Chapter IV (3)
Another mystery of Solutrean times is the arrest of the artistic impulse which had animated the Crô-Magnons throughout the entire Aurignacian. Evidences of artistic work in Solutrean times are very rare, and some drawings which have been attributed to the Solutrean, as at Altamira, have now been referred to the Magdalenian. Is it possible that the Crô-Magnon race for a time suspended its artistic endeavor only to renew it under the different conditions of environment of Magdalenian times? Unfortunately, the Solutrean burials afford very little evidence on this point. One interpretation which may be offered is that the Solutrean was evidently a period of open-air life, and that the new implements of the chase of Solutrean type absorbed the industrial energies of these people, for the weapons were fashioned in enormous numbers. Consistent with this theory of climatic influence is the fact that the return of the severe climate of Magdalenian times, which crowded the men again into the shelters and grottos, was accompanied by a renewal of the artistic development continuing from the point where it had been interrupted in closing Aurignacian times. That Aurignacian and Magdalenian art is the work of one race there can be no question whatever; that this race was the Crô-Magnon is now absolutely demonstrated.
The climate of Solutrean times is generally believed to have been cold and dry. In the region of Dordogne throughout this period the reindeer was still far more numerous than any other animal; so we may safely conclude that this was the principal object of the chase and of food; in fact, it would appear that the reindeer were resident forms in the valley of the Vézère, hunted and consumed throughout the year.(40) Here we also occasionally find the northern steppe or Obi lemming, an animal which at the same time extends along the borders of the Volga River toward southern Russia. It would appear that in Solutrean times in southwestern France there prevailed a dry, cold continental subarctic climate like that of the Caspian, Volga, and Ural steppes of the present day. With the mammoth and the reindeer occur a great variety of northern European forest forms--the true fox, the hare, the stag, the brown bear, the wolf, the bison, and the urus. Most interesting is the identification of the jackal belonging to the ancient species _C. neschersensis_. In the type industrial locality of Solutré the reindeer is very abundant in the fire-hearths associated with the lower Solutrean industry, but less abundant in the upper levels; an antelope, perhaps the saiga antelope, is said to be found among the crude engravings on bone.
SOLUTREAN RACES
There were certainly two distinct races of men in Europe during Solutrean times, to the east the race of Brünn and to the west the race of Crô-Magnon. Remains attributed to the Crô-Magnons have been found in the Departments of Charente, Gironde, Lot, Haute-Garonne, Tarn, and Dordogne. But most of these remains are very fragmentary and cannot readily be determined racially. The fragments of ten skulls and a few other bones found in the Grotte du Placard, Charente, are attributed to late Solutrean and to early Magdalenian times and constitute one of the most exceptional discoveries which have thus far been made in France; the interments probably date from the early Magdalenian (p. 380), but are probably of a race surviving from the Solutrean. The section of the cave deposit is from 23 to 26 feet in thickness and is highly instructive; it shows eight cultural layers, separated by layers of débris and succeeding each other in the following order:
8. Neolithic layer.
7-4. Magdalenian layers; in the lowest layer is the ceremonial burial
of four skulls.
3. Solutrean layer with shouldered points (_pointes à cran_) and a few
laurel-leaf points (_pointes de laurier_).
2. Solutrean layer with laurel-leaf points but no shouldered points;
knives, grattoirs, scrapers, borers, in great numbers, together with
javelin points and awls in bone and ornamented with notches, and
fragments of red chalk and black lead found embedded with the
Solutrean points.
1. Mousterian layer.
RACE OF BRÜNN, BRÜX, PŘEDMOST, AND (?) GALLEY HILL
In 1871 a skullcap, now in the Royal Museum of Vienna, was discovered in the course of coal mining at Brüx, Bohemia. In 1891(41) a skeleton, apparently of the same race, was discovered at Brünn, Moravia, deeply embedded in loess along with bones of the woolly mammoth and other great Pleistocene mammals. In 1892 it was described by Makowsky,(42) who a few years before had excavated from the loess sand in the neighborhood of Brünn the fragmentary skull now known as Brünn II. Both these skulls are of a somewhat low racial type, and for a long time they were regarded as transition forms between the Neanderthals and _Homo sapiens_, but in 1906 Schwalbe(43) showed the affinity between the skulls of Brüx and Brünn and at the same time their entire distinctness from the Neanderthal skull and their approach to lower forms of _Homo sapiens_. The chief distinction of these skulls is their extreme elongation or dolichocephaly, the ratio of width to length being 69 per cent in the Brüx skull, and 68.2 per cent in the Brünn skull. The latter ranks lower in racial type than the Australian negroids. The chief distinction from the Neanderthal skull is in the index of the height of skull (51.22 per cent) and in the absence of the prominent ridges extending across the eyebrow region above the nose;[AS] the forehead, in brief, is more modern, the frontal angle being 74.7-75 per cent. The brain capacity in this race is estimated, according to Makowsky,(44) at 1,350 c.cm. Both the Brüx and Brünn skulls are _harmonic_; they do not present the very broad, high cheek-bones characteristic of the Crô-Magnon race, the face being of a narrow, modern type, but not very long. There is evidence that the neck and shoulders were powerful and muscular; the prominence of the chin is pronounced; the dentition is macrodont, that is, the last lower molar is of exceptionally large size; there was no prognathism or protrusion of the jaws. The second Brünn skull (Brünn II) may represent a female type of the Brünn race, the cephalic index being estimated at 72 per cent.
DISCOVERIES CHIEFLY OF THE CRÔ-MAGNON AND BRÜNN RACES[AT]
REFERRED TO SOLUTREAN TIMES
+------------------------------------------------------------------+
| Date of | Locality | Number of | Culture Stage |
|Discovery| | Individuals | |
|---------+--------------------+-------------------+---------------|
| CRÔ-MAGNON RACE (?) |
|---------+--------------------+-------------------+---------------|
| |Grotte du Placard, |Fragments of ten |Late Solutrean |
| | Charente, France. | skulls and a few | and early |
| | | other bones. | Magdalenian. |
| | | | |
| |Pair-non-Pair, |Skull fragments. |Solutrean. |
| | Gironde, France. | | |
| | | | |
| |Lacave, | " " | " |
| | Lot, France. | | |
| | | | |
| |Montconfort, | " " | " |
| | Haute-Garonne, | | |
| | France. | | |
| | | | |
| |Roset, | " " |Late Solutrean.|
| | Tarn, France. | | |
| | | | |
| |Badegoule, |Bones. |Solutrean. |
| | Dordogne, France. | | |
|---------+--------------------+-------------------+---------------|
| BRÜNN-BRÜX-PŘEDMOST RACE |
|---------+--------------------+-------------------+---------------|
|1880. |Předmost, |Portions of twenty |Solutrean. |
| | Moravia, Austria. | skeletons. | |
| | | | |
|1891. |Brünn, |Male skeleton | " |
| | Moravia, Austria. | (Brünn I). | |
| | |(?) Female skeleton| |
| | | (Brünn II). | |
| | | | |
| |Ballahöhle, |Skeleton of infant.|(?) " |
| | Miskolcz, Hungary.| | |
| | | | |
| |(?) Galley Hill. |One skeleton. |Unknown. |
+------------------------------------------------------------------+
There is a possibility(47) that the Brünn race was ancestral to several later dolichocephalic groups which are found in the region of the Danube and of middle and southern Germany. Schliz characterizes the Brünn skull as distinguished by the retreating forehead, by massive eminences above the orbits separated by a cleft in the median line, by broad, low orbits, and prominent chin. These characters are met with again in one of the dolichocephalic skulls found in the interment at Ofnet, at the very close of Upper Palæolithic times. It would thus appear that the Brünn race is distinct from the Crô-Magnon race, that it represents a long-headed type which became established along the Danube as early as Solutrean times, and that it may possibly be connected with the introduction of some of the peculiar features of the Solutrean culture.
One of the skeletons of Brünn, found at a depth of 12 feet below the surface of the 'loess,' was lavishly adorned with tooth-shells, perforated stone discs, and bone ornaments made from the ribs of the rhinoceros or mammoth and from the teeth of the mammoth; associated with these was an ivory idol, apparently of a male figure, of which only the head, the torso, and the left arm remain. The skeleton and many of the objects found with the sepulture were partly tinted in red. An ivory figurine belongs to the Eburnéen stage of Piette and appears to indicate that the burial was of Aurignacian rather than of Solutrean age.
The Předmost 'mammoth hunters' also probably belonged to this race. They are represented by the remains of six individuals excavated since 1880 at Předmost, Moravia, by Wankel, Kr̆íz̆, and Mas̆ka. The bones were found in a very much shattered condition. Mas̆ka has since discovered a collective burial of fourteen human skeletons, with remains of six others; the bodies were covered with stones, but no flints or objects of art were buried with them. The dimensions of the limbs indicate a race of large stature. The skeletons were deeply buried in 'loess,' and above and below the rich archæological layer were abundant débris of the mammoth, representing between eight and nine hundred specimens. Along with the numerous flints, including laurel-leaf spear heads of middle Solutrean type, were found other objects and even primitive works of art in bone and ivory. There is no question that the human remains belong to the middle Solutrean stage.(48)
With this race is also associated by many authors (Schwalbe, Schliz, Klaatsch, Keith) the Galley Hill skull, which was found in 1888, buried at a depth of 8 feet in the 'high terrace' gravels 90 feet above the Thames.(49) Sollas thinks it highly probable that the remains were in a natural position and of the same age as the high-level gravels and the Palæolithic flints and remains of extinct animals which they contained, but Evans and Dawkins regard the Galley Hill man as belonging to a long-headed Neolithic race interred in a Palæolithic stratum. The gravels of the 'high terrace' in which the Galley Hill skull was buried are by no means of the geologic antiquity of 200,000 years assigned to them by Keith;(50) they are probably of Fourth Glacial or of Postglacial age, and lie within the estimates of Postglacial time, namely, from 20,000 to 40,000 years.
The antiquity of the Galley Hill cranial type has been maintained with ability by Keith. The skull is extremely long or hyperdolichocephalic, the cephalic index being estimated by Keith at 69 per cent;(51) the brain capacity is estimated at between 1,350 c.cm. and 1,400 c.cm.; the cheek-bones are not preserved, so that no judgment can be formed as to this most distinctive character of the Crô-Magnon race. With this Galley Hill race Keith also compares the Combe-Capelle, or Aurignacian man of Klaatsch,(52) although he mistakenly considers the Combe-Capelle man of much less geologic antiquity. He continues: "Thus, while the writer is inclined to agree in provisionally assigning the Combe-Capelle man to the Galley Hill race, he believes that further discoveries will show that the Combe-Capelle man belongs to a branch marked with certain negroid features."
SOLUTREAN FLINT INDUSTRY
The 'Solutrean retouch' marks one of the most notable advances in the technique of flint working; it is altogether distinct from the 'Aurignacian retouch,' which is an heritage from the Mousterian.(53) The flint is chipped off by _pressure_ in _fine, thin flakes_ from the entire surface of the implement, to which in its perfected form the craftsman can give a thin, sharp edge and perfect symmetry. This is a great advance on the abrupt Aurignacian retouch, in which the flint is chipped back at a rather blunt angle to make a sharp edge. According to de Mortillet, the Solutrean method of pressure made possible the execution of much more delicate work.
The question at once arises, did this industrial advance take place in France or was it an invention brought from the east? On this point Breuil observes(54) that in the highest Aurignacian levels in Belgium, in Dordogne, and at Solutré the Solutrean technique becomes faintly apparent either in the 'stem' points (_pointes à soie_) of Font Robert, La Ferrassie, and Spy or in the double-edged points tending toward the laurel-leaf type of the Solutrean, but that all the other implements remain purely Aurignacian.
RELATIONS AND SUBDIVISIONS OF SOLUTREAN CULTURE
_Lower (Early) Magdalenian._
Prototypes of bone harpoons.
Beginnings of animal sculpture.
Absence of any trace of the laurel-leaf spear heads of Solutrean
times.
_Upper (Late) Solutrean._
Typical shouldered points (_pointes à cran_)--elongate flakes
worked on one or both sides and notched. Small laurel-leaf spear
heads.
Bone javelin points, awls, and needles, very finely worked. Placard.
Lacave.
_Middle (High) Solutrean._
Large 'laurel-leaf' spear heads worked on both sides. Climax of
Solutrean flint industry. Placard.
_Lower (Proto-) Solutrean._
Primitive 'laurel-leaf' and 'willow-leaf' spear heads, most of them
worked on only one side. Grotte du Trilobite.
_Transition from Aurignacian._
Pedunculate spear heads (_pointes à soie_) of primitive Font
Robert type. Climax of human sculpture.
As to the chief source of Solutrean influence, the same author remarks that, since this culture is entirely wanting in central and southern Spain, in Italy, in Sicily, in Algeria, and in Phœnicia, we should certainly not look to the Mediterranean for its origin but rather to eastern Europe; for in the grottos of Hungary we find a great development of the true Solutrean, while so far the Aurignacian has not been found here, although we do find traces of the earlier transitional stages below the levels of the true laurel-leaf points. We must admit, therefore, that in all probability the Solutrean culture reached Europe from the east and that its source is as mysterious as that of the Aurignacian, which, as we have seen, was of southern and probably of Mediterranean origin. It is not impossible that the evolution of the laurel-leaf point took place in Hungary, for it was certainly not evolved in central or western Europe.
At Předmost, in Moravia, we observe an advanced Aurignacian industry which had adopted a Solutrean fashion in its spear heads. Here the laurel-leaf implements are few, while the implements of bone are abundant; but in the Solutrean stations of Hungary there are no bone implements. As the Solutrean technique comes to perfection the laurel-leaf spear head, so characteristic of the full Solutrean industry, is created and is met with in Poland, in Hungary, in Bavaria, and then in France, where the industry extends southward to the west and east of the central plateau. In France it appears quite suddenly in the Grotte du Trilobite (Yonne), and also in Dordogne and Ardèche, where the Proto-Solutrean types show marked impoverishment, both in the variety and in the execution of most of the flint implements, the only exception being the flattened spear heads, _pointes à face plane_, which show a regular Solutrean retouch, beautiful but monotonous. Laurel-leaf points discovered at Crouzade, Gourdan, and Montfort denote the presence of the true Solutrean culture, but this culture does not approach the stations in the neighborhood of Brassempouy. Toward the north the grotto of Spy, in Belgium, affords examples of Proto-Solutrean types, which have also been traced in several British caverns, but it is not certain that true Solutrean implements are found in Britain.
In Picard a Proto-Solutrean layer has been found, but no laurel-leaf points. In the type station of Solutré in southeastern France Breuil discovered two Solutrean layers, quite different from each other: one rich in bone implements and graving-tools, with small flint laurel leaves retouched on only one face; the other poor in bone implements but with large laurel-leaf spear heads.
The Solutrean culture never penetrated to the south of the great barrier of the Pyrenees, but, passing through the Vézère valley, in Dordogne, it spread along the western coast to the northern slopes of the Cantabrian Mountains into the province of Santander, Spain. Here the laurel-leaf points of the middle Solutrean are found at Castillo, while the shouldered points, _pointes à cran_, typical of the later Solutrean, are found at Altamira, together with bone implements. None the less, it should be noticed that in the southwest of Europe the earlier phases of the Solutrean are characterized by a decrease in the use of bone, which, however, increases again in the upper levels.
The type station of the Solutrean culture is the great open-air camp of Solutré, near the Saône, sheltered on the north by a steep ridge and with a fine, sunny exposure toward the south. The traces of this great camp, which is the largest thus far discovered in western Europe, cover an area 300 feet square and are situated within a short distance of a good spring of water. As explored, in 1866, by Arcelin,(55) Ferry, and Ducrost, this station had already been occupied in Aurignacian times; and two sections, taken at two different points, showed the deposits of the old camp to be from 22 to 26 feet in thickness, representing superposed Aurignacian and Solutrean fire-hearths with thick layers of intermediate débris. In the Aurignacian level is found the vast accumulation of the bones of horses already described. In the middle Solutrean levels great fireplaces are found with flint utensils and the remains of abundant feasts among the charred débris. The fauna includes the wolf, the fox, the hyæna, both the cave and the brown bear, the badger, the rabbit, the stag, wild cattle, and two characteristic northern forms--the woolly mammoth and the reindeer; the remains of the last are the most abundant in the ancient hearths.
In all the Solutrean stations, beside the bone implements,(56) we find two distinct classes of flints. The first belongs to the entire 'Reindeer Epoch' and consists of single and double scrapers, drills, burins, retouched flakes, and plain ones of small dimensions.
The second is composed of the 'leaf' types, which are solely characteristic of the Solutrean and which degenerate and entirely disappear at its close; these latter are the arrow and lance head forms, many of which are fashioned with a rare degree of perfection and exhibit the beautiful broad Solutrean retouch across the entire surface of both sides of the flake, together with perfect symmetry, both lateral and bilateral; they are commonly known as the willow-leaf (narrow) and the laurel-leaf (broad) forms. The explorers of the type station of Solutré have discovered five principal shapes, as follows: (1) irregular lozenge; (2) oval, pointed at both ends; (3) oval, pointed at one end; (4) regular lozenge; (5) arrow-head form with peduncle, doubtless for attachment to a shaft. The perfected Solutrean laurel-leaf spear heads do not reappear in any other Upper Palæolithic period, but their resemblance to Neolithic flints is very marked.
The 'willow-leaf' spear heads (_pointes de saule_), chipped on only one side, characteristic of the _early Solutrean_, may possibly be contemporary with the closing Aurignacian culture of Font Robert. At Solutré layers have also been discovered rich in bone implements and in graving-tools, as well as small 'laurel-leaf' points worked on only one face. As regards the general tendencies of the early Solutrean culture in Dordogne, at the Grotte du Trilobite (Yonne), and in Ardèche, there is a marked decline in the work in bone and in the variety and workmanship of all the implements, excepting only that of the primitive flattened spear heads, made of flakes, retouched in Solutrean fashion, but on one side only. Typical deposits of early Solutrean culture are found at Trou Magrite, in Belgium, at Font Robert, Corrèze, and in the third level of the Grotte du Trilobite, Yonne; in the second level we find flints with the nascent Solutrean retouch.
The distinctive implement of the 'high' or _middle Solutrean_ is the large 'laurel-leaf' point, flaked and chipped on both sides and attaining a marvellous perfection in technique and symmetry. The finest examples of these spear heads are the famous _pointes de laurier_, fourteen in number, discovered at Volgu, Saône-et-Loire, in 1873: they were found together in a sort of cache and, it would seem probable, were intended as a votive offering, for one at least was colored red, and all were too fragile and delicate to be of any use in the chase. They are of unusual size, the smallest measuring 9 inches, and the largest over 13-1/2. In workmanship they are equalled only by the marvellous Neolithic specimens of Egypt and Scandinavia.
At Solutré and other stations implements of bone are also found, although by no means of such frequent occurrence as in the later divisions of the Solutrean. While the most easterly Solutrean stations of Hungary exhibit no bone implements, these are abundant at Předmost, in Moravia, where the culture altogether is of an advanced Aurignacian type, with the Solutrean retouch used in the shaping of its flint spear heads. The bone industry includes a number of awls and smoothers, as well as numerous 'bâtons de commandement.' On this level at Předmost a few works of art are found consisting of the representations of four animals sculptured on nodules of limestone, the subjects apparently being reindeer, and also of one single engraving on bone.
The chief invention of the _late Solutrean_ is the 'shouldered point' (_pointe à cran_), a single notched and very slender dart. These notches are the first indication of the value of the barb in holding a weapon in the flesh. Here also is a _stem_ for the attachment of the shaft of the dart. In earlier stages of the Solutrean one finds flints where the unsymmetrical base of the 'point' shows a small obtuse tongue or stem. The elongate peduncle at the base of such spear heads (_pointes à soie_) is developed into the _pointe à cran_, or shouldered point, made of long, fine flakes, with a short retouch on one or both sides, and found in the late Solutrean at the grotto of Lacave, at Placard, and at many of the stations in Dordogne. No example of the _pointe à cran_ has ever been found at the type station of Solutré, but it is of frequent occurrence at the stations between the Loire and the Cantabrian Pyrenees, being found at Altamira, at Laugerie Haute, at Monthaud (Indre), in Chalosse and Charente, while the great cave of Placard has yielded no less than 5,000 specimens, whole and broken.
At Monthaud there are also found bone implements including a number of _poinçons_ (awls) and a series of _sagaies_ (javelin points). Solutrean sagaies, however, are very rare and very primitive as compared with the Magdalenian.
The successive phases of Solutrean industry are all shown in southern France. As to its stratigraphic relations, the type station of Solutré exhibits lower and middle Solutrean above Aurignacian hearths and deposits; that of Placard, Charente, shows the middle and upper Solutrean overlaid by a Magdalenian layer. In the Grotte du Trilobite the Solutrean layer lies between one of Aurignacian and one of primitive Magdalenian; it is here that we find the clearest transition from the Aurignacian culture in the appearance of prototypes of the laurel and willow-leaf points, made of flakes, retouched on only one side. At Brassempouy the Solutrean lies immediately beneath a Magdalenian layer, with engraved bones and Magdalenian flints. Needles, which are particularly abundant in the Magdalenian epoch, are also found in a number of the Solutrean stations. In the grotto of Lacave, Lot, in an upper Solutrean layer, Viré has found beautiful bone needles, pierced at one end and of fine workmanship, and engraved utensils of reindeer horn; here also was found the head of an antelope engraved on a fragment of reindeer horn. The local fauna of this period included the horse, the ibex, and the reindeer.
SOLUTREAN ENGRAVING AND ANIMAL SCULPTURE
The artistic work of Solutrean times is not so rich as that of the Aurignacian. This, as we have suggested, may be partly attributable to the less wide-spread distribution of the Solutrean culture, as well as to the great importance which was attached to the careful fashioning of the stone weapons. None the less we can trace indications of the development of both phases of art, the linear and the plastic, and especially the beginnings of animal sculpture. From the full, round sculpture of Aurignacian times there follows in Solutrean times a development of carving in bone of the _Rundstabfiguren_ (bâton, or ceremonial staff), and of high relief. The lion(57) and the head of a horse at Isturitz, in the Pyrenees, which Breuil attributes to a late Solutrean period, are typical examples of this work.
Relatively rare are the parietal and mobile engravings as well as the schematic representations, such as are found at Placard and Champs Blancs. According to Alcalde del Rio, there are found at Altamira, in northern Spain, very simple, finely engraved figures of the doe on the bone of the shoulder-blade; the head and neck are covered with lines, and both the eye and the nostril as well as the form of the ear are very characteristic of the animal. Breuil, however, considers these as belonging rather to earlier Magdalenian times.
Decorative art certainly makes some advances over the Aurignacian work, because the arrangement of the geometric figures is quite clear, and the execution shows marked progress in the technique of engraving.
At Předmost, near the site of the human burial described above, there has been discovered a statuette of the mammoth sculptured in the round, in ivory, which proves that animal sculpture was well advanced in Solutrean times. The statuette was found six to nine feet beneath the surface of the 'loess,' in an undoubted Solutrean layer. The accompanying fauna is of a truly arctic character: the mammoth being extraordinarily abundant; the tundra forms including the mammoth, woolly rhinoceros, musk-ox, reindeer, arctic fox, arctic hare, glutton, and banded lemming; the Asiatic forms including the lion and leopard; the forest and meadow fauna embracing the wolf, fox, beaver, brown bear, bison, and wild cattle, moose, and horse, also the ibex. Among the remnants of 30,000 flints there are a dozen points (_feuilles de laurier_) and other pieces with the Solutrean 'retouch.' The industry in ivory, bone, and reindeer horn is also varied, including numerous poniards, polishers, piercers, dart-throwers, and bâtons de commandement.
This ivory sculpture of the mammoth indicates very accurately the characteristic contours of the top of the head, and of the back; the striations on the side represent the falling masses of hair. Other sculptured figures representing the mammoth are believed to be of Magdalenian age, the best known being the figures found in the grottos of Bruniquel and Laugerie Basse, a fragment from Raymonden, Dordogne, and a bas-relief in the grotto of Figuier, Gard. All these sculptures of the mammoth have in common the indication of a very small ear--similar to that in the Předmost model--feet shaped like inverted mushrooms, bordered with short, coarse hairs, the tail terminating in a long tuft of hairs. If the figure of Předmost is of Solutrean age, it is by far the earliest of all the sculptured or engraved animal representations in the mobile art, and is also the most complete of the animal figurines of this group. It is certainly of more recent date than the engraved designs of Aurignacian age in the grottos of Gargas and of Chabot or than the red or black tracings of the mammoth, also of Aurignacian age, at Castillo, Pindal, and Font-de-Gaume. It is probable that the mammoth figures of Combarelles are of later date than the Předmost sculpture and belong to the beginning of Magdalenian times, while those at Font-de-Gaume belong to the end of Magdalenian times and are the most recent of all the parietal designs. Despite the differences in age and technique, all the designs of the mammoth are undoubtedly the work of artists of a single race; they agree in faithfully portraying the external form of this great proboscidian which wandered over the steppes and prairies of western Europe from the beginning of the fourth glaciation until near the close of Postglacial times.
(=1=) Breuil, 1912.7.
(=2=) Verneau, 1906.1, pp. 202-207.
(=3=) _Op. cit._, p. 204.
(=4=) Keith, 1911.1, p. 60.
(=5=) Obermaier, 1912.1, p. 178.
(=6=) Breuil, 1912.7, p. 174.
(=7=) _Op. cit._, pp. 165-168.
(=8=) Obermaier, 1912.1, pp. 177, 178.
(=9=) Wiegers, 1913.1.
(=10=) Schmidt, 1912.1, p. 266.
(=11=) Geikie, 1914.1, p. 278.
(=12=) Dawkins, 1880.1, pp. 148, 149.
(=13=) Ewart, 1904.1.
(=14=) Obermaier, 1909.2, p. 145.
(=15=) Sollas, 1913.1, p. 325.
(=16=) Broca, 1868.1.
(=17=) Lartet, 1875.1.
(=18=) Verneau, 1886.1; 1906.1, pp. 68, 69.
(=19=) Obermaier, 1912.2.
(=20=) Martin, R., 1914.1, pp. 15, 16.
(=21=) Keith, 1911.1, p. 71.
(=22=) Klaatsch, 1909.1.
(=23=) Keith, _op. cit._, p. 56.
(=24=) Hauser, 1909.1.
(=25=) Fischer, 1913.1.
(=26=) Schliz, 1912.1, p. 554.
(=27=) Breuil, 1912.7, p. 175.
(=28=) _Op. cit._, p. 183.
(=29=) _Op. cit._, pp. 177-180.
(=30=) Schmidt, 1912.1, p. 266.
(=31=) Breuil, _op. cit._, p. 178.
(=32=) Obermaier, 1912.1, p. 181.
(=33=) Breuil, 1912.7, p. 169.
(=34=) Breuil, 1912.1, pp. 194-200.
(=35=) Schmidt, 1912.1.
(=36=) Breuil, _op. cit._
(=37=) Schmidt, 1912.1, p. 142.
(=38=) Breuil, 1912.1, p. 202.
(=39=) Breuil, 1912.6.
(=40=) Hilzheimer, 1913.1, p. 151.
(=41=) Fischer, 1913.1.
(=42=) Makowsky, 1902.1.
(=43=) Schwalbe, 1906.1.
(=44=) Makowsky, _op. cit._
(=45=) Obermaier, 1912.1, pp. 342-355.
(=46=) Martin, R., 1914.1, pp. 15, 16.
(=47=) Schliz, 1912.1.
(=48=) Déchelette, 1908.1, vol. I, p. 28.
(=49=) Keane, 1901.1, p. 147.
(=50=) Keith, 1911.1, p. 30.
(=51=) _Op. cit._, pp. 28-45.
(=52=) _Op. cit._, pp. 51-56.
(=53=) Obermaier, 1912.1, p. 93.
(=54=) Breuil, 1912.7, p. 188.
(=55=) Arcelin, 1869.1.
(=56=) Déchelette, 1908.1, vol. I, pp. 137-141.
(=57=) Schmidt, 1912.1, p. 144, Tafel B.
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Men of the Old Stone Age: Their Environment, Life and ArtChapter IV (3)
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