Chapter LV: Section I: Operations on unfermented Vegetables (4)

The Phosphorus obtained by a violent fire, from the _caput mortuum_ of this distillation, seems to throw a light of probability on this conjecture. There is certainly a great deal of Acid in the composition of Phosphorus. Perhaps this Acid was originally combined with our second Volatile Alkali, and formed therewith, as was said, a sort of Sal Ammoniac. Moreover, almost all the plants that yield a Volatile Alkali by distillation, yield also a considerable quantity of Acid: which may perhaps be the remains of such a Sal Ammoniac decomposed by the operation. This is a subject for curious and useful inquiries. This second Volatile Alkali appears in a concrete form, because very little phlegm comes over along with it; so that the vapours thereof are not sufficient to dissolve it, as they did the first.

CHAP. VII.

_Of the_ SUBSTANCES _obtained from_ VEGETABLES _by_ COMBUSTION.

PROCESS I.

_To procure a Fixed Caustic Alkaline Salt from a Vegetable Substance, by burning it in the open Air._

Take any vegetable matter whatever; set it on fire, and let it burn in the open air till it be wholly reduced to ashes. On these ashes pour a quantity of boiling water sufficient to drench them thoroughly. Filter the liquor in order to separate the earthy parts; and evaporate your lye to dryness, stirring it incessantly; and you will have a yellowish-white Salt.

Put this Salt in a crucible; set it in a melting furnace, and make a moderate fire, so as not to fuse the Salt. It will turn first of a blue-grey colour, afterwards of a blue-green, and at last reddish. Put on the dome of the furnace; fill it with coals; make your fire strong enough to melt the Salt, and keep it in fusion for an hour, or an hour and half. Then pour it into a heated metal mortar; pound it while it is red-hot; put it, as soon as possible, into a glass bottle, first made very hot and dry, and shut it up close with a glass stopple rubbed with emery. By this means you will have the pure Fixed Alkali of the vegetable substance you burnt.

_OBSERVATIONS._

Burning a vegetable substance in the open air is a kind of violent and rapid analysis made by fire, which separates, resolves, and decomposes, several of its principles.

When any wood or plant is laid on a quick fire, there ascends from it immediately an aqueous smoke, which consists of little more than phlegm; but this smoke soon becomes thicker and blacker: it is then pungent, draws tears from one's eyes, and excites a cough if drawn into the lungs with the breath. These effects arise from its being replete with the Acid, and some of the Oil, of the vegetable converted into vapours. Soon after this the smoke grows exceeding black and thick: it is now still more acrid, and the plant turns black. Its strongest Acid and last thick Oil are now discharged with impetuosity.

This rarefied Oil being heated red-hot suddenly takes fire and flames. The vegetable burns and deflagrates rapidly, till all its Oil is consumed. Then the flame ceases; and nothing remains but a coal, like that found in a retort after all the principles of a plant have been extracted by the force of fire. But this coal having a free communication with the air, which is absolutely necessary to keep a combustible burning, continues to be red, sparkles, and wastes, till all its phlogiston is dissipated and destroyed. After this nothing remains but the Earth and Fixed Salt of the vegetable; which, mixed together, form what we call the Ashes. Water, which is the natural solvent of Salts, takes up every thing of that kind that is contained in the ashes; so that, by lixiviating them, as directed, all the Salt is extracted, and nothing left but the pure earth of the mixt which is thus decomposed.

The phenomena observed in the burning of a vegetable substance, and the production thereby of a Fixed Alkali, seem to prove that this salt is the work of the fire; that it did not exist in the plant before it was burnt; that the plant only contained materials adapted to form this Salt; and that this Salt is no other than a combination of some of the Acid, united with a portion of Earth, by means of the igneous motion.

In the first place; a Fixed Alkali may be obtained by lixiviation from the ashes of all vegetable matters that contain an Acid, Earth, and Phlogiston, in due proportion. Thus Essential Salts; the substance of extracts made by trituration, infusion, or decoction; wood coals burnt to ashes; all yield a quantity of this Salt in proportion to the quantity of Acid and Earth contained in them.

Secondly; Fat, Essential, and Empyreumatic Oils afford, when burnt, such a small quantity of Fixed Alkali as is scarce perceptible; because they contain but a little Acid, and still less Earth: and these same Oils, when rectified by repeated distillations, and then burnt, leave still less of this Salt; because they are separated by rectification from most of the Acid, together with, the small matter of Earth contained in them.

Thirdly; those vegetable matters which, being analyzed, furnish a great deal of Volatile Alkali, yield but very little Fixed Alkali; because a great deal of their Acid is employed in forming the Volatile Alkali, which is dissipated by burning the plant: and, for the same reason, those which in distillation afford only a Volatile Alkali, and no Acid, leave in their ashes little or no Fixed Alkali, as is also the case with animal matters.

Fourthly, and lastly; the ashes of such plants as have been long steeped in water, and from which infusions and decoctions have been made, always contain the less Alkali the longer they have been infused or boiled, and the more water they were infused or boiled in; because water dissolves and carries off their Acid. It is for this reason that the ashes of float-wood are much less saline than those of green wood. Boerhaave assures us, in his Chymistry, that having exhausted Rosemary by repeated decoctions, and having afterwards boiled the plant thus treated, the ashes produced by it shewed not the least sign of a Fixed Alkali. He says, that, in order to exhaust thoroughly all the saline matters contained in Rosemary, he was obliged to decoct it no less than twenty times successively, with fresh water every time, and never ceased boiling it in this manner, till he was sure that the water, by boiling the plant in it for a long time, took up from it no kind of matter whatever that in the least affected its purity: so that the water of his last decoction had absolutely no smell, taste, or colour; but was in short precisely the same as before he used it for the decoction. The same author observes, that his plant, after having been exhausted in this manner, and having suffered such continued boiling, retained nevertheless its perfect external form; that from being green at first it became brown, and sunk to the bottom of the water, instead of floating thereon as it did before decoction.

If, in reiterating this beautiful experiment of Mr. Boerhaave's, you should not succeed as you expect, you must not therefore accuse this great man of having been mistaken on this occasion; seeing it is very difficult, not to say impossible, to ascertain exactly, from the account he hath given of his experiment, all that is necessary to its perfect success: for he hath not specified either the duration of the coctions which he made the Rosemary undergo, or the quantity of water he employed in each; whereas a difference in either of these may occasion a vast difference in the result. It is evident, that if five or six pounds of water be used for each coction of a pound of Rosemary, and be kept boiling for two or three hours, the plant will not be near so much exhausted by being so treated, as if the same quantity thereof were kept boiling for several days, in forty or fifty quarts of water.

Indeed, these points seem, in some measure, to be determined, by what he says of the quality which the water of the last decoction ought to have. But the same objections occur here also; nay, the two circumstances of the quantity of water and the duration of the boiling, have the greatest influence here: for the more a plant is exhausted of its Salts, the more difficult it becomes for the water to dissolve and separate the small quantity thereof that remains united with the tenacious Oil; and consequently it may happen, that this last water, after the plant hath boiled in it five or six hours, shall appear insipid, scentless, colourless; and yet that a much greater quantity of water, but reduced by longer boiling to the same quantity with that which hath been boiled but five or six hours, shall have acquired both taste and colour; in a word, shew that it hath taken up some of the principles of the plant. It may also happen, that, a small portion of saline matter being diffused through a large quantity of water, after long continued coction, shall not be perceptible either to the taste or to the eye; but that the very same portion of saline matter shall become very sensible, when the quantity of water in which it is lost, as it were, is sufficiently lessened by evaporation.

Hence, if we would make sure of fulfilling the conditions required by Mr. Boerhaave, the last decoction of the plant must be made in a much greater quantity of water, and continued for a much longer time, than may perhaps be imagined, or perhaps easily determined; and this decoction being evaporated to any degree you please, must have neither taste, smell, nor colour: in short, it must from first to last remain perfectly like pure water. In other words, it is very difficult to attain to any certainty in this matter.

Though what hath hitherto been said, about procuring the Fixed Alkali of plants by combustion, seems to prove that this Salt is wholly the production of the fire, yet it must not be asserted that no part thereof pre-existed formally in the plant before it was burnt. On the contrary, it is certain that, amongst the saline matters found in the composition of plants, there are true Neutral Salts whose basis is a Fixed Alkali; but this Alkali being combined with an Acid discovers none of its properties, and never appears in its true form till the Neutral Salt, of which it makes a part, is decomposed by combustion. The case of Sea-plants, all of which contain Sea-salt, and when burnt yield an Alkaline Salt perfectly resembling the basis of Sea-salt, seems to decide this point.

If, in lixiviating the ashes of a plant, to dissolve and wash out its Alkali, you intend that nothing should be left but an absolutely pure earth, fit for making cupels, you must not be contented with one ablution only, even with a large quantity of water; because the ashes continue drenched with the water in which the Salts are dissolved, and consequently, when this water is evaporated, some of the Salts will be left with the earth. Therefore, if this be your view, you must wash it three or four several times, using fresh water every time.

The water impregnated with the Alkali cannot be evaporated without a considerable loss of Salt, especially if it be violently boiled; because the water, with which it is closely united, carries off part of it. In consequence of this intimate union, it is very difficult, when the evaporation is near finished, and but a little water left, to dry the Salt perfectly, because it pertinaciously retains this last portion of humidity.

The Alkali obtained from the ashes of a burnt plant is not perfectly pure: it is contaminated with a small mixture of fatty matters, which were probably defended thereby against the action of the fire, and which render it somewhat saponaceous. In order to free it from this extraneous matter, and to render it very caustic, it must be calcined a long time in a crucible, but without melting it at first: because it is with this Salt as with most metallic matters, which are sooner and more easily deprived of their phlogiston by being calcined without melting, provided they be comminuted into small particles, than when they are in fusion; all melted matters having but a small surface exposed to the air, by the contact of which the evaporation or anything whatever is exceedingly promoted. It was for this reason we directed the Salt to be calcined for a long time in a crucible before melting it.

Mr. Boerhaave was very sensible of the utility of this calcination of the Alkali previous to its being melted, when in his Chymistry he ordered the ashes containing this Salt to be put into a large earthen vessel, kept red-hot for a considerable time, taking great care that the Salt do not melt. He takes notice, that, the longer the ashes are calcined in this manner, the stronger is the Alkali obtained from them. This method is, in the main, the very same with that here prescribed, and produces the same effect; because the Alkali is equally well freed of the extraneous fatty matter, whether it be calcined before or after its separation, provided it be not suffered to melt.

Mr. Boerhaave gives another reason for recommending care to be taken that the Fixed Alkali do not melt, while the ashes are calcining to render it stronger and more caustic: for, if that should happen, the melted mixture of the Salt and ashes would produce a vitrified mass, which would have none of the properties of the Salt.

PROCESS II.

_To procure the Fixed Salt of a Plant by burning it after the manner of Tachenius._

Into an iron pot put the plant whose Salt you desire to obtain in the manner of Tachenius, and set it over a fire, strong enough to make its bottom red-hot; at the same time cover your plant with a plate of iron, that may lie immediately upon it in the pot. The plant will grow black, and smoke considerably; but will not flame, because it hath not a sufficient communication with the air. The black smoke only will escape through the interstice left between the side of the pot and the rim of the plate; which, for that purpose, should be made so as not to fit exactly into the pot. From time to time take up the iron plate, stir the plant, and cover it again immediately, to prevent its taking fire, or to smother it if it should happen to flame: go on thus till the black smoke cease.

Then take off the iron plate: the upper part of the half-burnt plant will take fire as soon as the air is admitted, consume gradually, and be reduced to a white ash. Stir your matter with an iron wire, that the undermost parts, which are still black, may be successively brought uppermost, take fire, and burn to white ashes. Go on thus as long as you perceive the least blackness remaining. After this, leave your ashes some time longer on the fire; but stir them frequently, to the end that, if any black particles should still be left, they may be entirely consumed.

Your ashes being thus prepared, lixiviate them with seven times their quantity of water, made to simmer over the fire, and keep stirring it with an iron ladle. Then filter the liquor, and evaporate it to dryness in an iron pot, stirring it incessantly towards the end, lest the matter, when it grows stiff, should adhere too closely to the vessel. When all the humidity is evaporated, you will have a Salt of a darkish colour, and alkaline nature; which you may melt in a crucible, and mould into cakes. This is the Fixed Salt of plants, prepared in the manner of Tachenius.

_OBSERVATIONS._

The Fixed Salt obtained from plants in the manner invented by Tachenius, and here described, is in many respects different from the Caustic Fixed Alkali extracted out of the ashes of plants that have been consumed by flaming in the open air. Tachenius's Salt is indeed of an Alkaline nature; but much weaker than a pure Fixed Alkali. It is not by far so caustic; it attracts the moisture of the air much more feebly and slowly; it melts with a much smaller degree of heat; and it doth not make so strong an effervescence with Acids. In short, if you dissolve it in water, evaporate the solution to a pellicle, and set it in a cool place, it will shoot into small crystals; which is not the case with a pure Fixed Alkali.

These several different effects, which characterize Tachenius's Salt, and distinguish it from the Caustic Fixed Alkali produced by burning a plant in the open air, prove that it is not a pure Alkali, but combined with certain substances that bring it nearer to the nature of a Neutral Salt, and place it, as it were, in the mid-way between such a Salt and a true Alkali. If we reflect on the manner in which it is produced, it is easy to perceive what those substances are that must be combined with it. It hath been shewn that plants, when analyzed, yield a great deal of Oil and of Acid. When they are burnt in the open air, all their Oil is dissipated in smoke, or consumed in flame. Great part of the Acid is likewise dissipated, and the remainder combining with the Earth of the plant forms a Fixed Alkali.

When the same plants are analyzed, by distilling them in close vessels, the same principles are carried up by the action of the fire, forced to separate from the fixed parts, and pass over into the receiver in the form of vapours and of a liquid: but, when they are burnt in the manner of Tachenius, the Acid and Oil of the plant, as fast as they are expelled by the action of the fire, are repelled by the iron cover, which, at the same time that it prevents the Oil from being entirely consumed in flame, obliges these two substances to circulate, reverberates them on the rest of the plant, and, in a manner, forces them to re-unite, in part, with that from which they were just before separated.

A considerable quantity, therefore, of the Oil and Acid of the plant, must evidently combine, in this operation, with its Fixed Salt, as fast as it is produced; and the properties above specified are owing to these two substances. Tachenius's Salt is, therefore, a Fixed Alkali, partly neutralized by some of the Acid of the plant, and rendered a little saponaceous by a portion of its Oil; whence it is much milder than a pure Fixed Alkali, and proper to be given internally, as an excellent remedy in several disorders.

For the medicinal virtues of this Salt Mr. Boerhaave's Chymistry ought to be consulted, as the author was a very good judge of such matters.

Tachenius's Salt may be converted into a Caustic Fixed Alkali, by freeing it from the Acid and from the Oil to which its peculiar properties are owing. For this purpose nothing more is requisite than to calcine it for a long time in a crucible, stirring it frequently with an iron wire, and taking care not to melt it, till it have undergone the same changes, and successively acquired the same colours, as our Fixed Alkali; and, when it becomes reddish, melting it and keeping it in fusion for an hour or two.

Hitherto no sensible difference hath been observed between the Caustic Fixed Alkalis obtained from different plants, when equally calcined; except that those produced by Sea-plants have, as we said before, the same properties as the Alkaline basis of Sea-salt. Much the same thing may be said of the Fixed Salts obtained from plants by Tachenius's method: for, though they be combined with a portion of the Acid and Oil of the plant, yet, as these principles have-been exposed to the action of a strong fire, they are exceedingly altered, and almost wholly reduced to one and the same condition.

PROCESS III.

_To render Fixed Alkalis very caustic by means of Lime. The Caustic Stone._

Take a lump of newly burnt quick-lime, that hath not yet begun to flake in the air: put it into a stone pan, and cover it with twice its weight of the unwashed ashes of some plant, that are full of the Salt you design to render caustic. Pour on them a great quantity of hot water; let them steep in it five or six hours, and then boil them gently. Filter the liquor through a thick canvas bag, or through brown filtering paper supported by a linen cloth.

Evaporate the filtered liquor in a copper bason set over the fire; and there will remain a Salt, which must be put into a crucible set in the fire. It will melt, and boil for some time; after which it will be still, and look like an Oil, or melted Fat. When it comes to this condition, pour it out on a very hot copper plate, and cut it into oblong tapering slips, before it grow hard by cooling. Put these slips, while they are still hot, into a very dry glass bottle, and seal it hermetically. This is the _Caustic Stone_, or _common Caustic_.

_OBSERVATIONS._

The design of this operation is to combine with the Fixed Alkali all the saline acrid parts of the quick-lime. This is to be effected only by dispersing and diffusing both those substances in water, which is the proper solvent of all saline matters. Seeing, therefore, we must have an actual lixivium, it is needless to employ an Alkali already prepared and separated from ashes; for which reason we directed ashes that are still replete with Alkali to be used instead of a pure Alkali. By this means two ends are answered at once: the Salt contained in the ashes is extracted from them, and combined with the most acrid, subtile, and saline parts of the lime.

The lye, when saturated with these two saline matters together, is vastly more acrid and caustic than if it contained but one of the two in a quantity equal to both. With this lye Soap is usually made; because the acuated Alkali contained in it hath a much greater effect on Oils than any other kind of Alkali. It also acts with incredible violence on all animal matters; which it dissolves, divides, and, in some measure, destroys, with surprising efficacy and quickness.

For this reason it is impossible to filter it through a woollen or silken bag; for it will eat holes in them, or even reduce them to a pap, almost as soon as it touches them. Besides, as the lye would dissolve some part thereof, it would thence acquire a saponaceous quality, and so lose much of its caustic nature. We must, therefore, necessarily use a filter made of vegetable matters, which resist this destroying Salt much better than animal matters.

An Alkali thus acuated by quick-lime attracts and retains humidity more strongly than any other kind of Alkali, even the perfectest and best calcined. For this reason it is almost impossible to dry it thoroughly in the bason wherein you evaporate the lixivium.

To the moisture still left in it must be attributed its boiling when it begins to melt in the crucible. When all the humidity is dissipated, the fused Salt remains smooth and unruffled, like wax melted with a gentle heat.

This caustic Salt is vastly more fusible than the common Alkalis. It scarce grows red before it flows like wax. When it is once in quiet fusion, all the humidity that occasioned the boiling observed at first being dissipated, it is as caustic as it can be made. It is then time to pour it out, and to cut it into long narrow sticks, fit for the use of Surgeons, who apply it to eat away callosities and excrescences, and to open tissues. On this account it is called the _Caustic Stone_. The operation of this Salt is so quick, that, in a very short time, it produces on the skin a sensation like that of fire.

As this Salt grows surprisingly soon moist in the air, and loses its virtue when so moistened, it is necessary to shut it up, while it is still hot, in a very dry bottle, which must be immediately stopped with a glass stopple rubbed with emery, or else with a round cork and then dipt in pitch. In spite of all these precautions, it can scarce be kept five or six months in full vigour; especially if the bottle be sometimes opened in the mean while. We shall not attempt to explain here why an Alkali becomes so violently caustic by being combined with quick-lime. This question seems to be one of the most subtile, and the most difficult to answer, in all Chymistry. It depends on the cause of the Alkaline properties of lime; and can hardly be resolved, till we attain a further insight into the nature of that substance than we have yet got.

PROCESS IV.

_The Analysis of Soot._

Take wood-soot from a chimney under which no animal matter hath been dressed or burnt: put it into a glass retort set in a reverberating furnace; lute on a receiver, and begin to distil with a degree of heat somewhat less than that of boiling water. A considerable quantity of limpid phlegm will come over. Keep the fire in the same degree as long as any of this phlegm rises; but increase it when the drops begin to come slow: and then there will ascend a good deal of a milky water. When this water ceases to run, change the receiver, and increase your fire a little: a yellow Volatile Salt will rise, and stick to the sides of the receiver. The fire ought now to be very fierce, and, if so, will force up at the same time a very thick black Oil. Let the vessels cool: you will find a saline matter risen into the neck of the retort, which could not pass over into the receiver: in the bottom of the retort will be a _caput mortuum_, or black charred substance, the upper part of which will be crusted over with a saline matter, like that in the neck of the retort.

_OBSERVATIONS._

The preceding analysis shewed what principles are obtained from vegetable substances without the aid of fire; those which the heat of fire raises and carries over out of one close vessel into another; and, lastly, those that continue fixed after the vegetable hath been thoroughly charred, either in a close vessel, or in the open air: nothing therefore remained, to finish the subject of vegetable principles, but to examine those which fire raises, in the form of vapours, smoke, and flame, from a vegetable matter burnt and consumed in the open air. Every body knows that Soot consists only of these principles, collected in the shafts of chimneys, which serve as alembics for this sort of distillation in the open air. By analysing Wood-soot, therefore, we shall discover the principles we are in quest of. The process we have given for that purpose is taken from Boerhaave's Chymistry, where we find it described with great exactness and precision.

As we are at present inquiring into the nature of vegetables only, it is evidently necessary that we chuse a Soot produced by burning vegetables alone. Soot, though dry in appearance, contains nevertheless much humidity, as appears from this analysis; seeing there comes over at first a considerable quantity of phlegm, that doth not seem to be impregnated with any principle, except perhaps an extremely subtile, saline, and oily matter, that communicates to it a disagreeable smell, from which it cannot by any means be entirely freed.

The white milky liquor, which follows this first phlegm, is still water, but much, more impregnated with saline and oily parts than the former. By its smell, which is exceeding quick and pungent, we may judge it contains much Volatile Alkali; and accordingly, when re-distilled by itself, it yields a Volatile Spirit, and a Volatile Salt in a concrete form. With regard to its white colour, it is occasioned by the oily parts which are diffused and suspended, but not dissolved, in the water. When this second liquor is come off, there ascends a Volatile Alkali in a dry form, and a very thick black Oil; because there is not moisture enough left to dissolve these principles, or rather to divide and disperse them.

The Volatile Alkali obtained from Soot is, in a double respect, the product of the fire. In the first place, though it derives its origin wholly from wood, or other vegetables, which, when distilled in close vessels, yield no Volatile Alkali at all, yet it produces such a Salt when analyzed in the present manner: whence it must be inferred, that the principles of those vegetables are metamorphosed into a Volatile Alkali, by being burnt in the open air, and sublimed in the form of Soot. Secondly, though Soot when analyzed yields a great deal of this Salt, yet this Salt doth not formally pre-exist therein; for it doth not rise till after the phlegm, nor without a very considerable degree of heat: therefore Soot contains only the materials necessary to form this Salt; therefore the perfect combination of this Salt requires that the force of fire be applied a second time; therefore it is, as was said, doubly the product of the fire.

The saline matter which we find sublimed into the neck of the retort, and which also forms the crust that covers the _caput mortuum_ of the Soot, appears by all Chymical trials to be an Ammoniacal Salt; that is, a Neutral Salt consisting of an Acid and a Volatile Alkali. This Ammoniacal Salt rises only into the neck of the retort, and doth not come over into the receiver: because it is but semi-volatile. We shall treat more at large of the production of a Volatile Alkali, and of this Ammoniacal Salt, when we come to the analysis of Animals, and the article of Sal Ammoniac.

The charred matter that remains in the retort after distillation, being burnt in the open air, is reduced to an exceeding fixed white earth. As this fixed matter was part of that very Soot, which was sublimed to a great height whilst the vegetable was burning; this is a proof of what we advanced before, that the most fixed matters are capable of sublimation, when united with volatile substances; especially when they are exposed at the same time to the combined action of air and of fire.

CHAP. VIII.

_The_ ANALYSIS _of some particular_ SUBSTANCES _belonging to the_ VEGETABLE KINGDOM.

PROCESS I.

_Analysis of the natural Balsams: instanced in Turpentine._

Into a cucurbit put as much rain-water as will fill about a fourth part of its cavity, and pour into it the Turpentine you intend to analyze. Cover the cucurbit with its head, and lute it on with slips of sized paper or wet bladder. Set your alembic in a sand-heat; lute on a long-necked receiver; and give a gradual fire till the water in the cucurbit boil. There will come over into the receiver a good deal of phlegm, which, by little and little, will become more and more acid; and at the same time there will rise a great quantity of an æthereal Oil, extremely light, fluid, and as limpid and colourless as water.

When you observe that no more Oil comes off, unlute your vessels; and in the receiver you will find an acidulated water, and the æthereal Oil floating on it. These two liquors may be easily separated from each other, by means of a glass funnel.

In the cucurbit will be left some of the water you put in, together with the remainder of your turpentine; which, when cold, instead of being fluid as it was before distillation, will be solid, and of the consistence of a resin, and is then called _Rosin_.

Put this residuum into a glass retort, and distil it in a reverberatory with a naked fire, gradually increased according to the general rule for all distillations. At first, with a degree of heat a little greater than that of boiling water, you will see two liquors come over into the recipient; one of which will be aqueous and acid, the other will be a transparent, limpid, yellowish Oil, floating on the acid liquor.

Continue your distillation, increasing your fire from time to time, by slow degrees. These two liquors will continue to come off together: and the nearer the operation draws to its end, the more acid will the aqueous liquor become, and the thicker and deeper coloured will the Oil grow. At last the Oil will be very thick, and of a deep reddish-yellow colour. When nothing more ascends, unlute your vessels: in the retort you will find only a very small quantity of a charred, light, friable substance.

_OBSERVATIONS._

All Natural Balsams, as well as Turpentine, are oily, aromatic matters, which flow in great quantities from the trees containing them, either spontaneously, or through incisions made on purpose. As these matters have a strong scent, it is not surprising that they should greatly abound with Essential Oils. They may even be considered as Essential Oils, that naturally, and of their own accord, separate from the vegetables in which they exist.

Indeed these Natural Balsams differ from the Essential Oils obtained out of plants by distillation, in this alone, that the former contain a greater proportion of Acid; and, for that reason, are thicker than Essential Oils distilled with the heat of boiling water. But it hath been shewn, that these same distilled Essential Oils, though ever so fluid and light at first, gradually lose their tenuity as they grow old, and at last become considerably thick. On that occasion we observed that they are thus changed, because the lightest, most fluid, and least acid parts, are little by little dissipated and evaporated; so that at last there remains only the thickest and heaviest part, which owes these qualities to the Acid wherewith it is over-dosed.

Hence it follows, that Natural Balsams, and Essential Oils grown thick with age, are exactly one and the same thing. Accordingly we see that fire and distillation produce the same effects on both. The rectification of an Essential Oil, thickened by keeping, is nothing but a decomposition thereof, by separating, with the heat of boiling water, all those parts that are light enough to rise with that degree of heat, from what is so loaded with Acid as to remain fixed therein.

This operation is therefore precisely the same as our first distillation of Balsams with the heat of boiling water, by which the Essential Oil contained in them is drawn off. The residues of these two operations are also the same: each of them is a thick Oil, loaded with Acid, that is wholly, or nearly, deprived of the principle of odour peculiar to the original vegetable, and requires a degree of heat greater than that of boiling water to decompose it, by separating part of the Acid from the Oil; which will be rendered still the more fluid, the more the thickening Acid is separated from it by repeated distillations.

The newer Natural Balsams are, the thinner they are, and the more Essential Oil do they yield; and this Essential Oil, like all others, grows thick in time, and at last turns again to an actual Balsam.

These Balsams, by being long exposed to the heat of the sun, acquire such a consistence as to become solid. They then take another name, and are called _Resins_. Resins yield much less Essential Oil, when distilled, than Balsams do. Hence it follows, that Resins are to Balsams, what Balsams are to Essential Oils. All these effects are produced by the causes assigned above, and confirm the analogy we have established.

We have no other observations to make on this analysis of Turpentine, except that when Rosin is distilled in a retort with a naked fire, the operation must be carried on very slowly, and the fire duly governed: for the matter is apt to swell, and to rise in substance into the receiver, without being at all decomposed. In order to avoid this inconvenience, it is adviseable to make use of a long-bodied retort, such as is known by the name of the _English Retort_.

If you stop the distillation of Rosin about mid-way, or when the Oil that comes over begins to grow thick, you may, by changing the receiver, keep the first Oil apart: it is pretty fluid, and of a middle nature between the æthereal Oil, obtained with the heat of boiling water, and the last thick Oil, that doth not rise till towards the end of the distillation. This last thick Oil is that which Mr. Homberg fired with concentrated Oil of Vitriol.

If we examine the matter contained in the retort, when the distillation is thus stopped short, it appears, when cold, in the form of a solid substance, almost perfectly diaphanous, of a deep reddish-yellow colour, and friable: It is known by the name of _Colophony_.

This analysis of boiled Turpentine, is a specimen of the analysis of almost all other resins; so that what hath been said on this occasion is in a manner general, and applicable to other decompositions of the same kind. We shall now proceed to examine some other oily matters, which exhibit peculiar phenomena, and do not come under the general rules.

PROCESS II.

_The Analysis of Resins: instanced in Benjamin: The Flowers and Oil of Benjamin._

Into a pretty deep earthen pot, having a border or rim round its mouth, put the Benjamin you intend to analyze. Cover the pot with a large conical cap of very thick white paper, and tye it on under the rim. Set your pot in a sand-bath, and warm it gently till the Benjamin melt. Continue the heat in this degree for an hour and half. Then untie the paper cap and take it off, shaking it as little as possible. You will find all the inside of the cap covered with a great quantity of beautiful, white, shining Flowers, in the form of little needles. Brush them off gently with a feather, put them into a bottle, and stop it close.

As soon as you take off the first cap, cover your pot immediately with a second like the former. In this manner go on till you perceive the Flowers begin to grow yellowish; and then it is proper to desist.

The matter left in the pot will be blackish and friable when cold. Pulverize it; mix it with sand; and distil it in a glass retort with a graduated heat. There will come over a light Oil, of a fragrant scent, but in very small quantity; a little of an acid liquor, and a great quantity of a red thick Oil. There will be left in the retort a charred, spongy substance.

_OBSERVATIONS._

All oily matters, that are naturally thick and in a concrete form, resemble each other in this, that they derive these qualities from an Acid combined with them. But they nevertheless differ greatly from one another in many respects. The quality, the quantity, of the Acid to which they owe their consistence, and the manner in which it is united with them, diversify them a thousand ways.

In the preceding process we advanced, that Natural Balsams are distinguished from Resins by their containing so much more Oil, in proportion to their Acid, as suffices to render them almost fluid. For this reason they yield an essential Oil: whereas Resins, on the contrary, are solid; all their Oil being loaded and weighed down with a great quantity of Acid, so that no Essential Oil can be drawn from them.

We observed at the same time, that, when all the Essential Oil contained in a Natural Balsam is drawn off, with the heat of boiling water, the residue takes a solid consistence, and resembles a Resin. In fact, almost all Resins yield, by distillation, the same principles as that residue; that is, an Oil of a middling nature between Essential Oils and thick Oils, in point of lightness and fluidity; the whole being always accompanied with an Acid diffused in phlegm.

In consequence hereof, the analysis of Benjamin, described in the process, appears to vary much from that of other Resins: for here we see a volatile matter in a concrete form; namely, the white Flowers that rise first; which doth not usually occur in the analysis of Resins. Yet, if we examine the matter, we shall be convinced that it is very analagous to one of the principles obtainable from all Resins; that indeed it differs therefrom in some of its properties, particularly in its external form; but that it is in reality the very same.

In fact, the Flowers of Benjamin are no other than an Oily Acid, nearly of the same nature with those obtained from all other vegetable substances; but which, instead of being liquid like them, appears in a dry concrete form, and in a manner crystallized. It probably derives this property from its Oil being combined with its Acid, either in greater quantity, or in a more intimate manner, than in the rest, and so strongly united therewith as not to be separated from it by a subliming heat; or from hence, that the compound, of which it is a part, contains too little phlegm to dissolve it; or else, that it is hindered from dissolving therein by the Oil with which it is combined. Perhaps all these causes may concur together in producing its concrete form.

The saline character of this substance appears chiefly from its being soluble in water: but the water must be very hot, and even boiling, before it will effect this solution; and when it cools, the Salt shoots into fine needles at the bottom. This phenomenon directs us to a method of separating it from Benjamin without sublimation.

For this purpose the Resin must be boiled in water: the water will then dissolve the Salt; and, as it cools, the Salt will crystallize, and may be easily collected. But as the Oil, with which the Acid is combined, hinders the water from dissolving it so easily as it otherwise would, we cannot obtain quite so much of it, from the same quantity of Benjamin, by decoction as by sublimation; the last portions thereof being united with a great quantity of Oil, which defends them against the action of the water. This Salt dissolves readily in Spirit of Wine, on account of the Oil combined with it. A course of well connected experiments might give us a far greater insight into its natural properties than we can now boast of.

Benjamin yields a much smaller quantity of fluid Oil by distillation than other Resins do; because the greatest part of its Oil is employed in the composition of its oily, volatile, acid Salt. The thick Oil drawn from this Resin, is thicker than that obtained from any other Resin, and even fixes like butter when cold; nor can we get more than a very small quantity of Acid in a distinct liquor. All these effects depend on what we mentioned above, in relation to its saline flowers: to wit, the peculiar and intimate union between the Acid and Oily part of this Resin, so that the fire cannot so easily or so perfectly disjoin them, as it doth those of other Resins.

Benjamin, when distilled, leaves in the retort much more of a charred coal than is left by most other resinous matters. This may be owing to the considerable quantity of earthy matter which it contains, and which, perhaps, may also be one of the causes that contribute to give its Salt a concrete form.

REFLECTIONS

_On the Nature and Properties of_ CAMPHOR.

We do not propose to give an analysis of this singular body; because hitherto there is no process known in Chymistry by which it can be decomposed. We shall therefore content ourselves with reciting its principal properties, and making a few reflections on its nature.

Camphor is an oily concrete substance; a kind of Resin, brought to us from the island of Borneo, but chiefly from Japan. This substance resembles Resins, in being inflammable, and burning much as they do; it is not soluble in water, but dissolves entirely and perfectly in Spirit of Wine; it is easily separated again from this menstruum, as all other oily matters are, by the addition of water; it dissolves both in expressed and in distilled Oils; it hath a very strong aromatic smell. These are the chief properties which Camphor possesses in common with Resins: but in other respects it differs totally from them; especially in the following particulars.

Camphor takes fire and flames with vastly more ease than any other Resin. It is so very volatile, that it vanishes entirely in the air, without any other heat than that of the atmosphere. In distillation it rises entire, without any decomposition, or even the least alteration. It dissolves in concentrated mineral Acids; but with circumstances very different from those that attend other oily or resinous substances. The dissolution is accompanied with no effervescence, no sensible heat; and consequently can produce no inflammation. Acids do not burn, blacken, or thicken it, as they do other oily matters; on the contrary, it becomes fluid, and runs with them into a liquor that looks like Oil.

Camphor doth not, like other oily matters, acquire a disposition to dissolve in water by the union it contracts with Acids; though its union with them seems to be more intimate than that of many oily matters with the same Acids. On the contrary, if a combination of Camphor and an Acid be diluted with water, these two substances instantly separate from each other: the Acid unites with the water, and the Camphor, being entirely disengaged from it, swims on the surface of the liquor. Neither Volatile Alkalis, nor the most caustic Fixed Alkalis, can be brought into union with it; for it always eludes their power.

Notwithstanding these wide differences between Camphor and all other oily and resinous substances, the rule, that Acids thicken Oils, seems to be universal, and so constantly observed by nature, that we cannot help thinking this substance, like all the rest, is an Oil thickened by an Acid. But what Oil? What Acid? and how are they united? This is a subject for very curious inquiries.

With a yellow Oil drawn from wine, and an acid vinous Spirit, of which we shall say more under the article of Æther, Mr. Hellot made a kind of artificial Camphor; a substance having the odour, favour, and inflammability of Camphor; an imperfect Camphor. True Camphor hath the levity, the volatility, and the inflammability of Æther. Can it be a substance of the same nature with Æther, a kind of solid Æther, an Æther in a concrete form?

PROCESS III.

_The Analysis of Bitumens: instanced in Amber, The Volatile Salt and Oil of Amber._

Into a glass retort put some small bits of Amber, so as to fill but two thirds of the vessel. Set your retort in a furnace covered with its dome; fit on a large glass receiver; and, beginning with a very gentle heat, distil with degrees of fire. Some phlegm will first come off, which will gradually grow more acid, and be succeeded by a Volatile Salt, figured like fine needles, that will stick to the sides of the receiver.

Keep the fire up to this degree, in order to drive over all the Salt. When you perceive that little or none rises, change the receiver, and increase your fire a little. A light, clear, limpid Oil will ascend. As the distillation advances, this Oil will grow higher coloured, less limpid, and thicker, till at last it will be opaque, black, and have the consistence of Turpentine.

When you perceive that nothing more comes off, though the retort be red-hot, let the fire go out. You will have in the retort a black, light, spongy coal. If you have taken care to shift the receiver, from time to time, during the distillation of your Oil, you will have sundry separate portions thereof, each of which will have a different degree of tenuity or thickness, according as it came over at the beginning, or towards the end of the distillation.

_OBSERVATIONS._

The substance of which we have here given the analysis, together with all others of the same, that is, of the Bituminous kind, is by most Chymists and Naturalists classed with Minerals: and so far they are right, that we actually get these mixts, like other minerals, out of the bowels of the earth, and never procure them immediately from any vegetable or animal compound. Yet we have our reasons for proceeding otherwise, and for thinking that we could not, in this work, place them better, than immediately after those vegetable substances which we call Resins.

Several motives determine us to act in this manner. The analysis of Bitumens demonstrates, that, with regard to the principles of which they consist, they are totally different from every other kind of mineral; and that, on the contrary, they greatly resemble vegetable Resins in almost every respect. In short, though they are not immediately procured from vegetables, there is the greatest reason for believing that they were originally of the vegetable kingdom, and that they are no other than resinous and oily parts of trees or plants, which, by lying long in the earth, and there contracting an union with the mineral Acids, have acquired the qualities that distinguish them from Resins.

Mineralogists know very well that we find, every where in the earth, many vegetable substances, that have lain very long buried under it, and frequently at a considerable depth. It is not uncommon to find, under ground, vast beds of fossile trees, which seem to be the remains of immense forests: and Bitumens, particularly Amber, are often found among this subterraneous wood.

These considerations, joined to proofs drawn from their analysis, make this opinion more than probable: nor are we singular in maintaining it, as it is adopted by many able modern Chymists.

The analysis of Amber, above described, may serve as a general specimen of the decomposition of other Bitumens: with this single difference, that Amber is the only one among them which yields the Volatile Salt aforesaid; and this determined us to examine it preferably to any other. As for the rest, they all yield a phlegm, an acid liquor, and an Oil; which is thin at first, but grows thicker and thicker, as the distillation draws towards an end. It must be understood, however, that these Acids and these Oils may differ, according to the nature of the Bitumens from which they are drawn; just as the Phlegm, the Acid, and the Oil, resulting from the decomposition of Resins, differ in quantity and quality, according to the nature of the Resins from which they are procured.

The principal differences observed between Resins and Bitumens are these: the latter are less soluble in Spirit of Wine; have a peculiar scent, which cannot be accurately described, and of which the sense of smelling only can judge; and their Acid is stronger and more fixed. This last property is one of the motives which induce us to think, that, besides the vegetable Acid, originally combined with the resinous or oily matter now become a Bitumen, a certain quantity of mineral Acid hath, in a course of time, been superadded to constitute this mixt. We shall presently see that the fact is certainly so, in the case of Amber at least.

Almost all authors, who mention the analysis of Amber, have given different accounts of the volatility of its Salt, and of the time of the distillation when it begins to rise. Some make it ascend immediately after the first acid phlegm. Others say, that it doth not begin to appear till after the first thin Oil; and others again affirm, that it comes over with the last thick Oil. Mr. Bourdelin, who hath examined this matter to the bottom, in a Memoir on the analysis of Amber given in to the Academy, very judiciously remarks, that the different results which those Chymists met with in analyzing our mixt, arose wholly from the different manner wherein each conducted his fire during the operation.

It is certain that such a cause is capable of producing vast differences: for when fire is hastily applied, or made too violent, it not only confounds and tumultuously mingles the principles of the body to be analyzed, but it even frequently drives up the entire substance itself out of the retort into the receiver, without decomposing it at all. This is really so in the case of Amber, and of almost all compound substances that are not extremely fixed.