Chapter X: Part 10

Having thus failed to become rational, Egyptian theology took refuge in learning. The need for a more spiritual and intellectual interpretation of the pantheon still remained, and gave rise to a number of theological sciences. The names of the gods and the places of their worship were catalogued and classified, and manuals were devoted to the topography of mythological regions. Much ingenuity was expended on the development of a history of the gods, the groundwork of which had been laid in much earlier times. Re was not only the creator of the world, but he was also the first king of Egypt. He was followed on the throne by the other eight members of his Ennead, then by the lesser Ennead and by other gods, and finally by the so-called "worshippers of Horus." The latter were not wholly mythical personages, though they were regarded as demigods (Manetho calls them "the dead," [Greek: nekues]); they have been shown to be none other than the dim rulers of the predynastic age. The Pharaohs of the historic period were thus divine, not only by virtue of their connexion with Horus (see above), but also as descendants of Re; and the king of Egypt was called "the good god" during his lifetime, and "the great god" after his death. The later religious literature is much taken up with the mythical and semi-mythical dynasties of kings, and the priests compiled, with many newly-invented details, the chronicles of the wars they were supposed to have waged.

Later developments.

In a similar manner, the ethical and allegorical methods of interpretation came into much greater prominence towards the end of the New Kingdom. The Osirian legend, as we have already seen, was early accepted as symbolizing the conflict between good and evil. So too the victories of Re over the serpent named Apophis were more or less clearly understood as a simile of the antithetical nature of light and darkness. In one text at least as ancient as the XVIIIth Dynasty (the copy that we have dates only from the Ethiopian period) an ingenious attempt is made to represent Ptah as the source of all life: from him, it is said, emanated Horus as "heart" or "mind" and Thoth as "tongue," and through the conjoint action of these two, the mind conceiving the design and the tongue uttering the creative command, all gods and men and beasts obtained their being. Of this kind of speculation much more must have existed than has reached us. It is doubtless such explanations as these that the Greeks had in view when they praised the wisdom of the ancient Egyptians; and in the classical period similar semi-philosophical interpretations altogether supplanted, among the learned at least, the naive literal beliefs of earlier times. Plutarch in his treatise on Isis and Osiris well exemplifies this standpoint: for him every god and every rite is symbolic of some natural or moral truth.

The final stages of the Egyptian religion are marked by a renewed popularity of all its more barbarous elements. Despairing, as it would seem, of discovering the higher wisdom that the more philosophic of the priests supposed that religion to conceal, the simpler-minded sought to work out their own salvation by restoring the worship of the gods to its most primitive forms. Hence came the fanatical revival of animal-worship which led to feud and bloodshed between neighbouring towns--a feature of Egyptian religion that at once amused and scandalized contemporary Greek and Latin authors (Plut. De Iside, 72; Juv. xv. 33). Nevertheless Egyptian cults, and particularly those of Serapis and Isis, found welcome acceptance on European soil; and the shrines of Egyptian deities were established in all the great cities of the Roman Empire. Serapis was a god imported by the first Ptolemy from Sinope on the Black Sea, who soon lost his own identity by assimilation with Osiris-Apis, the bull revered in Memphis. Far down into the Roman age the worship of Serapis persisted and flourished, and it was only when the Serapeum of Alexandria was razed to the ground by order of Theodosius the Great (A.D. 391) that the death-blow of the old Egyptian religion was struck.

Notes are here added on some divinities who have received inadequate
or no attention in the preceding pages. For information as to Ammon,
Anubis, Apis, Bes, Bubastis, Buto, Isis and Thoth, reference must be
made to the special articles on these gods.

ARSAPHES, in Egyptian _Harshafe_, "he who is upon his lake," the
ram-headed god of Heracleopolis Magna, gained an ephemeral importance
during the IXth Dynasty, which arose from his town. Outwardly, he
resembles Khnum. Little is known about him, and he is seldom
mentioned. The burial-place of his priests in later times was in 1904
discovered at Abusir el Meleq.

CHONS, "he who travels by boat," perhaps originally a mere epithet of
the moon-god Ioh or Thoth, is chiefly familiar as the third member of
the Theban triad. As such he is represented as a youthful god, wearing
a skull-cap surmounted by the moon. His cult was revived and became
popular in Ptolemaic times. A curious story about the sending of his
statue to Mesopotamia to heal a daughter of the king of Bakhtan is
related upon a stele that purports to date from the Ramesside period:
it has been proved to be a pious fraud invented by the priests not
earlier than the Greek period.

HATHOR, whose name means "house of Horus," was at all times a very
important deity. She is depicted as a cow, or with a broad human
countenance, the cow's ears just showing from under a massive wig.
Probably at first a goddess of the sky, she is early mentioned in
connexion with Re. Later she was often identified with Isis, and her
name was used to designate foreign goddesses like those of Puoni and
Byblus. Unlike most cosmic deities, she was worshipped in many
localities, chief among which was Dendera, where her magnificent
temple, of Ptolemaic date, still stands. "The seven Hathors" is a name
given to certain fairies, who appeared shortly after the birth of an
infant, and predicted his future.

KHNUM or KHNOUM, a ram-headed god, whose principal place of worship
was the island of Elephantine (there associated with Satis and
Anukis), but also revered elsewhere, e.g. together with Nebtu in Esna.
He enjoyed great repute as a creator, and was supposed to use the
potter's wheel for the purpose. In this capacity he is sometimes
accompanied by the frog-headed goddess Heket.

MONTH, a hawk-headed god of the Thebaid: in Thebes itself his cult was
superseded by that of Ammon, but it persisted in Hermonthis. He was
often given the solar attributes, and was credited as a great warrior.

MIN, the god of Coptos and Panopolis (Akhmim), seems to have been
early looked upon as a deity of the harvest and crops. His cult dates
from the earliest times. Represented as ithyphallic, with two tall
plumes on his head, the right arm upraised and bearing a scourge. In
old times he is identified with Horus: later Ammon was confused with
him, and depicted in his image.

NECHBET (Nekhbi, Nekhebi), the vulture-goddess of El Kab, called
Eileithyia by the Greeks. She gained an ascendancy as patroness of the
south at the time when the two kingdoms were striving for the mastery.
It is as such, in opposition to Buto the goddess of the north, that
she is most often named on the monuments.

NEITH, the very ancient and important goddess of Sais, the Greek
Athene. On the earliest monuments she is represented by a shield
transfixed by arrows. Later she wears the crown of Lower Egypt, and
carries in her hands a bow and arrows, a sign of her warlike
character. In the XXVIth Dynasty, when a line of Pharaohs sprang from
Sais, she regained a prominent position, and was given many cosmogonic
attributes, including the title of mother of Re.

NEPHTHYS, the sister of Osiris and wife of Seth, daughter of Keb and
Nut, plays a considerable role in the Osiris story. She sided with
Isis and aided her to bring Osiris back to life. Isis and Nephthys are
often mentioned together as protectresses of the dead.

ONOURIS, Egyptian _En-huri_, "sky-bearer," the god of Thinis. Later
identified with Shu (Show), who holds heaven and earth apart.

PTAH, the Hephaestus of the Greeks, a demiurgic and creative god,
special patron of hand-workers and artisans. Worshipped in Memphis, he
perhaps owed his importance more to the political prominence of that
town than to anything else. He was early identified with an ancient
but obscure god Tenen, and further with the sepulchral deity Sokaris.
He is represented either as a closely enshrouded figure whose
protruding hands grasp a composite sceptre, the whole standing on a
pedestal within a shrine; or else as a misshapen dwarf.

SAKHMI, a lion-headed goddess of war and strife, whose name signifies
the mighty. She was worshipped at Latopolis (Esna), but also at a late
date as a member of the Memphite triad, with Ptah as husband and
Nefertem (Iphthimis) as son: often, too, confounded with Ubasti.

SETH (Egyptian Set, Sth or Sts), by the Greeks called Typhon, was
depicted as an animal [HRG] that has been compared with the jerboa by
some, and with the okapi by others, but which the Egyptians themselves
occasionally conceived to be nothing but a badly drawn ass. In
historic times his cult was celebrated at Tanis and Ombos. He regained
a certain prestige as god of the Hyksos rulers, and two Pharaohs of
the XIXth Dynasty derived their name Sethos (Seti) from him. But,
generally speaking, he was abominated as a power of evil, and his
figure was often obliterated on the monuments. He is named in similes
as a great warrior, and as such and "son of Nut" he is identified with
the Syrian Baal.

4. _The Divine Cult._--In the midst of every town rose the temple of the local god, a stately building of stone, strongly contrasting with the mud and plaster houses in which even the wealthiest Egyptians dwelt. It was called the "house of the god" [HRGs], and in it the deity was supposed to reside, attended by his "servants" [HRGs] the priests. There was indeed a certain justification for this contention, even when a contrary theory assigned to the divinity a place in the sky, as in the case of the lunar divinity Thoth; for in the inmost sanctuary stood a statue of the god, which served as his representative for the purposes of the cult. Originally each temple was dedicated to one god only; but it early became usual to associate with him a mate of the opposite sex, besides a third deity who might be represented either as a second wife or as a child. As examples of such triads, as they are called, may be mentioned that of Thebes, consisting of Ammon, Mut and Chons, father, mother and child; and as typical of the other kind, where a god was accompanied by two goddesses, that of Elephantine, consisting of Khnum, Satis and Anukis. The needs of the god were much the same as those of mortals; no more than they could he dispense with food and drink, clothes for his apparel, ointment for his limbs, and music and dancing to rejoice his heart. The only difference was that the divine statue was half-consciously recognized as a lifeless thing that required carefully regulated rites and ceremonies to enable it to enjoy the good things offered to it. Early every morning the officiating priest proceeded to the holy of holies, after the preliminaries of purification had cleansed him from any miasma that might interfere with the efficacy of the rites. Then with the prescribed gestures, and reciting appropriate formulae all the while, he broke the seal upon the door of the shrine, loosed the bolts, and at last stood face to face with the god. There followed a series of prostrations and adorations, culminating in the offering of a small image of Maat, the goddess of Truth. This seems to have been the psychological moment of the entire service: hitherto the statue had been at best a god in _posse_; now the symbolical act placed him in possession of all his faculties, he was a god in truth, and could participate like any mortal in the food and luxuries that his servants put before him. The daily ceremony closed with ablutions, anointings and a bountiful feast of bread, geese, beer and oxen; having taken his fill of these, the god returned to his shrine until the next morning, when the ritual was renewed. The words that accompanied the manual gestures are, in the rituals that have come down to us, wholly dominated by the myth of Osiris: it is often hard to discern much connexion between the acts and the formulae recited, but the main thought is clearly that the priest represents Horus, the pious son of the dead divinity Osiris. That this conception is very old is proved by the fact that even in the Pyramid texts "the eye of Horus" is a synonym for all offerings: an ancient tale of which only shreds have reached us related how Seth had torn the eye of Horus from him, though not before he himself had suffered a still more serious mutilation; and by some means, we know not how, the restoration of the eye was instrumental in bringing about the vindication of Osiris. As to the manual rites of the daily cult, all that can here be said is that incense, purifications and anointings with various oils played a large part; the sacrifices consisted chiefly of slaughtered oxen and geese; burnt offerings were a very late innovation.

At an early date the rites practised in the various temples were conformed to a common pattern. This holds good not only for the daily ritual, but also for many festivals that were celebrated on the same day throughout the whole length of the land. Such were the calendrical feasts, called "the beginnings of the seasons," and including, for example, the monthly and half-monthly festivals, that of the New Year and that of the rising of Sirius (Sothis). But there were also local feast days like that of Neith in Sais (Hdt. ii. 62) or that of Ammon in southern Opi (Luxor). These doubtless had a more individual character, and often celebrated some incident supposed to have occurred in the lifetime of the god. Sometimes, as in the case of the feast of Osiris in Abydos, a veritable drama would be enacted, in which the whole history of the god, his sufferings and final triumph were represented in mimic form. At other times the ceremonial was more mysterious and symbolical, as in the feast of the raising of the Ded-column [HRG] when a column of the kind was drawn by cords into an upright position. But the most common feature of these holy days was the procession of the god, when he was carried on the shoulders of the priests in his divine boat far beyond the precincts of his temple; sometimes, indeed, even to another town, where he paid a visit to the god of the place. These occasions were public holidays, and passed amid great rejoicings. The climax was reached when at a given moment the curtains of the shrine placed on the boat were withdrawn, and the god was revealed to the eyes of the awe-struck multitude. Music and dancing formed part of the festival rites.

Temples.

As with the rites and ceremonies, so also the temples were early modelled upon a common type. Lofty enclosure walls, adorned with scenes from the victorious campaigns of the Pharaoh, shut off the sacred buildings from the surrounding streets. A small gateway between two massive towers or pylons gave admittance to a spacious forecourt open to the sky, into which the people were allowed to enter at least on feast days. Farther on, separated from the forecourt by smaller though still massive pylons, lay a hypostyle hall, so called from its covered colonnades; this hall was used for all kinds of processions. Behind the hypostyle hall, to which a second similar one might or might not be added, came the holy of holies, a dark narrow chamber where the god dwelt; none but the priests were admitted to it. All around lay the storehouses that contained the treasures of the god and the appurtenances of the divine ritual. The temples of the earliest times were of course far more primitive than this: from the pictures that are all that is now left to indicate their nature, they seem to have been little more than huts or sheds in which the image of the god was kept. One temple of a type different from that above described has survived at Abusir, where it has been excavated by German explorers. It was a splendid edifice dedicated to the sun-god Re by a king of the Vth Dynasty, and was probably a close copy of the famous temple of Heliopolis. The most conspicuous feature was a huge obelisk on a broad superstructure [HRG]: the obelisk always remained closely connected with the solar worship, and probably took the place of the innermost shrine and statue of other temples. The greater part of the sanctuary was left uncovered, as best befitted a dwelling-place of the sun. Outside its walls there was a huge brick model of the solar bark in which the god daily traversed the heavens.

Power of the priests.

As the power of the Pharaohs increased, the maintenance of the cult became one of the most important affairs of state. The most illustrious monarchs prided themselves no less on the buildings they raised in honour of the gods than on the successful wars they waged: indeed the wars won a religious significance through the gradual elevation of the god of the capital to god of the nation, and a large part of the spoils was considered the rightful perquisite of the latter. Countless were the riches that the kings heaped upon the gods in the hope of being requited with long life and prosperity on the throne of the living. It became the theory that the temples were the gifts of the Pharaoh to his fathers the gods, and therefore in the scenes of the cult that adorn the inner walls it is always he who is depicted as performing the ceremonies. As a matter of fact the priesthoods were much more independent than was allowed to appear. Successive grants of land placed no small portion of the entire country in their hands, and the administration of the temple estates gave employment to a large number of officials and serfs. In the New Kingdom the might of the Theban god Ammon gradually became a serious menace to the throne: in the reign of Rameses III. he could boast of more than 80,000 dependants, and more than 400,000 cattle. It is not surprising that a few generations later the high priests of Ammon supplanted the Pharaohs altogether and founded a dynasty of their own.

At no period did the priests form a caste that was quite distinctly separated from the laity. In early times the feudal lords were themselves the chief priests of the local temples. Under them stood a number of subordinate priests, both professional and lay. Among the former were the _kher-heb_, a learned man entrusted with the conduct of the ceremonies, and the "divine fathers," whose functions are obscure. The lay priests were divided into four classes that undertook the management of the temple in alternate months; their collective name was the "hour-priesthood." Perhaps it was to them that the often recurring title _oueb_, "the pure," should properly be restricted, though strict rules as to personal purity, dress and diet were demanded of all priests. The personnel of the temple was completed by various subordinate officials, doorkeepers, attendants and slaves. In the New Kingdom the leading priests were more frequently mere clerics than theretofore, though for instance the high priest of Ammon was often at the same time the vizier of southern Egypt. In some places the highest priests bore special names, such as the _Ouer maa_, "the Great Seer," of Re in Heliopolis, or the _Khorp himet_, "chief artificer," of the Memphite Ptah. Women could also hold priestly rank, though apparently in early times only in the service of goddesses; "priestess of Hathor" is a frequent title of well-born ladies in the Old Kingdom. At a later date many wealthy dames held the office of "musicians" (_shemat_) in the various temples. In the service of the Theban Ammon two priestesses called "the Adorer of the God" and the "Wife of the God" occupied very influential positions, and towards the Saite period it was by no means unusual for the king to secure these offices for his daughters and so to strengthen his own royal title.

5. _The Dead and their Cult._--While the worship of the gods tended more and more to become a monopoly of the state and the priests, and provided no adequate outlet for the religious cravings of the people themselves, this deficiency was amply supplied by the care which they bestowed upon their dead: the Egyptians stand alone among the nations of the world in the elaborate precautions which they took to secure their own welfare beyond the tomb. The belief in immortality, or perhaps rather the incapacity to grasp the notion of complete annihilation, is traceable from the very earliest times: the simplest graves of the prehistoric period, when the corpses were committed to the earth in sheepskins and reed mats, seldom lack at least a few poor vases or articles of toilet for use in the hereafter. In proportion as the prosperity of the land increased, and the advance of civilization afforded the technical means, so did these primitive burials give place to a more lavish funereal equipment. Tombs of brick with a single chamber were succeeded by tombs of stone with several chambers, until they really merited the name of "houses of eternity" that the Egyptians gave to them. The conception of the tomb as the residence of the dead is the fundamental notion that underlies all the ritual observances in connexion with the dead, just as the idea of the temple as the dwelling-place of the god is the basis of the divine cult. The parallelism between the attitude of the Egyptians towards the dead and their attitude towards the gods is so striking that it ought never to be lost sight of: nothing can illustrate it better than the manner in which the Osirian doctrines came to permeate both kinds of cult.

Tombs.

The general scheme of Egyptian tombs remained the same throughout the whole of the dynastic period, though there were many variations of detail. By preference they were built in the Western desert, the Amente, near the place where the sun was seen to go to rest, and which seemed the natural entrance to the nether world. A deep pit led down to the sepulchral chamber where the dead man was deposited amid the funereal furniture destined for his use; and no device was neglected that might enable him to rest here undisturbed. This aim is particularly conspicuous in the pyramids, the gigantic tombs which the Pharaohs of the Old Kingdom constructed for themselves: the passages that lead to the burial chamber were barred at intervals by vast granite blocks, and the narrow opening that gave access to them was hidden from view beneath the stone casing of the pyramid sides. Quite separate from this part of the tomb lay the rooms employed for the cult of the dead: their walls were often adorned with pictures from the earthly life of the deceased, which it was hoped he might still continue to enjoy after death. The innermost chamber was the chapel proper: on its western side was sculptured an imitation door for the dead man to pass through, when he wished to participate in the offerings brought by pious relatives. It was of course only the few who could afford elaborate tombs of the kind: the poor had to make shift with an unpretentious grave, in which the corpse was placed enveloped only by a few rags or enclosed in a rough wooden coffin.

Embalming and burial.

The utmost care was taken to preserve the body itself from decay. Before the time of the Middle Kingdom it became usual for the rich to have their bodies embalmed. The intestines were removed and placed in four vases (the so-called Canopic jars) in which they were supposed to enjoy the protection of the four sons of Horus, the man-headed Mesti, the ape-headed Hapi, the jackal Duamutef and the falcon Kebhsenuf. The corpse was treated with natron and asphalt, and wound in a copious swathing of linen bandage, with a mask of linen and stucco on the face. The "mummy" thus prepared was then laid on its side like a sleeper, the head supported by a head-rest, in a sarcophagus of wood or stone. The operations in connexion with the mummy grow more and more elaborate towards the end of the Pharaonic period: already in the New Kingdom the wealthiest persons had their mummies laid in several coffins, each of which was gaudily painted with mythological scenes and inscriptions. The costliest process of embalmment lasted no less than seventy days. Many superstitious rites had to be observed in the course of the process: a late book has preserved to us the magical formulae that were repeated by the wise _kher-heb_ priest (who in the necropolis performed the functions of taricheutes, "embalmer"), as each bandage was applied.

A large number of utensils, articles of furniture and the like were placed in the burial-chamber for the use of the dead--jars, weapons, mirrors, and even chairs, musical instruments and wigs. In the early times statuettes of servants, representing them as engaged in their various functions (brewers, bakers, &c.), were included for the same purpose; they were supposed to perform their menial functions for their deceased lord in the future life. In the Middle Kingdom these are gradually replaced by small models of the mummy itself, and the belief arose that when their owner was called upon to perform any distasteful work in the nether world, they would answer to his name and do the task for him. The later _ushebti_-figures, little statuettes of wood, stone or faience, of which several hundreds are often found in a single tomb, are confused survivals of both of the earlier classes of statuettes. Still more important than all such funereal objects are the books that were placed in the grave for the use of the dead: in the pyramids they are written on the walls of the sepulchral chamber and the passages leading to it; in the Middle Kingdom usually inscribed on the inner sides of the sarcophagus; in later times contained in rolls of papyrus. The Pyramid texts and the _Book of the Dead_ are the most important of these, and teach us much about the dangers and needs that attended the dead man beyond the tomb, and about the manner in which it was thought they could be counteracted.

The burial ceremony itself must have been an imposing spectacle. In many cases the mummy had to be conveyed across the Nile, and boats were gaily decked out for this purpose. On the western bank a stately procession conducted the deceased to his last resting-place. At the door of the tomb the final ceremonies were performed; they demanded a considerable number of actors, chief among whom were the _sem_-priest and the _kher-heb_ priest. It was a veritable drama that was here enacted, and recalled in its incidents the story of Osiris, the divine prototype of all successive generations of the Egyptian dead.

The soul.

However carefully the preliminary rites of embalmment and burial might
have been performed, however sumptuous the tomb wherein the dead man
reposed, he was nevertheless almost entirely at the mercy of the
living for his welfare in the other world: he was as dependent on a
continued cult on the part of the surviving members of his family as
the gods were dependent on the constant attendance of their priests.
That portion of a man's individuality which required, even after
death, food and drink, and the satisfaction of sensuous needs, was
called by the Egyptians the _ka_, and represented in hieroglyphs by
the uplifted hands [HRG]. This _ka_ was supposed to be born together
with the person to whom it belonged, and on the very rare occasions
when it is depicted, wears his exact semblance. The conception of this
psychical entity is too vaguely formulated by the Egyptians and too
foreign to modern thought to admit of exact translation: of the many
renderings that have been proposed, perhaps "double" is the most
suitable. At all events the _ka_ has to be distinguished from the
soul, the _bai_ (in hieroglyphs [HRG] or [HRG]), which was of more
tangible nature, and might be descried hovering around the tomb in the
form of a bird or in some other shape; for it was thought that the
soul might assume what shape it would, if the funerary rites had been
duly attended to. The gods had their _ka_ and _bai_, and the forms
attributed to the latter are surprising; thus we read that the soul of
the sky Nun is Re, that of Osiris the Goat of Mendes, the souls of
Sobk are crocodiles, and those "of all the gods are snakes"; similarly
the soul of Ptah was thought to dwell in the Apis bull, so that each
successive Apis was during its lifetime the reincarnation of the god.
Other parts of a man's being to which at given moments and in
particular contexts the Egyptians assigned a certain degree of
separate existence are the "name" [HRG] _ran_, the "shadow" [HRG],
_khaibet_, and the "corpse" [HRG], _khat_.

It was, however, the _ka_ alone to which the cult of the dead was directly addressed. This cult was a positive duty binding on the children of a dead man, and doubtless as a rule discharged by them with some regularity and conscientiousness; at least, on feast-days offerings would be brought to the tomb, and the ceremonies of purification and opening the mouth of the deceased would be enacted. But there could be little guarantee that later generations would perpetuate the cult. It therefore became usual under the Old Kingdom for the wealthiest persons to make testamentary dispositions by which certain other persons agreed for a consideration to observe the required rites at stated periods: they received the name of "servants of the _ka_," and stood in the same relation to the deceased as the priests to the gods. Or again, contracts might be made with a neighbouring temple, the priesthood of which bound itself to reserve for the contracting party some portion of the offerings that had already been used for the divine cult. There is probably a superstitious reason for the preference shown by the dead for offerings of this kind; no wish is commoner than that one may receive "bread and beer that had gone up on to the altar of the local god," or "with which the god had been sated"; something of the divine sanctity still clung about such offerings and made them particularly desirable. In spite of all the precautions they took and the contracts they made, the Egyptians could never quite rid themselves of the dread that their tombs might decay and their cult be neglected; and they sought therefore to obtain by prayers and threats what they feared they might lose altogether. The occasional visitor to the tomb is reminded by its inscriptions of the many virtues of the dead man while he yet lived, and is charged, if he be come with empty hands, at least to pronounce the funerary formula; it will indeed cost him nothing but "the breath of his mouth"! Against the would-be desecrator the wrath of the gods is invoked: "with him shall the great god reckon there where a reckoning is made."

The funerary customs that have been described are meaningless except on the supposition that the tomb was the regular dwelling-place of the dead. But just as the Egyptians found no contradiction between the view of the temple as the residence of the god and the conception of him as a cosmic deity, so too they often attributed to the dead a continued existence quite apart from the tomb. According to a widely-spread doctrine of great age the deceased Egyptian was translated to the heavens, where he lived on in the form of a star. This theme is elaborated with great detail in the Pyramid texts, where it is the dead king to whom this destiny is promised. It was perhaps only a restricted aristocracy who could aspire to such high honour: the [HRG] _ikh_, or "glorified being," who has his place in the sky seems often to hold an intermediate position between the gods and the rank and file of the dead. But in a few early passages the required qualification appears to be rather moral integrity than exalted station. The life of the dead man in the sky is variously envisaged in different texts: at one moment he is spoken of as accompanying the sun-god in his celestial bark, at another as a mighty king more powerful than Re himself; the crudest fancy of all pictures him as a hunter who catches the stars and gods, and cooks and eats them. According to another conception that persisted in the imagination of the Egyptians longer than any of the ideas just mentioned, the home of the dead in the heavens was a fertile region not very different from Egypt itself, intersected by canals and abounding in corn and fruit; this place was called the Sokhet Earu or "field of Reeds."

Even in the oldest texts these beliefs are blended inextricably with the Osirian doctrines. It is not so much as king of the dead that Osiris here appears, but every deceased Egyptian was regarded as himself an Osiris, as having undergone all the indignities inflicted upon the god, but finally triumphant over the powers of death and evil impersonated by Seth. This notion became so popular, that beside it all other views of the dead sink into insignificance; it permeates the funerary cult in all its stages, and from the Middle Kingdom onwards the dead man is regularly called "the Osiris so-and-so," just as though he were completely identical with the god. One incident of the tale of Osiris acquired a deep ethical meaning in connexion with the dead. It was related how Seth had brought an accusation against Osiris in the great judgment hall of Heliopolis, and how the latter, helped by the skilful speaker Thoth, had emerged from the ordeal acquitted and triumphant. The belief gradually grew up that every dead man would have to face a similar trial before he could be admitted to a life of bliss in the other world. A well-known vignette in the _Book of the Dead_ depicts the scene. In a shrine sits Osiris, the ruler and judge of the dead, accompanied by forty-two assessors; and before him stands the balance on which the heart of the deceased man is to be weighed against Truth; Thoth stands behind and registers the result. The words that accompany this picture are still more remarkable: they form a long negative confession, in which the dead man declares that he has sinned neither against man nor against the gods. Not all the sins named are equally heinous according to modern conceptions; many of them deal with petty offences against religious usages that seem to us but trifling. But it is clear that by the time this chapter was penned it was believed that no man could attain to happiness in the hereafter if he had not been upright, just and charitable in his earthly existence. The date at which these conceptions became general is not quite certain, but it can hardly be later than the Middle Kingdom, when the dead man has the epithet "justified" appended to his name in the inscriptions of his tomb.

It was but a natural wish on the part of the Egyptians that they should desire to place their tombs near the traditional burying-place of Osiris. By the time of the XIIth Dynasty it was thought that this lay in Abydos, the town where the kings of the earliest times had been interred. But it was only in a few cases that such a wish could be literally fulfilled. It therefore became customary for those who possessed the means to dedicate at least a tombstone in the neighbourhood of "the staircase of the great god," as the sacred spot was called. And those who had found occasion to visit Abydos in their lifetime took pleasure in recalling the part that they had there taken in the ceremonies of Osiris. Such pilgrims doubtless believed that the pious act would stand to their credit when the day of death arrived.

6. _Magic._--Among the rites that were celebrated in the temples or before the statues of the dead were many the mystical meaning of which was but imperfectly understood, though their efficacy was never doubted. Symbolical or imitative acts, accompanied by spoken formulae of set form and obscure content, accomplished, by some peculiar virtues of their own, results that were beyond the power of human hands and brain. The priests and certain wise men were the depositaries of this mysterious but highly useful art, that was called _hik_ or "magic"; and one of the chief differences between gods and men was the superior degree in which the former were endowed with magical powers. It was but natural that the Egyptians should wish to employ magic for their own benefit or self-gratification, and since religion put no veto on the practice so long as it was exercised within legal bounds, it was put to a widespread use among them. When magicians made figures of wax representing men whom they desired to injure, this was of course an illegal act like any other, and the law stepped in to prevent it: one papyrus that has been preserved records the judicial proceedings taken in such a case in connexion with the harem conspiracy against Rameses III.

One of the chief purposes for which magic was employed was to avert diseases. Among the Egyptians, as in other lands, illnesses were supposed to be due to evil spirits or the ghosts of dead men who had taken up their abode in the body of the sufferer, and they could only be driven thence by charms and spells. But out of these primitive notions arose a real medical science: when the ailment could be located and its nature roughly determined, a more materialistic view was taken of it; and many herbs and drugs that were originally used for some superstitious reason, when once they had been found to be actually effective, easily lost their magical significance and were looked upon as natural specifics. It is extremely hard to draw any fixed line in Egypt between magic and medicine; but it is curious to note that simple diagnoses and prescriptions were employed for the more curable diseases, while magical formulae and amulets are reserved for those that are harder to cope with, such as the bites of snakes and the stings of scorpions.

The formulae recited for such purposes are not purely cabalistic, though inasmuch as mystery is of the very essence of magic, foreign words and outlandish names occur in them by preference. Often the magician relates some mythical case where a god had been afflicted with a disease similar to that of the patient, but had finally recovered: a number of such tales were told of Horus, who was usually healed by some device of his mother Isis, she being accounted as a great enchantress. The mere recitation of such similar cases with their happy issue was supposed to be magically effective; for almost unlimited power was supposed to be inherent in mere words. Often the demon is directly invoked, and commanded to come forth. At other times the gods are threatened with privations or even destruction if they refuse to aid the magician: the Egyptians seem to have found little impiety in such a use of the divine name, though to us it would seem the utmost degree of profanity when, for instance, a magician declares that if his spell prove ineffective, he "will cast fire into Mendes and burn up Osiris."

The verbal spells were always accompanied by some manual performance, the tying of magical knots or the preparation of an amulet. In these acts particular significance was attached to certain numbers: a sevenfold knot, for example, was more efficacious than others. Often the formula was written on a strip of rag or a scrap of papyrus and tied round the neck of the person for whom it was intended. Beads and all kinds of amulets could be infused with magical power so as to be potent phylacteries to those who wore them.

In conclusion, it must be emphasized that in Egypt magic stands in no contrast or opposition to religion, at least as long as it was legitimately used. The religious rites and ceremonies are full of it. When a pretence was made of opening, with an iron instrument, the mouth of the divine statue, to the accompaniment of recited formulae, this can hardly be termed anything but magic. Similarly, the potency attributed to _ushebti_-figures and the copies of the _Book of the Dead_ deposited in the tombs is magical in quality. What has been considered under this heading, however, is the use that the same principles of magic were put to by men in their own practical life and for their own advantage.

AUTHORITIES.--An excellent list of books and articles on the various
topics connected with Egyptian Religion will be found in H. O. Lange's
article on the subject in P. D. Chantepie de la Saussaye, _Lehrbuch
der Religionsgeschichte_ (Tubingen, 1905), vol. i. pp. 172-245. Among
general works may be especially recommended A. Erman, _Die agyptische
Religion_ (Berlin, 1905); and chapters 2 and 3 in G. Maspero,
_Histoire ancienne des peuples de l'Orient, les origines_, vol. i.
(Paris, 1895). (A. H. G.)

D. _Egyptian Language and Writing.--Decipherment._--Although attempts were made to read Egyptian hieroglyphs so far back as the 17th century, no promise of success appeared until the discovery of the Rosetta stone in 1799 by the French engineers attached to Napoleon's expedition to Egypt. This tablet was inscribed with three versions, in hieroglyphic, demotic and Greek, of a long decree of the Egyptian priests in honour of Ptolemy V., Epiphanes and his wife Cleopatra. The Greek and demotic versions were still almost perfect, but most of the hieroglyphic text had been broken away with the top of the tablet; portions of about half of the lines remained, but no single line was complete. In 1802 J. D. Akerblad, a Swedish orientalist attached to the embassy in Paris, identified the proper names of persons which occurred in the demotic text, being guided to them by the position of their equivalents in the Greek. These names, all of them foreign, were written in an alphabet of a limited number of characters, and were therefore analysed with comparative ease.

The hieroglyphic text upon the Rosetta stone was too fragmentary to furnish of itself the key to the decipherment. But the study of this with the other scanty monuments and imperfect copies of inscriptions that were available enabled the celebrated physicist Thomas Young (1773-1829) to make a beginning. In an article completed in 1819 and printed (over the initials I. J.) in the supplement to the 4th, 5th and 6th editions of the _Encyclopaedia Britannica_ (vol. iv., 1824), he published a brief account of Egyptian research, with five plates containing the "rudiments of an Egyptian vocabulary." It appears that Young could place the hieroglyphic, demotic and Greek texts of the Rosetta stone very correctly parallel; but he could not accurately break up the Egyptian sentences into words, much less could he attribute to the words their proper sounds. Yet he recognized correctly the names of Apis and Re, with many groups for words such as "assembly," "good," "name," and important signs such as those which distinguish feminine words. In a bad copy of another monument he rightly guessed the royal name of Berenice in its cartouche by the side of that of Ptolemy, which was already known from its occurrence on the Rosetta stone. He considered that these names must be written in phonetic characters in the hieroglyphic as in demotic, but he failed to analyse them correctly. It was clear, however, that with more materials and perseverance such efforts after decipherment must eventually succeed.

Meanwhile J. F. Champollion "le Jeune" (see CHAMPOLLION; and Hartleben, _Champollion, sein Leben und sein Werk_, Berlin, 1906) had devoted his energies whole-heartedly since 1802, when he was only eleven years old, to preparing himself for the solution of the Egyptian problem, by wide linguistic and historical studies, and above all by familiarizing himself with every scrap of Egyptian writing which he could find. By 1818 he made many equations between the demotic and the hieroglyphic characters, and was able to transcribe the demotic names of Ptolemy and Cleopatra into hieroglyphics. At length, in January 1822, a copy of the hieroglyphic inscription on the Bankes obelisk, which had long been fruitlessly in the hands of Young, reached the French savant. On the base of this obelisk was engraved a Greek inscription in honour of Ptolemy Euergetes II. and Cleopatra; of the two cartouches on the obelisk one was of Ptolemy, the other was easily recognized as that of Cleopatra, spelt nearly as in Champollion's experimental transcript of the demotic name, only more fully. This discovery, and the recognition of the name Alexander, gave fourteen alphabetic signs, including homophones, with ascertained values. Starting from these, by the beginning of September Champollion had analysed a long series of Ptolemaic and Roman cartouches. His next triumph was on the 14th of September, when he read the names of the ancient Pharaohs Rameses and Tethmosis in some drawings just arrived from Egypt, proving that his alphabetic characters were employed, in conjunction with syllabic signs, for spelling native names; this gave him the assurance that his discovery touched the essential nature of the Egyptian writing and not merely, as had been contended, a special cipher for the foreign words which might be quite inapplicable to the rest of the inscriptions. His progress continued unchecked, and before the end of the year the connexion of ancient Egyptian and Coptic was clearly established. Subsequently visits to the museums of Italy and an expedition to Egypt in 1828-1829 furnished Champollion with ample materials. The _Precis du systeme hieroglyphique_ (1st ed. 1823, 2nd ed. 1828) contained the philological results of his decipherments down to a certain point. But his MS. collections were vast, and his illness after the strenuous labours of the expedition and his early death in 1832 left all in confusion. The _Grammaire egyptienne_ and _Dictionnaire egyptien_, edited from these MSS. by his brother, precious as they were, must be a very imperfect register of the height of his attainments. In his last years he was able to translate long texts in hieroglyphic and in hieratic of the New Kingdom and of the later periods with some accuracy, and his comprehension of demotic was considerable. Champollion outdistanced all his competitors from the first, and had practically nothing to thank them for except material to work on, and too often that had been intentionally withheld from him. In eleven years he broke ground in all directions; if the ordinary span of life had been allowed him, with twenty or thirty more years of labour he might have brought order into the chaos of different ages and styles of language and writing; but, as it was, the task of co-ordination remained to be done by others. For one year, before his illness incapacitated him, Champollion held a professorship in Paris; but of his pupils and fellow-workers, F. P. Salvolini, insincere and self-seeking, died young, and Ippolito Rosellini (1800-1843) showed little original power. From 1832 to 1837 there was a pause in the march of Egyptology, and it seemed as if the young science might be overwhelmed by the storm of doubts and detraction that was poured upon it by the enemies of Champollion. Then, however, Lepsius in Germany and Samuel Birch in England took up the thread where the master had dropped it, and E. de Rouge, H. Brugsch, Francois Joseph Chabas and a number of lesser lights quickly followed. Brugsch (q.v.) was the author of a hieroglyphic and demotic dictionary which still holds the field, and from time to time carried forward the study of demotic by a giant's stride. De Rouge (d. 1872) in France was a brilliant translator of hieroglyphic texts and the author of an important grammatical work. Chabas (1817-1882) especially addressed himself to the reading of the hieratic texts of the New Kingdom. By such labours after forty years the results attained by Champollion in decipherment were entirely superseded. Yet, while the values of the signs were for the most part well ascertained, and the meanings of most works fixed with some degree of accuracy, few grammatical rules had as yet been established, the varieties of the language at different periods had not been defined, and the origins of the hieroglyphs and of their values had not been investigated beyond the most obvious points. At this time a rare translator of Egyptian texts in all branches was arising in G. Maspero (q.v.), while E. Revillout addressed himself with success to the task of interpreting the legal documents of demotic which had been almost entirely neglected for thirty years. But the honour of inaugurating an epoch marked by greater precision belongs to Germany. The study of Coptic had begun in Europe early in the 17th century, and reached a high level in the work of the Dane Georg Zoega (1755-1809) at the end of the 18th century. In 1835, too late for Champollion to use it, Amadeo Peyron (1785-1870) of Turin published a Coptic lexicon of great merit which is still standard, though far from satisfying the needs of scholars of the present day. In 1880 Ludwig Stern (_Koptische Grammatik_) admirably classified the grammatical forms of Coptic. The much more difficult task of recovering the grammar of Egyptian has occupied thirty years of special study by Adolf Erman and his school at Berlin, and has now reached an advanced stage. The greater part of Egyptian texts after the Middle Kingdom having been written in what was even then practically a dead language, as dead as Latin was to the medieval monks in Italy who wrote and spoke it, Erman selected for special investigation those texts which really represented the growth of the language at different periods, and, as he passed from one epoch to another, compared and consolidated his results.