Chapter X: Part 10
It was about 1733 that I conceived the bold and arduous project of arriving at moral perfection. I wished to live without committing any fault at any time; I would conquer all that natural inclination, custom, or company might lead me into. As I knew, or thought I knew, what was right and wrong, I did not see why I might not always do the one and avoid the other. But I soon found that I had undertaken a task of great difficulty, and I therefore contrived the following method. I included under thirteen names of virtues all that at that time occurred to me as necessary or desirable, and annexed to each a short precept, which expressed the extent which I gave to its meaning.
The names of virtues were: Temperance, silence, order, resolution, frugality, industry, sincerity, justice, moderation, cleanliness, tranquillity, chastity, and humility. My list contained at first only twelve virtues, but a friend having informed me that I was generally thought proud, I determined endeavouring to cure myself of this vice or folly among the rest; and, though I cannot boast of much success in acquiring the reality of this virtue, I had a good deal of success with regard to the appearance of it. My intention being to acquire the habitude of all these virtues, I determined to give a week's strict attention to each of them successively, thus going through a complete course in thirteen weeks, and four courses in a year. I had a little book, in which I allotted a page for each of the virtues; the page was ruled into days of the week, and I marked in it, by a little black spot, every fault I found by examination to have been committed respecting that virtue upon that day.
I was surprised to find myself much fuller of faults than I had imagined, but I had the satisfaction of seeing them diminish. After a while I went through one course only in a year, and afterwards only one in several years, till at length I omitted them entirely; but I always carried my little book with me. My scheme of order gave me most trouble. It was as follows.
5--8 a.m. What good shall I do this day? Rise, wash, and
address Powerful Goodness. Contrive day's business, and take
the resolution of the day; prosecute the present study, and
breakfast.
8 a.m.--12 noon. Work.
12--1 p.m.--Read, or overlook my accounts, and dine.
2--6 p.m. Work.
6--10 p.m. Put things in their places. Supper. Music or
diversion, or conversation. Examination of the day. What good
have I done this day?
10 p.m.--5 a.m. Sleep.
In truth, I found myself incorrigible with regard to order, yet I was, by the endeavour, a better and a happier man than I should have been if I had not attempted it. It may be well that my posterity should be informed that to this little artifice, with the blessing of God, their ancestor owed the constant felicity of his life.
I purposed publishing my scheme, writing a little comment on each virtue, and I should have called my book "The Art of Virtue," distinguishing it from the mere exhortation to be good. But my intention was never fulfilled, for it was connected in my mind with a great and extensive project, which I have never had time to attend to. I had set forth on paper the substance of an intended creed, containing, as I thought, the essentials of every known religion, and I conceived the project of raising a united party for virtue, by forming the virtuous and good men of all nations into a regular body, to be governed by suitable good and wise rules. I thought that the sect should be begun and spread at first among young and single men only, that each person to be initiated should declare his assent to my creed, and should have exercised himself with the thirteen weeks' practice of the virtues, that the existence of the society should be kept a secret until it was become considerable, that the members should engage to assist one another's interests, business, and advancement in life, and that we should be called "The Society of the Free and Easy," as being free from the dominion of vice and of debt. I am still of opinion that it was a practicable scheme.
In 1732 I first published my Almanack, commonly called "Poor Richard's Almanack," and continued it for about twenty-five years. It had a great circulation, and I considered it a proper vehicle for conveying instruction among the common people. Thus, I assembled the proverbs containing the wisdom of many ages and nations into a discourse prefixed to the Almanack of 1757, as the harangue of a wise old man to the people attending an auction. I considered my newspaper also as a means of instruction, and published in it extracts from moral writers and little pieces of my own, in the form sometimes of a Socratic dialogue, tending to prove the advantages of virtue.
I had begun in 1733 to study languages. I made myself master of French so as to be able to read books with ease, and then Italian, and later Spanish. Having an acquaintance with these, I found, on looking over a Latin Testament, that I understood much of that language, which encouraged me to study it with success.
Our secret club, the Junto, had turned out to be so useful that I now set every member of it to form each of them a subordinate club, with the same rules, but without informing the new clubs of their connection with the Junto. The advantages proposed were, the improvement of so many young citizens; our better acquaintance with the general sentiments of the inhabitants on any occasion, as the Junto member was to report to the Junto what passed in his separate club; the promotion of our particular interests in business by more extensive recommendation; and the increase of our influence in public affairs. Five or six clubs were completed, and answered our views of influencing public opinion on particular occasions.
_IV.--Public Life_
My first promotion was my being chosen, in 1736, clerk of the General Assembly. In the following year I received the commission of postmaster at Philadelphia, and found it of great advantage. I now began to turn my thoughts a little to public affairs, beginning, however, with small matters, and preparing the way for my reforms through the Junto and subordinate clubs. Thus I reformed the city watch, and established a company for the extinguishing of fires. In 1739 the Rev. Mr. Whitefield arrived among us and preached to enormous audiences throughout the colonies. I knew him intimately, being employed in printing his sermons and journals; he used sometimes to pray for my conversion, but never had the satisfaction of believing that his prayers were heard. Our friendship lasted till his death.
My business was now continually augmenting, and my circumstances daily growing easier. Spain having been several years at war against Great Britain, and being at length joined by France, our situation became one of great danger; our colony was defenceless, and our Assembly was composed principally of Quakers. I therefore formed an association of citizens, numbering ten thousand, into a militia; these all furnished themselves with arms and met every week for drill, while the women provided silk colours painted with devices and mottoes which I supplied. With the proceeds of a lottery we built a battery below the town, and borrowed eighteen cannon of the governor of New York.
Peace being concluded, and the association business therefore at an end, I turned my thoughts to the establishment of an academy. I published a pamphlet; set on foot a subscription, not as an act of mine, but of some "public-spirited gentleman," and the schools were opened in 1749. They were soon moved to our largest hall; the trustees were incorporated by a charter from the governor, and thus was established the University of Pennsylvania. The building of a hospital for the sick, and the paving, lighting, and sweeping of the streets of the city, were among the reforms in which I had a hand at this time. In 1753 I was appointed, jointly with another, postmaster-general of America, and the following year I drew up a plan for the union of all the colonies under one government for defence and other important general purposes. Its fate was singular; the assemblies did not adopt it, as they thought there was too much prerogative in it, and in England it was judged to be too democratic. The Board of Trade therefore did not approve of it, but substituted another scheme for the same end. I believe that my plan was really the true medium, and that it would have been happy for both sides of the water if it had been adopted.
When war was in a manner commenced with France, the British Government, not choosing to trust the union of the colonies with their defence, lest they should feel their own strength, sent over General Braddock in 1755 with two regiments of regular English troops for that purpose. He landed at Alexandria and marched to Frederictown in Maryland, where he halted for carriages. I was sent to him by the Assembly, stayed with him for several days, and had full opportunity of removing all his prejudices against the colonies by informing him of what the essemblies had done and would still do to facilitate his operations.
This general was a brave man, and might have made a figure as a good officer in some European war. But he had too much self-confidence, too high an opinion of regular troops, and too mean a one of both Americans and Indians. Our Indian interpreter joined him with 100 guides and scouts, who might have been of great use to him; but he slighted and neglected them and they left him. He said to one of the Indians, "These savages may indeed be a formidable enemy to your raw American militia, but upon the king's regular and disciplined troops, sir, it is impossible that they should make any impression." In the first engagement his force was routed in panic, and two-thirds of them were killed, by no more than 400 Indians and French together. This gave us the first suspicion that our exalted ideas of the prowess of British regulars had not been well founded. Besides, from the day of their landing, they had plundered, insulted, and abused our inhabitants. We wanted no such defenders.
After this the governor prevailed with me to take charge of our north-west frontier, which was infested by the enemy, and I undertook this military business, although I did not conceive myself well suited for it.
My account of my electrical experiments was read before the Royal Society of London, and afterwards printed in a pamphlet. The Count de Buffon, a philosopher of great reputation, had the book translated into French, and then it appeared in the Italian, German, and Latin languages. What gave it the more sudden celebrity was the success of its proposed experiment for drawing lightning from the clouds. I was elected a Fellow of the Royal Society, and they presented me with the gold medal of Sir Godfrey Copley, for 1753.
The Assembly had long had much trouble with the "proprietary," or great hereditary landowners. Finally, finding that they persisted obstinately in manacling their deputies with instructions inconsistent, not only with the privileges of the people, but with the service of the crown, the Assembly resolved to petition the king against them, and appointed me agent in England to present and support the petition. I sailed from New York with my son in the end of June; we dropped anchor in Falmouth harbour, and reached London on July 27, 1757.
* * * * *
MRS. GASKELL
The Life of Charlotte Bronte
Elizabeth Cleghorn Stevenson, afterwards Mrs. Gaskell, was
born at Chelsea on September 29, 1810. At the age of
twenty-two she married William Gaskell, a minister of the
Unitarian Church in Manchester. She became famous in 1848 on
the publication of "Mary Barton," a novel treating of factory
life. Her "Life of Charlotte Brontë," published in 1857,
caused much controversy, which became bitter, and occasioned
the fixed resolve on the part of its author that her own
memoirs should never be published. This gloomily-haunting,
vivid human "Life of Charlotte Brontë" was written at the
request of the novelist's father, who placed all the materials
in his possession at the disposal of the biographer. Mrs.
Gaskell took great pains to make her work complete, and,
though published only two years after Charlotte Brontë's
death, it still holds the field unchallenged. Mrs. Gaskell
died on November 12, 1865.
_I.--The Children Who Never Played_
Into the midst of the lawless yet not unkindly population of Haworth, in the West Riding, the Rev. Patrick Brontë brought his wife and six little children in February, 1820, seven heavily-laden carts lumbering slowly up the long stone street bearing the "new parson's" household goods.
A native of County Down, Mr. Brontë had entered St. John's College, Cambridge, in 1802, obtained his B.A. degree, and after serving as a curate in Essex, had been appointed curate at Hartshead, in Yorkshire. There he was soon captivated by Maria Branwell, a little gentle creature, the third daughter of Mr. Thomas Branwell, merchant, of Penzance. In 1816 he received the living of Thornton, in Bradford Parish, and there, on April 21, Charlotte Brontë was born. She was the third daughter, Maria and Elizabeth being her elder sisters, and fast on her heels followed Patrick Branwell, Emily Jane and Anne.
"They kept themselves to themselves very close," in the account given by those who remember the family coming to Haworth. From the first, the walks of the children were directed rather towards the heathery moors sloping upwards behind the parsonage than towards the long descending village street. Hand in hand they used to make their way to the glorious moors, which in after days they loved so passionately.
They were grave and silent beyond their years. "You would never have known there was a child in the house, they were such still, noiseless, good little creatures," said one of my informants. "Maria would often shut herself up" (Maria of seven!) "in the children's study with a newspaper or a periodical, and be able to tell anyone everything when she came out, debates in parliament, and I know not what all."
Mr. Brontë wished to make the children hardy, and indifferent to the pleasures of eating and dress. His strong passionate nature was in general compressed down with resolute stoicism. Mrs. Brontë, whose sweet spirit thought invariably on the bright side, would say: "Ought I not to be thankful that he never gave me an angry word?"
In September, 1821, Mrs. Brontë died, and the lives of those quiet children must have become quieter and lonelier still. Their father did not require companionship, and the daughters grew out of childhood into girlhood bereft in a singular manner of such society as would have been natural to their age, sex and station. The children did not want society. To small infantine gaieties they were unaccustomed. They were all in all to each other. They had no children's books, but their eager minds "browsed undisturbed among the wholesome pasturage of English literature," as Charles Lamb expressed it.
Their father says of their childhood that "since they could read and write they used to invent and act little plays of their own, in which the Duke of Wellington, Charlotte's hero, was sure to come off conqueror. When the argument got warm I had sometimes to come in as arbitrator." Long before Maria Brontë died, at the age of eleven, her father used to say he could converse with her on any topic with as much freedom and pleasure as with any grown-up person.
In 1824, the four elder girls were admitted as pupils to Cowan Bridge School for the daughters of clergymen, where they were half starved amid the most insanitary surroundings. Helen Burns in "Jane Eyre" is as exact a transcript of Maria Brontë as Charlotte's wonderful power of representing character could give. In 1825 both Maria and Elizabeth died of consumption, and Charlotte was suddenly called from school into the responsibilities of the eldest sister in a motherless family.
At the end of the year, Charlotte and Emily returned home, where Branwell was being taught by his father, and their aunt, Miss Branwell, who acted as housekeeper, taught them what she could. An immense amount of manuscript dating from this period is in existence--tales, dramas, poems, romances, written principally by Charlotte, in a hand it is almost impossible to decipher without the aid of a magnifying glass. They make in the whole twenty-two volumes, each volume containing from sixty to a hundred pages, and all written in about fifteen months. The quality strikes me as of singular merit for a girl of thirteen or fourteen.
_II.--Girlhood of Charlotte Bronte_
In 1831, Charlotte Brontë was a quiet, thoughtful girl, nearly fifteen years of age, very small in figure--stunted was the word she applied to herself--fragile, with soft, thick, brown hair, and peculiar eyes. They were large and well shaped, their colour a reddish brown, and if the iris was closely examined, it appeared to be composed of a great variety of tints. The usual expression was of quiet, listening intelligence, but now and then, on some just occasion for vivid interest or wholesome indignation, a light would shine out as if some spiritual lamp had been kindled which glowed behind those expressive orbs. I never saw the like in any other human creature. The rest of her features were plain, large, and ill-set; but you were hardly aware of the fact, for the eyes and power of the countenance overbalanced every physical defect. The crooked mouth and the large nose were forgotten, and the whole face arrested the attention, and presently attracted all those whom she would herself have cared to attract. Her hands and feet were the smallest I ever saw; when one of her hands was placed in mine it was like the soft touch of a bird in the middle of my palm.
In January, 1831, Charlotte was sent to school again, this time as a pupil of Miss Wooler, who lived at Roe Head, between Leeds and Huddersfield, the surroundings being those described in "Shirley." The kind motherly nature of Miss Wooler, and the small number of the girls, made the establishment more like a private family than a school. Here Charlotte formed friendships with Miss Wooler and girls attending the school--particularly Ellen Nussey and Mary Taylor--which lasted through life.
Writing of Charlotte at this time "Mary" says the other girls "thought her very ignorant, for she had never learned grammar at all, and very little geography, but she would confound us by knowing things that were out of our range altogether. She said she had never played, and could not play. She used to draw much better and more quickly than we had seen before, and knew much about celebrated pictures and painters. She made poetry and drawing very interesting to me, and then I got the habit I have yet of referring mentally to her opinion all matters of that kind, resolving to describe such and such things to her, until I start at the recollection that I never shall."
This tribute to her influence was written eleven years after Mary had seen Charlotte, nearly all those years having been passed by Mary at the Antipodes.
"Her idea of self improvement," continues Mary, "was to cultivate her tastes. She always said there was enough of useful knowledge forced on us by necessity, and that the thing most needed was to soften and refine our minds, and she picked up every scrap of information concerning painting, sculpture and music, as if it were gold."
In spite of her unsociable habits, she was a favourite with her schoolfellows, and an invaluable story-teller, frightening them almost out of their lives as they lay in bed.
_III.--Her Life as a Governess_
After a year and a half's residence at Roe Head, beloved and respected by all, laughed at occasionally by a few, but always to her face, Charlotte returned home to educate her sisters, to practise household work under the supervision of her somewhat exacting aunt, and to write long letters to her girl friends, Mary and Ellen--Mary, the Rose Yorke, and Ellen, the Caroline Helstone of "Shirley." Three years later she returned to Roe Head as a teacher, in order that her brother Branwell might be placed at the Royal Academy and her sister Emily at Roe Head. Emily Brontë, however, only remained three months at school, her place being taken there by her younger sister, Anne.
"My sister Emily loved the moors," wrote Charlotte, explaining the change. "Flowers brighter than the rose bloomed in the blackest of the heath for her; out of a sullen hollow in the livid hillside her mind could make an Eden. She found in the bleak solitude many a dear delight; and not the least and best loved was liberty. Without it she perished. Her nature proved here too strong for her fortitude. In this struggle her health was quickly broken. I felt in my heart that she would die if she did not go home, and with this conviction obtained her recall."
Charlotte's own life at Miss Wooler's was a very happy one until her health failed, and she became dispirited, and a prey to religious despondency. During the summer holidays of 1836, all the members of the family were occupied with thoughts of literature. Charlotte wrote to Southey, and Branwell to Wordsworth, of their ambitions, and Southey replied that "literature cannot be the business of a woman's life, and ought not to be. The more she is engaged in her proper duties the less leisure she will have for it, even as an accomplishment and recreation." To this Charlotte meekly replied: "I trust I shall never more feel ambitious to see my name in print."
On the school being removed to Dewsbury Moor, Charlotte, whose health and spirits had been affected by the change, and Anne returned home. "I stayed at Dewsbury Moor," she said in a letter to Ellen Nussey, "as long as I was able; but at length I neither could nor dare stay any longer. My life and spirits had utterly failed me; so home I went, and the change at once roused and soothed me."
At this time Charlotte received an offer of marriage from a clergyman having a resemblance to St. John Rivers in "Jane Eyre"--a brother of her friend Ellen; but she refused him as she explains:
"I had a kindly leaning towards him as an amiable and well-disposed man. Yet I had not and could not have that intense attachment which would make me willing to die for him; and if ever I marry it must be in that light of adoration that I will regard my husband."
Teaching now seemed to the three sisters to be the only way of earning an independent livelihood, though they were not naturally fond of children. The hieroglyphics of childhood were an unknown language to them, for they had never been much with those younger than themselves; and they were not as yet qualified to take charge of advanced pupils. They knew but little French, and were not proficient in music. Still, Charlotte and Anne both took posts as governesses, and eventually formed a plan of starting a school on their own account, their housekeeping Aunt Branwell providing the necessary capital. To fit them for this work Charlotte and Emily entered, in February, 1842, the Héger Pensionnat, Brussels, and meantime Anne came home to Haworth from her governess life. The brother, Branwell, had now given up his idea of art, and was a clerk on the Leeds and Manchester Railway.
In Brussels, Emily was homesick as ever, the suffering and conflict being heightened, in the words of Charlotte, "by the strong recoil of her upright, heretic, and English spirit from the gentle Jesuitry of the foreign and Romish system. She was never happy till she carried her hard-won knowledge back to the remote English village, the old parsonage house, and desolate Yorkshire hills." "We are completely isolated in the midst of numbers. Yet I think I am never unhappy; my present life is so delightful, so congenial to my own nature, compared with that of a governess," was Charlotte's further description.
The sisters were so successful with their study of French that Madame Héger proposed that both should stay another half year, Charlotte to teach English, and Emily music; but from Brussels the girls were brought hastily home by the illness and death of their aunt, who left to each of them independently a share of her savings--enough to enable them to make whatever alterations were needed to turn the parsonage into a school. Emily now stayed at home, and Charlotte (January, 1843) returned to Brussels to teach English to Belgian pupils, under a constant sense of solitude and depression, while she learned German. A year later she returned to Haworth, on receiving news of the distressing conduct of her brother Branwell and the rapid failure of her father's sight. On leaving Brussels, she took with her a diploma certifying that she was perfectly capable of teaching the French language, and her pupils showed for her, at parting, an affection which she observed with grateful surprise.
_IV.--The Sisters' Book of Poems_
The attempt to secure pupils at Haworth failed. At this time the conduct of the now dissipated brother Branwell--conduct bordering on insanity--caused the family the most terrible anxiety; their father was nearly blind with cataract, and Charlotte herself lived under the dread of blindness. It was now that she paid a visit to her friends the Nusseys, at Hathersage, in Derbyshire, the scene of the later chapters of "Jane Eyre." On her return she found her brother dismissed from his employment, a slave to opium, and to drink whenever he could get it, and for some time before he died he had attacks of delirium tremens of the most frightful character.
In the course of this sad autumn of 1845 a new interest came into the lives of the sisters through the publication, at their own expense, of "Poems by Currer, Ellis, and Acton Bell," as explained in the biographical notice of her sisters, which Charlotte prefaced to the edition of "Wuthering Heights" and "Agnes Grey," that was published in 1850.
"One day in the autumn of 1845 I accidentally lighted on a manuscript volume of verses in my sister Emily's handwriting. Of course I was not surprised, knowing that she could and did write verses. I looked it over, and then something more than surprise seized me--a deep conviction that these were not common effusions, not at all like the poetry a woman generally writes. I thought them condensed and terse, vigorous and genuine. To my ear they had also a peculiar music, wild, melancholy, and elevating. I took hours to reconcile my sister to the discovery I had made, and days to persuade her that such poems merited publication. Meantime, my younger sister quietly produced some of her own compositions, intimating that since Emily's had given me pleasure I might like to look at hers. I thought that these verses too had a sweet sincere pathos of their own. We had very early cherished the dream of one day being authors. We agreed to arrange a small selection of our poems, and if possible get them printed."
The "Poems" obtained no sale until the authors became otherwise known.
During the summer of 1846 the three sisters made attempts to find a publisher for a volume that was to consist of three prose tales, "Wuthering Heights," by Emily, "Agnes Grey" by Anne, and "The Professor" by Charlotte. Eventually the two former were accepted for a three-volume issue, though eighteen months passed and much happened before the book was actually circulated. Meantime, "The Professor" was plodding its way round London through many rejections. Under these circumstances, her brother's brain mazed and his gifts and life lost, her father's sight hanging on a thread, her sisters in delicate health and dependent on her care, did the brave genius begin, with steady courage, the writing of "Jane Eyre." While refusing to publish "The Professor," Messrs. Smith, Elder & Co. expressed their willingness to consider favourably a new work in three volumes which "Currer Bell" informed them he was writing; and by October 16, 1847, the tale--"Jane Eyre"--was accepted, printed, and published.
_V.--The Coming of Success_
The gentleman connected with the firm who first read the manuscript was so powerfully struck by the character of the tale that he reported his impressions in very strong terms to Mr. Smith, who appears to have been much amused by the admiration excited. "You seem to have been so enchanted that I do not know how to believe you," he laughingly said. But when a second reader, in the person of a clear-headed Scotsman, not given to enthusiasm, had taken the manuscript home in the evening, and became so deeply interested in it as to sit up half the night to finish it, Mr. Smith's curiosity was sufficiently excited to prompt him to read it himself; and great as were the praises which had been bestowed upon it he found that they did not exceed the truth. The power and fascination of the tale itself made its merits known to the public without the kindly fingerposts of professional criticism, and early in December the rush for copies began.
When the demand for the work had assured success, her sisters urged Charlotte to tell their father of its publication. She accordingly went into his study one afternoon, carrying with her a copy of the book and two or three reviews, taking care to include a notice adverse to it, and the following conversation took place.
"Papa, I've been writing a book."
"Have you, my dear?"
"Yes; and I want you to read it."
"I am afraid it will try my eyes too much."
"But it is not in manuscript; it is printed."
"My dear, you've never thought of the expense it will be! It will be almost sure to be a loss; for how can you get a book sold? No one knows you or your name."
"But, papa, I don't think it will be a loss. No more will you if you will just let me read you a review or two, and tell you more about it."
So she sat down and read some of the reviews to her father, and then, giving him the copy of "Jane Eyre" that she intended for him, she left him to read it. When he came in to tea he said: "Girls, do you know Charlotte has been writing a book, and it is much better than likely?"
Soon the whole reading world of England was in a ferment to discover the unknown author. Even the publishers were ignorant whether "Currer Bell" was a real or an assumed name till a flood of public opinion had lifted the book from obscurity and had laid it high on the everlasting hills of fame.
The authorship was kept a close secret in the Brontë family, and not even the friend who was all but a sister--Ellen Nussey--knew more about it than the rest of the world. It was indeed through an attempt at sharp practice by another firm that Messrs. Smith & Elder became aware of the identity of the author with Miss Brontë. In the June of 1848, "The Tenant of Wildfell Hall," a second novel by Anne Brontë--"Acton Bell"--was submitted for publication to the firm which had previously published "Wuthering Heights" and "Agnes Grey," and this firm announced the new book in America as by the author of "Jane Eyre," although Messrs. Smith, Elder & Co. had entered into an agreement with an American house for the publication of "Currer Bell's" next tale. On hearing of this, the sisters, Charlotte and Anne, set off instantly for London to prove personally that they were two and not one; and women, not men.
On reaching Mr. Smith's office, Charlotte put his own letter into his hand as an introduction.
"Where did you get this?" said he, as if he could not believe that the two young ladies dressed in black, of slight figures and diminutive stature, looking pleased yet agitated, could be the embodied Currer and Acton Bell for whom curiosity had been hunting so eagerly in vain.
An explanation ensued, and the publisher at once began to form plans for the amusement of the visitors during their three days' stay in London.
In September, 1848, her brother Branwell died. After the Sunday succeeding Branwell's death, Emily Brontë never went out of doors, and in less than three months she, too, was dead. To the last she adhered tenaciously to her habits of independence. She would suffer no one to assist her. On the day of her death she arose, dressed herself, and tried to take up her sewing.
Anne Brontë, too, drooped and sickened from this time in a similar consumption, and on May 28, 1849, died peacefully at Scarborough, pathetically appealing to Charlotte with her ebbing breath: "Take courage, Charlotte; take courage."
_VI.--Charlotte Brontë's Closing Years_
"Shirley" had been begun soon after the publication of "Jane Eyre." Shirley herself is Charlotte's representation of Emily as she would have been if placed in health and prosperity. It was published five months after Anne's death. The reviews, Charlotte admitted, were "superb."
Visits to London made Miss Brontë acquainted with many of the literary celebrities of the day, including Thackeray and Miss Martineau. In Yorkshire her success caused great excitement. She tells herself how "Martha came in yesterday puffing and blowing, and much excited. 'Please, ma'am, you've been and written two books--the grandest books that ever was seen. They are going to have a meeting at the Mechanics' Institute to settle about ordering them.' When they got the volumes at the Mechanics' Institute, all the members wanted them. They cast lots, and whoever got a volume was allowed to keep it two days, and was to be fined a shilling per diem for longer detention."
In the spring of 1850, Charlotte Brontë paid another visit to London, and later to Scotland, where she found Edinburgh "compared to London like a vivid page of history compared to a dull treatise on political economy; as a lyric, brief, bright, clean, and vital as a flash of lightning, compared to a great rumbling, rambling, heavy epic."
She was in London again in 1851, and was dismayed by the attempts to lionise her. "Villette," written in a constant fight against ill-health, was published in 1853, and was received with one burst of acclamation. This brought to a close the publication of Charlotte's life-time.
The personal interest of the two last years of Charlotte Brontë's life centres on her relations with her father's curate, the Rev. A.B. Nicholls. In 1853, he asked her hand in marriage. He was the fourth man who had ventured on the same proposal. Her father disapproved, and Mr. Nicholls resigned his curacy. Next year, however, her father relented. Mr. Nicholls again took up the curacy, and the marriage was celebrated on June 29, 1854. Henceforward the doors of home are closed upon her married life.
On March 31, 1855, she died before she had attained to motherhood, her last recorded words to her husband being: "We have been so happy." Her life appeals to that large and solemn public who know how to admire generously extraordinary genius, and how to reverence all noble virtue.
* * * * *
EDWARD GIBBON
Memoirs
Gibbon's autobiography was published in 1796, two years after
his death, by his friend, Lord Sheffield, under the title
"Miscellaneous Works of Edward Gibbon, Esq., with Memoirs of
His Life and Writings, Composed by Himself." "After completing
his history," says Mr. Birrell, "Gibbon had but one thing left
him to do in order to discharge his duty to the universe. He
had written a magnificent history of the Roman Empire; it
remained to write the history of the historian. It is a most
studied performance, and may be boldly pronounced perfect. It
is our best, and best known, autobiography." That the writing
was studied is shown by the fact that six different sketches
were left in Gibbon's handwriting, and from all these the
published memoirs were selected and put together. The memoir
was briefly completed by Lord Sheffield. Bagehot described the
book as "the most imposing of domestic narratives." Truly, it
was impossible for Gibbon to doff his dignity, but through the
cadenced formality of his style the reader can detect a happy
candour, careful sincerity, complacent temper, and a loyalty
to friendship that recommend the man as truly as the writer.
(See also HISTORY.)
_I.--Birth and Education_
I was born at Putney, in the county of Surrey, April 27, in the year 1737, the first child of the marriage of Edward Gibbon, Esq., and Jane Porten.
From my birth I have enjoyed the right of primogeniture; but I was succeeded by five brothers and one sister, all of whom were snatched away in their infancy. So feeble was my constitution, so precarious my life, that in the baptism of each of my brothers my father's prudence successively repeated my Christian name of Edward, that, in the case of the departure of the eldest son, this patronymic appellation might be still perpetuated in the family.
To preserve and to rear so frail a being the most tender assiduity was scarcely sufficient, and my mother's attention was somewhat diverted by an exclusive passion for her husband and by the dissipation of the world; but the maternal office was supplied by my aunt, Mrs. Catherine Porten, at whose name I feel a tear of gratitude trickling down my cheek.
After this instruction at home, I was delivered at the age of seven into the hands of Mr. John Kirkby, who exercised for about eighteen months the office of my domestic tutor, enlarged my knowledge of arithmetic, and left me a clear impression of the English and Latin rudiments. In my ninth year, in a lucid interval of comparative health, I was sent to a school of about seventy boys at Kingston-upon-Thames, and there, by the common methods of discipline, at the expense of many tears and some blood, purchased a knowledge of the Latin syntax. After a nominal residence at Kingston of nearly two years, I was finally recalled by my mother's death. My poor father was inconsolable, and he renounced the tumult of London, and buried himself in the rustic solitude of Buriton; but as far back as I can remember, the house of my maternal grandfather, near Putney Bridge, appears in the light of my proper and native home, and that excellent woman, Mrs. Catherine Porten, was the true mother of my mind, as well as of my health.
At this time my father was too easily content with such teachers as the different places of my residence could supply, and it might now be apprehended that I should continue for life an illiterate cripple; but as I approached my sixteenth year, nature displayed in my favour her mysterious energies: my constitution was fortified and fixed, and my disorders most wonderfully vanished.
Without preparation or delay, my father carried me to Oxford, and I was matriculated in the university as a gentleman commoner of Magdalen College before I had accomplished the fifteenth year of my age. As often as I was tolerably exempt from danger and pain, reading, free desultory reading, had been the employment and comfort of my solitary hours, and I was allowed, without control or advice, to gratify the wanderings of an unripe taste. My indiscriminate appetite subsided by degrees into the historic line; and I arrived at Oxford with a stock of erudition that might have puzzled a doctor, and a degree of ignorance of which a schoolboy would have been ashamed.
The happiness of boyish years I have never known, and that time I have never regretted. To the university of Oxford I acknowledge no obligation. I spent fourteen months at Magdalen College, and they proved the fourteen months the most idle and profitless of my whole life. The sum of my improvement there is confined to three or four Latin plays. It might at least be expected that an ecclesiastical school should inculcate the orthodox principles of religion. But our venerable mother had contrived to unite the opposite extremes of bigotry and indifference. The blind activity of idleness urged me to advance without armour into the dangerous mazes of controversy, and at the age of sixteen I bewildered myself in the errors of the church of Rome. Translations of two famous works of Bossuet achieved my conversion, and surely I fell by a noble hand.
No sooner had I settled my new religion than I resolved to profess myself a Catholic, and on June 8, 1753, I solemnly abjured the errors of heresy. An elaborate controversial epistle, addressed to my father, announced and justified the step which I had taken. My father was neither a bigot nor a philosopher, but his affection deplored the loss of an only son, and his good sense was astonished at my departure from the religion of my country. In the first sally of passion, he divulged a secret which prudence might have suppressed, and the gates of Magdalen College were for ever shut against my return.
_II.--A Happy Exile_
It was necessary for my father to form a new plan of education, and effect the cure of my spiritual malady. After much debate it was determined to fix me for some years at Lausanne, in Switzerland, under the roof and tuition of M. Pavilliard, a Calvinist minister. Suddenly cast on a foreign land, I found myself deprived of the use of speech and hearing, incapable of asking or answering a question in the common intercourse of life. Such was my first introduction to Lausanne, a place where I spent nearly five years with pleasure and profit.
This seclusion from English society was attended with the most solid benefits. Before I was recalled home, French, in which I spontaneously thought, was more familiar than English to my ear, my tongue, and my pen. My awkward timidity was polished and emboldened; M. Pavilliard gently led me from a blind and undistinguishing love of reading into the path of instruction. He was not unmindful that his first task was to reclaim me from the errors of popery, and I am willing to allow him a handsome share of the honour of my conversion, though it was principally effected by my private reflections.
It was now that I regretted the early years which had been wasted in sickness or idleness or mere idle reading, and I determined to supply this defect. My various reading I now digested, according to the precept and model of Mr. Locke, into a large commonplace book--a practice, however, which I do not strenuously recommend. I much question whether the benefits of this laborious method are adequate to the waste of time, and I must agree with Dr. Johnson that what is twice read is commonly better remembered than what is transcribed.
I hesitate from the apprehension of ridicule when I approach the delicate subject of my early love. I need not blush at recollecting the object of my choice, and, though my love was disappointed of success, I am rather proud that I was once capable of feeling such a pure and exalted sentiment. The personal attractions of Mademoiselle Curchod were embellished by the virtues and talents of the mind. Her father lived content with a small salary and laborious duty in the obscure lot of minister of Crassy. In the solitude of a sequestered village he bestowed a liberal, and even learned, education on his only daughter. In her short visit to Lausanne, the wit, the beauty, the erudition of Mademoiselle Curchod were the theme of universal applause. The report of such a prodigy awakened my curiosity; I saw and loved. At Crassy and Lausanne I indulged my dream of felicity, but on my return to England I discovered that my father would not hear of this alliance. After a painful struggle I yielded. I sighed as a lover, I obeyed as a son; my wound was insensibly healed by time, absence, and the habits of a new life.
_III.--To England and Authorship_
In the spring of the year 1758 my father signified his permission that I should immediately return home. The whole term of my absence from England was four years ten months and fifteen days. The only person in England whom I was impatient to see was my Aunt Porten, the affectionate guardian of my tender years. It was not without some awe and apprehension that I approached my father; but he received me as a man and a friend. All constraint was banished at our first interview, and afterwards we continued on the same terms of easy and equal politeness.
Of the next two years, I passed about nine months in London, and the rest in the country. My progress in the English world was in general left to my own efforts, and those efforts were languid and slow. But my love of knowledge was inflamed and gratified by the command of books, and from the slender beginning in my father's study I have gradually formed a numerous and select library, the foundation of my works, and the best comfort of my life both at home and abroad. In this place I may allow myself to observe that I have never bought a book from a motive of ostentation, and that every volume before it was deposited on the shelf was either read or sufficiently examined.
The design of my first work, the "Essay on the Study of Literature," was suggested by a refinement of vanity--the desire of justifying and praising the object of a favourite pursuit. I was ambitious of proving that all the faculties of the mind may be exercised and displayed by the study of ancient literature.
My father fondly believed that the proof of some literary talents might introduce me to public notice. The work was printed and published under the title "Essai sur l'Etude de la Littérature." It is not surprising that a work of which the style and sentiments were so totally foreign should have been more successful abroad than at home. I was delighted by the warm commendations and flattering predictions of the journals of France and Holland. In England it was received with cold indifference, little read, and speedily forgotten. A small impression was slowly dispersed.
_IV.--Soldiering and Travel_
An active scene now follows which bears no affinity to any other period of my studious and social life. On June 12, 1759, my father and I received our commissions as major and captain in the Hampshire regiment of militia, and during two and a half years were condemned to a wandering life of military servitude. My principal obligation to the militia was the making me an Englishman and a soldier. In this peaceful service I imbibed the rudiments of the language and science of tactics, which opened a new field of study and observation. The discipline and evolutions of a modern battalion gave me a clearer notion of the phalanx and the legion; and the captain of the Hampshire Grenadiers--the reader may smile--has not been useless to the historian of the Roman Empire.
I was detained above four years by my rash engagement in the militia. I eagerly grasped the first moments of freedom; and such was my diligence that on my father consenting to a term of foreign travel, I reached Paris only thirty-six hours after the disbanding of the militia. Between my stay of three months and a half in Paris and a visit to Italy, I interposed some months of tranquil simplicity at Lausanne. My old friends of both sexes hailed my voluntary return--the most genuine proof of my attachment. The public libraries of Lausanne and Geneva liberally supplied me with books, from which I armed myself for my Italian journey. On this tour I was agreeably employed for more than a year. Turin, Milan, Genoa, Parma, Modena, and Florence were visited, and here I first acknowledged, at the feet of the Venus of Medici, that the chisel may dispute the preeminence with the pencil, a truth in the fine arts which cannot on this side of the Alps be felt or understood.
After leaving Florence, I passed through Pisa, Leghorn, and Sienna to Rome. My temper is not very susceptible to enthusiasm; and the enthusiasm which I do not feel, I have ever scorned to affect. But, at the distance of twenty-five years, I can neither forget nor express the strong emotions which agitated my mind as I first approached and entered the Eternal City. After a sleepless night, I trod, with a lofty step, the ruins of the Forum; each memorable spot, where Romulus stood, or Tully spoke, or Cæsar fell, was at once present to my eye; and several days of intoxication were lost, or enjoyed, before I could descend to a cool and minute observation.
It was in Rome, on October 15, 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind. But my original plan was circumscribed to the decay of the city rather than the empire; and though my reading and reflections began to point towards that object, some years elapsed, and several avocations intervened, before I was seriously engaged in the execution of that laborious work.
_V.--History and Politics_
The five years and a half between my return from my travels and my father's death are the portion of my life which I passed with the least enjoyment, and which I remember with the least satisfaction. In the fifteen years between my "Essay on the Study of Literature" and the first volume of the "Decline and Fall," a criticism of Warburton on Virgil and some articles in "Mémoires Littéraires de la Grande Bretagne" were my sole publications. In November, 1770, my father sank into the grave in the sixty-fourth year of his age. As soon as I had paid the last solemn duties to my father, and obtained from time and reason a tolerable composure of mind, I began to form the plan of an independent life most adapted to my circumstances and inclination. I had now attained the first of earthly blessings--independence. I was absolute master of my hours and actions; and no sooner was I settled in my house and library than I undertook the composition of the first volume of my history. Many experiments were made before I could hit the middle tone between a dull chronicle and a rhetorical declamation; three times did I compose the first chapter, and twice the second and third, before I was tolerably satisfied with their effect. In the remainder of the way I advanced with a more equal and easy pace.
By the friendship of Mr. (now Lord) Eliot, who had married my first cousin, I was returned member of parliament for the borough of Liskeard. I took my seat at the beginning of the memorable contest between Great Britain and America, and supported, with many a sincere and silent vote, the rights, though not, perhaps, the interest, of the Mother Country. After a fleeting, illusive hope, prudence condemned me to acquiesce in the humble station of a mute. But I listened to the attack and defence of eloquence and reason; I had a near prospect of the characters, views, and passions of the first men of the age. The eight sessions that I sat in parliament were a school of civil prudence, the first and most essential virtue of an historian.
The first volume of my history, which had been somewhat delayed by the novelty and tumult of a first session, was now ready for the press. During the awful interval of awaited publication, I was neither elated by the ambition of fame nor depressed by the apprehension of contempt. My diligence and accuracy were attested by my own conscience. I likewise flattered myself that an age of light and liberty would receive without scandal an inquiry into the human causes of progress of Christianity.
I am at a loss how to describe the success of the work without betraying the vanity of the writer. The first impression was exhausted in a few days; a second and third edition were scarcely adequate to the demand. My book was on every table; nor was the general voice disturbed by the barking of any profane critic. Let me frankly own that I was startled at the first discharge of ecclesiastical ordnance; but I soon discovered that this empty noise was mischievous only in intention, and every feeling of indignation has long since subsided.
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The World's Greatest Books — Volume 09 — Lives and LettersChapter X: Part 10
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