Chapter XXIII: Part 23

Padlock (_The_), 1768, Bickerstaff. O.F.
Page (_The_), 1765-1841, Reynolds. C.
Page of Plymouth (time, Queen Elizabeth). Anon. T.
Palace of Truth, 1870, Gilbert. Fy.C.
Palamon and Arcyte, 1566, Edwards. C.
Palestine (1775-1847), Crotch. Or.
Pallantus and Eudora, 1653, T. Killigrew. T. (same as _The
Conspiracy_).
Pamela, 1742, Love. C.
Pammachius, 1544, Anon. C. (Latin).
Pandora, 1664, Sir W. Killigrew. Pl.
Panel (_The_), 1757-1823, Kemble. (This is Bickerstaff’s comedy of
_’Tis Well ’tis no Worse_, reset.)
Pan’s Anniversary, 1625, B. Jonson. M.
Panurge, 1785, Grétry. O.
Papal Tyranny, 1745, Cibber. T.
Paracelsus, 1836, R. Browning. D.Pm.
Parasitaster, or The Fawn, 1606, Marston. C.
Paria (_Le_), 1821, Delavigne. T.
Paria (_The_), 1826, Beer. T. (the above in English).
Paride e Elena, 1770, Glück. O. (libretto by Calzabigi).
Paris et Londres, 1827, Dartois. C.
Parisien (_Le_), 1838, Delaporte. C.
Parisina, 1833, Donizetti. O.
Parliament of Love, 1625, Massinger. C.
Parolle et Izidora (1703-1758), Theo. Cibber. C.
Parson’s Wedding (_The_), 1663, Killigrew. C.
Parted (1799-1838), Reeve. C.
Pasquale (_Don_), 1843, Donizetti. O.
Pasquin, 1736, Fielding. C.
Passionate Lovers (_The_), 1655, Carlell. T.C.
Passions (_Plays of the_), 1798-1812, J. Baillie. C. and T.
Past Ten o’clock (1771-1841), Th. Dibdin. F.
Pastorale Comique, 1666, Molière.
Pastor Fido (_Il_), 1590, Guarini. P. (See “Faithful Shepherdess.”)
Pathomachia, or The Battle of the Affections, 1630, Constable. D.
Patient Grizzell, 1603, Chettle and Dekker. C.
Patrician and Parvenu (_The_), 1835, Poole. C.
Patrician’s Daughter, 1841, W. Marston. T.
Patriot (_The_), 1784, Charles Hamilton. T.
Patron (_The_), 1764, Foote. F.
Patter _v._ Clatter (1803-1878), C. J. Mathews.
Pattie and Peggie, 1730, Th. Cibber. Bd.O. (Allan Ramsay’s _Gentle
Shepherd_ reset.)
Paul, 1836, Mendelssohn. Or.
Paul Lafarge, 1870, Boucicault.
Paul Pry, 1825, Poole. F.
Paul and Virginia (1756-1818), Cobb. Mu.E.
Paul and Virginia (1755-1837), Favieres. T.
Paul and Virginia (1768-1844), Mazzhingi. O.
Pauline, 1841, Labrousse. C.
Payable on Demand (1817-1880), Tom Taylor.
Peace, B.C. 419, Aristophanes. C. (Greek). Translated by Mitchell,
1820-22; Hickie, 1853; Rudd, 1867.
Pédre (_Don_), 1857, Cormon. D.
Pedro de Portugal (_Don_), 1828, Gily Zarate. D.
Peep Behind the Curtain, 1767 (ascribed to Garrick and to King). F.
Pelayo (1749-1811), Jovellanos. T.
Pèlerin Blanc (_Le_), 1811, Guilbert de Pixérécourt.
Pélopides, 1763, Voltaire. T.
Pénélope, 1785, Marmontel. O.
Percy, 1777, Hannah More. T.
Père de Famille, 1758, Diderot. C.
Pericles Prince of Tyre, 1609, Shakespeare. T.
Perjured Husband, 1700, Centlivre. C.
Perkin Warbeck, 1634, Ford. H.D.
Perle Noire, 1862, Sardou.
Perouse (_La_), 1799, B. Thompson. D.
Perplexed Couple (_The_), 1706-1767, Molloy. C.
Perplexed Lovers, 1712, Centlivre. C.
Perplexities (_The_), 1767, Hull. C. (_The Adventures of Five
Hours_, 1663, reset.)
Persa, or The Persian (B.C. 254-184), Plautus. C. (Latin).
Translated into blank verse by Messrs. Thornton, Rich, Warner and
Colman, 1769-74.
Persian Prince (_The_), 1682, Southerne. T.
Persian Princess (_The_) 1711, Theobald. T.
Persians (_The_), B.C. 472, Æschylus. T. (Greek). Translated by
otter, 1777; Buckley, 1849; Plumptre, 1869.
Pertharite, 1693, Corneille. T.
Peter and Paul (1788-1841), Hook.
Pewterer (_The_), 1747, Holbery. B.C.
Phædra and Hippolytus, 1708, E. Smith. T.
Phaeton, 1597, Daniel or Dekker. T.
Pharamond, 17th cent., Calprenède. T. (translated by Phillips,
1677).
Pharamond, 1736, Cahusac. T.
Phèdre, 1677, Racine. T.
Phèdre et Hippolyte, 1677, Pradon. T.
Philaster, or Love Lies a-Bleeding, 1620, Fletcher (Beaumont died
1616). T.
Philenzo and Hippolyta, 1653, Massinger.
Philip II., 1783, Alfieri. T. (translated by C. Lloyd, 1815).
Philip von Artevelde, 1834, H. Taylor. D.Pm.
Phillippe II., (1764-1881), Chénier. D.
Phillis of Seyros, 1655, Shirley. Pl.
Philoctète, 1783, Laharpe. T.
Philoctetes, about B.C. 415, Sophocles. T. (Greek). Translated by T.
Sheridan, 1725; G. Adams, 1729; Potter, 1788; Dale, 1824; Plumptre,
1865.
Philoctetes, 1871, Warren. Met.D.
Philosophe sans le Savoir (_Le_), 1765, Sedaine. C.
Philosopher’s Stone (_The_), 1850, Tom Taylor.
Philotas, 1597, acted 1607, Daniel. T.
Philtre (_Le_), 1830, Scribe. O.
Phœnisssæ (B.C. 480-406), Euripides. T. (Greek). Translated by
Banister, 1780; Potter, 1781; Wodhull, 1782; Morgan, 1805; Giles,
1865. (See “Thebais.”)
Phœnix (_The_), 1607, Middleton.
Phœnix in Her Flames (_The_), 1639, Lower. T.
Phormio, B.C. 162, Terence. C. (Latin). Translated by Bentley, 1726;
Colman the Elder, 1765; Barry, 1857; etc.
Phrenologist, 1835, Coyne. C.
Phrontisterion, or Oxford in the Nineteenth Century, 1852,
Mansel. D. (unfinished).
Phrosine et Mélidor, 1794, Méhul. O.C.
Physic Lies a-Bleeding, 1697, Th. Brown. C.
Piccolino, 1875, Guiraud. O. (libretto by Sardou).
Picture (_The_), 1630, Massinger. T.C.
Pierce Penniless (_Supplication of_) 1592, Nash.
Pierre et Catherine, 1829, St. Georges.
Pierre le Grand, 1854, Meyerbeer. O.
Piety in Pattens, 1773, Foote. F.
Pilgrim (_The_), 1621, Fletcher.
Pilot (_The_), 19th cent., Fitzball. N.Blta.
Pinafore (_H.M.S._), 1878, Gilbert and Sullivan. N.C.Opta.
Pinner of Wakefield, 1560-1592, R. Greene. C.
Piperman’s Predicaments, * Ware. F.
Pippa Passes, 1842, R. Browning. D.
Pirata (_Il_), 1806-1835, Bellini. O.
Pirate (_The_), 1792-1851, Davenport. Pl.
Pirates (1763-1796), Storace. Mu.D.
Piso’s Conspiracy, 1676, Lee. T. (same as _Nero_).
Pizarro, 1799, Sheridan. T. (from Kotzebue’s drama _The Spaniard in
Peru_, 1797).
Plaideurs (_Les_), 1668, Racine. C. (imitated from the _Wasps_ of
Aristophanês).
Plain Dealer, 1677, Wycherly. C.
Plain Dealer (_The_), 1766, Bickerstaff. C.
Platonic Love, 1707, Centlivre. C.
Platonic Lovers, 1636, Davenant. T.C.
Play (1829-1871), Robertson. C.
Play betwene the Pardoner and the Frere, printed 1533, J.
Heywood. Int.
Play called the Four P’s (_The_), printed 1569, J. Heywood. Pl.
Play of Love (_The_), 1533, Heywood. Int.
Play of the Wether (_The_), 1533, Heywood. Int.
Plot and No Plot (_A_), 1697, Dennis. C.
Plot and Passion, 1852, Tom Taylor, etc.
Plotting Sisters (_The_), 1676, D’Urfey. C.
Plus Beau Jour de la Vie (_Le_), before 1822. Scribe. Pl.Pc.
Plutus, _B.C._ 408, Aristophanês. C. (Greek). Translated by
Randolph, 1651; Fielding and Young, 1812; Mitchell, 1820-22;
Cunningham, 1826; Rudd, 1857.
Pœrulus (_B.C._ 254-184), Plautus. C. (Latin).
Translated into blank verse by Messrs. Thornton, Rich, Warner and
Colman, 1769-1774.
Poetaster (_The_), 1601, Jonson. Sat.C.
Poets (_The_), 1774, Alfieri. F. (translated by C. Lloyd, 1815).
Polidoro, 1788, Bandettini.
Polinice, 1783, Alfieri. T. (translated by C. Lloyd, 1815).
Polish Jew (_The_), * Ware. D. (altered into _The Bells_, 1874).
Politician (_The_), 1655, Shirley. T.
Politician Cheated (_The_), 1663, Greene. C.
Polly Honeycombe, 1760, Colman. D.N.
Polyeucte, 1640, Corneille. T.
Polyxène, 1686, Lafosse. T.
Pompée, 1592, Garnier. T.
Pompée, 1641, Corneille. T.
Pompey, 1663, Mrs. C. Philips. T.
Pompey the Great, 1595, Kyd. T. (translated from the _Pompée_ of
Garnier).
Pompey the Great, 1664, E. Waller. T.
Pompey the Great (1705-1773), never printed, S. Johnson. T.
Poor Gentleman (_The_), 1802, Colman. C.
Poor Jack (1802-1879), Buckstone. C.
Poor Man’s Comfort (_The_), 1655, Daborn. D.
Poor Soldier (_The_), 1798, O’Keefe. O. (music by Shield).
Pope als Metaphysiker, 1754, Lessing (music by Mendelssohn).
Pope Joan. (See “Female Prelate.”)
Popping the Question (1802-1879), Buckstone. C.
Popularité, 1838, Delavigne. C.
Porter’s Knot (_The_), 1858, Oxenford. D. (Like _O’Dowd_, it is an
adaptation of _Les Crochets du Père_, by Cormon and Grangé.)
Postillon de Lonjumeau (Le), 1836. Adam. O.C.
Poulet et Poulette, 1878, Hervé. B.O.
Pourceaugnac (_Mons._), 1669, Molière. C.
Pragmatical Jesuit New-Leven’d (_The_), 1657, Carpenter. C.
Precieuses Ridicules, 1659, Molière. C.
Premier Jour de Bonheur (_Le_), 1868, Auber. O.
Presence (1624-1678), Margaret, Duchess of Newcastle. C.
Presented at Court, 1848, Coyne. C.
Presumptive Evidence (1802-1879), Buckstone.
Pretty Esmeralda and Captain Phœbus of Ours, 1879, H. J.
Byron. B.
Pride shall have a Fall, 1825, Croly. C.
Priestess (_The_), 1855, Sargent.
Prince Deukalion, 1879, B. Taylor. D.
Prince Dorus, 1850, Tom Taylor.
Prince of Homburg (1776-1811), Kleist. D.
Princess (_The_), 19th cent., Gilbert. D.
Princess of Cleves, 1689, Lee.
Princesse Aurélie (_Le_), 1828, Delavigne. C.
Princesse d’Elide, 1664, Molière. C.
Princesse de Navarre, 1743, Voltaire. O.
Princesse de Navarre, 1747, Rameau. O.
Princesse de Trébizonde, 1870, Offenbach. O.
Prisoner of State, 1847, Stirling. D.
Prisoner of War, 1837, Jerrold. C.
Prisoners (_The_), 1641, Killigrew. T.C.
Prisonnier (_Le_), 1796, Dellamaria. O.C.
Procureur Arbitre (_Le_), 1633-1690, Poisson. C.
Prodigal Son (_The_), 1739-1802, Arnold. O. (music by Sullivan).
Profligate (_The_), 1820, G. W. Taylor. C.
Prometheus Bound, B.C. 460, Æschylus. T. (Greek). Translated by
Potter, 1777; Buckley, 1849; Webster, 1866; Plumptre, 1869; Lang,
1870.
Prometheus Bound, 1838, E. Browning. T.
Prometheus Unbound, 1821, Shelley. L.D.
Promos and Cassandra, 1578, Whetstone. C.
Prôneurs (_Les_) or La Tartuffe Littéraire (1734-1780),
Dorat. Sat.D.
Proof, 1878, Burnard (an English version of _Une Cause Célèbre_).
Prophet (_The_), 1874, B. Taylor. T.
Prophète (_Le_), 1849, Meyerbeer. O. (libretto by Scribe).
Prophetess (_The_), 1647, Beaumont and Fletcher.
Prophetess (_The_), or History of Dioclesian, 1690. Betterton.
Proserpina, 1804, Winter. O.
Proserpine, 1801, Paisiello. O.
Protecteur (_Le_), 1781-1857, Brifaut. C.
Provoked Husband, 1726, Vanbrugh. C. (left unfinished by Vanbrugh,
and called _The Journey to London_. Cibber finished the play, and
changed the name).
Provoked Wife, 1697, Vanbrugh. C.
Provost of Bruges, 1836, Knowles. T.
Pseudolus, or The Cheat (B.C. 254-184), Plautus. C. (Latin).
Translated into blank verse by Messrs. Thornton, Rich, Warner and
Colman, 1769-74.
Psyché, 1671, Molière. C.
Psyché, 1675, Shadwell.
Psyché Debauched, 1678.
Public Wooing (1624-1673), Margaret, Duchess of Newcastle. C.
Pulchérie, 1672, Corneille.
Puritan Maid (_The_), 1602, Middleton. Pl. (lost).
Puritan (_The_), or The Widow of Watling Street, 1607, W[entworth]
S[mith].
Puritani (_I_), 1834, Bellini. O.
Puritan’s Daughter, 1861, Balfe. O.
Purse (_The_), or The Benevolent Tar, * Cross. Mu.E.
Pygmalion, 1748, Rameau. O.
Pygmalion, 1809, Cherubini. O.
Pygmalion and Galatea, 1871, Gilbert. Myt.D.
Pyrame et Thisbé (1632-1698), Pradon. T.
Pyrame et Thisbé (1677-1758), Lagrange. O.
Pyrrhus, King of Egypt, 1695, Hopkins. T.

Q.E.D., 1871, Marshall. Cdta.
Quaker (_The_), 1777, Dibdin. C.O.
Quaker’s Opera (_The_), 1728, Th. Walker.
Quarantine (_The_), * Ware. C.
Queen and Concubine (_The_), 1653, Brome. D.
Queen Elizabeth’s Troubles, in two parts, 1606-1609, Thomas
Heywood. H.Pl.
Queen Juta of Denmark, 19th cent., Bojé. T.
Queen Mab, 1760, Burney. O.
Queen Mary [of England], 1875, Tennyson. T.
Queen Mother (_The_), 1861, Swinburne. T.
Queen of Arragon, 1635, Habington. T.C.
Queen of Corinth, 1647, Beaumont and Fletcher.
Queen of Scots (_The_), 1684, Banks. T.
Queens, 1616, Jonson.
Queen’s Arcadia (_The_), 1606, Daniel. P.T.
Queen’s Shilling (_The_), 1879, Godfrey. C. (an English version of
_Un Fils de Famille_; see also “The Discarded Son”).
Queer subject (_The_), 1837, Coyne. C.
Qui Femme a, Guerre a, about 1830, Brohan. C.
Quintus Fabius, 1573, Anon. H.Pl.
Quip for an Upstart Courtier (_A_), 1592, Greene. C.
Quitte ou Double, about 1830, Brohan. C. (The English adaptation is
_Double or Quits_.)

Rabages, 1872, Sardou. C.
Rage (1765-1841), Reynolds. C.
Raging Turk (_The_), 1631, Goffe. T. (Bajazet II.).
Ragout. (See “Mons. Ragout.”)
Raising the Wind, 1803, Kenney. F.
Rake and His Pupil (_The_), 1834, Buckstone. C.
Ralph Roister Doister, 1534, Udal (the first English comedy). (See
“Gammer Gurton’s Needle” and “Mesogonus.”)
Ram Alley, or Merry Tricks, 1611, Barry. C.
Rambling Justice, 1677, Leanerd. C.
Rambling Lady (1659-1746), Southerne. C.
Rape of Lucrece (_The_), 1608, Th. Heywood. T.
Rapparee (_The_), or The Treaty of Limerick, 1870, Boucicault.
Rare Triumphs of Love and Fortune (_The_), 1580, Anon. Pl.
Re Teodoro, 1785, Paisiello. O.
Rebecca (1830-1877), Halliday. D.
Rebellion (_The_), 1640, Rawlins. T.
Rebellion Defeated, or The Fall of Desmond, 16th cent., Cutts. T.
Rebels (_The_), 1749-1832, Goethe. C.
Recess (_The_), 1785, Miss Lee.
Réconciliation Normande, 1719, Dufresny. C.
Reconciliation, or The Two Brothers, 1799, C. (from Kotzebue).
Recruiting Officer (_The_), 1706, Farquhar. C.
Recruiting Sergeant, 1770, Bickerstaff. Mu.E.
Reculer pour Mieux Sauter, 1854, Dartois. C.
Red Cross Knight, 1794, Holman.
Red Mask (_The_), 1834, Planché.
Regent (_Le_), 1831, Ancelot. V.
Regicide (_The_), 1747, acted 1749, Smollett. T.
Register Office (_The_), 1723-1787, Reed. F.
Regolo (Attilio), 1740, Metastasio. O.
Regular Fix (1764-1838), Morton. C.
Régulus (1632-1698), Pradon. T.
Régulus (1734-1780), C. J. Dorat. T.
Regulus, 1774, Mrs. H. More. T.
Rehearsal (_The_), 1671, Duke of Buckingham. B.
Reinald (1789-1862), Ingemann.
Reine de Chypre (_La_), 1799-1862, Halévy. O.
Reine de Golconde. (See “Aline,” etc.)
Reine de Saba, 1862, Gounod. O. (libretto by Curré).
Relapse (_The_), 1697, Vanbrugh. C.
Religious (1624-1673), Margaret, Duchess of Newcastle. T.C.
Remorse, 1797, acted 1813, Coleridge. T.
Rencontre (_The_), 1827, Planché.
Rendezvous Bourgeois (_Les_), 1794, Hoffman. O.C. (music by Méhul).
Renegado (_The_), 1624, Massinger. T.C.
Rent Day, 1830, Jerrold. C.
Reprisals, or The Tars of Old England, 1757, Smollett. F.
Rescued, 1879, Boucicault. Sen.D.
Retaliation (1752-1820), Macnally. F.
Retour de Napoléon, 1841, Sejour. D.
Retribution, 1856, Bennett and Taylor. H.P.
Return from Parnassus (_The_), 1606, Anon. Pl.
Return of the Druses, 1865, R. Browning. T.
Revenge (_The_), 1680, Anon. C. (This is the _Dutch Courtezan_
revived.)
Revenge (_The_), 1721, Young. T.
Revenge, or a Match at Newgate, 1680, Betterton.
Revenge for Honor, 1654, Chapman. T.
Revenge of Bussy d’Amboise, 1613, Chapman. T.
Revenger’s Tragedie (_The_), 1607, Tourneur. T.
Revers de la Medaille (_Le_), 1861, Demolière. C.
Review (_The_), or Wags of Windsor, 1798, Colman. F.
Rewards of Vertue (_The_), 1661, Fountaine. C. (altered by Shadwell,
and called _The Royal Shepherdess_, 1669).
Rich Jew of Malta, 1586, Marlowe. T.
Rich and Poor, 1812, Lewis. C.O.
Richard Cœur de Lion, 1781, Sedaine. O. (music by Grétry).
Richard Cœur de Lion, 1782, Burgoyne. H.R. (the above
Anglicized).
Richard Cœur de Lion (1752-1820), Macnally. O.
Richard Cœur de Lion (1830-1877), Halliday. H.D.
Richard Cœur de Lion, 1863, Benedict. O.
Richard I., 1728, Sewell. T.
Richard II., 1597, Shakespeare. H.D.
Richard III., 1597, Shakespeare. H.T.
Richard, Duke of York, 1595, Marlowe. T.
Richelieu, 1839, Lord Lytton. H.Pl.
Richelieu (_La Jeunesse de_), 1833, Ancelot. V.
Richmond Heiress (_The_), 1693, D’Urfey. C.
Rienzi, 1828, Miss Mitford. T.
Rienzi, 1841, Wagner, O. (libretto by Jackson).
Right Woman (_A_), 1615, Beaumont and Fletcher. C.
Rightful Heir (_The_), 1868, Lord Lytton. T. (same as _The Sea
Captain_).
Rigoletto, 1852, Verdi. O. (libretto from Victor Hugo).
Rimini (_Francesca di_), 1819, Pellico. T.
Rinaldo, 1711, Hill. O. (music by Handel; this was the first piece
he set to music).
Rinaldo and Armida, 1699, Dennis. D.
Riquet, 1836, Planché.
Rival Candidates, 1774, Dudley. Mu.Int.
Rival Friends (_The_), 1632, Hausted. C.
Rival Kings (_The_), 1677, Banks.
Rival Ladies, 1663, Dryden. C.
Rival Modes, 1726, Moore. C.
Rival Queens, 1677, Lee.
Rivals (_The_), 1668, Davenant. C.
Rivals (_The_), 1775, Sheridan. C.
Rivals (_The_), 1830, Balfe. O. (_I Rivali_).
Road to Ruin, 1792, Holcroft. C.
Roaring Girl (_The_), 1611, Middleton. C. (_i.e._ Moll Cutpurse).
Rob Roy, 1832, Flotow. O.
Rob Roy MacGregor (1782-1835), Pocock. O.D. (from Sir W. Scott’s
novel).
Robbers (_The_), 1781, Schiller. T.
Robbers of Calabria, * Lane. D. (adapted).
Robert le Diable, 1831, Meyerbeer O. (libretto by Scribe).
Robert the Invalid, 1870, C. Reade. C. (a version of Molière’s _Le
Malade Imaginaire_).
Robin Hood, pt. i., 1597, Munday. D.
Robin Hood, pt. ii., 1598, Chettle. D.
Robin Hood, 1741, Dr. Arne and Burney. O.
Robin Hood, 1787, O’Keefe. O. (music by Shield).
Robin Hood (1752-1820), Macnally. C.O. (See “Death of Robert, Earl
of Huntington.”)
Robin Hood, 1860, Macfarren. O.
Robin des Bois, 1824, Weber. O.
Robinson Crusoé, 1805, Guilbert de Pixérécourt. V.
Robinson Crusoe, 1806, Pocock (the above in English).
Rock of Rome, 1849, Knowles. H.Pl.
Roderigo, 1706, Handel. O.
Rodogune, 1646, Corneille. T.
Rodogune, or The Rival Brothers, 1765, Aspinwall. T. (from T.
Corneille).
Rodolphe, before 1822, Scribe. Pt.Pc.
Roef-Krage, 1770, Ewald. D.
Roi Fainéant (_Le_), 1830, Ancelot. T.
Roi d’Yvetot (_Le_), 1842, Adam. O.C.
Roi et le Fermier, 1762, Sedaine. O.C. (music by Monsigny).
Roland, 1778, Piccini. O.
Roland for an Oliver, 1819, Th. Morton. C.
Rolla, 1798, Kotzebue. T.
Rolla, 1799, Lewis. T. (from the above).
Rollo, 1639, Beaumont and Fletcher.
Roman (_The_), 1850, S. Dobell. D.Pm.
Roman Actor (_The_), 1629, Massinger.
Roman Brother (_The_), 19th cent., Heraud. T.
Roman Comique (_Le_), 1861, Offenbach. O.Bf.
Roman Empress (_A_), 1622-1706, Joyner. D.
Roman Father (_The_), 1750, Whitehead. T. (based on the _Horace_ of
Corneille).
Roman Revenge, 1753, Hill.
Roman d’Une Heure, or La Folle Gageure, 1803, Hoffmann. C.
Roman Virgin (_The_), or The Unjust Judge, 1679, Betterton. T. (the
tale of Virginius).
Romance and Reality, J. Brougham. D.Pc.
Romance for an Hour, 1771, Kelly. C.
Rome Sauvée, 1752, Voltaire. T.
Romeo and Juliet, 1595, Shakespeare. T.
Romeo et Juliette, 1828, Soulié. T.
Romildare Constanza, 1819, Meyerbeer. O.
Romp (_The_), * Anon. C.O. (altered from Bickerstaff’s _Love in the
City_).
Rosalinda, 1762, Lockman. Mu.D.
Rosamond, 1706, Addison. O. (music by Arne).
Rosamond, 1861, Swinburne. Po.D.
Rosamond (_Fair_), 1879, Tennyson. T.
Rosamond (_The Fair_), 1812, Korner. T.
Rosamond the Fair, 1836, Barnett. H.O.
Rose (_The_), 1710-1778, Arne. C.O. (from the French).
Rose Blanche (_La_), et la Rose Rouge, 1809, Guilbert de
Pixérécourt. D. (See “Two Roses.”)
Rose de St. Fleur (_La_), Offenbach. O.Bf.
Rose et Colas, 1764, Sedaine. O.C.
Rose of Arragon, 1842, Knowles. D.
Rose of Castille, 1857, Balfe. O.
Rosière de Salency (_La_), 1774, Grétry. O.
Rosière et Norrice, 1842, Barrière. D.
Rosina, 1782, Miss Brooke. Pl.
Rosina, 1783, Shield. O.
Rosmonda, 1525, Rucelleri. T.
Rosmunda, 1783, Alfieri. T. (based on Bandello’s novel).
Rosmunda, 1840, Gil y Zarate. (See “Henry” and “Complaint.”)
Rösten i Oerken, 1815, Ingemann.
Rough Diamond (1802-1879), Buckstone. Cdta.
Roundheads (_The_), 1682, Mrs. Behn. C.
Rover (_The_), 1677, Mrs. Behn; pt. ii., 1681. C.
Roving (_The_), 17th cent., Middleton. C.
Roxana, 1592, Alabaster. T. (Latin).
Roxana, 1772, Magnocavallo. T. (a prize play).
Royal Captive (_The_), 1745, J. Maxwell. T.
Royal Combat, 17th cent., Ford and Dekker.
Royal Command (_By_), 19th cent., Stirling. C.O.
Royal Convert, 1708, Rowe. T. (_i.e._, Rodogune).
Royal Garland, 1768, Bickerstaff.
Royal King and Loyal Subject (_The_), 1737, Th. Heywood. T.C.
Royal Martyr (_The_), 1669, Dryden. T.
Royal Master (_The_), 1638, Shirley. C.
Royal Mischief, 1696, Mrs. Manley.
Royal Mistress (_The_), 1696, Mrs. Manley.
Royal Shepherd (_The_), 1764, R. Holt. O. (from Metastasio).
Royal Shepherdess, 1669, Shadwell. C. (This is Fountaine’s comedy
_The Rewards of Vertue_, 1661, altered.)
Royal Slave (_The_), 1637, Cartwright. T.C.
Royalist (_The_), 1682, D’Urfey. C.
Rubans d’Ivonne, 1850, Thiboust.
Rudens, or The Rope (B.C. 154-184), Plautus. C. (Latin, adapted from
a Greek play by Diphulos). Translated into blank verse by Messrs.
Thornton, Rich, Warner and Colman, 1769-74.
Rugantio, 1805, Lewis. Mel.
Ruines de Babylone (_Les_), 1819, Guilbert de Pixérécourt.
Ruines de Vaudemont, 1845, Boule.
Rule a Wife and Have a Wife, 1624, Beaumont and Fletcher. C.
(altered by Garrick).
Rump (_The_), 1660, Tatham. C.
Runaway (_The_) 1776, Mrs. Cowley. C.
Runnimede, 1783, J. Logan. T.
Rural Felicity, 1834, Buckstone. C.
Ruy Blas, 1840, Victor Hugo. R.D.

Sabots de la Marquis, 1854, Boulanger. O.C.
Sackfull of News (_The_), 1557, Anon. Pl.
Sacrifice d’Iphigénie, 1861, Dennery. T.
Sad One (_The_), 1609-1641, Suckling. T.
Sad Shepherd (_The_), left at death unfinished, 1637, Jonson. P.
Sailor’s Daughter (_The_), 1800, Cumberland. C.
St. Clement’s Eve, 1862, Sir H. Taylor. D.
St. Genest, 1641, Rotrou. T.
St. Patrick for Ireland, 1640, Shirley. C.
St. Patrick’s Day, 1775, Sheridan. F.
St. Peter, 1866, Benedict. Or.
Saint’s Tragedy, 1846, Kingsley. D.Pm.
Salmacida Spolia, 1639, Davenant. M.
Salvator, 19th cent., Herault. T.
Samor, 1818, Milman.
Samson, 1742, Handel. Or.
Samson Agonistes, 1671, Milton. D.Pm.
Sappho, 1850, Gounod. O.
Sappho and Phao, 1591, J. Lyly. Myt.D.
Saratoga, 1874, Marshall (brought out in London under the title of
_Brighton_).
Sardanapalus, 1821, Byron. T.
Satanella, 1858, Balfe. O.
Satiro-mastix, 1602, Dekker. Sat.C.
Saucy Valets (1730-1805), King.
Saul, 1738, Handel. Or.
Saul, 1739, Hill. T.
Saul, 1782, Alfieri. T.
Saul, 1801, Kalkbrenner. Or.
Saul (_King_), 1872, Armstrong. T.
Saul (_König_), 1839, Gutzkow. D.
Sauney, the Scot, 1698, Lacy. C.
Savage (_Richard_), 19th cent., Gutzkow. D.
Savonarola, 1881, Austin. T.
Scapegoat (_The_), about 1840, Poole. F.
Scholar (_The_), 1649, Lovelace. C.
Scholar (_The_), 1802-1879, Buckstone. C.
School, 1869, Robertson. C.
School for Arrogance (1745-1809), Holcroft. C.
School for Authors (1770-1804), Tobin. C.
School for Coquettes (1799-1861), Mrs. Gore. Prose C.
School for Fathers (_The_), 1770, Bickerstaff. C.
School for Grown Children, 1826, Morton. C.
School for Grown Gentlemen, 1827, Morton. C.
School for Lovers, 1762, Whitehead. C. (See “L’École des Amants.”)
School for Scandal, 1777, Sheridan. C.
School for Wives, 1774, Kelly. C. (See “L’École des Femmes.”)
School of Complement, 1631, Shirley. C.
School of Reform, 1817, Thomas Morton. C. (See “L‘École.”)
Scipio Africanus, 1729, Beckingham. T. (from Pradon’s _Scipion
l‘Africain_).
Scipion l‘Africain, 1632-1698, Pradon. T.
Scornful Lady (_The_), 1616, Beaumont and Fletcher. C.
Scots Figaries (_The_), 1652, Tatham. C.
Scowerers (_The_), 1691, Shadwell. C.
Scythes, 1761, Voltaire. T.
Sea-Captain (_The_), 1839, Lytton. T. (often called _The Rightful
Heir_).
Sea-Voyage, 1647, Beaumont and Fletcher. C.
Search after Happiness, 1773, H. More. P.
Search for Money (_A_), 1609, Rowley. C.
Seasons (_The_), 1800, Haydn. O.
Sebastian. (See “Don Sebastian.”)
Second Maiden’s Tragedy, before 1620, Anon. T. (ascribed to
Chapman).
Second Thoughts, 19th cent., Buckstone.
Secret (_Le_), 1793, Hoffmann. O.C. (music by Méhul).
Secret Love, 1667, Dryden. C.
Secrets Worth Knowing, 1798, Th. Morton. C.
Secrétaire et le Cuisinier (_Le_), before 1822, Scribe. Pt.Pc.
See Me and See Me Not, 1618, Belcher. C. (adapted from a play by
Hans Beerpot).
Sejanus, 1602, Jonson. T.
Séjour Militaire, 1813, Auber. O.
Self-immolation, or The Sacrifice of Love, 1799, Newman. Pl. (from
Kotzebue).
Selindra, 1665, Sir W. Killigrew. Pl.
Semele, 1698, Congreve. Mu.D. (music by Handel).
Semiramide, 1729, Metastasio. O.
Semiramide, 1819, Meyerbeer. O.
Semiramide, 1823, Rossini. O.
Sémiramis, 1748, Voltaire. T.
Senile Odium, 1633, Hausted. C.
Serail, 1782, Mozart. O.
Serious Family (_A_), about 1850, Buckstone (music by Barnett).
Sertorious, 1662, Corneille. T.
Servius Tullius, 1826, Bouzique. T.
Sesostris, 1667, Amore. T.
Seven against Thebes (_The_), B.C. 471, Æschylus. T. (Greek).
Translated by Potter, 1777; Buckley, 1849; Davies, 1864; Plumptre,
1869.
Shaughraun, 1874, Boucicault. D.
She Stoops to Conquer, 1773, Goldsmith. C.
She Stoops to Conquer, 1864, Macfarren. O.
She Would and She Would Not, 1703, Cibber. C.
She Would if She Could, 1668, Etherege. C.
Shepherd of Tolosa, 1829, Ingemann.
Shepherd’s Artifice, 1761, Dibdin. O.
Shepherd’s Holiday (_The_), 1635, Rutten. P.T.C.
Shoemaker a Gentleman (_A_), 1638, Rowley. C.
Shoemaker’s Holiday (_The_), 1600, Dekker. C.
Shore. (See “Jane Shore.”)
Si j’étais Roi, 1854, Adam. Pt.Pc.
Sicilian Summer (_A_), 1850, Henry Taylor. C.
Sicilian Vespers, 1840, Kenney.
Sicilian Vespers, 1819, Delavigne. T.
Sicilien ou L’Amour Peintre, 1667, Molière. C.
Siege (_The_), or Love’s Convert, 1651, Cartwright. C.
Siège of Aguileia, 1760, Home.
Siege of Babylon (_The_), 1678, Pordage. T.
Siege of Belgrade, 1796, Cobb. C.O. (music by Storace; an English
version of _La Cosa Rara_).
Siege of Berwick, 1806, Jerningham. T.
Siege of Damascus, 1720, Hughes. T.
Siege of Grenada, 1671, Dryden. H.Pl.
Siege of Ischia, (1778-1824), Kemp. O.
Siege of Memphis (_The_), 1676, D’Urfey. T.
Siege of Rhodes, 1656, Davenant. Pl.
Siege of Rochelle, 1835, Balfe. O.
Siege of Sinope, 1781, Miss Brooke. T.
Siege of Troy (_The_), 1715. D.
Siege of Urbin, 1666, Sir W. Killigrew. Pl.
Sigurd (_King_), 19th cent., Bojé. T.
Silent Woman (_The_), 1609, Jonson. C.
Silver Age (_The_), 1613, Thomas Heywood. C.
Silvia, 1731, Lillo.
Single Life, about 1835, Buckstone. C.
Sir Barnaby Whigg, 1681, D’Urfey. C.
Sir Courtley Nice, 1685, Crowne. C. (from the _Mayor Imposible_ of
Lope de Vega).
Sir Fopling Flutter, 1676, Etherege. C.
Sir George Etherege’s Comical Revenge (1642-1689), Mrs. Behn. C.
Sir Harry Gaylove, 1772, Miss Marshall. C.
Sir Harry Wildair, 1701, Farquhar. C.
Sir Hercules Buffoon, 1684, Lacy. C.
Sir John Cockle at Court, 1737, Dodsley. F.
Sir John Falstaff in Masquerade, 1741, S. Johnson. C.
Sir John Oldcastle. (See “Oldcastle.”)
Sir Marmaduke Maxwell, 1827, Cunningham. C.
Sir Martin Marplot (1592-1670), William, Duke of Newcastle. C.
(founded on Molière’s _L’Etourdi_).
Sir Martin Marrall, 1667, Dryden. C. (This is _Sir Martin Marplot_
adapted for the stage.)
Sir Patient Fancy, 1678, Mrs. Behn. C.
Sir Richard Grinvile, 1595, Markham. T.
Sir Solomon, or The Cautious Coxcomb, 1671, Caryl. C.
Sir Thomas Moore, 1792, Hurdis. T.
Sir Thomas Overbury, 1726, Savage. T.
Sir Thomas Overbury’s Life and Untimely Death, 1614, Ford. T.
Sir Thomas Wyat, 1607, Webster and Dekker. T.
Sir Walter Raleigh, 1720, Sewell. T.
Sirène (_La_), 1844, Scribe. O.C.
Siroe (_Il_), 1728, Metastasio. O.
Sisters (_The_), 1652, Shirley. C.
Sisters (_The_), 1769, Mrs. Lennox. C.
Slanderer (_The_), 1778, Foote.
Slave (_The_), 1816, Bishop. O.
Slave Life (1817-1880), Tom Taylor, etc.
Sleeping Beauty, 1805, Skeffington. Pn.
Sleeping Beauty, 1840, Planché.
Slighted Maid (_The_), 1663, Stapylton. C.
Snake in the Grass, 1759, Hill. C. (altered by Buckstone, 19th
cent.)
Society, 1865, Robertson. C.
Sofonisbe, 1718, Leo. O. (See “Sophonisba.”)
Soirée à la Bastille, 1845, Decourcelle. C.
Soirée d’Auteuil (_La_), 1804, Andrieux. C.
Soldier (_The_), 1649, Lovelace. T.
Soldier’s Daughter (_The_), 1804, Cherry. C.
Soldier’s Fortune, 1681, Otway. C.
Soldier’s Last Stake (_The_), 1686-1744, G. Jacob.
Soldier’s Return, 1805, Hook. C.
Soliman and Persida, 1599, Anon [? Kyd]. T.
Soliman II. (1710-1792), Favart. O.C.
Solliciteur (_Le_), before 1822, Scribe. Pt.Pc.
Solomon, 1748, Handel. Or.
Solomon, 1748, Klopstock. S.D. (translated by R. Huish, 1809).
Solomon (_King_), 1876, Armstrong. T.
Somnambule (_La_), 1819, Delavigne. D.
Sonnambula, 1831, Bellini. O.
Sophi (_The_). (See “Sophy.”)
Sophister (_The_), 1639, Zouch. C.
Sophonisba, 1514, Trissino. T. (the first Italian tragedy). (See
“Ferrex,” etc.)
Sophonisba, or The Wonder of Women, 1606, Marston. T. (See
“Sofonisbe.”)
Sophonisba, 1729, Thomson. T.
Sophonisba, 1783, Alfieri. T. (translated by Lloyd, 1815).
Sophonisbe, 1630, Mairet. T. (imitated from Trissino; the first
French Tragedy).
Sophonisbe (1606-1684), Corneille. T.
Sophonisbe (1677-1758), Lagrange-Chancel. T.
Sophy (_The_), 1641, printed 1642, Denham. T.
Sorcerer (_The_), 1876, Gilbert and Sullivan. Opta.
Sorcière (_La_), 1863, Bourgeois and Barbier. C.
Sordello, 1839, R. Browning.
Sosies, 1639, Rotrou. C.
Sot toujours Sot, 1693, De Brueys. C.
Spaniard in Peru (_The_), 1797, Kotzebue. T. (The English version is
called _Pizarro_).
Spanish Bawd (_The_), 1631, Fernando de Roias. C. (the longest play
ever published).
Spanish Curate (_The_), 1622, Fletcher (Beaumont died 1616). C.
(based on _The Unfortunate Spaniard_ by Gonsalvo de Cespides).
Spanish Dollars, 1807, Cherry. M.D.
Spanish Father (_The_), 1745-1831, H. Mackenzie. T.
Spanish Fryar (_The_), 1680, Dryden. C.
Spanish Gipsy, 1653, Middleton and Rowley. C.
Spanish Gypsy, 1865, rewritten 1867, and published 1868, “G. Eliot”
[Mrs. Lewes]. D.Pm.
Spanish Masquerado, 1589, Greene. C.
Spanish Rogue (_The_), 1674, Duffett. C.
Spanish Student (_The_), 1845, Longfellow. D.Pm.
Spanish Tragedy (_The_), or Jeronimo Mad Again, 1603, Kyd. T.
(forming pt. ii. to _Jeronimo_).
Spanish Viceroy, 1653, Massinger.
Spartacus, 1746, Saurin. T.
Spartan Dame (_The_), 1721, Southerne. T.
Speculation (1765-1841), Reynolds. C.
Speed the Plough, 1798, Thomas Morton. C.
Spoilt Child (_The_), 1805 (?) Bickerstaff. C.
Spouter (_The_), 1756, Murphy. F.
Sprigs of Laurel, 1798, O’Keefe. M.F. (music by Shield).
Spring and Autumn, 1827, Kenney. C.
Spring’s Glory (_The_), 1638, Nabbes. M.
Squeeze to the Coronation, 1821, Thomson. C.
Squire of Alsatia (_The_), 1688, Shadwell. C. (same as _Gentleman of
Alsatia_).
Squire Oldsapp, 1679, D’Urfey. C.
Stage Beaux toss’d in a Blanket, 1704, Thomas Brown. C.
Stage Coach, 1704, Farquhar. C.
Staple of News (_The_), 1625, Jonson. C.
Star of Seville, 1837, Mrs. Butler (born Kemble).
State of Innocence, 1673, Dryden. D.Pm. (a dramatic version of
Milton’s _Paradise Lost_).
State Prisoner, 1847, Stirling.
Statira (1632-1698), Pradon. T.
Stella, 1776, Goethe. D.
Stella, 1843, Anicet Bourgeois. D.
Stephanie, 1877, Story. T.
Stepmother (_The_), 1664, Stapylton. T.C. (See “Hecyra.”)
Stepmother (_The_), 1800, Earl of Carlisle. T.
Steward (_The_). (This is merely _The Deserted Daughter_ of Holcroft,
1785, reset.)
Stichus (B.C. 254-184), Plautus. C. (Latin, adapted from a Greek
play by Menander). Translated into blank verse by Thornton, Rich,
Warner and Colman, 1769-74.
Stilicon, 1660, Thomas Corneille. T.
Still Waters Run Deep, 1855, Tom Taylor. C.
Stolen Heiress, 1703, Centlivre. C.
Stolen Kisses, 19th cent., Merritt. C.
Stafford, 1837, R. Browning. H.T.
Stafford, 1843, Sterling. H.T.
Strange Discovery (_The_), 1640, Gough. T.C.
Strange Gentleman (_The_), 1836, Dickens. Blta.
Stranger (_The_), 1797, B. Thompson. D. (from _Misanthropy and
Repentance_, by Kotzebue). Thompson’s version was greatly altered
in 1798 by Sheridan.
Straniera (_La_), 1806-1835, Bellini. O.
Strathmore, 1849, W. Marston. T.
Stratonice, 1792, Hoffmann. O.C. (music by Méhul).
Streets of London, 1862, Boucicault. D.
Struensee, 1827, Beer. T.
Success, or A Hit if You Like It, 1825, Planché. F.
Such Things Are, 1786, Inchbald. Pl.
Suite du Mentuer (_La_), 1803, Andrieux. C.
Sullen Lovers, 1668, Shadwell. C.
Sultan (_The_), 1775, Bickerstaff. F.
Summer’s Last Will, etc., 1600, Nash. C.
Summer’s Tale, 1768, Cumberland. C.O.
Sun in Aries (_The_), 1621, Middleton. C.
Sun’s Darling (_The_), 1656, Ford. M.
Superiority, 1607, Ant. Brewer. C.
Suppliants (_The_), B.C. 461, Æschylus. T. (Greek). Translated by
Potter, 1777; Buckley, 1849; Plumptre, 1869.
Supplication of Pierce Penniless, etc., 1592, Nash.
Supplice d’un Homme, 1865, Thiboust.
Supplices, B.C. 421, Euripides. T. (Greek). Translated by Potter,
1781; Wodhull, 1782.
Supposes (_The_), 1566, Gascoigne. C.
Suréna, 1674, Corneille. T.
Surprise (_Agreeable_), 1798, O’Keefe. C.
Surrender of Calais, 1791, Colman. C.
Suspicious Husband (_The_), 1747, Hoadly. C.
Svend Dyring’s House, 19th cent., Herz. R.D.
Svend Grathe, 19th cent., Bojé. T.
Sweethearts, 1874, Gilbert. D.Pc.
Sweethearts and Wives (1772-1849), Kenney. Mu.C. (music by Nathan).
Sweetman, the Woman-Hater, 1640, Anon. C.
Swindler (_The_), 1764-1838, Morton. C.
Sword and the Hand, 1832, Beer. T.
Sylvain, 1770, Marmontel. O.C. (music by Grétry).
Sylvana, 1809, Weber. O.
Sylvester Daggerwood, 1795, Colman. C.
Sylvia, 1731, Lillo.

Tableau Parlant (_Le_), 1769, Grétry. O.
Tailors (_The_), * Anon. B.T.
Tale of Mantua, 1830, Knowles.
Tale of Mystery (1745-1809), Holcroft. Mel.
Tale of a Tub, 1633, Jonson.
Tamburlaine, 1590, Marlowe. T.
Tamerlan (1632-1698), Pradon. T.
Tamerlan et Bajazet, 1806, Bishop. Bl.
Tamerlane, 1702, Rowe. T.
Tamerlane, 1722, Leo. O.
Taming of the Shrew, 1593, Shakespeare. C.
Tancred and Gismunda, 1568, by Hatton and four others. T.
Tancred and Sigismunda, 1745, Thomson. T.
Tancréde, 1760, Voltaire. T.
Tancredi, 1813, Rossini. O.
Tannhäuser, 1845, Wagner. O.
Tante (_La_) et le Neveu (1781-1857), Brifaut. C.
Tarare, 1787, Beaumarchais. O.
Tartuffe, 1664, Molière. C.
Tasso (_Torquato_), 1790, Goethe. T.
Tasso Refriede, 1819, Ingemann. D.
Taste, 1752, Foote. F.
Tatlers (_The_), 1797, Hoadly. C.
Taverne des Étudiants (_La_), 1854, Sardou. C.
Technogamia, or Marriage of the Arts, 1630, Holyday. C.
Tekeli, 1803, Guilbert de Pixérécourt. Mel.
Tell (_Guglielmo_), 1829, Rossini. O.
Tell (_Guillaume_), 1766, Lemière. T.
Tell (_Guillaume_), 1772, Sedaine. O.
Tell (_Wilhelm_), 1804, Schiller. T.
Tell (_William_), 1825, Knowles. T.
Tell (_William_), 1827-1862, Talfourd. F.
Temistocle, 1738, Metastasio. D.
Tempest (_The_), 1609, Shakespeare. C.
Tempest (_The_), 1668, Dryden. C.
Temple Beau (_The_), 1738, Fielding. C.
Temple de la Gloire, 1744, Voltaire. O.
Temple of Love (_The_), 1634, Davenant. M.
Temptatyon of Our Lorde and Saver (_The_), 1538. Bal.Int.
Tender Husband (_The_), 1703, Steele. C.
Teraminta, 1732, H. Carey.
Tête de Mort (_La_), 1827, Guilbert de Pixérécourt. V.
Théagène et Chariclée, 1662, Racine. T.
Thébaïde (_La_), 1664, Racine. T.
Thebaïs, or The Phœnissæ (B.C. 58-32), Seneca. T. (Latin).
Themistocle. (See “Temistocle.”)
Theodosius, or The Force of Love, 1680, Lee. T.
Therese, the Orphan of Geneva, 19th cent., Kerr. Mel.R. (adapted).
Thersytes, 1537, Anon. Int.
Thésée, 1690, Lafosse. T.
Theseus, 1715, Handel. O.
Theseus and Ariadne, 1848, Planché.
Thesmophoriazusæ, B.C. 410, Aristophanes. C. (Greek). Translated by
Mitchell, 1820-22; Hickie, 1853; Rudd, 1867.
Thespis, 1762, Kelly.
Thierry and Theodoret, 1621, Fletcher (Beaumont died 1616). T.
Thieves of Paris, 1856, Stirling. D.
Thimble Rig (_The_), 1802-1879, Buckstone. F.
Thirty Years of a Woman’s Life, before 1834, Buckstone.
Thomas. (See “Mons. Thomas.”)
Thomas à Becket, 1780, Tennyson. T.
Thomas and Sally (1696-1743), Carey. Mu.E.
Thomas and Sally, 1760, Bickerstaff. C.O.
Thracian Wonder, 1661, Webster. C.
Three Black Seals (_The_), 1864, Stirling. H.D.
Three Hours after Marriage, 1717, Gay. F.
Three Ladies of London (_The_), 1584, Anon. Mo.
Three Lords and Three Ladies of London, 1590, Anon. Mo.
Three Strangers (_The_), 1835, Miss Lee. C.
Three Weeks after Marriage, 1776, Murphy. F.
Thyestes (B.C. 58-32), Seneca. T. (Latin). Translated by Heywood,
1560; Wright, 1674.
Thyestes, about 1680, Crowne. T.
Tibère, (1764-1811), Chénier. T.
Ticket-of-Leave Man, 1863, Tom Taylor.
Timanthes, 1769, Hoole. T.
Time Works Wonders, 1845, Jerrold. C.
Timocrate, 1656, Thomas Corneille. T.
Timocrate, 1723, Leo. O.
Timoléon, 1783, Alfieri. T.
Timoléon, 1794, Chénier. T.
Timon of Athens, 1609, Shakespeare. T.
Timon of Athens, 1778, Cumberland. T.
Timon, the Manhater, 1678, Shadwell. T.
Timour, the Tartar, 1812, Lewis. Mel.
Tipperary Legacy, 1847, Coyne. C.
’Tis Pity She’s a Whore, 1633, Ford. T.
’Tis Well ’tis no Worse, 1770, Bickerstaff. C.
Tit for Tat, * Colman. C.
Tito, 1791, Mozart. O.
Titus Andronicus, 1593, (?) Shakespeare. T.
Titus Andronicus, 1687, Ravenscroft. T.
Titus and Berenice, 1672, Otway.
To Marry or Not to Marry (1753-1821), Inchbald. C.
To-Night, Uncle, 1878, H. J. Byron.
To Oblige Benson, 1854, Tom Taylor.
To Parents and Guardians (1817-1880), Tom Taylor.
Tobacconist (_The_), before 1780, Gentleman. F.
Tom Cobb, 1876, Gilbert. F.
Tom Essence, or The Modish Wife, 1677, Rawlins. C.
Tom Fool, 1760, Stevens. F.
Tom Jones, 1740, Reed. C.O.
Tom Thumb, 1733, Fielding. C.O.
Tom Tyler and his Wife, about 1569, published in 1578, Anon. Mo.
Tonson. (See “Mons. Tonson.”)
Tony Lumpkin in Town, 1778, O’Keefe. C.
Too Late to Call Back Yesterday, 1639, R. Davenport. C.
Too Many, or Democracy, 1805, Alfieri. C.
Toréador (_Le_), 1849, Adam. O.C.
Tortesa, the Usurer, 1841, Willis. C.
Tottenham Court, 1633, Nabbes. C.
Tour de Londres, 1855, Nus. D.
Tower of Babel (_The_), 1871, A. Austin. Dc.Pm.
Town and Country, 1807, Morton. C.
Town Fop (_The_), 1677, Mrs. Behn. C.
Toy-Shop, 1735, Dodsley. D.S.
Trachiniæ, about B.C. 430, Sophocles. T. (Greek). Translated by G.
Adams, 1729; Potter, 1788; Dale, 1824; Plumptre, 1865.
Traitor (_The_), 1635, Shirley. T.
Travailes of Three English Brothers, 1607, Day. T.C.
Travellers (_The_), 1806, Cherry. C.
Traviata (_La_), 1856, Verdi. O.
Trente Millions de Gladiateurs (_Les_), 19th cent., Labiche and Gille.
(See “Nabob.”)
Trésor (_Le_), 1803, Andrieux. C.
Trial. (See “Tryal.”)
Trial by Jury, 1875, Gilbert and Sullivan. Opta.
Trial of Pleasure (_The_), 1567, Skelton. Mo.
Trick for Trick, 1678, D’Urfey. C.
Trick upon Trick, 1710, Hill. C.
Tricke to Catch the Old One (_A_), 1608, Middleton. C.
Trinuzzia (_La_), 1540, Angelo. C.
Trinummus (B.C. 254-184), Plautus. C. (Latin, adapted from a Greek
play by Philemon).
Translated into blank verse by Messrs. Thornton, Rich, Warner and
Colman, 1769-1774.
Triomphe des Arts (_Le_), 1672-1731, Lamotte. O.
Trip to Calais (_A_), 1777, Foote. F.
Trip to Kissengen (_A_), 1817-1880, Taylor.
Trip to Scarborough (_A_), 1777, Sheridan.
Trip to Scotland (_A_), 1770, Whitehead. F.
Tristan and Isolde, 1865, Wagner. O.
Triumph of Oriana, 1601, Morley. O.
Triumph of Peace (_The_), 1633, Shirley. M.
Triumphs of Beautie (_The_), 1646, Shirley. M.
Triumphs of Health and Prosperity, 1626, Middleton. Sol.
Triumphs of Honor and Industry, 1617, Middleton. Sol.
Triumphs of Honor and Virtue, 1622, Middleton. Sol.
Triumphs of Integrity, 1623, Middleton. Sol.
Triumphs of Love and Antiquity, 1619, Middleton. Sol.
Triumphs of Love and Fortune, 1589, by E. A. Sol.
Triumphs of Truth, 1613, Middleton (and scores more for Lord Mayor’s
Day).
Triumphs of the Prince D’Amour, 1635, Davenant. M.
Triumphant Widow (_The_), 1677, William Cavendish, Duke of
Newcastle. C.
Troade (_La_), 1632-1698, Pradon. T.
Troades (B.C. 415), Euripides. T. (Greek). Translated by Bannister,
1780; Potter, 1781; Wodhull, 1782.
Troas or Hecuba (B.C. 58-32), Seneca. T. (Latin). Translated by J.
Heywood, 1559; S. P[ordage], 1660; E. Sherburne, 1679; J. T[albot],
1686.
Troilus and Cressida, 1602, Shakespeare. T.
Troilus and Cressida, 1679, Dryden. T.
Trois Cousins, 1664, Dancourt. C.
Trois Rivaux (_Les_), 1758, Saurin. C.
Trois Sultanes (_Les_), 1710-1792, Favart. C.
Troja Distrutta, 1663, Andrea. T.
Troublesome Reign of King John, 1578, Anon. H.Pl.
Trovatore (_Il_), 1853, Verdi. O.
Truculentus (B.C. 254-184), Plautus. C. (Latin).
Translated into blank verse by Thornton, Rich, Warner and Colman,
1769-74.
True Love can ne’er Forget (1797-1868), Lover.
True Widow, 1679, Shadwell. C.
Tryal of Samuel Foote, 1763, Foote. F.
Tu Quoque, 1599, Greene.
Tunbridge Wells, 1678, Rawlins. C.
Turcaret, 1708, Lesage. C.
Turco in Italia, 1814, Rossini. O.
Turk and No Turk, 1785, Colman. Mu.C.
Turke (_The_), 1610, J. Mason. T.
Turkish Court (_The_), 1748, L. Pilkington. Pl.
Turkish Mahomet, 1584, Peele.
Turnpike Gate (1774-1826), Knight. F.
Twelfth Night, etc., 1602, Shakespeare. C.
Twin Rivals, 1705, Farquhar.
’Twixt Axe and Crown, 1870, Taylor. H.Pl.
Two Foscari (_The_), 1821, Byron.
Two Gentlemen of Verona, 1595, Shakespeare. C. (first mentioned
1598).
Two Italian Gentlemen (_The_), 1584, Munday. D. (afterwards called
_Fidele and Fortunio_).
Two Klingsbergs (_The_), 1761-1819, Kotzebue. D.
Two Loves and a Life (1817-1880), Taylor.
Two Maids of More Clacke, 1609, Armin. C.
Two Misers, 1767, O’Hara.
Two Noble Kinsmen, 1634, Beaumont and Fletcher.
Two Queens of Brentford, 1721, D’Urfey. O.
Two Roses (_The_), 1878, Albery. V.
Two Strings to your Bow, 1791, Jephson. F.
Two to One, 1784, Colman. C.
Two Tragedies in One, 1601, Yarrington. D.
Two Wise Men and All the Rest Fools, 1619, Chapman. C. (in seven
acts).
Tyrant (_The_), 1660, Massinger.
Tyrannic Love, 1669, Dryden. T.

Ugone, 1870, Armstrong. T.
Ulysses, 1706, Rowe. Myt.D.
Un Ballo in Maschera, 1861, Verdi. O.
Uncle, 19th cent., H. J. Byron. C.
Uncle John, 1833, Buckstone.
Uncle Too Many, 1828, Thomson. C.
Under the Earth, 1868. R.D. (_Hard Times_, by Dickens, dramatized).
Underbarnet, 19th cent., Ingemann.
Undertaker (_The_), 1770-1804, Tobin.
Une Cause Célèbre. (See “Proof.”)
Une Chasse à St. Germain, 1860, Deslandes. D.
Une Faute, before 1822, Scribe. Pt.Pc.
Unequal Match (_An_), 1877, Tom Taylor.
Unfinished Gentleman (1801-1863), Selby. C.
Unfortunate Lovers (_The_), 1642, Davenant. T.
Unfortunate Mother (_The_), 1640, Nabbes. T.
Unhappy Favorite (_The_), 1682, Banks. T.
Unknown Lover (_The_), 1878, Gosse. Pl.
Unnatural Combat, 1639, Massinger. T.
Unnatural Tragedy (_The_), 1624-1673, Margaret, Duchess of
Newcastle. T.
Up All Night (1730-1805), King. Mu.D. (music by Dr. Arnold).
Upholsterer (_The_), 1758, Murphy. F.
Upper Crust (_The_), 1880, H. J. Byron. C.
Urgent Private Affairs (1805-1868), Coyne. C.
Used Up, 1845, C. J. Mathews. C.

Vacancies (_Les_), 1659, Dancourt. C.
Val d’Andorre (_Le_), 1799-1862, Halévy. O.C.
Valentine, 1820, Guilbert de Pixérécourt.
Valentinian, 1617, Fletcher (Beaumont died 1616). T.
Valérie, 1822, Scribe. F.
Valiant Welchman (_The_), 1615, Armin. C.
Valsei (_i.e._, Wallace), or The Hero of Scotland, 1772, Perobo. T.
(a prize play).
Vampire (_Le_), 1820, Carmouche.
Vampire (_The_), 1820, Planché.
Vampire (_The_), 1829, Planché. O.
Vanderdecken, 1878, W. G. Wills.
Vandyck, 1850, Richards. Pl.
Variety (_The_), 1649, Duke of Newcastle. C.
Vautour (_Mons._), 1805, Duval.
Venceslas, 1647, Rotrou. T.
Vendanges de Suresnes, 1657, Dancourt. C.
Vendetta, 1846, Stephens.
Venetian Outlaw (_The_), 1805, Elliston.
Venice Preserved, 1682, Otway. T.
Vénitienne (_La_), 1834, Anicet Bourgeois. D.
Venoni, 1809, Lewis. D.
Venus and Adonis (1703-1758), Theo. Cibber. C.
Vêpres Siciliennes (_Les_), 1819, Delavigne. T.
Verre d’Eau (_Le_), 1842, Scribe. C.
Very Woman (_A_), 1655, Massinger. T.C.
Vespers of Palermo, 1823, Hemans. T.
Veuve de Malabar, 1799, Kalkbrenner. O.
Vicar of Wakefield (_The_). (This novel was dramatized in 1819; turned
into an opera in 1823; S. Coyne produced a dramatic version in
1850, in conjunction with Tom Taylor; and W. G. Wills in 1878,
under the name of _Olivia_.)
Victims, 1856, Tom Taylor.
Victorine, 1831, Buckstone.
Videna, 1854, Heraud. T.
Vie de Café, 1850, Dupenty.
Vieux Château, 1799, Dellamaria. O.
Vieux Fat (_Le_), 1810, Andrieux. C.
Vieux Garçon (_Le_), before 1822, Scribe. Pt.Pc.
Vieux Péchés (_Les_), 1833, Dumanois. D.
Village (_The_), 1805, Cherry. C.
Village Coquettes, 1835, Hullah. O.
Village Coquettes, 1836, Dickens. O.
Village Opera (_The_), 1762, Johnson. C.O.
Village Wedding, before 1770, Love. P.
Villain (_The_), 1663, Porter. T.
Vindimiatrice (_Le_), 1741-1813, Grétry. O.
Vintner Tricked (_The_), 1746, *. C.
Vira-Rama-Tscherita, 8th cent., Bhavabhouti. Myt.D.
Virgin Martyr (_The_), 1622, Massinger and Dekker. T.
Virgin Unmasked, about 1740, Fielding. Mu.F.
Virgin of the Sun (_The_), 1799, Anne Plumtree. Pl. (from Kotzebue).
Virgin of the Sun (_The_), 1812, Bishop. O.
Virgin Widow (_The_), 1649, Quarles. C.
Virginia, 1654, Webster. T.
Virginia, 1760, Miss Brooke. T.
Virginia, 1783, Alfieri. T.
Virginia (1756-1829), Léopold. T.
Virginie, 1683, Campistron. T.
Virginie, 1786, Laharpe. T.
Virginius (1792-1852), Payne. T.
Virginius, 1820, Knowles. T.
Virtue Betrayed, 1682, Banks. T.
Virtuoso (_The_), 1676, Shadwell. C.
Virtuous Octavia, 1598, Brandon. H.Pl.
Virtuous Wife (_The_), or Good Luck to the Last, 1680, D’Urfey. C.
Visite à Bedlam (_Une_), before 1822, Scribe. Pt.Pc.
Vologese, 1744, Leo. O.
Volpone, or The Fox, 1605, Jonson. C.
Volunteers (_The_), 1693, Shadwell. C.
Vortigern and Rowena, 1796, Ireland. T.
Votary of Wealth (_The_), 1792, Holman. C.

Wags of Windsor. (See “Review.”)
Wakefield Plays (_The_), 32 in number, printed by the Surtees Society
in 1836. Mys.
Walking Statue, 1710, Hill.
Wallace, 1799, Grahame. T.
Wallace. (See “Valsei.”)
Wallenstein (_Albertus_), 1639, Glapthorne. H.D.
Wallenstein, 1799, Schiller. (An English version by Coleridge, 1800.)
Walloons (_The_), 1782, Cumberland.
Walpole, 1869, Lord Lytton. C.
Walter Raleigh (_Sir_), 1720, Sewell. T.
Wandering Lover (_The_), 1658, Meriton. T.C.
Wandering Minstrel (_The_), 1841, Mayhew and Beckett. F.
War (1829-1871), Robertson. C.
War to the Knife, 1865, H. J. Byron.
Warning to Fair Women (_The_), 1599, Anon. T.
Warwick, 1763, Laharpe. T. (In 1767 appeared the English version by
Franklin.)
Washington, 1877, Tupper. D.
Wasps (_The_), B.C. 422, Aristophanes. C. (Greek). Translated by
Mitchell, 1820-22; Hickie, 1853; Rudd, 1867; Rogers, 1876.
Wat Tyler, 1794, Southey. Pol.D.
Wat Tyler, 1869, Sala. B.
Water Witches (_The_), Coyne (1805-1868.)
Waterman (_The_), 1774, Dibdin. Bd.O.
Way of the World (_The_), 1700, Congreve. C.
Way to Get Married (_The_), 1796, Morton. C.
Way to Keep Him (_The_), 1760, Murphy. C.
Ways and Means, 1788, Colman. C.
We Fly by Night, 1806, Colman. F.
Weak Points (1802-1879), Buckstone.
Weathercock (_The_), about 1810, Allingham. C.
Wedding (_The_), 1629, Shirley. C.
Wedding Day (_The_), 1740, Fielding. C.
Wedding Day, 1790, Inchbald. F.
Wedding March (_The_), 19th cent., Gilbert.
Welcome and Farewell, 1837, Harness. D.
Wenceslaus. (See “Venceslas.”)
Werner, 1822, Byron. T.
Werter, 1786, Reynolds.
Werther, 1817, Duval. F.
West Indian, 1771, Cumberland. C.
Westward Hoe! 1607, Dekker and Webster. C.
What a Blunder! (1764-1817), Holman. C.
What d’ye Call It? 1714, Gay. T.C.P.
What Next? (1771-1841), Dibdin. F.
What You Will, 1607, Marston. C.
Wheel of Fortune (_The_), 1779, Cumberland. C.
Which is the Man? (1743-1809), Mrs. Cowley. C.
White Devil (_The_), 1612, Webster. T.
White Lady of Berlin Castle, 1875, C. Winchester. T.
Who is She? 19th cent., Stirling. Pt.C.
Who wants a Guinea? 1805, Colman. F.
Whore of Babylon (_The_), 1603, Day.
Who’s the Dupe? (1743-1809), Mrs. Cowley. F.
Wicked World (_The_), 1873, Gilbert. Fy.C.
Widow (_The_), 1628, Middleton. C.
Widow (_The_), printed 1652, Jonson, Fletcher and Middleton. C.
Widow Ranter (_The_), 1690, Mrs. Behn. C.
Widow of Delphi, 1780, Cumberland. O.
Widow’s Tears (_The_), 1612, Chapman. C.
Wife (_The_), 1833, Knowles. D.
Wife for a Month, 1624, Fletcher (Beaumont died 1616). T.C.
Wife of Bath, 1713, altered 1730, J. Gay. C.
Wife or No Wife, 19th cent., Heraud. C.
Wife Well Managed, 1715, Centlivre. C.
Wife’s Excuse, 1692, Southerne. C.
Wife’s Relief (_The_), 1711, Johnson. C.
Wife’s Stratagem (_The_), 1827, Poole. C.
Wives as They Were, etc., 1797, Inchbald. C.
Wild Gallant, 1663, Dryden. C.
Wild-Goose Chase, 1619, Fletcher. C.
Wild Oats, 1798, O’Keefe. C.
Wildair (_Sir Harry_), 1701, Farquhar. C.
Wilhelm Tell. (See “Tell.”)
Will (_The_), 1765-1841, Reynolds. C.
Willow Copse (_The_), 19th cent., Boucicault.
Wily Beguilede, 1606, Anon. C.
Winning a Husband (1802-1879), Buckstone. C.
Winter’s Tale, 1604, Shakespeare. C.
Wisdom of Dr. Dodypoll, 1600, Lyly. C.
Wise Man of the East (_A_), 1799, Inchbald. Pl. (from Kotzebue).
Wise Women of Hogsdon, 1638, T. Heywood. C.
Wit at Several Weapons, 1614, Beaumont and Fletcher. C.
Wit in a Constable, 1640, Glapthorne. C.
Wit without Money, posthumous, 1649, Beaumont and Fletcher. C.
Witch-Finder (_The_), 19th cent., R. Buchanan. T.
Witch (_The_), 1604, Middleton. T.C.
Witch of Edmonton, 1658, Rowley, Tourneur, etc. T.C. (The witch was
Mother Sawyer.)
Within and Without, 1856, McDonnell. D.Pm.
Wits (_The_), 1636, Davenant. C.
Wit’s Cabal (1624-1673), Margaret, Duchess of Newcastle. C.
Wit’s Last Stake (1730-1805), King. C.
Wittie Faire One (_The_), 1633, Shirley. C.
Wives. (See under “Wife.”)
Woman Captain, 1680, Shadwell. C.
Woman-Hater, 1607, Beaumont and Fletcher. C.
Woman in Red, 1849, Coyne.
Woman in the Moon, 1597, J. Lyly. Myt.D.
Woman Kilde with Kindnesse (_A_), before 1603, third edition 1617,
Heywood. T.
Woman made Justice (_A_), 1720, Betterton. C.
Woman will have her Will (_A_), 1616, Haughton.
Woman’s Place, 1647, Beaumont and Fletcher. C.
Woman’s Prize, 1647, Beaumont and Fletcher. C.
Woman’s Wit, 1697, C. Cibber. C.
Woman’s Wit, 1838, Knowles. C.
Woman’s a Weathercock, 1609, printed 1612. Field. C. (The second part
called _Amends for Ladies_, was acted in 1610.)
Women, Beware of Women, 1657, Middleton. C. (from the Italian).
Women Pleased, 1647, Beaumont and Fletcher. C.
Wonder (_A_), or An Honest Yorkshireman, 1736, Carey. Bd.O.
Wonder (_A New_), or a Woman Never Vext, 1632, Rowley. C.
Wonder (_The_), or a Woman keeps a Secret, 1713, Centlivre. C.
Wonder of Women. (See “Sophonisba.”)
Wonderful Year, 1603, Dekker. C.
Wonders in the Sun, 1706, D’Urfey. C.O.
Wood Demon (_The_), 1811, Lewis. Mel.
Woodgirl (_The_), 1800, Weber. O.
Woodman (_The_), 1771, Dudley. C.O.
Woodvil. (See “John Woodvil.”)
Word of Nature (_The_), 1797, Cumberland. C.
Word to the Wise, 1765, Kelly. C.
Works for Cutlers, 1615, Anon. D.Dial.
World (_The_), 1808, Kenney. C.
Worlde and the Chylde (_The_), printed 1522, Anon. Mo.
World’s Idol (_The_), 1659, by H. H. B. (adapted from the Greek comedy
of _Plutus_ by Aristophanes).
Wounds of Civil War, 1594, Lodge. H.Pl.
Wreck Ashore, 1830, Buckstone. Mel.
Writing Desk (_The_), or Youth in Danger, 1799. Pl. (from Kotzebue).

Xerxes, 1699, C. Cibber. H.D.
X.Y.Z., 1810, Colman. F.

Yellow Dwarf (_The_), 1854, Planché.
Yorkshire Tragedy (_The_), 1604, Anon. (at one time printed with the
name of Shakespeare).
Young Hypocrite (_The_), 1778, Foote.
Young King (_The_), 1683, Mrs. Behn.
Younger Brother (_The_), 1696, Mrs. Behn.
Your Five Gallants, 1607, Middleton. C.
Youth, 1549, Anon. Mo.
Youthful Martyrs of Rome, 1856, Oakley.
Youth’s Glory and Death’s Banquet, in two parts (1624-1673), Margaret,
Duchess of Newcastle. T.

Zaïre, 1733, Voltaire. T.
Zaire, 1815, Winter. O.
Zapolya, 1817, Coleridge. T.
Zara, 1735, Hill. T. (an English version of Voltaire’s _Zaïre_).
Zauberflöte (_Die_), 1791, Mozart. O.
Zelinda, 1772, Calini. C. (a prize play).
Zémire et Azor, 1771, Marmontel. O. (music by Grétry).
Zenobia, 1758, Piccini. O.
Zenobia, 1768, Murphy. T.
Zobeide, 1772, Craddock.
Zoraïde di Granata, 1822, Donizetti. O.
Zorinski, 1809, Thomas Morton.

------------------------------------------------------------------------

Transcriber’s Note

Given the nature of the text, there were copious errors in the
typesetting. Errors deemed most likely to be the printer’s have been
corrected, and are noted here. Inconsistencies in the punctuation in
the Appendices have been resolved with no further notice below.

(The references below are to the page and line in the original. Since
the original text was arranged in two columns, ‘L’ and ‘R’ denote the
side of the page.)

2R.13 _Gu[i]lliver’s Travels_ Removed.
3L.8 Spenser, _Faëry Queen_, IV. viii. 24 (1[8/5]56 Replaced.
).
3R.36 Catskill Moun[t]ains Inserted.
9L.14 he blesses the name Slum.[”] Added.
20R.38 Paladore chall[a/e]nged the duke Replaced.
27L.21 pour déguiser leurs pensées.[”] Added.
30R.14 said the colo[nel] to his wife, Restored.
31R.37 live in chas[t]ity all their life Inserted.
32R.39 Louis II. of France, _le Bégué_ (846, Replaced.
877-879)[,/.]
40L.6 “The Work of Ambrosius.”[’] Removed.
43L.17 _Gulliver’s Travels_ “Laputa,” [(]1726). Added.
43R.33 aged 36.[)] Added.
51R.38 One’s sorrow, two’s mirth[,] Added.
65R.38 “The Reeve’s Tale,” [(]1388) Added.
66L.14 Francis Joseph Haydn [(]1732-1809). Added.
72L.19 to read the secret[’]s Removed.
76R.2 goes on a vis[i]t Inserted.
79R.13 Tasna[r] Added.
91R.28 the death of his father[”] Removed.
104L.15 “The Thirty Years’ War[”]. Added.
123L.20 Fer[n/m]at’s theorem Replaced.
133R.26 [{]“The White Cat,” 1682). Added.
141L.11 _Polycraticos de Curialium Nugis_, v. 8 Replaced.
(twelft[y/h] century).
143R.14 an old bach[e]lor Inserted.
154R.14 French _estoc_[)] Added.
157L.12 [(]time, George III.). Added.
157L.38 Drayton, _Polyolbion_, i. [(]1612). Added.
170R.6 _The Messiah_, iii. [(]1748). Added.
173R.35 Southey, _Madoc_ [(]1805). Added.
180R.2 because he esca[s]ped from Giebichenstein Removed.
181R.1 [[/(]_Val.yan.tee´no_] Replaced.
184R.17 the lov[e]liest pair of sparkling eyes Inserted.
186L.3 on September 8, 1705[)] Removed.
190L.39 “Elysium” [(]_Æneid_, vi.) Added.
197R.12 [{]“The White Cat,” 1682). Added.
197R.21 [(]1769>, 1804-1815, died, 1821) Added.
199R.1 of this story[/,] which he calls Replaced.
204L.39 _R_[h]_ythmical_, or _Elder Edda_ Inserted.
215R.42 cats are very assid[i/u]ous Replaced.
216R.17 _Disquisitiones Magicæ_, [(]592) Added.
239R.29 One of King Arthur’s knight[’]s Removed.
246L.18 Lord Will[ai/ia]m seized the child’s hand Transposed.
240L.9 [(]“The Wife of Bath’s Tale,” 1388) Added.
252R.37 (“But it does move, though”), [(]1564-1642). Added.
258R.9 (ninth century.[)] Added.
261R.35 be toil no more.[’]” Removed.
262L.2 the thirty-fourth jub[l]ilee Removed.
272R.17 (begin[n]ing of thirteenth century) Inserted.
277L.16 brill[i]ant and beautiful woman, Inserted.
277L.23 could Zenobia have for[e]seen Inserted.
280L.21 Zobeid[e/ê] caused his favorite Replaced.
281R.25 (“Corcud and His Four Sons,” 1723[).] Added.
295R.14 of the Amer[i]can Union Inserted.
305R.36 Popular Antiquities of Great Brit[ia/ai]n Transposed.
313L.25 proved to be “Junius” by[ by] O. W. Serres Removed.
321R.47 Reveries [a/o]f a Bachelor Replaced.
326R.41 born in Derbyshire, 1689[, /–]1761 Replaced.
331R.38 Commentaries on the[ the] Constitution of the Removed.
United States
347L.9 Brutus, or the Fall of Tarquin, 1820[.], Removed.
350L.57 (a plagia[r]ism of _The Country Girle_) Inserted.
357L.10 Foscari (_I[l] due_) Added.
369L.31 Mucedorus (no [(]date) Removed.
378L.8 (1642-1689[)] Added.
383L.9 [1805-1868. Coyne./Coyne (1805-1868.)] Replaced.

The phrase ‘Duchess of...’, etc., is not consistently capitalized,
particularly in the Appendices. All are left as printed.

The following words had inconsistent hyphenation. Words which are
hyphenated on a line break retained the hyphen (or not) depending on
other instances.

candle-stick/candlestick-maker
Deerslayer/Deer-slayer
Fairy-land/Fairyland
fool-hardy/foolhardy
heir-loom/heirloom
Outre-mer/Outremer
over-bearing/overbearing
pale-faced/palefaced
re-appear/reappear
Satiro-mastix/Satiromastix
school-master/schoolmaster
sea-shore/seashore
ship-wrecked/shipwreck
sun-down/sundown
Un-born/Unborn
waist-coat/waistcoat
wig-maker/wigmaker