,767 words
- 21.Chapter XI: The New Movement (2)5,229 words
- 22.Chapter XII: France and Italy7,054 words
- 23.Chapter VIII: , which treats of the contemporaries of Beethoven. Those1,874 words
- 24.Chapter XIII (1)8,638 words
- 25.Chapter XIII (2)4,695 words
- 26.Chapter IX: The Romantic School322 words
- 27.Chapter X: The Classical Romanticists214 words
- 28.Chapter XI: The New Movement1,115 words
- 29.Chapter XII951 words
- 30.Chapter XIII1,471 words
- 31.Conclusion2,432 words
- 32.Appendix: OF2,232 words