Chapter V: H. S (4)

LOTHAIR (825-869), king of the district called after him Lotharingia, or Lorraine, was the second son of the emperor Lothair I. On his father's death in 855, he received for his kingdom a district lying west of the Rhine, between the North Sea and the Jura mountains, which was called _Regnum Lotharii_ and early in the 10th century became known as Lotharingia or Lorraine. On the death of his brother Charles in 863 he added some lands south of the Jura to this inheritance, but, except for a few feeble expeditions against the Danish pirates, he seems to have done little for its government or its defence. The reign was chiefly occupied by efforts on the part of Lothair to obtain a divorce from his wife Teutberga, a sister of Hucbert, abbot of St Maurice (d. 864); and his relations with his uncles, Charles the Bald and Louis the German, were influenced by his desire to obtain their support to this plan. Although quarrels and reconciliations between the three kings followed each other in quick succession, in general it may be said that Louis favoured the divorce, and Charles opposed it, while neither lost sight of the fact that Lothair was without male issue. Lothair, whose desire for the divorce was prompted by his affection for a certain Waldrada, put away Teutberga; but Hucbert took up arms on her behalf, and after she had submitted successfully to the ordeal of water, Lothair was compelled to restore her in 858. Still pursuing his purpose, he won the support of his brother, the emperor Louis II., by a cession of lands, and obtained the consent of the local clergy to the divorce and to his marriage with Waldrada, which was celebrated in 862. A synod of Frankish bishops met at Metz in 863 and confirmed this decision, but Teutberga fled to the court of Charles the Bald, and Pope Nicholas I. declared against the decision of the synod. An attack on Rome by the emperor was without result, and in 865 Lothair, convinced that Louis and Charles at their recent meeting had discussed the partition of his kingdom, and threatened with excommunication, again took back his wife. Teutberga, however, either from inclination or compulsion, now expressed her desire for a divorce, and Lothair went to Italy to obtain the assent of the new pope Adrian II. Placing a favourable interpretation upon the words of the pope, he had set out on the return journey, when he was seized with fever and died at Piacenza on the 8th of August 869. He left, by Waldrada, a son Hugo who was declared illegitimate, and his kingdom was divided between Charles the Bald and Louis the German.

See Hincmar, "Opusculum de divortio Lotharii regis et Tetbergae
reginae," in _Cursus completus patrologiae_, tome cxxv., edited by J.
P. Migne (Paris, 1857-1879); M. Sdralek, _Hinkmars von Rheims
Kanonistisches Gutachten über die Ehescheidung des Königs Lothar II._
(Freiburg, 1881); E. Dümmler, _Geschichte des ostfränkischen Reiches_
(Leipzig, 1887-1888); and E. Mühlbacher, _Die Regenten des
Kaiserreichs unter den Karolingern_ (Innsbruck, 1881).

LOTHIAN, EARLS AND MARQUESSES OF. MARK KERR, 1st earl of Lothian (d. 1609), was the eldest son of Mark Kerr (d. 1584), abbot, and then commendator, of Newbattle, or Newbottle, and was a member of the famous border family of Ker of Cessford. The earls and dukes of Roxburghe, who are also descended from the Kers of Cessford, have adopted the spelling Ker, while the earls and marquesses of Lothian have taken the form Kerr. Like his father, the abbot of Newbattle, Mark Kerr was an extraordinary lord of session under the Scottish king James VI.; he became Lord Newbattle in 1587 and was created earl of Lothian in 1606. He was master of inquests from 1577 to 1606, and he died on the 8th of April 1609, having had, as report says, thirty-one children by his wife, Margaret (d. 1617), daughter of John Maxwell, 4th Lord Herries. His son Robert, the 2nd earl, died without sons in July 1624. He had, in 1621, obtained a charter from the king enabling his daughter Anne to succeed to his estates provided that she married a member of the family of Ker. Consequently in 1631 she married William Ker, son of Robert, 1st earl of Ancrum (1578-1654), a member of the family of Ker of Ferniehurst, whose father, William Ker, had been killed in 1590 by Robert Ker, afterwards 1st earl of Roxburghe. Robert was in attendance upon Charles I. both before and after he came to the throne, and was created earl of Ancrum in 1633. He was a writer and a man of culture, and among his friends were the poet Donne and Drummond of Hawthornden. His elder son William was created earl of Lothian in 1631, the year of his marriage with Anne Kerr, and Sir William Kerr of Blackhope, a brother of the 2nd earl, who had taken the title of earl of Lothian in 1624, was forbidden to use it (see _Correspondence of Sir Robert Ker, earl of Ancrum, and his son William, third earl of Lothian_, 1875).

WILLIAM KER (c. 1605-1675), who thus became 3rd earl of Lothian, signed the Scottish national covenant in 1638 and marched with the Scots into England in 1640, being present when the English were routed at Newburn, after which he became governor of Newcastle-on-Tyne. During the Civil War he was prominent rather as a politician than as a soldier; he became a Scottish secretary of state in 1649, and was one of the commissioners who visited Charles II. at Breda in 1650. He died at Newbattle Abbey, near Edinburgh, in October 1675. William's eldest son Robert, the 4th earl (1636-1703), supported the Revolution of 1688 and served William III. in several capacities; he became 3rd earl of Ancrum on the death of his uncle Charles in 1690, and was created marquess of Lothian in 1701. His eldest son William, the 2nd marquess (c. 1662-1722), who had been a Scottish peer as Lord Jedburgh since 1692, was a supporter of the union with England. His son William, the 3rd marquess (c. 1690-1767), was the father of William Henry, the 4th marquess, who was wounded at Fontenoy and was present at Culloden. He was a member of parliament for some years and had reached the rank of general in the army when he died at Bath on the 12th of April 1775. His grandson William, the 6th marquess (1763-1824), married Henrietta (1762-1805), daughter and heiress of John Hobart, 2nd earl of Buckinghamshire, thus bringing Blickling Hall and the Norfolk estates of the Hobarts into the Kerr family. In 1821 he was created a peer of the United Kingdom as Baron Ker and he died on the 27th of April 1824. In 1900 Robert Schomberg Kerr (b. 1874) succeeded his father, Schomberg Henry, the 9th marquess (1833-1900), as 10th marquess of Lothian.

LOTHIAN. This name was formerly applied to a considerably larger extent of country than the three counties of Linlithgow, Edinburgh and Haddington. Roxburghshire and Berwickshire at all events were included in it, probably also the upper part of Tweeddale (at least Selkirk). It would thus embrace the eastern part of the Lowlands from the Forth to the Cheviots, i.e. all the English part of Scotland in the 11th century. This region formed from the 7th century onward part of the kingdoms of Bernicia and Northumbria, though we have no definite information as to the date or events by which it came into English hands. In Roman times, according to Ptolemy, it was occupied by a people called Otadini, whose name is thought to have been preserved in Manaw Gododin, the home of the British king Cunedda before he migrated to North Wales. There is no reason to doubt that the district remained in Welsh hands until towards the close of the 6th century; for in the _Historia Brittonum_ the Bernician king Theodoric, whose traditional date is 572-579, is said to have been engaged in war with four Welsh kings. One of these was Rhydderch Hen who, as we know from Adamnan, reigned at Dumbarton, while another named Urien is said to have besieged Theodoric in Lindisfarne. If this statement is to be believed it is hardly likely that the English had by this time obtained a firm footing beyond the Tweed. At all events there can be little doubt that the whole region was conquered within the next fifty years. Most probably the greater part of it was conquered by the Northumbrian king Æthelfrith, who, according to Bede, ravaged the territory of the Britons more often than any other English king, in some places reducing the natives to dependence, in others exterminating them and replacing them by English settlers.

In the time of Oswic the English element became predominant in northern Britain. His supremacy was acknowledged both by the Welsh in the western Lowlands and by the Scots in Argyllshire. On the death of the Pictish king Talorgan, the son of his brother Eanfrith, he seems to have obtained the sovereignty over a considerable part of that nation also. Early in Ecgfrith's reign an attempt at revolt on the part of the Picts proved unsuccessful. We hear at this time also of the establishment of an English bishopric at Abercorn, which, however, only lasted for a few years. By the disastrous overthrow of Ecgfrith in 685 the Picts, Scots and some of the Britons also recovered their independence. Yet we find a succession of English bishops at Whithorn from 730 to the 9th century, from which it may be inferred that the south-west coast had already by this time become English. The Northumbrian dominions were again enlarged by Eadberht, who in 750 is said to have annexed Kyle, the central part of Ayrshire, with other districts. In conjunction with Oengus mac Fergus, king of the Picts, he also reduced the whole of the Britons to submission in 756. But this subjugation was not lasting, and the British kingdom, though now reduced to the basin of the Clyde, whence its inhabitants are known as Strathclyde Britons, continued to exist for nearly three centuries. After Eadberht's time we hear little of events in the northern part of Northumbria, and there is some reason for suspecting that English influence in the south-west began to decline before long, as our list of bishops of Whithorn ceases early in the 9th century; the evidence on this point, however, is not so decisive as is commonly stated. About 844 an important revolution took place among the Picts. The throne was acquired by Kenneth mac Alpin, a prince of Scottish family, who soon became formidable to the Northumbrians. He is said to have invaded "Saxonia" six times, and to have burnt Dunbar and Melrose. After the disastrous battle at York in 867 the Northumbrians were weakened by the loss of the southern part of their territories, and between 883 and 889 the whole country as far as Lindisfarne was ravaged by the Scots. In 919, however, we find their leader Aldred calling in Constantine II., king of the Scots, to help them. A few years later together with Constantine and the Britons they acknowledged the supremacy of Edward the Elder. After his death, however, both the Scots and the Britons were for a time in alliance with the Norwegians from Ireland, and consequently Æthelstan is said to have ravaged a large portion of the Scottish king's territories in 934. Brunanburh, where Æthelstan defeated the confederates in 937, is believed by many to have been in Dumfriesshire, but we have no information as to the effects of the battle on the northern populations. By this time, however, the influence of the Scottish kingdom certainly seems to have increased in the south, and in 945 the English king Edmund gave Cumberland, i.e. apparently the British kingdom of Strathclyde, to Malcolm I., king of the Scots, in consideration of his alliance with him. Malcolm's successor Indulph (954-962) succeeded in capturing Edinburgh, which thenceforth remained in possession of the Scots. His successors made repeated attempts to extend their territory southwards, and certain late chroniclers state that Kenneth II. in 971-975 obtained a grant of the whole of Lothian from Edgar. Whatever truth this story may contain, the cession of the province was finally effected by Malcolm II. by force of arms. At his first attempt in 1006 he seems to have suffered a great defeat from Uhtred, the son of earl Waltheof. Twelve years later, however, he succeeded in conjunction with Eugenius, king of Strathclyde, in annihilating the Northumbrian army at Carham on the Tweed, and Eadulf Cudel, the brother and successor of Uhtred, ceded all his territory to the north of that river as the price of peace. Henceforth in spite of an invasion by Aldred, the son of Uhtred, during the reign of Duncan, Lothian remained permanently in possession of the Scottish kings. In the reign of Malcolm III. and his son, the English element appears to have acquired considerable influence in the kingdom. Some three years before he obtained his father's throne Malcolm had by the help of earl Siward secured the government of Cumbria (Strathclyde) with which Lothian was probably united. Then in 1068 he received a large number of exiles from England, amongst them the Ætheling Eadgar, whose sister Margaret he married. Four other sons in succession occupied the throne, and in the time of the youngest, David, who held most of the south of Scotland as an earldom from 1107-1124 and the whole kingdom from 1124-1153, the court seems already to have been composed chiefly of English and Normans.

AUTHORITIES.--Bede, _Historia Ecclesiastica_ (ed. C. Plummer, Oxford,
1896); _Anglo-Saxon Chronicle_ (ed. Earle and Plummer, Oxford, 1899);
Simeon of Durham (Rolls Series, ed. T. Arnold, 1882); W. F. Skene,
_Chronicle of Picts and Scots_ (Edinburgh, 1867), and _Celtic
Scotland_ (Edinburgh, 1876-1880); and J. Rhys, _Celtic Britain_
(London). (F. G. M. B.)

LOTI, PIERRE [the pen-name of LOUIS MARIE JULIEN VIAUD] (1850- ), French author, was born at Rochefort on the 14th of January 1850. The Viauds are an old Protestant family, and Pierre Loti consistently adhered, at least nominally, to the faith of his fathers. Of the picturesque and touching incidents of his childhood he has given a very vivid account in _Le Roman d'un enfant_ (1890). His education began in Rochefort, but at the age of seventeen, being destined for the navy, he entered the naval school, Le Borda, and gradually rose in his profession, attaining the rank of captain in 1906. In January 1910 he was placed on the reserve list. His pseudonym is said to be due to his extreme shyness and reserve in early life, which made his comrades call him after _le Loti_, an Indian flower which loves to blush unseen. He was never given to books or study (when he was received at the French Academy, he had the courage to say, "Loti ne sait pas lire"), and it was not until 1876 that he was persuaded to write down and publish some curious experiences at Constantinople, in _Aziyadé_, a book which, like so many of Loti's, seems half a romance, half an autobiography. He proceeded to the South Seas, and on leaving Tahiti published the Polynesian idyll, originally called _Rarahu_ (1880), which was reprinted as _Le Mariage de Loti_, and which first introduced to the wider public an author of remarkable originality and charm. _Le Roman d'un spahi_, a record of the melancholy adventures of a soldier in Senegambia, belongs to 1881. In 1882 Loti issued a collection of short studies under the general title of _Fleurs d'ennui_. In 1883 he achieved the widest celebrity, for not only did he publish _Mon frère Yves_, a novel describing the life of a French bluejacket in all parts of the world--perhaps his most characteristic production--but he was involved in a public discussion in a manner which did him great credit. While taking part as a naval officer in the Tongking War, Loti had exposed in the _Figaro_ a series of scandals which followed on the capture of Hué (1883), and was suspended from the service for more than a year. He continued for some time nearly silent, but in 1886 he published a novel of life among the Breton fisher-folk, called _Pêcheur d'islande_, the most popular of all his writings. In 1887 he brought out a volume of extraordinary merit, which has not received the attention it deserves; this is _Propos d'exil_, a series of short studies of exotic places, in his peculiar semi-autobiographic style. The fantastic novel of Japanese manners, _Madame Chrysanthème_, belongs to the same year. Passing over one or two slighter productions, we come in 1890 to _Au Maroc_, the record of a journey to Fez in company with a French embassy. A collection of strangely confidential and sentimental reminiscences, called _Le Livre de la pitié et de la mort_, belongs to 1891. Loti was on board his ship at the port of Algiers when news was brought to him of his election, on the 21st of May 1891, to the French Academy. In 1892 he published _Fantôme d'orient_, another dreamy study of life in Constantinople, a sort of continuation of _Aziyadé_. He described a visit to the Holy Land, somewhat too copiously, in three volumes (1895-1896), and wrote a novel, _Ramuntcho_ (1897), a story of manners in the Basque province, which is equal to his best writings. In 1900 he visited British India, with the view of describing what he saw; the result appeared in 1903--_L'Inde_ (_sans les Anglais_). At his best Pierre Loti was unquestionably the finest descriptive writer of the day. In the delicate exactitude with which he reproduced the impression given to his own alert nerves by unfamiliar forms, colours, sounds and perfumes, he was without a rival. But he was not satisfied with this exterior charm; he desired to blend with it a moral sensibility of the extremest refinement, at once sensual and ethereal. Many of his best books are long sobs of remorseful memory, so personal, so intimate, that an English reader is amazed to find such depth of feeling compatible with the power of minutely and publicly recording what is felt. In spite of the beauty and melody and fragrance of Loti's books his mannerisms are apt to pall upon the reader, and his later books of pure description were rather empty. His greatest successes were gained in the species of confession, half-way between fact and fiction, which he essayed in his earlier books. When all his limitations, however, have been rehearsed, Pierre Loti remains, in the mechanism of style and cadence, one of the most original and most perfect French writers of the second half of the 19th century. Among his later works were: _La Troisième jeunesse de Mme Prune_ (1905); _Les Désenchantées_ (1906, Eng. trans. by C. Bell); _La Mort de Philae_ (1908); _Judith Renaudin_ (Théâtre Antoine, 1904), a five-act historical play based on an earlier book; and, in collaboration with Émile Vedel, a translation of _King Lear_, also produced at the Théâtre Antoine in 1904. (E. G.)

LÖTSCHEN PASS, or LÖTSCHBERG, an easy glacier pass (8842 ft.) leading from Kandersteg in the Bernese Oberland to the Lötschen valley in the Valais. It is a very old pass, first mentioned distinctly in 1352, but probably crossed previously by the Valaisans who colonized various parts of the Bernese Oberland. In 1384 and again in 1419 battles were fought on it between the Bernese and the Valaisans, while in 1698 a mule path (of which traces still exist) was constructed on the Bernese slope, though not continued beyond owing to the fear of the Valaisans that the Bernese would come over and alter their religion. In 1906 the piercing of a tunnel (8½ m. long) beneath this pass was begun, starting a little above Kandersteg and ending at Goppenstein near the mouth of the Lötschen valley. Subsidies were granted by both the confederation and the canton of Bern. This pass is to be carefully distinguished from the Lötschenlücke (10,512 ft.), another easy glacier pass which leads from the head of the Lötschen valley to the Great Aletsch glacier. (W. A. B. C.)

LOTTERIES. The word lottery[1] has no very definite signification. It may be applied to any process of determining prizes by lot, whether the object be amusement or gambling or public profit. In the Roman Saturnalia and in the banquets of aristocratic Romans the object was amusement; the guests received _apophoreta_. The same plan was followed on a magnificent scale by some of the emperors. Nero gave such prizes as a house or a slave. Heliogabalus introduced an element of absurdity--one ticket for a golden vase, another for six flies. This custom descended to the festivals given by the feudal and merchant princes of Europe, especially of Italy; and it formed a prominent feature of the splendid court hospitality of Louis XIV. In the Italian republics of the 16th century the lottery principle was applied to encourage the sale of merchandise. The lotto of Florence and the seminario of Genoa are well known, and Venice established a monopoly and drew a considerable revenue for the state. The first letters patent for a lottery in France were granted in 1539 by Francis I., and in 1656 the Italian, Lorenzo Tonti (the originator of "Tontines") opened another for the building of a stone bridge between the Louvre and the Faubourg St Germain. The institution became very popular in France, and gradually assumed an important place in the government finance. The parlements frequently protested against it, but it had the support of Mazarin, and L. Phelypeaux, comte de Pontchartrain, by this means raised the expenses of the Spanish Succession War. Necker, in his _Administration des finances_, estimates the public charge for lotteries at 4,000,000 livres per annum. There were also lotteries for the benefit of religious communities and charitable purposes. Two of the largest were the _Loteries de Piété_ and _Des Enfans Trouvés_. These and also the great _Loterie de l'École militaire_ were practically merged in the _Loterie Royale_ by the decree of 1776, suppressing all private lotteries in France. The financial basis of these larger lotteries was to take (5/24)ths for expenses and benefit, and return (19/24)ths to the public who subscribed. The calculation of chances had become a familiar science. It is explained in detail by Caminade de Castres in _Enc. méth. finances_, ii. s.v. "Loterie." The names of the winning numbers in the first drawing were (1) _extrait_, (2) _ambe_, (3) _terne_, (4) _quaterne_, (5) _quine_. After this there were four drawings called _primes gratuites_. The _extrait_ gave fifteen times the price of the ticket; the _quine_ gave one million times the price. These are said to be much more favourable terms than were given in Vienna, Frankfort and other leading European cities at the end of the 18th century. The _Loterie Royale_ was ultimately suppressed in 1836. Under the law of the 29th of May 1844 lotteries may be held for the assistance of charity and the fine arts. In 1878 twelve million lottery tickets of one franc each were sold in Paris to pay for prizes to exhibitors in the great Exhibition and expenses of working-men visitors. The first prize was worth £5000; the second, £4000, and the third and fourth £2000 each. The Société du Crédit Foncier, and many of the large towns, are permitted to contract loans, the periodical repayments of which are determined by lot. This practice, which is prohibited in Germany and England, resembles the older system of giving higher and lower rates of interest for money according to lot. Lotteries were suppressed in Belgium in 1830, Sweden in 1841 and Switzerland in 1865, but they still figure in the state budgets of Austria-Hungary, Prussia and other German States, Holland, Spain, Italy and Denmark. In addition to lottery loans, ordinary lotteries (_occasion lotteries_) are numerous in various countries of the continent of Europe. They are of various magnitude and are organized for a variety of purposes, such as charity, art, agriculture, church-building, &c. It is becoming the tendency, however, to discourage private and indiscriminate lotteries, and even state lotteries which contribute to the revenue. In Austria-Hungary and Germany, for instance, every year sees fewer places where tickets can be taken for them receive licenses. In 1904 a proposal for combining a working-class savings bank with a national lottery was seriously considered by the Prussian ministry. The scheme, which owes its conception to August Scherl, editor of the Berlin _Lokalanzeiger_, is an endeavour to utilize the love of gambling for the purpose of promoting thrift among the working-classes. It was proposed to make weekly collections from subscribers, in fixed amounts, ranging from sixpence to four shillings. The interest on the money deposited would not go to the depositors but would be set aside to form the prizes. Three hundred thousand tickets, divisible into halves, quarters and eighths, according to the sum deposited weekly, would form a series of 12,500 prizes, of a total value of £27,000. At the same time, the subscriber, while having his ordinary lottery chances of these prizes, still has to his credit intact the amount which he has subscribed week by week.

In England the earliest lotteries sanctioned by government were for such purposes as the repair of harbours in 1569, and the Virginia Company in 1612. In the lottery of 1569, 40,000 chances were sold at ten shillings each, the prizes being "plate, and certain sorts of merchandises." In 1698 lotteries, with the exception of the Royal Oak lottery for the benefit of the Royal Fishing Company, were prohibited as common nuisances, by which children, servants and other unwary persons had been ruined. This prohibition was in the 18th century gradually extended to illegal insurances on marriages and other events, and to a great many games with dice, such as faro, basset, hazard, except backgammon and games played in the royal palace. In spite of these prohibitions, the government from 1709 down to 1824 annually raised considerable sums in lotteries authorized by act of parliament. The prizes were in the form of terminable or perpetual annuities. The £10 tickets were sold at a premium of say 40% to contractors who resold them in retail (sometimes in one-sixteenth parts) by "morocco men," or men with red leather books who travelled through the country. As the drawing extended over forty days, a very pernicious system arose of insuring the fate of tickets during the drawing for a small premium of 4d. or 6d. This was partly cured by the Little Go Act of 1802, directed against the itinerant wheels which plied between the state lotteries, and partly by Perceval's Act in 1806, which confined the drawing of each lottery to one day. From 1793 to 1824 the government made an average yearly profit of £346,765. Cope, one of the largest contractors, is said to have spent £36,000 in advertisements in a single year. The English lotteries were used to raise loans for general purposes, but latterly they were confined to particular objects, such as the improvement of London, the disposal of a museum, the purchase of a picture gallery, &c. Through the efforts of Lord Lyttleton and others a strong public opinion was formed against them, and in 1826 they were finally prohibited. An energetic proposal to revive the system was made before the select committee on metropolitan improvements in 1830, but it was not listened to. By a unique blunder in legislation, authority was given to hold a lottery under an act of 1831 which provided a scheme for the improvement of the city of Glasgow. These "Glasgow lotteries" were suppressed by an act of 1834. Art Unions were legalized by the Art Unions Act 1846. The last lottery prominently before the public in England was that of Dethier's twelfth-cake lottery, which was suppressed on the 27th of December 1860. As defined at the beginning of this article, the word lottery has a meaning wide enough to include missing-word competitions, distributions by tradesmen of prize coupons, sweepstakes, &c. See _Report of Joint Select Committee on Lotteries, &c._ (1908). The statute law in Scotland is the same as in England. At common law in Scotland it is probable that all lotteries and raffles, for whatever purpose held, may be indicted as nuisances. The art unions are supposed to be protected by a special statute.

_United States._--The American Congress of 1776 instituted a national lottery. Most states at that time legalized lotteries for public objects, and before 1820 the Virginia legislature passed seventy acts authorizing lotteries for various public purposes, such as schools, roads, &c.--about 85% of the subscriptions being returned in prizes. At an early period (1795) the city of Washington was empowered to set up lotteries as a mode of raising money for public purposes; and this authorization from the Maryland legislature was approved by an act of the Federal Congress in 1812. In 1833 they were prohibited in New York and Massachusetts and gradually in the other states, until they survived only in Louisiana. In that state, the Louisiana State Lottery, a company chartered in 1868, had a monopoly for which it paid $40,000 to the state treasury. Its last charter was granted in 1879 for a period of twenty-five years, and a renewal was refused in 1890. In 1890 Congress forbade the use of the mails for promoting any lottery enterprise by a statute so stringent that it was held to make it a penal offence to employ them to further the sale of Austrian government bonds, issued under a scheme for drawing some by lot for payment at a premium (see _Horner_ v. _United States_, 147 United States Reports, 449). This had the effect of compelling the Louisiana State Lottery to move its quarters to Honduras, in which place it still exists, selling its bonds to a considerable extent in the Southern States.

Since lotteries have become illegal there have been a great number of
judicial decisions defining a lottery. In general, where skill or
judgment is to be exercised there is no lottery, the essential element
of which is chance or lot. There are numerous statutes against
lotteries, the reason being given that they "tend to promote a
gambling spirit," and that it is the duty of the state to "protect the
morals and advance the welfare of the people." In New York the
Constitution of 1846 forbade lotteries, and by § 324 of the Penal Code
a lottery is declared "unlawful and a public nuisance." "Contriving"
and advertising lotteries is also penal. The following have been held
illegal lotteries: In New York, a concert, the tickets for which
entitled the holder to a prize to be drawn by lot; in Indiana,
offering a gold watch to the purchaser of goods who guesses the number
of beans in a bottle; in Texas, selling "prize candy" boxes; and
operating a nickel-in-the-slot machine--so also in Louisiana; in
Massachusetts, the "policy" or "envelope game," or a "raffle"; in
Kentucky (1905), prize coupon packages, the coupons having to spell a
certain word (_U.S._ v. _Jefferson_, 134 Fed. R. 299); in Kansas
(1907) it was held by the Supreme Court that the gift of a hat-pin to
each purchaser was not illegal as a "gift enterprise," there being no
chance or lot. In Oklahoma (1907) it was held that the making of
contracts for the payment of money, the certainty in value of return
being dependent on chance, was a lottery (_Fidelity Fund Co._ v.
_Vaughan_, 90 Pac. Rep. 34). The chief features of a lottery are
"procuring through lot or chance, by the investment of a sum of money
or something of value, some greater amount of money or thing of
greater value. When such are the chief features of any scheme whatever
it may be christened, or however it may be guarded or concealed by
cunningly devised conditions or screens, it is under the law a
lottery" (_U.S._ v. _Wallace_, 58, Fed. Rep. 942). In 1894 and 1897
Congress forbade the importation of lottery tickets or advertisements
into the United States. In 1899, setting up or promoting lotteries in
Alaska was prohibited by Congress, and in 1900 it forbade any lottery
or sale of lottery tickets in Hawaii. In Porto Rico lotteries, raffles
and gift-enterprises are forbidden (Penal Code, 1902, § 291).

AUTHORITIES.--_Critique hist. pol. mor. econ. et comm. sur les
loteries anc. et mod. spirituelles et temporelles des états et des
églises_ (3 vols., Amsterdam, 1697), by the Bolognese historian
Gregorio Leti; J. Dessaulx, _De la passion du jeu depuis les anciens
temps jusqu'à nos jours_ (Paris, 1779); Endemann, _Beiträge zur
Geschichte der Lottrie und zur heutigen Lotterie_ (Bonn, 1882);
Larson, _Lottrie und Volkswirtschaft_ (Berlin, 1894); J. Ashton,
_History of English Lotteries_ (1893); _Annual Report of the American
Historical Association_ (1892); _Journal of the American Social
Science Association_, xxxvi. 17.

FOOTNOTE:

[1] The word "lottery" is directly derived from Ital. _lotteria_, cf.
Fr. _loterie_, formed from _lotto_, lot, game of chance. "Lot" is in
origin a Teutonic word, adopted into Romanic languages. In O. Eng. it
appears as _hlot_, cf. Dutch _lot_, Ger. _Loos_, Dan. _lod_, &c. The
meaning of the Teutonic root _hleut_ from which these words have
derived is unknown. Primarily "lot" meant the object, such as a disk
or counter of wood, a pebble, bean or the like, which was drawn or
cast to decide by chance, under divine guidance, various matters,
such as disputes, divisions of property, selection of officers and
frequently as a method of divination in ancient times. From this
original sense the meaning develops into that which falls to a person
by lot, chance or fate, then to any portion of land, &c., allotted to
a person, and hence, quite generally, of a quantity of anything.

LOTTI, ANTONIO (1667?-1740), Italian musical composer, was the son of Matteo Lotti, Kapellmeister to the court of Hanover. He was born, however, at Venice and as a pupil of Legrenzi. He entered the Doge's chapel as a boy, and in 1689 was engaged as an alto singer, succeeding later to the posts of deputy organist (1690), second organist (1692), first organist (1704), and, finally, in 1736 Maestro di Cappella at St Mark's church. He was also a composer of operas, and having attracted the interest of the crown prince of Saxony during his visit to Venice in 1712, he was invited to Dresden, where he went in 1717. After producing three operas there he was obliged to return to his duties at Venice in 1719. He died on the 5th of January 1740. Like many other Venetian composers he wrote operas for Vienna, and enjoyed a considerable reputation outside Italy. A volume of madrigals published in 1705 contains the famous _In una siepe ombrosa_, passed off by Bononcini as his own in London. Another is quoted by Martini in his _Saggio di Contrappunto_. Among his pupils were Alberti, Bassani, Galuppi, Gasparini and Marcello. Burney justly praises his church music, which is severe in style, but none the less modern in its grace and pathos. A fine setting of the _Dies Irae_ is in the Imperial Library at Vienna, and some of his masses have been printed in the collections of Proske and Lück.

LOTTO, LORENZO (c. 1480-1556), Italian painter, is variously stated to have been born at Bergamo, Venice and Treviso, between 1475 and 1480, but a document published by Dr Bampo proves that he was born in Venice, and it is to be gathered from his will that 1480 was probably the year of his birth. Overshadowed by the genius of his three great contemporaries, Titian, Giorgione and Palma, he had been comparatively neglected by art historians until Mr Bernhard Berenson devoted to him an "essay in constructive art criticism," which not only restores to him his rightful position among the great masters of the Renaissance, but also throws clear light upon the vexed question of his artistic descent. Earlier authorities have made Lotto a pupil of Giovanni Bellini (Morelli), of Previtali (Crowe and Cavalcaselle), of Leonardo da Vinci (Lomazzo), whilst others discovered in his work the influences of Cima, Carpaccio, Dürer, Palma and Francia. Mr Berenson has, however, proved that he was the pupil of Alvise Vivarini, whose religious severity and asceticism remained paramount in his work, even late in his life, when he was attracted by the rich glow of Giorgione's and Titian's colour. What distinguishes Lotto from his more famous contemporaries is his psychological insight into character and his personal vision--his unconventionality, which is sufficient to account for the comparative neglect suffered by him when his art is placed beside the more typical art of Titian and Giorgione, the supreme expression of the character of the period.

That Lotto, who was one of the most productive painters of his time, could work for thirty years without succumbing to the mighty influence of Titian's sumptuous colour, is explained by the fact that during these years he was away from Venice, as is abundantly proved by documents and by the evidence of signed and dated works. The first of these documents, dated 1503, proves him to have lived at Treviso at this period. His earliest authentic pictures, Sir Martin Conway's "Danaë" (about 1498) and the "St Jerome" of the Louvre (a similar subject is at the Madrid Gallery ascribed to Titian), as indeed all the works executed before 1509, have unmistakable Vivarinesque traits in the treatment of the drapery and landscape, and cool grey tonality. To this group belong the Madonnas at Bridgewater House, Villa Borghese, Naples, and Sta Cristina near Treviso, the Recanati altarpiece, the "Assumption of the Virgin" at Asolo, and the portrait of a young man at Hampton Court. We find him at Rome between 1508 and 1512, at the time Raphael was painting in the Stanza della Signatura. A document in the Corsini library mentions that Lotto received 100 ducats as an advance payment for fresco-work in the upper floor of the Vatican, but there is no evidence that this work was ever executed. In the next dated works, the "Entombment" at Jesi (1512), and the "Transfiguration," "St James," and "St Vincent" at Recanati, Lotto has abandoned the dryness and cool colour of his earlier style, and adopted a fluid method and a blonde, joyful colouring. In 1513 we find him at Bergamo, where he had entered into a contract to paint for 500 gold ducats an altarpiece for S. Stefano. The picture was only completed in 1516, and is now at S. Bartolommeo. From the next years, spent mostly at Bergamo, with intervals in Venice and Jesi in the Marches, date the Dresden "Madonna," "Christ taking leave of his Mother" at the Berlin Gallery, the "Bride and Bridegroom" at Madrid, the National Gallery "Family Group" and portrait of the Protonothary Giuliano, several portraits in Berlin, Milan and Vienna, numerous altarpieces in and near Bergamo, the strangely misnamed "Triumph of Chastity" at the Rospigliosi Palace in Rome, and the portrait of Andrea Odoni at Hampton Court. In 1526 or 1527 Lotto returned to Venice, where Titian ruled supreme in the world of art; and it was only natural that the example of the great master should have fired him to emulation, though his experiments in this direction were confined to an attempt at rivalling the master's rich and ruddy colour-schemes. Even in the Carmine altarpiece, the "St Nicholas of Bari," which is his nearest approach to Titian, he retained his individualized, as opposed to Titian's generalized, expression of emotion. But it was only a passing phase, and he soon returned to the cooler schemes of his earlier work. Among his chief pictures executed in Venice between 1529 and 1540 are the "Christ and the Adulteress," now at the Louvre, the "Visitation" at the Jesi Library, the "Crucifixion" at Monte S. Giusto, the Madonna at the Uffizi, the "Madonna and Saints" at Cingoli, and some portraits at the Berlin and Vienna museums, the Villa Borghese and Doria Palace in Rome, and at Dorchester House. He is again to be found at Treviso from 1542-1545, at Ancona in 1550, the year in which he entirely lost his voice; and in 1552 he "devoted his person and all his property to the Holy Virgin of Loreto" and took up his abode with the monks of that shrine. He died in 1556. A codex in his own handwriting, discovered in the archives of Loreto, not only includes a complete statement of his accounts from about 1539 to his death, but has a most interesting entry from which we gather that in 1540 Lotto completed the portraits of Martin Luther and his wife. These portraits could not have been painted from life; they were presumably executed from some contemporary engraving.

See _Lorenzo Lotto_, by Bernard Berenson (London, 1901).

LOTTO (Ital. for "lot"), a gambling game usually called _Keno_ in America, played by any number of persons upon large boards or cards, each of which is divided into three horizontal rows of nine spaces, four spaces in each row being left blank and the other five marked with numbers up to 90. Each card is designated by a general number. The cards usually lie on the gambling-table, and a player may buy from the bank as many as he cares to use, each card being registered or _pegged_ on an exposed table as soon as bought. Ninety small ivory markers, generally balls flattened on one side, numbered from 1 to 90, are placed in a bag and shaken out one by one, or, more usually, in a so-called _keno-goose_, a kind of urn with a spout through which the balls are allowed to roll by means of a spring. When a number falls out, the banker, or _keno-roller_, calls it out distinctly, and each player upon whose card that number occurs places a mark over it. This is repeated until one player has all the numbers in one row of his card covered, upon which he calls out "Keno!" and wins all the money staked excepting a percentage to the bank.

LOTUS, a popular name applied to several plants. The lotus fruits of the Greeks belonged to _Zizyphus Lotus_, a bush native in south Europe with fruits as large as sloes, containing a mealy substance which can be used for making bread and also a fermented drink. In ancient times the fruits were an important article of food among the poor; whence "lotophagi" or lotus-eaters. _Zizyphus_ is a member of the natural order Rhamnaceae to which belongs the British buckthorn. The Egyptian lotus was a water-lily, _Nymphaea Lotus_; as also is the sacred lotus of the Hindus, _Nelumbium speciosum_. The lotus tree, known to the Romans as the Libyan lotus, and planted by them for shade, was probably _Celtis australis_, the nettle-tree (q.v.), a southern European tree, a native of the elm family, with fruits like small cherries, which are first red and then black. _Lotus_ of botanists is a genus of the pea-family (_Leguminosae_), containing a large number of species of herbs and undershrubs widely distributed in the temperate regions of the old world. It is represented in Britain by _L. corniculatus_, bird's foot trefoil, a low-growing herb, common in pastures and waste places, with clusters of small bright yellow pea-like flowers, which are often streaked with crimson; the popular name is derived from the pods which when ripe spread like the toes of a bird's foot.

LOTUS-EATERS (Gr. [Greek: Lôtophagoi]), a Libyan tribe known to the Greeks as early as the time of Homer. Herodotus (iv. 177) describes their country as in the Libyan district bordering on the Syrtes, and says that a caravan route led from it to Egypt. Victor Bérard identifies it with the modern Jerba. When Odysseus reached the country of the Lotophagi, many of his sailors after eating the lotus lost all wish to return home. Both Greeks and Romans used the expression "to eat the lotus" to denote forgetfulness (cf. Tennyson's poem "The Lotus-Eaters").

There has been considerable discussion as to the identification of the
Homeric lotus. Some have held that it is a prickly shrub, Zizyphus
Lotus, which bears a sweet-tasting fruit, and still grows in the old
home of the Lotophagi. It is eaten by the natives, who also make a
kind of wine from the juice. P. Champault (_Phéniciens et Grecs en
Italie d'après l'Odyssée_, p. 400, note 2), however, maintains that
the lotus was a date; Victor Bérard (_Les Phéniciens et l'Odyssée_,
1902-1903, ii. 102) is doubtful, but contends that it was certainly a
tree-fruit. If either of these be correct, then the lotus of _Od._ iv.
603-604 is quite a different plant, a kind of clover. Now Strabo
(xvii. 829a) calls the lotus [Greek: poan tina kai rhizan]. Putting
these two references together with Sulpicius Severus, _Dialogi_ i. 4.
4, R. M. Henry suggests that the Homeric lotus was really the [Greek:
poa] of Strabo, i.e. a kind of clover (_Classical Review_, December
1906, p. 435).

LOTZE, RUDOLF HERMANN (1817-1881), German philosopher, was born in Bautzen on the 21st of May 1817, the son of a physician. He received his education in the gymnasium of Zittau under teachers who inspired him with an enduring love of the classical authors, as we see from his translation of the _Antigone_ of Sophocles into Latin verse, published when he had reached middle life. He went to the university of Leipzig as a student of philosophy and natural sciences, but entered officially as a student of medicine. He was then only seventeen. It appears that thus early Lotze's studies were governed by two distinct interests. The first was scientific, based upon mathematical and physical studies under the guidance of E. H. Weber, W. Volckmann and G. T. Fechner. The other was his aesthetical and artistic interest, which was developed under the care of C. H. Weisse. To the former he owes his appreciation of exact investigation and a complete knowledge of the aims of science, to the latter an equal admiration for the great circle of ideas which had been diffused by the teaching of Fichte, Schelling and Hegel. Each of these influences, which early in life must have been familiar to him, tempered and modified the other. The true method of science which he possessed forced him to condemn as useless the entire form which Schelling's and Hegel's expositions had adopted, especially the dialectic method of the latter, whilst his love of art and beauty, and his appreciation of moral purposes, revealed to him the existence of a trans-phenomenal world of values into which no exact science could penetrate. It is evident how this initial position at once defined to him the tasks which philosophy had to perform. First there were the natural sciences, themselves only just emerging from a confused conception of their true method; especially those which studied the borderland of physical and mental phenomena, the medical sciences; and pre-eminently that science which has since become so popular, the science of biology.

Lotze's first essay was his dissertation _De futurae biologiae principibus philosophicis_, with which he gained (1838) the degree of doctor of medicine, after having only four months previously got the degree of doctor of philosophy. Then, secondly, there arose the question whether the methods of exact science sufficed to explain the connexion of phenomena, or whether for the explanation of this the thinking mind was forced to resort to some hypothesis not immediately verifiable by observation, but dictated by higher aspirations and interests. And, if to satisfy these we were forced to maintain the existence of a world of moral standards, it was, thirdly, necessary to form some opinion as to the relation of these moral standards of value to the forms and facts of phenomenal existence. These different tasks, which philosophy had to fulfil, mark pretty accurately the aims of Lotze's writings, and the order in which they were published. He laid the foundation of his philosophical system very early in his _Metaphysik_ (Leipzig, 1841) and his _Logik_ (1843), short books published while he was still a junior lecturer at Leipzig, from which university he migrated to Göttingen, succeeding Herbart in the chair of philosophy. But it was only during the last decade of his life that he ventured, with much hesitation, to present his ideas in a systematic and final form. The two books mentioned remained unnoticed by the reading public, and Lotze first became known to a larger circle through a series of works which aimed at establishing in the study of the physical and mental phenomena of the human organism in its normal and diseased states the same general principles which had been adopted in the investigation of inorganic phenomena. These works were his _Allgemeine Pathologie und Therapie als mechanische Naturwissenschaften_ (Leipzig, 1842, 2nd ed., 1848), the articles "Lebenskraft" (1843) and "Seele und Seelenleben" (1846) in Rud. Wagner's _Handwörterbuch der Physiologie_, his _Allgemeine Physiologie des Körperlichen Lebens_ (Leipzig, 1851), and his _Medizinische Psychologie oder Physiologie der Seele_ (Leipzig, 1852).

When Lotze published these works, medical science was still much under the influence of Schelling's philosophy of nature. The mechanical laws, to which external things were subject, were conceived as being valid only in the inorganic world; in the organic and mental worlds these mechanical laws were conceived as being disturbed or overridden by other powers, such as the influence of final causes, the existence of types, the work of vital and mental forces. This confusion Lotze, who had been trained in the school of mathematical reasoning, tried to dispel. The laws which govern particles of matter in the inorganic world govern them likewise if they are joined into an organism. A phenomenon _a_, if followed by _b_ in the one case, is followed by the same _b_ also in the other case. Final causes, vital and mental forces, the soul itself can, if they act at all, only act through the inexorable mechanism of natural laws. As we therefore have only to do with the study of existing complexes of material and spiritual phenomena, the changes in these must be explained in science by the rule of mechanical laws, such as obtain everywhere in the world, and only by such. One of the results of these investigations was to extend the meaning of the word mechanism, and comprise under it all laws which obtain in the phenomenal world, not excepting the phenomena of life and mind. Mechanism was the unalterable connexion of every phenomenon a with other phenomena _b_, _c_, _d_, either as following or preceding it; mechanism was the inexorable form into which the events of this world are cast, and by which they are connected. The object of those writings was to establish the all-pervading rule of mechanism. But the mechanical view of nature is not identical with the materialistic. In the last of the above-mentioned works the question is discussed at great length how we have to consider mind, and the relation between mind and body; the answer is--we have to consider mind as an immaterial principle, its action, however, on the body and vice versa as purely mechanical, indicated by the fixed laws of a psycho-physical mechanism. These doctrines of Lotze--though pronounced with the distinct and reiterated reserve that they did not contain a solution of the philosophical question regarding the nature, origin, or deeper meaning of this all-pervading mechanism, neither an explanation how the action of external things on each other takes place nor yet of the relation of mind and body, that they were merely a preliminary formula of practical scientific value, itself requiring a deeper interpretation--these doctrines were nevertheless by many considered to be the last word of the philosopher who, denouncing the reveries of Schelling or the idealistic theories of Hegel, established the science of life and mind on the same basis as that of material things. Published as they were during the years when the modern school of German materialism was at its height,[1] these works of Lotze were counted among the opposition literature which destroyed the phantom of Hegelian wisdom and vindicated the independent and self-sufficing position of empirical philosophy. Even philosophers of the eminence of I. H. Fichte (the younger) did not escape this misinterpretation of Lotze's true meaning, though they had his _Metaphysik_ and _Logik_ to refer to, though he promised in his _Allgemeine Physiologie_ (1851) to enter in a subsequent work upon the "bounding province between aesthetics and physiology," and though in his _Medizinische Psychologie_ he had distinctly stated that his position was neither the idealism of Hegel nor the realism of Herbart, nor materialism, but that it was the conviction that the essence of everything is the part it plays in the realization of some idea which is in itself valuable, that the sense of an all-pervading mechanism is to be sought in this, that it denotes the ways and means by which the highest idea, which we may call the idea of the good, has voluntarily chosen to realize itself.

The misinterpretations which he had suffered induced Lotze to publish a small pamphlet of a polemical character (_Streitschriften_, Leipzig, 1857), in which he corrected two mistakes. The opposition which he had made to Hegel's formalism had induced some to associate him with the materialistic school, others to count him among the followers of Herbart. Lotze publicly and formally denied that he belonged to the school of Herbart, though he admitted that historically the same doctrine which might be considered the forerunner of Herbart's teachings might lead to his own views, viz. the monadology of Leibnitz.