Chapter XXXII: Appendix: OF
MUSICAL ILLUSTRATIONS
PAGE
MONTEVERDE 191
SCARLATTI 194
HAYDN 197
MOZART 203
BEETHOVEN 208
WEBER 215
BERLIOZ 224
MENDELSSOHN 232
WAGNER 238
SAINT-SAËNS 247
TSCHAIKOWSKY 254
DVO[vR]ÁK 260
RICHARD STRAUSS 267
MONTEVERDE.
(Page 16)
[Music: No. 1. L'Orfeo: Atto I--Toccata, (_che si suona avanti il levar de la tela tre volte con tutti li stromenti_.)]
[Music: No. 2. L'Orfeo: Atto II--Ritornello. (_Questo Ritornello fù sonato di dentra da un Clavicembano, duoi Chitaroni, e 2 Violini piccioli alla Francese._)]
[Music: No. 3. L'Orfeo: Atto III. (_Orfeo canta al suono del Organo di legno solamente._)
Ei dorme, e la mia cetra, se pietà non impetra nel indurato core,]
[Music: No. 4. L'Orfeo: Atto IV--Sinfonia.]
[Music: No. 5. L'Orfeo: Atto V. (_Apollo ed Orfeo ascende al cielo cantando._)
Saliam, Saliam cantand' al cielo,]
SCARLATTI.
(Page 22)
[Music: No. 6. La Rosaura: Prologo-Sinfonia.]
[Music: No. 7. La Rosaura: Atto I--Scena II.
(_Climene._)
Langue, geme, geme, quest'anima, amante, langue,]
[Music: No. 8. La Rosaura: Atto II--Scena II.
(_Rosaura._)
Se due petti ardon d'amore, se due petti ardon d'amore è il penar,]
[Music: No. 9. La Rosaura: Atto II.--Scena IV.
(_Climene sola._)
ma non sia, chi di mia fede il candor tenti, tenti offuscar il candor tenti, tenti offuscar.]
HAYDN.
(Page 47)
[Music: No. 10. Symphony in D, No. 2: 1st Movement.]
[Music: No. 11. Symphony in D: 2d Movement.]
[Music: No. 12. Symphony in D: 2d Movement.]
[Music: No. 13. Symphony in D: 2d Movement.]
[Music: No. 14. Symphony No. 3: 1st Movement.]
[Music: No. 15. Symphony No. 4: 1st Movement.]
[Music: No. 16. Symphony No. 5: 2d Movement.]
[Music: No. 17. Symphony No. 6: Adagio.]
MOZART.
(Page 50)
[Music: No. 18. Jupiter Symphony: Menuetto.]
[Music: No. 19. Jupiter Symphony: Finale.]
[Music: No. 20. Jupiter Symphony: Finale.]
[Music: No. 21. Symphony in G minor: 2d Movement.]
[Music: No. 22. Symphony in E flat: 2d Movement.]
[Music: No. 23. Symphony in E flat: Menuetto.]
BEETHOVEN.
(Page 53)
[Music: No. 24. Fifth Symphony: 2d Movement.]
[Music: No. 25. Fifth Symphony: 2d Movement.]
[Music: No. 26. Fifth Symphony: 2d Movement.]
[Music: No. 27. Fifth Symphony: 3d Movement.]
[Music: No. 28. Fifth Symphony: 3d Movement.]
[Music: No. 29. Fifth Symphony: 3d Movement.]
[Music: No. 30. Fifth Symphony: Finale.]
[Music: No. 31. Pastoral Symphony: 2d Movement.]
[Music: No. 32. Pastoral Symphony: Shepherd's Song.]
[Music: No. 33. Seventh Symphony: Allegretto.]
[Music: No. 34. Seventh Symphony: 3d Movement.]
[Music: No. 35. Seventh Symphony: 3d Movement.]
WEBER.
(Page 71)
[Music: No. 36. Der Freischütz: Overture.]
[Music: No. 37. Der Freischütz: Overture.]
[Music: No. 38. Der Freischütz: Overture.]
[Music: No. 39. Der Freischütz: Overture.]
[Music: No. 40. Der Freischütz: Overture.]
[Music: No. 41. Der Freischütz: Act I--Scene I.]
[Music: No. 42. Der Freischütz: Act I--Scene II.
CORO. O lass Hoffnung dich beleben, und vertraue, vertraue dem Geschick!]
[Music: No. 43. Der Freischütz: Act II--Scene II.
Agathe.
Leise, leise, fromme Weise, schwing' dich auf zum Sternenkreise!]
[Music: No. 44. Der Freischütz: Act II--Scene IV.]
[Music: No. 45. Der Freischütz: Act II--Scene IV.]
[Music: No. 46. Der Freischütz: Act II--Scene IV.]
[Music: No. 47. Der Freischütz: Act III--Scene III.
Aennchen.
Du zürnest mir?]
BERLIOZ.
(Page 89)
[Music: No. 48. Symphonie fantastique: Rêveries.]
[Music: No. 49. Symphonie fantastique: Scène aux champs.]
[Music: No. 50. Symphonie fantastique: Scène aux champs.]
[Music: No. 51. Symphonie fantastique: Scène aux champs.]
[Music: No. 52. Symphonie fantastique: Marche au supplice.]
[Music: No. 53. Symphonie fantastique: Marche au supplice.]
[Music: No. 54. Symphonie fantastique: Marche au supplice.]
[Music: No. 55. Symphonie fantastique: Ronde du Sabbat.]
[Music: No. 56. Harold en Italie: Sérénade.]
[Music: No. 57. Harold en Italie: Orgie de Brigands.]
MENDELSSOHN.
(Page 75)
[Music: No. 58. Midsummer Night's Dream: Overture.]
[Music: No. 59. Midsummer Night's Dream: Scherzo.]
[Music: No. 60. Midsummer Night's Dream: Scherzo.]
[Music: No. 61. Midsummer Night's Dream: No. 5.]
[Music: No. 62. Midsummer Night's Dream: No. 6.]
[Music: No. 63. Midsummer Night's Dream: No. 6.]
[Music: No. 64. Midsummer Night's Dream: No. 6.]
[Music: No. 65. Midsummer Night's Dream: Notturno.]
[Music: No. 66. Midsummer Night's Dream: Notturno.]
WAGNER.
(Page 93)
[Music: No. 67. Die Walküre: Act I--Scene I.]
[Music: No. 68. Die Walküre: Act I--Scene I.]
[Music: No. 69. Die Walküre: Act I--Scene I.]
[Music: No. 70. Die Walküre: Act I--Scene II.]
[Music: No. 71. Die Walküre: Act I--Scene II.]
[Music: No. 72. Die Walküre: Act I--Scene III.
SIEGLINDE.
Ein Greis in grauem Gewand;]
[Music: No. 73. Die Walküre: Act I--Scene III.]
[Music: No. 74. Die Walküre: Act I--Scene III.
SIEGLINDE.
Dich grüsste mein Herz mit heiligem Grau'n, als dein]
[Music: No. 75. Die Walküre: Act I--Scene III.]
SAINT-SAËNS.
(Page 131)
[Music: No. 76. Le Rouet d'Omphale.]
[Music: No. 77. Le Rouet d'Omphale.]
[Music: No. 78. Le Rouet d'Omphale.]
[Music: No. 79. Phaéton.]
[Music: No. 80. Danse Macabre.]
[Music: No. 81. Danse Macabre.]
[Music: No. 82. La Jeunesse d'Hercule.]
TSCHAIKOWSKY.
(Page 155)
[Music: No. 83. Symphonie pathétique: 1st Movement.]
[Music: No. 84. Symphonie pathétique: 1st Movement.]
[Music: No. 85. Symphonie pathétique: 1st Movement.]
[Music: No. 86. Symphonie pathétique: 1st Movement.]
[Music: No. 87. Symphonie pathétique: 2d Movement.]
[Music: No. 88. Symphonie pathétique: 3d Movement.]
[Music: No. 89. Symphonie pathétique: Finale.]
DVO[vR]ÁK.
(Page 147)
[Music: No. 90. Symphony No. 5 in E minor: "From the New World."--First Movement.]
[Music: No. 91. Sym. in E minor: First Movement.]
[Music: No. 92. Sym. in E minor: 1st Movement.]
[Music: No. 93. Sym. in E minor: 2d Movement.]
[Music: No. 94. Sym. in E minor: 4th Movement.]
[Music: No. 95. Sym. in E minor: 4th Movement.]
[Music: No. 96. Sym. in E minor: 4th Movement.]
RICHARD STRAUSS.
(Page 106)
[Music: No. 97. Zarathustra: (»das Grablied.«)]
[Music: No. 98. Zarathustra: (»von der Wissenschaft.«)]
[Music: No. 99. Zarathustra.]
[Music: No. 100. Zarathustra: (»das Tanzlied.«)]
[Music: No. 101. Zarathustra.]
[Music: No. 102. Till Eulenspiegel.]
[Music: No. 103. Till Eulenspiegel.]
INDEX
Adam, 129, (59).
Adam de la Hale, 3.
(Aldrich, R.), 107, (110).
Allen, N.H., 173.
Ambrosius, 2.
Archer, 172.
Arensky, 154.
Atherton, 172.
Auber, 62.
Aulin, 151.
Bach, 29.
Bach, Em., 33.
Balakireff, 154.
Balfe, 157.
Bardi, 6.
Bargiel, 79.
Barnby, 158.
Beach, 169.
Beck, 168.
BEETHOVEN, 53, (Music, 208).
Bellinger, 171.
Bellini, 59.
Bennett, 157, (77).
Benoit, 136.
Bergmann, 170.
BERLIOZ, 89, (Music, 224).
Berton, 59.
Bird, A., 168.
Bizet, 133.
Blech, 123.
Blodgett, 173.
Boccherini, 41.
Boëtius, 2.
Boieldieu, 61.
Boise, 173.
Boïto, 142.
Bonvin, 162, 169.
Borodin, 154.
Brahms, 82.
Bridge, 158.
Bristow, 163.
(Browning), 187.
Bruch, 86.
Bruckner, 104.
Bruneau, 137.
Buck, 165.
Bullard, 172.
Buonamici, 143.
Buononcini, 32.
Buxtehude, 25.
Byrd, 4.
(Byron), 71.
Caccini, 7.
Cambert, 20.
Campra, 35.
Cannabich, 43, 44.
Carissimi, 19.
Catel, 59.
Cavalieri, 7.
Cavalli, 19.
Cesti, 19.
Chabrier, 133, (129).
Chadwick, 166.
Chaminade, 136.
Charpentier, 137.
Chausson, 137.
Cherubini, 59.
Chopin, 59, (78, 160).
Cimarosa, 41.
Clari, 21.
Claude le Jeune, 4.
Coleridge-Taylor, 160.
Colonne, 139.
Converse, C.C., 164.
Converse, F., 170.
Coombs, 173.
Corelli, 21.
(Corneille), 20.
Cornelius, 104.
Corsi, 7.
Couperin, 25.
Cowen, 159.
Cui, Cesar, 154.
Cutter, 173.
Czibulka, 146.
d'Alayrac, 58.
d'Albert, 124.
dall'Abaco, 43.
Damrosch, F., 171, 173.
Damrosch, L., 164.
Damrosch, W., 169.
(Dannreuther), 156.
Dargomizski, 153.
David, Félicien, 126.
Debussy, 137.
de Koven, 169.
Delibes, 129.
Destouches, 35.
(Dickinson), 38, 78, 92.
d'Indy, 128.
Dittersdorf, 42.
Donizetti, 59.
Doppler, A., 146.
Doppler, K., 146.
Draeseke, 105.
Dubois, 135.
Dufay, 3.
Duni, 37.
Dunstable, 4.
Durante, 32.
DVO[vR]ÁK, 147, (Music, 260).
Eddy, 172.
Elgar, 160.
(Elson), 162.
Emery, 164.
Enna, 151.
Erkel, 146.
Farwell, 162.
Fauré, 137.
(Ferris), 141.
Field, 59.
Fischer, Franz, 107.
Flotow, 124.
Foerster, 168.
Foote, 165.
Franck, César, 127.
Franco de Cologne, 2.
(Francoeur), 44.
Franz, 78.
(Frederick the Great), 34.
Frescobaldi, 5, (25).
Froberger, 25.
Fuchs, Anton, 138.
Gabrieli, A., 5.
Gabrieli, G., 5.
Gade, 150, (77).
Galilei, 7.
Gericke, 171.
Gevaërt, 136, (51, 56).
Gibbons, 7.
Gilchrist, 168.
(Gilman, L.), 167.
Gilmore, 172.
Glazounoff, 154.
Gleason, 168.
Glinka, 153.
Gluck, 38.
Godard, 127.
(Goethe), 187.
Goetschius, 173.
Goldmark, 85, (145).
Goldmark, R., 170.
Gomez, 142.
Goodrich, A.J., 173.
Goodrich, J.W., 172.
Gossec, 43.
Gottschalk, 163.
Goudimel, 4.
Gounod, 130.
Gow, 173.
Graun, 34.
Gregories, The, 2.
Grétry, 40, (44).
Grieg, 150.
(Grove), 75.
Guido d'Arezzo, 2.
Guilmant, 136.
Habeneck, 138.
Hadley, 170.
Halévy, 62.
Hall, 172.
Hallström, 149.
Händel, 30.
Hanscom, 173.
Hasse, 34.
HAYDN, 47, (Music, 197).
(Hegel), 186.
(Henderson), 155, 156, 160.
Henry, 166.
Henschel, 171.
Herbert, 170.
Hérold, 62.
Hiller, F., 77.
Hiller, J.A., 42.
(Hipkins), 10.
Holmès, 136.
(Howard, A.A.), 11.
Howland, 166.
Hucbald, 2.
(Hughes), 162, 164.
Humperdinck, 123.
Huss, 170.
Innes, 172.
Isaak, 4.
Isadore, 2.
Isouard, 58.
Jadassohn, 80.
Jensen, 79.
Johannes de Muris, 2.
Johns, 172.
Jomelli, 41, 42.
Joncières, 136.
Jordan, 173.
Josquin des Près, 3.
Keiser, 33.
Kelley, 168.
Kerl, 25.
Kienzl, 123.
Kistler, 123.
(Klein, Herman), 111.
(Krehbiel), 148.
Kreutzer, 73, (59).
Kuhnau, 25.
Lachner, 80.
Lalo, 127.
Lamoureux, 139.
Lang, B.J., 171.
Lang, M.R., 172.
(Langhans), 19, 71.
Lassen, 105.
Lasso, 4.
Lavoix, 136, (20, 43, 60).
Legrenzi, 21.
Lehár, 124.
(Leibniz), 187.
Leo, 32.
Leoncavallo, 143.
Lesueur, 61.
Levi, 106, 107, 134, 147.
Lewis, 162, 169.
Lindblad, 149.
Listemann, 171.
Liszt, 92, (103, 104, 145).
(Lobe), 101.
Locke, 172.
Loeffler, 170, (9).
Logroscino, 32.
(Lorenzo the Great), 6.
Lortzing, 124.
Lotti, 32.
(Louis XIV of France), 20.
(Ludwig II of Bavaria), 101.
Lulli, 19.
Lund, 171.
Macdougall, 173.
MacDowell, 166.
Macfarren, 157.
Mackenzie, 158.
Mahler, 123.
Maillart, 129.
Marschner, 73.
Marston, 173.
Mascagni, 143.
(Mason, D.G.), 150.
Mason, L., 163.
Mason, W., 163.
Massenet, 134.
Mattheson, 33.
(Matthews, W.S.B.), 173, (82).
McWhood, 173.
(Medici), 6.
Méhul, 60.
MENDELSSOHN, 75, (Music, 232).
Merbecke, 4.
Merulo, 5.
Meyerbeer, 64, (9).
(Molière), 20.
Mollenhauer, 171.
Monsigny, 37.
(Montegut), 186.
MONTEVERDE, 16, (Music, 191).
Mosonyi, 146.
Morley, 4.
Moszkowski, 80.
Mouret, 36.
MOZART, 50, (Music, 203).
Muck, 107, 171.
Mussorgski, 154.
(Napoleon), 63.
Naumann, 35.
Neidlinger, 172.
Nevin, 172.
Nicodé, 105.
Nicolai, 124.
(Nietzsche), 101.
Nikisch, 171.
(Nordau), 101.
Normann, 149.
Norris, 173.
Notker, 2.
Ockeghem, 3.
Onslow, 126.
Pachelbel, 25.
Paesiello, 41.
Paine, 164.
Paladhile, 136.
Palestrina, 4.
Parker, 167.
Parry, 159, (4, 38, 145).
Parsons, 173.
Pasdeloup, 139.
Paur, 171.
Pergolesi, 32.
Peri, 7.
Perrin, 23.
Philidor, 37.
Piccini, 40.
Ponchielli, 142.
Porpora, 32.
(Praetorius), 12.
Pratt, 173.
(Prout), 71, 74, 84.
Puccini, 143.
Purcell, 24, (30).
(Pythagoras), 10.
(Racine), 20.
Raff, 81.
Rameau, 36.
Reber, 126.
Reger, 123.
Reincken, 25.
Reinecke, 79.
Reyer, 127, (133).
Rheinberger, 86, (101).
(Richter, Jean Paul), 71.
(Riemann), 10, 34, 80, 109, 153, 164.
Rietz, 77.
Rimski-Korsakoff, 154.
Ritter, A., 105, (107).
(Ritter, Dr.), 162.
Rogers, 172.
(Rösch), 110, 113, 115.
Rossini, 64.
Rousseau, 37.
Rubinstein, 155, (81).
Rübner, 173.
Sacchini, 40.
SAINT-SAËNS, 131, (Music, 247).
Salieri, 40.
Sammartini, 42, 43.
(Savanarola), 6.
Sax, 12, 63.
SCARLATTI, 22, (Music, 194).
Scarlatti, D., 25.
Scharwenka, X., 170.
Scheel, 171.
Scheidt, 25.
(Schiller), 187.
Schillings, 123.
Schoenefeld, 168.
(Schopenhauer), 186.
Schubert, 74.
Schuch, 118.
Schumann, 78.
Schumann, Georg, 123.
Schütz, 17.
Seidl, 171.
Serow, 153.
Sgambati, 143.
Shelley, 172.
Sherwood, 164.
Sibelius, 151.
Sinding, 151.
Smetana, 147.
Smith, G., 172.
Smith, W.G., 173.
Södermann, 149.
Sousa, 172.
Spalding, 173.
(Spencer), 186.
Spohr, 70.
Spontini, 63.
Stamitz, 42, 44.
Stanford, 160, (159).
Steffani, 21.
Stennhammer, 151.
Story, 173.
Strauss, J., 124.
STRAUSS, RICHARD, 106, (Music, 267).
Striggio, 7.
Strong, 172.
Stubbs, 172.
Suk, 147.
Sullivan, 158.
Suppé, 124.
Svendsen, 150.
Sylvester, 2.
Tallys, 4.
Telemann, 33.
Theile, 33.
Thomas, Ambrose, 129.
Thomas, A. Goring, 159.
Thomas, Theodore, 170, 171, (109).
Thuille, 123.
Tomlins, 171, 173.
Torelli, 21.
TSCHAIKOWSKY, 155, (Music, 254).
van der Stucken, 169.
van Malder, 44.
Verdi, 140, (59).
Viadana, 7.
Vidal, 136.
Vivaldi, 21.
Volkmann, 79.
von Bülow, 103, 106, 107.
WAGNER, 93, (72, 92), (Music, 238).
Walther, Benno, 106.
Wanhal, 44.
Warren, R.H., 172.
Warren, S., 172.
WEBER, 71, (Music, 215).
Weingartner, 105.
White, 166.
Whiting, 172.
Whitney, 172.
Widor, 136.
Willaert, 3.
(Willeby), 159, 160.
Wolf, 123.
Wolf-Ferrari, 144.
Zeck, 169.
Zerrahn, 171.
* * * * *
"An undertaking which," says W.S. HENDERSON, in _The Atlantic Monthly_, "will suffice for many years to come, and will remain for all time a monument to the learning, patience, and judgment of the editor."
_A New Edition_
_Revised and greatly enlarged of_
Grove's Dictionary of Music and Musicians
EDITED BY
J.A. FULLER MAITLAND, M.A., F.S.A.
In five 8vo volumes, each illustrated with a photogravure
and twenty-four full-page half-tone plates, besides many
illustrations in the text.
"Unquestionably the most valuable work of the kind in English, and at present superior to any other in any language, considering its encyclopædic character and the substantial quality of its most important articles."--_The New York Times._
"The best and most comprehensive dictionary of music is still the pioneer one.... Grove's 'Dictionary of Music and Musicians' has become a standard work without a rival."--_The Review of Reviews._
PUBLISHED BY
THE MACMILLAN COMPANY
SIXTY-FOUR AND SIXTY-SIX FIFTH AVENUE
NEW YORK
* * * * *
By DANIEL GREGORY MASON
_Editor of "Masters in Music," Lecturer in the New York
Normal College and in the Extension Department of Columbia
University_
Beethoven and His Forerunners
_Four portraits and 25 plates. Cloth, $1.50 net_
"Mr. Mason has brought the same clear thought, suggestiveness and philosophic spirit to bear upon this subject as he exhibited in his former volume, and the result is a treatment that will be found stimulating by all who approach music as something more than a mere sensuous pleasure."--_Richard Aldrich in The Music Review._
The Romantic Composers
_12mo, cloth, $1.75 net_
The composers treated are Schubert, connecting link between
Beethoven and the "romantic" school; Schumann, who created
a new type of piano music; Mendelssohn, who anticipated
the orchestral style of to-day; Chopin, the supreme master
of the pianoforte; Berlioz, the pioneer of the dramatic
symphony and a virtuoso of the orchestra; and Liszt, who
contributed to music that form,--the symphonic poem,--most
persistently cultivated by modern musicians.
"Mr. Daniel Mason is a critic of music whose deliverances one may not ignore. Since the appearance, four years ago, of his volume of studies in modern music, from Grieg to Brahms, he has been recognized as an uncommonly able commentator upon the most difficult and evasive of the arts. He has scholarship, he is penetrating and alert, and he is master of a style at once dignified and engaging, distinguished and precise."--_Bookman._
From Grieg to Brahms
_Cloth, $1.25 net_
"A peculiarly sane and readable book, enriched and not merely bedecked with literary allusions, and at all times reasonable and sincere."--_Mail and Express._
PUBLISHED BY
THE MACMILLAN COMPANY
SIXTY-FOUR AND SIXTY-SIX FIFTH AVENUE
NEW YORK
* * * * *
THE HISTORY OF AMERICAN ART
EDITED BY JOHN C. VAN DYKE
The History _of_ American Music
BY LOUIS C. ELSON
Illustrated with twelve photogravure plates and more than one hundred text illustrations
_Imperial 8vo, cloth, gilt, $5.00 net_
In this "History of American Music," the second of the
series, the author has told of the beginnings, the foreign
influences, the changes, the methods, the personal
endeavors, that have gone to the making of our present
music. Many of the events here narrated occurred but
yesterday or are happening to-day, and hence have little
perspective for the historian. It has not always been
possible to say a final word, even if that were desirable.
In its stead the widely scattered facts have been brought
together and arranged sequentially that they might tell
their own story and point their own conclusion.
CONTENTS
The Religious Beginnings of American Music--Early
Musical Organizations--Instrumental Music and American
Orchestras--Musical Societies and Institutions--Opera
in America--The Folk-Music of America--National and
Patriotic Music--American Tone-Masters--The Orchestral
Composers of America--Other Orchestral Composers of
America--Operatic, Cantata, and Vocal Composers--American
Song-Composers--Organists, Choir and Chorus Leaders--The
American Composers for Pianoforte--American Women in
Music--Musical Criticism and Authorship--The Musical
Education of the Present--Qualities and Defects of American
Music--General Bibliography--Index.
"At last the widely scattered facts which must be the basis of any competent study of American Music are so brought together as to tell their own story and point their own conclusion.
"Written in a kindly spirit by an able critic, it is without question the most comprehensive and the best of the works of its class."--_Chicago Record-Herald._
PUBLISHED BY
THE MACMILLAN COMPANY
SIXTY-FOUR AND SIXTY-SIX FIFTH AVENUE
NEW YORK
* * * * *
The Art of the Musician: A Guide to the Intelligent Appreciation of Music
BY DR. HENRY G. HANCHETT
_12mo, cloth, $1.50 net (by mail, $1.63)_
The art of the musician is shown as an intelligent
presentation of sounds and rhythms and inspirations into
works displaying beauty or expressing emotion. It is by the
handling of the materials of music that the composer proves
the beauty of his vision.
"It should be the duty of every teacher (of music) to see that the work is in the hands of his pupils, for it will make things easier, clearer and more enjoyable."--_Musical Leader._
Our Mountain Garden
BY MRS. THEODORE THOMAS (ROSE FAY)
_Cloth, illustrated from photographs, $1.50_
This is not, like the above, a book about music, but
one that must always remain dear to the many friends of
the musician whose ideally beautiful summer home in New
Hampshire it describes.
Music-Study in Germany
BY AMY FAY
With a Preface by Sir GEORGE GROVE and a Portrait
_Eighth Edition. 12mo, cloth, $1.25_
A series of lively letters from an American lady, written
while a student of music in various cities of Germany.
How to Sing (Meine Gesangskunst)
BY LILLI LEHMANN
Translated from the German by RICHARD ALDRICH
_Illustrated, 12mo, cloth, $1.50 net (by mail, $1.63)_
PUBLISHED BY
THE MACMILLAN COMPANY
SIXTY-FOUR AND SIXTY-SIX FIFTH AVENUE
NEW YORK
Comments
Log in to leave a comment.
The Evolution of Modern OrchestrationChapter XXXII: Appendix: OF
0%9 min left in chapter