Chapter XL: Owning the Owners
The second of the methods by which our Journalism is controlled is by far the most important of all the four. I do not mean merely that the owners are owned by mortgages, and such crude financial ties. They are owned by ambition, by pressure upon their families, by club associations, by gentlemen’s agreements, by the thousand subtle understandings which make the solidarity of the capitalist class. I have written elsewhere of labor-leaders, otherwise incorruptible, who have accepted “the dress-suit bribe.” These same bribes are passed in the business-world, and are the biggest bribes of all. When you have your shoes shined, you pay the bootblack ten cents; but can you figure what you are paid for having your shoes shined? When you buy a new suit of clothes, you pay the dealer, say, one hundred dollars; but can you figure what you are paid for being immaculately dressed, for having just the right kind of tie, just the right kind of accent, just the right manner of asserting your own importance and securing your own place at the banquet-table of Big Business?
If you are the publisher of a great newspaper or magazine, you belong to the ruling-class of your community. You are invited to a place of prominence on all public occasions; your voice is heard whenever you choose to lift it. You may become a senator like Medill McCormick or Capper of Kansas, who owns eight newspapers and six magazines; a cabinet-member like Daniels, or an ambassador like Whitelaw Reid or Walter Page. You will float upon a wave of prosperity, and in this prosperity all your family will share; your sons will have careers open to them, your wife and your daughters will move in the “best society.” All this, of course, provided that you stand in with the powers that be, and play the game according to their rules. If by any chance you interfere with them, if you break their rules, then instantly in a thousand forms you feel the pressure of their displeasure. You are “cut” at the clubs, your sons and daughters are not invited to parties—you find your domestic happiness has become dependent upon your converting the whole family to your strange new revolutionary whim! And what if your youngest daughter does not share your enthusiasm for the “great unwashed”? What if your wife takes the side of her darling?
It is such hidden forces as this which account for much of the snobbery in American newspapers; the fact that in every department and in every feature they favor the rich and powerful, and reveal themselves as priests of the cult of Mammon. I have watched the great metropolitan dailies, and those in many smaller cities and towns; I have yet to see an American newspaper which does not hold money for its god, and the local masters of money for demi-gods at the least. The interests of these Olympian beings, their sports, their social doings, their political opinions, their comings and goings, are assumed by the newspapers to be the object of the absorbed interest of every American who knows how to read.
On every page and in every column of every page the American newspaper preaches the lesson: “Get money, and all things else shall be added unto you—especially newspaper attention.” When Mr. John P. Gavit, managing editor of the “New York Evening Post,” wrote to Mr. Melville E. Stone, general manager of the Associated Press, that I had a reputation “as an insatiable hunter of personal publicity,” what Mr. Gavit meant was that I was accustomed to demand and obtain more space in newspapers than the amount of my worldly possessions entitled me to. Some years ago my wife went for a visit to her home in the far South, after the unusual adventure of marrying a Socialist; she met one of her girlhood friends, who exclaimed:
“My, but your husband must be a rich man!”
“My husband is a poor man,” said M. C. S.
Whereat the girl-friend laughed at her. “I know better,” said she.
“But it’s true,” said M. C. S. “He has no money at all; he never had any.”
“Well,” said the other, skeptically, “then what are the papers all the time talking about him for?”
A large part of what is called “conservatism” in our Journalism is this instinctive reverence for wealth, as deeply rooted in every American as respect for a duke in an English butler. So the average American newspaper editor is a horse that stands without hitching, and travels without a whip. But emergencies arise, a fork in the road, a sudden turn, a race with another vehicle; and then a driver is needed—and perhaps also a whip! I showed you Mr. Ochs pulling the “Metropolis” story off the front page of the “New York Times” at one o’clock in the morning. Every Hearst editor has stories to tell of one-o’clock-in-the-morning visits from the owner, resulting in the whole policy of the paper being shifted. And where the owner is owned, maybe somebody will call _him_ up and lay down the law; maybe an agent will be set to keep watch over his doings, and to become the real master of his paper. I could name more than one famous editor and publisher who has been thus turned out of his job, and remains nothing but a name.
For great “interests” have a way of being wide-awake even at the late hour when the forms of newspapers close; they have a way of knowing what they want, and of getting it. “I am a great clamorer for dividends,” testified old Rockefeller; and imagine, if you can, a publishing enterprise controlled by old Rockefeller—how closely the policy of that enterprise would be attended to! Imagine, if you can, one controlled by Pierpont Morgan!
It happens that I can tell you about one of these latter. The story has to do with one of the most famous publishing-houses in America, a house which is a national institution, known to every literate person—the ancient house of “Harper’s,” which now has the misfortune to have an eight hundred thousand dollar mortgage reposing in the vaults of J. P. Morgan & Company. Would you think me absurd if I should state that the publishing-business of Harper & Bros. is managed to the minutest detail by this mortgage?
First, recall to mind “The Money-changers,” a novel dealing with the causes of the 1907 panic. The “villain” of this novel is a certain “Dan Waterman,” a great financier who dominates the life of Wall Street, and who in his relations to women is an old wild boar. The veil of fiction was thin, and was meant to be. Every one who knew the great Metropolis of Mammon would recognize Pierpont Morgan, the elder, and would know that the picture was true both in detail and in spirit. Naturally old “J. P.” himself would be furious, and his hired partisans would be looking for a chance to punish his assailant.
Very well. Five years passed, and I was editing an anthology of revolutionary literature. I was quoting authors from Homer to H. G. Wells, several hundred in all, and as part of the routine of the job, I addressed a long list of authors and publishing-houses, requesting permission to quote brief extracts from copyrighted books, due credit of course to be given. Such quotations are a valuable advertisement for any book, the more valuable because they are permanent; the request is a matter of form, and its granting a matter of course. It proved to be such in the case of all publishing-houses both in America and in England—all save one, the house of the eight hundred thousand dollar mortgage! This house informed me that no book of mine might contain a line from any book published by them. My reputation was such that I would injure the value of any book which I quoted!
I am interested in this capitalistic world, and try to find out as much about it as I can. So I took the trouble to visit the dingy old building in Franklin Square, and to interview the up-to-date gentleman who had rendered this unexpected decision. He was perfectly polite, and I was the same. I pointed out to him that some of the authors—“his” authors—were personal friends of mine, and that they themselves desired to be quoted in my anthology. Mr. Charles Rann Kennedy, for example, was a Socialist. Mr. William Dean Howells was one of Harper’s own editors; he was in that very office, and I had in my hand a letter from him, giving cordial consent to the publication of two passages from “A Traveller from Altruria”! Also Mr. H. G. Wells, an English Socialist, who had honored me with his friendship, had published “When the Sleeper Wakes” through “Harper’s,” and now requested that I be permitted to quote from this book in my anthology. Also Mark Twain had honored me with his friendship; he had visited my home in Bermuda, and had expressed appreciation of my writings. He was no longer where I could consult him in the matter, but I offered evidence to Messrs. Harper & Bros. proving that he had not regarded me as a social outcast. But no matter; the decision stood.
I took the question to the authors themselves, and I am sorry to have to record that neither Mr. William Dean Howells nor Mr. Charles Rann Kennedy cared to support a fellow-Socialist in this controversy with a great capitalist publishing-house. So it comes about that you will not find Mr. Kennedy or Mr. Howells quoted in “The Cry for Justice”; but you will find “When the Sleeper Wakes” quoted, the reason being that Mr. Wells did stand by me. Mr. Wells lives farther away, and is not so deeply influenced by an eight hundred thousand dollar mortgage in the vaults of a Wall Street banking-house!
The point of this story is the petty nature of the vengeance of this mortgage, the trouble it took, the minute detail into which it was willing to go. The moral for you is just this: that when you pick up your morning or evening newspaper, and think you are reading the news of the world, what you are really reading is a propaganda which has been selected, revised, and doctored by some power which has a financial interest in you; and which, for the protecting of that financial interest, has been willing to take trouble, and to go into the most minute detail!
You will miss the point of this book if you fail to get clear that the perversion of news and the betrayal of public opinion is no haphazard and accidental thing; for twenty-five years—that is, since the day of Mark Hanna—it has been a thing deliberately planned and systematically carried out, a science and a technique. High-priced experts devote their lives to it, they sit in counsel with the masters of industry, and report on the condition of the public mind, and determine precisely how this shall be presented and how that shall be suppressed. They create a public psychology, a force in the grip of which you, their victim, are as helpless as à moth in the glare of an arc-light. And what is the purpose of it all? One thing, and one only—that the wage-slaves of America shall continue to believe in and support the system whereby their bones are picked bare and thrown upon the scrap-heap of the profit-system.
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The Brass Check: A Study of American JournalismChapter XL: Owning the Owners
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