Chapter VIII: Part 8

In the middle of 1817, I think it was, this faculty became positively distressing to me. At nights, when I lay awake in bed, vast processions passed along in mournful pomp; friezes of never-ending stories, that to my feelings were as sad and solemn as if they were stories drawn from times before Aedipus or Priam, before Tyre, before Memphis. And at the same time a corresponding change took place in my dreams; a theatre seemed suddenly opened and lighted up within my brain, which presented nightly spectacles of more than earthly splendour.

All changes in my dreams were accompanied by deep-seated anxiety and gloomy melancholy, such as are wholly incommunicable by words. I seemed every night to descend, not metaphorically, but literally, to descend into chasms and sunless abysses, depths below depths, from which it seemed hopeless that I should ever re-ascend. Nor did I, even by waking, feel that I had re-ascended.

The sense of space, and, in the end, the sense of time, were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled, and was amplified to an extent of unutterable infinity. This, however, did not disturb me so much as the vast expansion of time; I sometimes seemed to have lived far beyond the limits of any human experience.

The minutest incidents of childhood, or forgotten scenes of later years, were often revived. Of this, at least, I feel assured, that there is no such thing as _forgetting_ possible to the mind. A thousand accidents may and will interpose a veil between our present consciousness and the secret inscriptions of the mind; accidents of the same sort will also rend away this veil; but alike, whether veiled or unveiled, the inscription remains for ever; just as the stars seem to withdraw before the common light of day, whereas, in fact, we all know that it is the light which is drawn over them as a veil, and that they are but waiting to be revealed when the obscuring daylight shall have withdrawn.

In the early stage of my malady the splendours of my dreams were indeed chiefly architectural; and I beheld such pomp of cities and palaces as was never yet beheld by the waking eye, unless in the clouds. To architecture succeeded dreams of lakes and silvery expanses of water. The waters then changed their character--from translucent lakes shining like mirrors they now became seas and oceans.

And now came a tremendous change, which, unfolding itself slowly like a scroll through many months, promised an abiding torment; and, in fact, it never left me until the winding up of my case. Hitherto the human face had mixed often in my dreams, but not despotically, nor with any special power of tormenting. But now that which I have called the tyranny of the human face began to unfold itself. Perhaps some part of my London life might be answerable for this. Be that as it may, now it was that upon the rocking waters of the ocean the human face began to appear; the sea appeared paved with innumerable faces upturned to the heavens--faces imploring, wrathful, despairing, surged upwards by thousands, by myriads, by generations, by centuries; my agitation was infinite, my mind tossed and surged with the ocean.

_V.--The Monster-Haunted Dreamer_

I know not whether others share in my feelings on this point; but I have often thought that if I were compelled to forego England and to live in China, and among Chinese manners and modes of life and scenery, I should go mad. Southern Asia in general is the seat of awful images and associations. As the cradle of the human race, it would alone have a dim and reverential feeling connected with it. But there are other reasons. No man can pretend that the wild, barbarous, and capricious superstitions of Africa, or of savage tribes elsewhere, affect him in the way that he is affected by the ancient, monumental, cruel, and elaborate religions of Indostan, etc. The mere antiquity of Asiatic things, of their institutions, histories, modes of faith, etc., is so impressive that, to me, the vast age of the race and name overpowers the sense of youth in the individual. A young Chinese seems to me an antediluvian man renewed.

All this, and much more than I can say or have time to say, the reader must enter into before he can comprehend the unimaginable horror which these dreams of Oriental imagery and mythological tortures impressed upon me. Under the connecting feeling of tropical heat and vertical sunlight, I brought together all creatures, birds, beasts, reptiles, all trees and plants, usages and appearances, that are found in all tropical regions, and assembled them together in China or Indostan. From kindred feelings I soon brought Egypt and all her gods under the same law. I was stared at, hooted at, grinned at, chattered at, by monkeys, by paroqueats, by cockatoos. I ran into pagodas, and was fixed for centuries, at the summit, or in secret rooms; I was the idol; I was the priest; I was worshipped; I was sacrificed. I fled from the wrath of Brahma through all the forests of Asia; Vishnu hated me; Siva laid wait for me. I came suddenly upon Isis and Osiris; I had done a deed, they said, which the ibis and the crocodile trembled at I was buried for a thousand years in stone coffins, with mummies and sphinxes, in narrow chambers at the heart of eternal pyramids. I was kissed by crocodiles; and laid, confounded with all unutterable slimy things, amongst reeds and Nilotic mud.

Over every form and threat and punishment brooded a sense of eternity and infinity that drove me into an oppression as of madness. Into these dreams only it was, with one or two slight exceptions, that any circumstances of physical horror entered. But here the main agents were ugly birds, or snakes, or crocodiles; especially the last. The cursed crocodile became to me the object of more horror than almost all the rest. I was compelled to live with him, and--as was almost always the case in my dreams--for centuries. And so often did this hideous reptile haunt my dreams that many times the very same dream was broken up in the very same way. I heard gentle voices speaking to me--I hear everything when I am sleeping--and instantly I awoke. It was broad noon, and my children were standing, hand in hand, at my bedside--come to show me their coloured shoes, or new frocks, or to let me see them dressed for going out. I protest that so awful was the transition from the detestable crocodile, and the other unutterable monsters and abortions of my dreams, to the sight of innocent human natures and of infancy that in the mighty and sudden revulsion of mind I wept, and could not forbear it, as I kissed their faces.

_VI.--The Agonies of Sleep_

As a final specimen, I cite a dream of a different character, from 1820. The dream commenced with a music which now I often heard in dreams--a music of preparation and of awakening suspense, a music like the opening of the Coronation Anthem, and which, like that, gave the feeling of a vast march, of infinite cavalcades filing off, and the tread of innumerable armies. The morning was come of a mighty day--a day of crisis and of final hope for human nature, then suffering some mysterious eclipse, and labouring in some dread extremity. Somewhere, I knew not where--somehow, I knew not how--by some beings, I knew not whom--a battle, a strife, an agony, was conducting, was evolving like a great drama or piece of music, with which my sympathy was the more insupportable from my confusion as to its place, its cause, its nature, and possible issue.

I, as is usual in dreams--where, of necessity, we make ourselves central to every movement--had the power, and yet had not the power, to decide it. I had the power, if I could raise myself to will it, and yet again had not the power, for the weight of twenty Atlantics was upon me, or the oppression of inexpiable guilt. "Deeper than ever plummet sounded," I lay inactive. Then, like a chorus, the passion deepened. Some greater interest was at stake, some mightier cause than ever yet the sword had pleaded, or trumpet had proclaimed. Then came sudden alarms, hurryings to and fro, trepidations of innumerable fugitives--I knew not whether from the good cause or the bad--darkness and lights, tempest and human faces, and at last, with the sense that all was lost, female forms, and the features that were worth all the world to me, and but a moment allowed--and clasped hands, and heart-breaking partings, and then--everlasting farewells! And with a sigh such as the caves of hell sighed when the incestuous mother uttered the abhorred name of death, the sound was reverberated--everlasting farewells! And again and yet again reverberated--everlasting farewells! And I awoke in struggles, and cried aloud, "I will sleep no more."

* * * * *

It now remains that I should say something of the way in which this conflict of horrors was finally brought to a crisis. I saw that I must die if I continued the opium. I determined, therefore, if that should be required, to die in throwing it off. I triumphed. But, reader, think of me as one, even when four months had passed, still agitated, writhing, throbbing, palpitating, shattered. During the whole period of diminishing the opium I had the torments of a man passing out of one mode of existence into another. The issue was not death, but a sort of physical regeneration.

One memorial of my former condition still remains--my dreams are not yet perfectly calm; the dread swell and agitation of the storm have not wholly subsided; the legions that encamped in them are drawing off, but not all departed; my sleep is still tumultuous, and, like the gates of Paradise to our first parents when looking back from afar, it is still--in Milton's tremendous line--"With dreadful faces throng'd and fiery arms."

* * * * *

ALEXANDRE DUMAS

Memoirs

Alexandre Dumas _père_, the great French novelist and
dramatist, who here tells the story of his youth, was born on
July 24, 1802, and died on December 5, 1870. He was a man of
prodigious vitality, virility, and invention; abounding in
enjoyment, gaiety, vanity, and kindness; the richness, force,
and celerity of his nature was amazing. In regard to this
peculiar vivacity of his, it is interesting to remember that
one of his grandparents was a full-blooded negress. Dumas'
literary work is essentially romantic; his themes are courage,
loyalty, honour, love, pageantry, and adventure; he belongs to
the tradition of Scott and Schiller, but as a story-teller
excels every other. His plays and novels are both very
numerous; the "OEuvres Complètes," published between 1860 and
1884, fill 277 volumes. Probably "Monte Cristo" and "The Three
Musketeers" are the most famous of his stories. He was an
untiring and exceedingly rapid worker, a great collaborator
employing many assistants, and was also a shameless
plagiarist; but he succeeded in impressing his own quality on
all that he published. Besides plays and novels there are
several books of travel. His son, Alexandre, was born in 1824.
The "Memoirs," published in 1852, which are here followed
through their author's struggles to his triumph, may be the
work of the novelist as well as of the chronicler, but they
give a most convincing impression of his courageous and
brilliant youth, fired equally by art and by ambition.

_I.--Memories of Boyhood_

I was born on July 24, 1802, at Villers-Cotterets, a little town of the Department of Aisne, on the road from Laon to Paris, so that, writing now in 1847, I am forty-five years old. My father was the republican general, Thomas-Alexandre Dumas-Davy de la Pailleterie, and I still use this patronymic in signing official documents. It came from my grandfather, marquis of that name, who sold his properties in France, and settled down in 1760 on vast estates in San Domingo. There, in 1762, my father was born; his mother, Louise-Cessette Dumas, died in 1772; and in 1780, when my father was eighteen, the West Indian estates were leased, and the marquis returned to his native country.

My father spent the next years among the youth of the great families of that period. His handsome features--all the more striking for the dark complexion of a mulatto--his prodigious physical strength, his elegant creole figure, with hands and feet as small as a woman's, his unrivalled skill in bodily exercises, and especially in fencing and horsemanship, all marked him out as one born for adventures. The spirit of adventure was there, too. Assuming the name of Dumas because his father objected to the family name being dragged through the ranks, he enlisted as a private in a regiment of dragoons in 1786, at the age of twenty-four. Quartered at Villers-Cotterets in 1790, he met my mother, Marie-Louise-Elisabeth Labouret, whom he married two years later. Their children were one daughter, and then myself. The marquis had died in 1786.

My memory goes back to 1805, when I was three, and to the little country house, Les Fosses, we lived in. I remember a journey to Paris in the same year, and the death of my father in 1806. Then my mother, sister, and I, left in poverty, went to live with grandfather and grandmother Labouret. Here, in gardens full of shady trees and gorgeous blossoms, I spent those happy days when hope extends hardly further than to-morrow, and memory hardly further than yesterday; storing my mind with classical mythology and Bible stories, the "Arabian Nights," the natural history of Buffon, and the geography of "Robinson Crusoe."

Then came my tenth year and the age for school. It was decided that I should go to the seminary and be educated for a priest; but I settled that matter by running away and living for three days in the hut of a friendly bird-catcher in the woods. So I passed instead into our little school of the Abbé Grégoire--a just and good man, of whom I learned little but to love him; and from another parish priest, an uncle of mine, a few miles away, I gained a passion for shooting the hares and partridges with which our country swarmed.

But while I was living in twelve-year-old joys and sorrows, the enemy was marching on French soil, and all confidence in Napoleon's star had vanished. God had forsaken him. A retreating wave of our army swept over the countryside, followed by alien forces. We lived in the midst of fighting and alarms, and my mother and her friends worked like sisters of charity. There followed Bonaparte's exile in Elba, and then the astonishing report that he had landed near Cannes, and was marching on Paris. He reached the Tuileries on March 20, 1815; in May, his troops were marching through our town on their way to Waterloo, glory, and the grave. I saw him passing in his carriage, his face, pale and sickly, leaning forward, chin on breast. He raised his head, and glanced around.

"Where are we?"

"At Villers-Cotterets, sire."

"Forward! Faster!" he cried, and fell back into his lethargy. Whips cracked, and the gigantic vision had passed. That was June 11--Waterloo was the 18th. On the 20th, three or four hours after the first doubtful rumour had reached us, a carriage drew up to change horses. There was the same inert figure, and the same question and answer. The team broke into a gallop, and the fallen Napoleon was gone. Soon all went on in the ordinary way, and in our little town, isolated in the midst of its forest, one might have thought no changes had taken place; people had had an evil dream--that was all.

My memories of this period are chiefly memories of the woods--shooting parties, now and then a wolf or boar hunt, often a poaching adventure with a friend. But at fifteen years of age I was placed in a notary's office; at sixteen I learned to love, and shortly afterwards I saw "Hamlet" played by a touring company. It made a profound impression on me, awakening vast, aimless desires, strange gleams of mystery. A friend of mine, Adolphe de Leuven, himself an ardent versifier, guided me to a first sense of my vocation, and together we set to work as playwrights.

Adolphe and his father went up to live in Paris, and our plays were submitted everywhere in vain. My ardour for the great city grew daily until it became irresistible; and at length, in the temporary absence of my notary, I made a three days' escape with a friend, saw Talma act, and was even introduced to him by Adolphe. His playing opened a new world to me, and the great man playfully foretold my destiny.

As one enchanted, I returned to the office, accepted my employers' rebuke as a dismissal, and went home. I was without a penny, but was immediately visited by a wonderful run of fortune. Among other strokes of luck, I sold my rascal dog for $25 to an infatuated Englishman, and won six hundred glasses of absinthe at a single game of billiards from the proprietor of the Paris coach, commuting them for a dozen free passages. I said good-bye to the dear mother and the saintly _abbé_, and found myself early on a May morning at Adolphe's door. I had come to try my fortune with my father's brothers-at-arms.

Of course, there were bitter disappointments, and when I called on General Foy he was my last hope. Alas! did I know this subject, or that, or that? My answer was always "No." But the general would at least keep my address; and no sooner had I written it down than he cried aloud that we were saved! It appeared that I had a good writing, and the Duke of Orleans needed another copyist in his office. The next morning I was engaged at a salary of twelve hundred francs. I came home for three days with my mother, and on the advice of the bird-catcher took a ticket at the lottery, which brought me 146 francs. And so, with a few bits of furniture from home, I took up my lodging in a Parisian garret.

_II.--Launched in Paris_

Now began a life of daily work at the office, with agreeable companions, and of evenings spent at the theatre or in study. On the first night I went to the Porte-Sainte-Martin Theatre, where a melodrama, "The Vampire," was presented, and fell into conversation with my neighbour, a man of about forty, of fascinating discourse, who was inordinately impatient with the piece, and was at last turned out of the theatre for his expressions of disapproval. His talk, far more interesting than the play, turned on rare editions of old books, on the sylphs, gnomes, Undines of the invisible world, on microscopic creatures he had himself discovered, and on vampires he had seen in Illyria. I learned next day that this was the celebrated author and bibliophile, Charles Nodier, himself one of the anonymous authors of the play he so vilified.

Lassagne, a genial colleague in the office, not only put me in the way of doing my work, which I quickly picked up, but was good enough also to guide my reading, for I was deplorably ignorant. In those days Scribe was the great dramatist, producing innumerable clever plots of intrigue, modelled on no natural society, but on a society all his own, composed almost exclusively of colonels, young widows, old soldiers, and faithful servants. No one had ever seen such widows and colonels, never soldiers spoke as these did, never were servants so devoted; yet this society of Scribe's was all the fashion.

The men most highly placed in literature at the time when I came to Paris were MM. de Chateaubriand, Jouy, Lemercier, Arnault, Etienne, Baour-Lormian, Béranger, Charles Nodier, Viennet Scribe, Théaulon, Soumet, Casimir Delavigne, Lucien Arnault, Ancelot, Lamartine, Victor Hugo, Désaugiers, and Alfred de Vigny. After them came names half literary, half political, such as MM. Cousin, Salvandy, Yillemain, Thiers, Augustin Thierry, Michelet, Mignet, Vitet, Cavé, Mérimée, and Guizot. Others, who were not yet known, but were coming forward, were Balzac, Soulié, De Musset, Sainte-Beuve, Auguste Barbier, Alphonse Karr, Théophile Gautier. Madame Sand was not known until her "Indiana," in 1828. I knew all this constellation, some of them as friends and supporters, others as enemies.

In December, 1823, Talma made perhaps the greatest success of his life in Delavigne's "L'Ecole des Vieillards," in which his power of modulating his voice to the various emotions of old age was superbly shown. But Talma was never content with his triumphs; he awaited eagerly the rise of a new drama; and when I confided to him my ambitions, he would urge me to be quick and succeed within his day. Art was all that he lived for. How wonderful a thing is art, more faithful than a friend or lover!

On the first day of 1824 I rose to be a regular clerk at 1,500 francs, and determined to bring up my mother from the country. It was now nine months since I had seen her. So she sold her tobacco shop and came up to Paris with a little furniture and a hundred louis. We were both very glad to be united, though she was anxious about my future.

I had by this time learned my ignorance of much that was necessary to my success as a dramatist, and began to devote every hour of my leisure to study, attending the theatre as often as I could get a pass. A young medical man named Thibaut helped me much in my education; he took me to the hospital, where I picked up a knowledge of medicine and surgery which has repeatedly done service in my novels, and I learned from him the actions of poisons, such as I have used in "Monte Cristo."

I read also under the guidance of Lassagne, beginning with "Ivanhoe," in which the pictures of mediæval life cleared the clouds from my vision and gave me a far wider horizon. Next the vast forests, prairies, and oceans of Cooper held me; and then I came to Byron, who died in Greece at the very time when I was entering on my apprenticeship to poetry. The romantic movement in France was beginning to invade literature and the drama, but its expression was still most evident in the younger painters.

My mother's little capital only lasted eighteen months, and I found myself forced to supplement my salary by other work. I had until now collaborated with Adolphe, but all in vain, and we now determined to associate Ph. Rousseau with our efforts. The three of us together quickly produced a vaudeville in twenty-one scenes, "La Chasse et l'Amour," of which I wrote the first seven scenes, Adolphe the second seven, and Rousseau the conclusion. The piece was rejected at the Gymnase, but accepted at the Ambigu; and my share of the profits came to six francs a night.

A.M. Porcher, who always had a pleasant welcome and an open purse for a literary man, lent me 300 francs on the security of my receipts, and with that money I printed a volume of three stories under the title of "Nouvelles Contemporaines," of which, however, only four copies were sold. But the next adventure was more profitable. A play, by Lassagne and myself, "La Noce et l'Enterrement," was presented at the Porte-Sainte-Martin in November 1826, and brought me eight francs a night for forty nights.

_III.--Under Shakespeare's Spell_

As recently as 1822 an English theatrical company, which had opened at the Porte-Sainte-Martin Theatre, had been hissed and pelted off the stage for offering the dramas of the barbaric Shakespeare. But when, in September 1827, another English company brought Shakespeare's plays to the Odéon, this contempt for English literature had changed to ardent admiration--so quickly had the mind of Paris broadened. Shakespeare had been translated by Guizot, and everyone had read Scott, Cooper, and Byron.

The English season was opened by Sheridan's "Rivals," followed by Allingham's "Fortune's Freak." Then came "Hamlet," which infinitely surpassed all my expectations. Kemble's Hamlet was amazing, and Miss Smithson's Ophelia adorable. From that very night, but not before, I knew what the theatre was. I had seen for the first time real men and women, of flesh and blood, moved by real passions. I understood Talma's continual lament, his incessant desire for plays which should show him, not as a hero only, but also as a man. "Romeo and Juliet," "Othello," and all the other masterpieces followed. Then, in their turn, Macready and Kean appeared in Paris.

I knew now that everything in the world of drama derives from Shakespeare, as everything in the natural world depends on the sun; I knew that, after God, Shakespeare was the great creator. And from the night when I had first seen, in these English players, men on the stage forgetful of the stage, and revealing themselves, by natural eloquence and manner, as God's creatures, with all their good and evil, their passions and weaknesses, from that night my vocation was irrevocable. A new confidence was given me, and I boldly adventured on the future. Besides observing mankind, I entered with redoubled zest upon the dissection and study of the words of the great dramatists.

My attention had been turned to the story of Christine and the murder of Monaldeschi by an exquisite little bas-relief in the Salon; and reading up the history in the biographical dictionary, I saw that it held the possibility of a tremendous drama. The subject haunted my mind continually, and soon my "Christine" came into life and was written. But Talma was dead; I had now no friend at the theatre; and I cast about me in vain for the means of getting my play produced.

Baron Taylor was at this time the official charged with the acceptance or rejection of plays, and Charles Nodier, so Lassagne informed me, was on intimate terms with him. Lassagne suggested that I should write to Nodier, reminding him of our chat on the night of "The Vampire," and asking for an introduction to the Baron. I did so, and the reply came from Baron Taylor himself, offering me an interview at seven in the morning.

At the appointed time, my heart beating fast, I rang the bell of his flat, and as I waited for someone to come, I wondered at a strange noise that was going on within--a deep, monotonous recitation, interrupted by occasional explosions of rage in a higher voice. I rang for the third time, and as a door opened within, the mysterious sounds doubled in volume. Then the outer door opened, and the Baron's old servant hurried me in. "Come in, sir," she said, "come in; the Baron is longing for you to come!" I found Baron Taylor in his bath, and beside him a playwright reading a tragedy. The fellow had insisted on entering, had caught the examiner of plays in his bath, and was inflicting on him a play of over two thousand lines! Undaunted by the Baron's rage, and unmoved by my arrival, he proceeded with his reading, while I waited in the bedroom.

When Baron Taylor at last came in and got into bed, he was shivering with cold, and I proposed to put off my reading; but he would not hear of it, and trembling, I began my play. At the end of each act the Baron himself asked for the next, and when it was finished he leapt from bed and called for his clothes that he might go and arrange for an immediate hearing before the committee at the Français.

And so a special meeting was called, and I read "Christine" to a gathering of the greatest actors and actresses of the time, all fully dressed as if for a dance. I have rarely seen a play meet with so great a success at this ordeal; I was off my head with pleasure; the play was accepted by acclamation. I ran home to our rooms to tell my mother the great news of this great day, April 30, 1828, and then back to the office to copy out a heap of papers.

"Christine" was not, however, produced at this time. Another play on the same subject, written by a M. Brault, had also been accepted by the committee, and its author was suffering from an illness from which it was impossible that he should recover. Under these circumstances it was felt right to present the dying man's play while he was able to see it, and I willingly acceded to the requests, made by his son and friends, that my work should stand aside.

_IV.--Dumas Arrives_

But now, by a happy chance, in a book that lay open on a table in the office, I came across the suggestions for my "Henry III."; and as soon as the plot had grown clear in my mind, I wrote the play in a couple of months. I was only twenty-five, and this was only my second play; yet it is as well constructed as any of the fifty which I have since written.

Béranger, the great poet of democracy, and a man at that time of unrivalled influence, was present at a private reading of "Henry III.," and foretold its great success. The official reading was on September 17, 1828, when the play was accepted by acclamation, and the parts were cast. But my good fortune had not got into the papers, and this, as well as my frequent absences at the theatre, had done me no good at the office. So I was sent for one morning by M. de Broval, the director-general, and was given, in set terms, my choice between my situation as a clerk and my literary career. Only one choice was now possible, and from that very day my salary ceased.

The year 1829 was that in which my position was made and my future assured. But it opened with a great sorrow. I was one day at the theatre when a messenger ran in to tell me that my mother had fallen ill. I sent for a doctor, hurried to her side, and found that she was unable to speak, and that one side of her body was totally paralysed. My sister was soon with us, having come up to town for the first night of the play. My state of mind during the following days may be imagined, under the dreadful affliction of seeing my mother dying, and under the enormous burden of producing my first play.

On the day before the presentation of "Henry III.," I went to the palace, sent in my name to the Duke of Orleans, and boldly asked him the favour, or, rather, the act of justice, that he would be present at the theatre on the first night. I pointed out to him that he had given ear to those who had charged me with vanity and willfulness, and begged him to come and hear the verdict of the public. When his Highness told me that he could not come, because he had over a score of princes and princesses dining with him on that night, I suggested that he should bring them too. And so it was arranged.

February 11, so long awaited, dawned at last, and I spent the whole day until evening with my mother. I had given an order for the play to every one of my old colleagues at the office; I had a tiny stage-box; my sister had a box in which she entertained Boulanger, De Vigny, and Victor Hugo; every other place in the theatre was sold. The circle was gorgeous with princes decorated with their orders, and the boxes with the nobility, the ladies all glittering with diamonds.

The curtain went up. I have never felt anything to compare with the cool breath of air from the stage, which fanned my heated brow. The first act was received sympathetically, and was followed by applause, and I seized the interval to run and see my mother. The second act passed without disapproval. The third, I knew, would mean success or disaster. It called forth cries of fear, but also thunders of applause; never before had they seen a dramatic situation so realistically, I had almost said so brutally, presented. Again I visited my mother; how I wished she could have been there! Then came the fourth and fifth acts, which were received by a tumultuous frenzy of delight; and when the author's name was called, the Duke of Orleans himself stood up to honour it.

The days of struggle were over, the triumph had come. Utterly unknown that evening, I was next morning the talk of Paris. They little knew that I had spent the night on the floor, by the bed of my dying mother.

* * * * *

JOHN EVELYN

Diary

John Evelyn, English country gentleman, courtier, diarist, and
miscellaneous author, was born at Wotton, in Surrey, on
October 31, 1620, and was educated at Lewes, and then at
Balliol College, Oxford. He then lived at the Middle Temple,
London; but after the death of Strafford, disliking the
unsettled state of England, he spent three months in the Low
Countries. Returning for a short time to England, he followed
the Royalist army for three days; but his prudence overcame
his loyalty, and, crossing the Channel again, he wandered for
four years in France and Italy. His observations abroad are
minutely recorded in the "Diary," which in its earlier part
too often resembles a guide-book. Having married, in Paris,
the British ambassador's daughter, Evelyn made his home, in
1652, at Sayes Court, Deptford, until he moved, in 1694; to
Wotton, where he died on February 27, 1706. He was honourably
employed, after the Restoration, on many public commissions,
and was one of the founders of the Royal Society. Like his
friend Samuel Pepys, Evelyn was a man of very catholic tastes,
and wrote on a multitude of subjects, including history,
politics, education, the fine arts, gardening, and especially
forestry, his "Sylva, or a Discourse of Forest Trees," 1664,
being, after the "Diary," his most famous work. Evelyn's
character is very engaging in its richness, uprightness, and
lively interests. His "Diary," like that of Pepys, lay long
unpublished, and first saw the light in 1818.

_I.--Early Years_

I was born at Wotton, in the county of Surrey, October 31, 1620, after my father had been married about seven years, and my mother had borne him two daughters and one son.

My father's countenance was clear and fresh-coloured, his eyes quick and piercing, an ample forehead and manly aspect. He was ascetic and sparing; his wisdom was great, his judgement acute; affable, humble, and in nothing affected; of a thriving, silent, and methodical genius. He was distinctly severe, yet liberal on all just occasions to his children, strangers, and servants, a lover of hospitality; of a singular and Christian moderation in all his actions. He was justice of the peace, and served his country as high sheriff for Surrey and Sussex together, and was a person of rare conversation. His estate was esteemed about £4,000 per annum, well wooded, and full of timber.

My mother was of an ancient and honourable family in Shropshire. She was of proper personage, of a brown complexion, her eyes and hair of a lovely black, of constitution inclined to a religious melancholy or pious sadness, of a rare memory and most exemplary life, for economy and prudence esteemed one of the most conspicuous in her country.

Wotton, the mansion house of my father, is in the southern part of the shire, three miles from Dorking, and is upon part of Leith Hill, one of the most eminent in England for the prodigious prospect to be seen from its summit.

From it may be discerned twelve or thirteen counties, with part of the sea on the coast of Sussex on a serene day. The house large and ancient, suitable to those hospitable times, and sweetly environed with delicious streams and venerable woods.

_November_ 3, 1640. A day never to be mentioned without a curse, began that long, foolish, and fatal Parliament, the beginning of all our sorrows for twenty years after.

_January_ 2, 1641. We at night followed the hearse to the church at Wotton, where my father was interred, and mingled with the ashes of our mother, his dear wife. Thus we were bereft of both our parents in a period when we most of all stood in need of their counsel and assistance, especially myself, of a raw and unwary inclination.

_II.--Travels Abroad_

_May_ 12, 1641. I beheld on Tower Hill the fatal stroke which severed the wisest head in England from the shoulders of the Earl of Strafford, whose crime coming under the cognisance of no human law, a new one was made to his destruction--to such exorbitancy were things arrived.

_July_ 21. Having procured a pass at the custom-house, embarked in a Dutch frigate bound for Flushing, convoyed by five other stout vessels, whereof one was a man-of-war.

_April_ 19, 1644. Set out from Paris for Orleans. The way, as indeed most of the roads in France, is paved with a small square freestone, so that there is little dirt and bad roads, as in England, only it is somewhat hard to the poor horses' feet.

_October_ 7. We had a most delicious journey to Marseilles, through a country full of vineyards, oliveyards, orange-trees, and the like sweet plantations, to which belong pleasantly situated villas built all of freestone.

We went to visit the galleys; the captain of the galley-royal gave us most courteous entertainment in his cabin, the slaves playing loud and soft music. Then he showed us how he commanded their motions with a nod and his whistle, making them row out. The spectacle was to me new and strange, to see so many hundreds of miserably naked persons, having their heads shaven close, and having only high red bonnets, a pair of coarse canvas drawers, their whole backs and legs naked, doubly chained about their middles and legs in couples, and made fast to their seats, and all commanded by a cruel seaman. Their rising forward and falling back at their oar is a miserable spectacle, and the noise of their chains with the roaring of the beaten waters has something of the strange and fearful to one unaccustomed to it. They are chastised on the least disorder, and without the least humanity; yet are they cheerful and full of knavery.

_January_ 31, 1645. Climbing a steep hill in Naples, we came to the monastery of the Carthusians, from whence is a most goodly prospect towards the sea and city, the one full of galleys and ships, the other of stately palaces, churches, castles, gardens, delicious fields and meadows, Mount Vesuvius smoking, doubtless one of the most considerable vistas in the world.

The inhabitants greatly affect the Spanish gravity in their habit, delight in good horses; the streets are full of gallants on horseback, in coaches, and sedans. The country people are so jovial and addicted to music that the very husbandmen almost universally play on the guitar, singing and composing songs in praise of their sweethearts, and will commonly go to the field with their fiddle; they are merry, witty, and genial, all which I much attribute to the excellent quality of the air. They have a deadly hatred to the French, so that some of our company were flouted at for wearing red cloaks, as the mode then was.

This I made the end of my travels, sufficiently sated with rolling up and down, since, from the report of divers experienced and curious persons, I had been assured there was little more to be seen in the rest of the civil world, after Italy, France, Flanders, and the Low Country, but plain and prodigious barbarism.

Thus, about February 7, we set out on our return to Rome by the same way we came, not daring to adventure by sea, as some of our company were inclined, for fear of Turkish pirates hovering on that coast.

_III.--Evelyn in England_

_May_ 22, 1647. I had contracted a great friendship with Sir Richard Browne, his majesty's Resident at the Court of France, his lady and family, and particularly set my affections on a daughter.

_June_ 10. We concluded about my marriage, and on Thursday 27, Dr. Earle married us in Sir Richard Browne's chapel, betwixt the hours of eleven and twelve some few select friends being present; and this being Corpus Christi, feast was solemnly observed in this country; the streets were sumptuously hung with tapestry and strewn with flowers.

_July_ 8, 1656. At Ipswich--one of the sweetest, most pleasant, well-built towns in England. I had the curiosity to visit some Quakers here in prison--a new fanatic sect, of dangerous principles, who show no respect to any man, magistrate or other, and seem a melancholy, proud sort of people, and exceedingly ignorant.

_November_ 2. There was now nothing practical preached in the pulpits, or that pressed reformation of life, but high and speculative points that few understood, which left people very ignorant and of no steady principles, the source of all our sects and divisions, for there was much envy and uncharity in the world--God of His mercy amend it!

_January_ 27, 1658. After six fits of an ague died my dear son Richard, to our inexpressible grief and affliction, five years and three days only, but at that tender age a prodigy for wit and understanding, and for beauty of body a very angel. At two years and a half old he could perfectly read any of the English, Latin, French, or Gothic letters, pronouncing the three first languages perfectly. He had before the fifth year, or in that year, not only skill to read most written hands, but to decline all the nouns, conjugate the verbs regular, and most of the irregular; got by heart almost the entire vocabulary of Latin and French primitives and words, could make congruous syntax, turn English into Latin and _vice versa_, construe and prove what he read, began himself to write legibly, and had a strong passion for Greek. The number of verses he could recite was prodigious, and he had a wonderful disposition to mathematics. As to his piety, astonishing were his applications of Scripture upon occasion, and his sense of God. He was all life, all prettiness, far from morose, sullen or childish in anything he said or did. Such a child I never saw; for such a child I bless God, in whose bosom he is!

_November_ 22. Saw the superb funeral of the Protector. He was carried from Somerset House in a velvet bed of state, drawn by six horses housed with the same, the pall held up by his new lords; Oliver lying in effigy in royal robes, and with a crown, sceptre and globe, like a king; pendants carried by officers, imperial banners by the heralds; a rich caparisoned horse, embroidered all over with gold, a knight of honour armed _cap-à-pie_, guards, soldiers, and innumerable mourners. In this equipage they proceeded to Westminster; but it was the joyfullest funeral I ever saw, for there were none that cried but dogs, which the soldiers hooted away with a barbarous noise, drinking and taking tobacco in the streets as they went.

_May_ 29, 1660. This day his Majesty Charles II. came to London after a sad and long exile and calamitous suffering both of the king and church, being seventeen years. This also was his birthday, and with a triumph of above 20,000 horse and foot, brandishing their swords and shouting with inexpressible joy; the ways strewed with flowers, the bells ringing, the streets hung with tapestry, fountains running with wine; the mayor, aldermen, and all the companies in their liveries, chains of gold, and banners; lords and nobles clad in cloth of silver, gold, and velvet; the windows and balconies all set with ladies; trumpets, music, and myriads of people flocking, even so far as from Rochester, so as they were seven hours in passing the city. I stood in the Strand and beheld it, and blessed God.

_January_ 6, 1661. This night was suppressed a bloody insurrection of some fifth-monarchy enthusiasts.

I was now chosen a Fellow of the Philosophical Society, now meeting at Gresham College, where was an assembly of divers learned gentlemen; this being the first meeting since the king's return; but it had been begun some years before at Oxford, and was continued with interruption here in London during the Rebellion.

_January_ 16. I went to the Philosophic Club, where was examined the Torricellian experiment. I presented my Circle of Mechanical Trades, and had recommended to me the publishing of what I had written upon chalcography.

_January_ 30. This day--O the stupendous and inscrutable judgements of God!--were the carcases of those arch-rebels Cromwell, Bradshawe, and Ireton dragged out from their superb tombs in Westminster among the kings, to Tyburn, and hanged on the gallows there from morning till night, and then buried under that ignominious monument in a deep pit; thousands of people who had seen them in all their pride being spectators. Look back at November 22, 1658, and be astonished! And fear God and honour the king; but meddle not with them who are given to change!

_July_ 31, 1662. I sat with the commissioners about reforming the buildings and streets of London, and we ordered the paving of the way from St. James's north, which was a quagmire, and also of the Haymarket about Piqudillo [Piccadilly].

_August_ 23. I was spectator of the most magnificent triumph that ever floated on the Thames, considering the innumerable boats and vessels, dressed and adorned with all imaginable pomp, but above all, the thrones, arches, pageants, and other representations, stately barges of the Lord Mayor and Companies, with music and peals of ordnance from the vessels and the shore, going to meet and conduct the new queen from Hampton Court to Whitehall, at the time of her first coming to town. His majesty and the queen came in an antique-shaped open vessel, covered with a canopy of cloth of gold, made in the form of a cupola, supported with high Corinthian pillars, wreathed with flowers and festoons.

_IV.--Plague and Fire_

_July_ 16, 1665. There died of the plague in London this week 1,100, and in the week following above 2,000.

_August_ 28. The contagion still increasing, I sent my wife and whole family to my brother's at Wotton, being resolved to stay at my house myself and to look after my charge, trusting in the providence and goodness of God.

_September_ 7. Came home from Chatham. Perishing near 10,000 poor creatures weekly. However, I went all along the city and suburbs from Kent Street to St. James's, a dismal passage, and dangers to see so many coffins exposed in the streets, now thin of people; the shops shut up, and all in mournful silence, as not knowing whose turn might be next. I went to the Duke of Albemarle for a pest-ship, for our infected men.

_September_ 2, 1666. This fatal night, about ten, began that deplorable fire near Fish Street in London.

_September_ 3. After dinner I took coach with my wife and son, and went to the Bank Side in Southwark, where we beheld the dismal spectacle, the whole city in dreadful flames near the water-side.

The fire having continued all this night, which was as light as day for ten miles round, in a dreadful manner, I went on foot to the same place. The conflagration was so universal, and the people so astonished, that from the beginning they hardly stirred to quench it, so that there was nothing heard or seen but crying out and lamentation, running about like distracted creatures, without attempting to save even their goods. It leapt after a prodigious manner from house to house, and street to street, at great distances one from the other. Here we saw the Thames covered with goods floating, all the barges and boats laden with what some had time and courage to save. And the fields for many miles were strewn with movables of all sorts, and tents erecting to shelter both people and what goods they could get away. Oh, the miserable and calamitous spectacle! London was, but is no more!

_October_ 17, 1671. My Lord Henry Howard would needs have me go with him to Norwich. I was not hard to be persuaded, having a desire to see that famous scholar and physician, Dr. T. Browne, author of the "Religio Medici," now lately knighted. Thither, then, went my lord and I alone in his flying chariot with six horses.

Next morning I went to see Sir Thomas Browne. His whole house and garden were a paradise and cabinet of rarities, especially medals, books, plants, and natural things. Sir Thomas had a collection of the eggs of all the birds he could procure, that country being frequented by several birds which seldom or never go farther into the land--as cranes, storks, eagles, and variety of waterfowl. He led me to see all the remarkable places of this ancient city, being one of the largest and noblest in England.

_January_ 5, 1674. I saw an Italian opera in music, the first that had been in England of this kind.

_November_ 15, 1678. The queen's birthday. I never saw the court more brave, nor the nation in more apprehension and consternation. Titus Oates has grown so presumptuous as to accuse the queen of intending to poison the king, which certainly that pious and virtuous lady abhorred the thought of. Oates probably thought to gratify some who would have been glad his majesty should have married a fruitful lady; but the king was too kind a husband to let any of these make impression on him. However, divers of the Popish peers were sent to the Tower, accused by Oates, and all the Roman Catholic lords were by a new Act for ever excluded the Parliament, which was a mighty blow.

_May_ 5, 1681. Came to dine with me Sir Christopher Wren, his majesty's architect and surveyor, now building the cathedral of St. Paul, and the column in memory of the City's conflagration, and was in hand with the building of fifty parish churches. A wonderful genius had this incomparable person.

_January_ 24, 1684. The frost continuing more and more severe, the Thames before London was planted with booths in formal streets, all sorts of trades and shops furnished and full of commodities, even to a printing press. Coaches plied from Westminster to the Temple, as in the streets; sleds, sliding with skates, bull-baiting, horse and coach races, puppet plays, cooks, tippling, so that it seemed to be a carnival on the water; while it was a severe judgement on the land, the trees splitting, men and cattle perishing, and the very seas locked up with ice. London was so filled with the fuliginous steam of the coal that hardly could one see across the streets, and this filling the lungs with its gross particles, so as one could scarcely breathe.

_V.--Fall of the Stuarts_

_February_ 4, 1685. King Charles II. is dead. He was a prince of many virtues, and many great imperfections; debonair, easy of access, not bloody nor cruel; his countenance fierce, his voice great, proper of person, every motion became him; a lover of the sea, and skillful in shipping; he loved planting and building, and brought in a politer way of living, which passed to luxury and expense. He would have been an excellent prince had he been less addicted to women, who made him always in want to supply their immeasurable profusion.

Certainly never had king more glorious opportunities to have made himself, his people, and all Europe happy, had not his too easy nature resigned him to be managed by crafty men, and some abandoned and profane wretches who corrupted his otherwise sufficient parts.

I can never forget the inexpressible luxury and profaneness, gaming and all dissoluteness, and, as it were, total forgetfulness of God (it being Sunday evening) which day se'nnight I was witness of, the king sitting and toying with his concubines, a French boy singing love-songs, in that glorious gallery, while twenty great courtiers and other dissolute persons were gaming at a large table, a bank of at least £2,000 in gold before them. Six days after all was in the dust!

_November_ 5, 1688. I went to London, heard the news of the Prince of Orange having landed at Torbay, coming with a fleet of near 700 sail, passing through the Channel with so favourable a wind that our navy could not intercept them. This put the king and court into great consternation.

_November_ 13. The Prince of Orange is advanced to Windsor, and is invited by the king to St. James's. The prince accepts the invitation, but requires his majesty to retire to some distant place, that his own guards may be quartered about the palace and city. This is taken heinously, and the king goes privately to Rochester; is persuaded to come back; comes on the Sunday, goes to mass, and dines in public, a Jesuit saying grace. I was present.