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Chapter VII: Jackals and a Carcase

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Roosevelt had hoped to get the new inspection bill through Congress without giving out the report of his commission. But the packers and their employes in Congress blocked his bill, and so finally the report was given out, and caused a perfect whirlwind of public indignation. The packers, fighting for their profits, made their stand in the Agricultural Committees of the House, which apparently they owned completely. Courteous hearings were granted to every kind of retainer of the Beef Trust, while the two representatives of the President were badgered on the witness-stand as if they had been criminals on trial. I sent a telegram to Congressman Wadsworth of New York, chairman of the committee, asking for a hearing, and my request was refused. I then wrote a letter to Congressman Wadsworth, in which I told him what I thought of him and his committee—which letter was taken up later by his democratic opponents in his district, and resulted in his permanent removal from public life.

But meantime, Wadsworth was king. In the fight against him, I moved my publicity bureau up to New York, and put three stenographers at work. I worked twenty hours a day myself—nor was I always able to sleep the other four hours. I had broken out of the cage for a few weeks, and I made the most of my opportunity. I wrote articles, and sent telegrams, and twice every day, morning and evening, a roomful of reporters came to see me. Some of these men became my friends, and would tell me what the packers were doing in the New York newspaper-offices, and also with their lobby in Washington. I recall one amusing experience, which gave me a glimpse behind the scenes of two rival yellow journals, the “New York Evening World” and the “New York Evening Journal.”

The “Evening Journal” sent a reporter to see me. Would I write an article every day, telling what I knew about conditions among working girls in New York? I signed a contract with the “Journal” for a month or two, and that same evening all the wagons which delivered papers for the “Journal” were out with huge signs over them: “Upton Sinclair will write, etc., etc.” Then next day came my friend William Dinwiddie, representing the “Evening World.” Would I write a series of articles for the “Evening World”? Certainly I would, I said, and signed a contract for a number of articles at five cents a word; so all the wagons of the “World” appeared with the announcement that I would tell in the “World” what I knew about conditions in the packing-houses of New York. And the editorial writers of the “Evening World,” who had hitherto ignored my existence, now suddenly discovered that I was a great man. They put my picture at the top of their editorial page, celebrating me in this fashion:

A BOOK THAT MADE HISTORY

Not since Byron awoke one morning to find himself famous has there
been such an example of world-wide celebrity won in a day by a book as
has come to Upton Sinclair.

Yesterday unknown, the author of “The Jungle” is today a familiar name
on two continents. Paris, London and Berlin know him only less well
than New York and Boston. They know about him even in far-off
Australia.

Forthwith came the man from the “Journal,” all but tearing his hair with excitement. What unspeakable treachery was this I had committed? Was it true that I had promised to write for the “World,” as well as for the “Journal”? I answered that it was, of course. “But,” said this man, “you gave me an exclusive contract.” “I gave you nothing of the sort,” I said, and pulled out the contract to prove it. “But,” said he, “you promised me personally that it would be an exclusive contract.” “I promised you nothing of the sort,” I said. “I never thought of such a thing.” But he argued and insisted—I must have known, my common-sense must have told me that my stories for them were of no value, if at the same time I was writing for their deadly rival. I was rather shocked at that statement. Were they entirely interested in a “scoop,” and not at all in the working girls of New York? “To hell with the working girls of New York!” said the Hearst reporter; whereat, of course, I was still more shocked.

For three days this man from the “Journal” and other men from the “Journal” kept bombarding and besieging me; and I, poor devil, suffered agonies of embarrassment and distress, being sensitive, and not able to realize that this was an every-day matter to them—they were a pack of jackals trying to tear a carcase away from another pack of jackals. But when I stood by my contract with the “Evening World,” the “Journal” dropped its contract, and lost its interest, not merely in the working girls of New York, but also in the sins of the Chicago packers.

The lobbyists of the packers had their way in Washington; the meat inspection bill was deprived of all its sharpest teeth, and in that form Roosevelt accepted it and prepared to let the subject drop. I was bitterly disappointed, the more so because he had made no move about the matter which lay nearest my heart. I had made a remark about “The Jungle” which was found amusing—that “I aimed at the public’s heart and by accident I hit it in the stomach.” It is a fact that I had not been nearly so interested in the “condemned meat industry” as in something else. To me the diseased meat graft had been only one of a hundred varieties of graft which I saw in that inferno of exploitation. My main concern had been for the fate of the workers, and I realized with bitterness that I had been made into a “celebrity,” not because the public cared anything about the sufferings of these workers, but simply because the public did not want to eat tubercular beef.

I had objected to Roosevelt that he was giving all his attention to the subject of meat-inspection, and none to the subject of labor-inspection. His answer was that he had power to remedy the former evils, but no power to remedy the latter. I tried to persuade him to agitate the question and obtain the power; but I tried in vain. “The Jungle” caused the whitewashing of some packing-house walls, and it furnished jobs for a dozen or two lady-manicurists, but it left the wage-slaves in those huge brick packing-boxes exactly where they were before. Ten years later the war broke out, and as these wage-slaves became restive, an investigation was made. Here are a few paragraphs describing the adventures of the Federal investigators:

The first four homes brought expressions of horror from the women of
the party, dark, insanitary, pest-ridden rooms and foodless kitchens.

Mrs. Belbine Skupin. Working in the yards. The six Skupin children in
their home at 4819 Laflin Street, hugging the stove and waiting for
“mother to return.” “I didn’t think such things existed outside the
books,” said one indignant young lady visitor, Miss Walsh.

In one home, seven children found. Youngest, a baby of fourteen
months; oldest, a boy of eight years. Baby “mothered” by girl of four.
Father and mother work in stockyards. Children had no shoes or
stockings and flimsy underwear. No food in house except pot of weak
coffee, loaf of rye bread and kettle containing mess of cabbage. But
in the basement was a ‘conservation’ card, bearing the motto “Don’t
waste food.”

I look back upon this campaign, to which I gave three years of brain and soul-sweat, and ask what I really accomplished. Old Nelson Morris died of a broken conscience. I took a few millions away from him, and from the Armours and the Swifts—giving them to the Junkers of East Prussia, and to Paris bankers who were backing enterprises to pack meat in the Argentine. I added a hundred thousand readers to “Everybody’s Magazine,” and a considerable number to the “New York Times.” I made a fortune and a reputation for Doubleday, Page and Company, which immediately became one of the most conservative publishing-houses in America—using “The Jungle” money to promote the educational works of Andrew Carnegie, and the autobiography of John D. Rockefeller, and the obscene ravings of the Reverend Thomas Dixon, and the sociological bunkum of Gerald Stanley Lee. I took my next novel to Doubleday, Page and Company, and old Walter Page was enthusiastic for it and wanted to publish it; but the shrewd young business-men saw that “The Metropolis” was not going to be popular with the big trust companies and insurance companies which fill up the advertising pages of the “World’s Work.” They told me that “The Metropolis” was not a novel, but a piece of propaganda; it was not “art.” I looked them in the eye and said: “You are announcing a new novel by Thomas Dixon. Is _that_ ‘art’?”

Quite recently I tried them again with “King Coal,” and they did not deny that “King Coal” was “art.” But they said: “We think you had better find some publisher who is animated by a great faith.” It is a phrase which I shall remember as long as I live; a perfect phrase, which any comment would spoil. I bought up the plates of “The Jungle,” which Doubleday, Page and Company had allowed to go out of print—not being “animated by a great faith.” I hope some time to issue the book in a cheap edition, and to keep it in circulation until the wage-slaves of the Beef Trust have risen and achieved their freedom. Meantime, it is still being read—and still being lied about. I have before me a clipping from a Seattle paper. Some one has written to ask if “The Jungle” is a true book. The editor replies, ex cathedra, that President Roosevelt made an investigation of the charges of “The Jungle,” and thoroughly disproved them all!

And again, here is my friend Edwin E. Slosson, literary editor of the “Independent,” a man who has sense enough to know better than he does. He reviews “The Profits of Religion” in this brief fashion:

The author of “The Jungle” has taken to muck-raking the churches—with
similar success at unearthing malodorous features and similar failure
to portray a truthful picture.

I write to Slosson, just as I wrote to the “New York Evening Post,” to ask what investigation he has made, and what evidence he can produce to back up his charge that “The Jungle” is not a “truthful picture”; and there comes the surprising reply that it had never occurred to Slosson that I myself meant “The Jungle” for a truthful picture. I had not portrayed the marvelous business efficiency of the Stockyards, their wonderful economies, etc.; and no picture that failed to do that could claim to be truthful! That explanation apparently satisfied my friend Slosson, but it did not satisfy the readers of the “Independent”—for the reason that Slosson did not give them an opportunity to read it! He did not publish or mention my protest, and he left his readers to assume, as they naturally would, that the “Independent” considered that I had exaggerated the misery of the Stockyards workers.

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The Brass Check: A Study of American JournalismChapter VII: Jackals and a Carcase

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