Chapter X: Act 1856: , is mainly declaratory of the English common law, as embodied (3)

GUAYAS, or EL GUAYAS, a coast province of Ecuador, bounded N. by Manabi and Pichincha, E. by Los Rios, Canar and Azuay, S. by El Oro and the Gulf of Guayaquil, and W. by the same gulf, the Pacific Ocean and the province of Manabi. Pop. (1893, estimate) 98,100; area, 11,504 sq. m. It is very irregular in form and comprises the low alluvial districts surrounding the Gulf of Guayaquil between the Western Cordilleras and the coast. It includes (since 1885) the Galapagos Islands, lying 600 m. off the coast. The province of Guayas is heavily forested and traversed by numerous rivers, for the most part tributaries of the Guayas river, which enters the gulf from the N. This river system has a drainage area of about 14,000 sq. m. and an aggregate of 200 m. of navigable channels in the rainy season. Its principal tributaries are the Daule and Babahoyo or Chimbo (also called Bodegas), and of the latter the Vinces and Yaguachi. The climate is hot, humid and unhealthy, bilious and malarial fevers being prevalent. The rainfall is abundant and the soil is deep and fertile. Agriculture and the collection of forest products are the chief industries. The staple products are cacao, coffee, sugar-cane, cotton, tobacco and rice. The cultivation of cacao is the principal industry, the exports forming about one-third the world's supply. Stock-raising is also carried on to a limited extent. Among forest products are rubber, cinchona bark, toquilla fibre and ivory nuts. The manufacture of so-called Panama hats from the fibre of the toquilla palm (commonly called _jipijapa_, after a town in Manabi famous for this industry) is a long-established domestic industry among the natives of this and other coast provinces, the humidity of the climate greatly facilitating the work of plaiting the delicate straws, which would be broken in a dry atmosphere. Guayas is the chief industrial and commercial province of the republic, about nineteen-twentieths of the commerce of Ecuador passing through the port of its capital, Guayaquil. There are no land transport routes in the province except the Quito & Guayaquil railway, which traverses its eastern half. The sluggish river channels which intersect the greater part of its territory afford excellent facilities for transporting produce, and a large number of small boats are regularly engaged in that traffic. There are no large towns in Guayas other than Guayaquil. Duran, on the Guayas river opposite Guayaquil, is the starting point of the Quito railway and contains the shops and offices of that line. The port of Santa Elena on a bay of the same name, about 65 m. W. of Guayaquil, is a landing-point of the West Coast cable, and a port of call for some of the regular steamship lines. Its exports are chiefly Panama hats and salt.

GUAYCURUS, a tribe of South American Indians on the Paraguay. The name has been used generally of all the mounted Indians of Gran Chaco. The Guaycurus are a wild, fierce people, who paint their bodies and go naked. They are fearless horsemen and are occupied chiefly in cattle rearing.

GUAYMAS, or SAN JOSE DE GUAYMAS, a seaport of Mexico, in the state of Sonora, on a small bay opening into the Gulf of California a few miles W. of the mouth of the Yaqui river, in lat. 27 deg. 58' N., long. 110 deg. 58' W. Pop. (1900) 8648. The harbour is one of the best on the W. coast of Mexico, and the port is a principal outlet for the products of the large state of Sonora. The town stands on a small, arid plain, nearly shut in by mountains, and has a very hot, dry climate. It is connected with the railways of the United States by a branch of the Southern Pacific from Benson, Arizona, and is 230 m. S. by W. of the frontier town of Nogales, where that line enters Mexico. The exports include gold, silver, hides and pearls.

GUBBIO (anc. _Iguvium_, q.v.; med. _Eugubium_), a town and episcopal see of Umbria, Italy, in the province of Perugia, from which it is 23 m. N.N.E. by road; by rail it is 13 m. N.W. of Fossato di Vico (on the line between Foligno and Ancona) and 70 m. E.S.E. of Arezzo. Pop. (1901) 5783 (town); 26,718 (commune). Gubbio is situated at the foot and on the steep slopes of Monte Calvo, from 1568 to 1735 ft. above sea-level, at the entrance to the gorge which ascends to Scheggia, probably on the site of the ancient Umbrian town. It presents a markedly medieval appearance. The most prominent building is the Palazzo dei Consoli, on the N. side of the Piazza della Signoria; it is a huge Gothic edifice with a tower, erected in 1332-1346, according to tradition, by Matteo di Giovanello of Gubbio, the name of Angelo da Orvieto occurs on the arch of the main door, but his work may be limited to the sculptures of this arch. It has two stories above the ground floor, and, being on the slope of the hill, is, like the whole piazza, raised on arched substructures. On the S. side of the piazza is the Palazzo Pretorio, or della Podesta, begun in 1349 and now the municipal palace. It contains the famous _Tabulae Iguvinae_, and a collection of paintings of the Umbrian school, of furniture and of majolica. On the E. side is the modern Palazzo Ranghiasci-Brancaleone, which until 1882 contained fine collections, now dispersed. Above the Piazza della Signoria, at the highest point of the town, is the Palazzo Ducale, erected by the dukes of Urbino in 1474-1480; the architect was, in all probability, Lucio da Laurana, to whom is due the palace at Urbino, which this palace resembles, especially in its fine colonnaded court. The Palazzo Beni, lower down, belongs to a somewhat earlier period of the 15th century. Pope Martin V. lodged here for a few days in 1420. The Palazzo Accoramboni, on the other hand, is a Renaissance structure, with a fine entrance arch. Here Vittoria Accoramboni was born in 1557. Opposite the Palazzo Ducale is the cathedral, dedicated to SS. Mariano e Jacopo, a structure of the 12th century, with a facade, adorned with contemporary sculptures, partly restored in 1514-1550. The interior contains some good pictures by Umbrian artists, a fine episcopal throne in carved wood, and a fine Flemish cope given by Pope Marcellus II. (1555) in the sacristy. The exterior of the Gothic church of S. Francesco, in the lower part of the town, built in 1259, preserves its original style, but the interior has been modernized; and the same fate has overtaken the Gothic churches of S. Maria Nuova and S. Pietro. S. Agostino, on the other hand, has its Gothic interior better preserved. The whole town is full of specimens of medieval architecture, the pointed arch of the 13th century being especially prevalent. A remarkable procession takes place in Gubbio on the 15th of May in each year, in honour of S. Ubaldo, when three colossal wooden pedestals, each over 30 ft. high, and crowned by statues of SS. Ubaldo, Antonio and Giorgio, are carried through the town, and then, in a wild race, up to the church of S. Ubaldo on the mountain-side (2690 ft.). See H. M. Bower, _The Elevation and Procession of the Ceri at Gubbio_ (Folk-lore Society, London, 1897).

After its reconstruction with the help of Narses (see IGUVIUM) the town remained subject to the exarchs of Ravenna, and, after the destruction of the Lombard kingdom in 774, formed part of the donation of Charlemagne to the pope. In the 11th century the beginnings of its independence may be traced. In the struggles of that time it was generally on the Ghibelline side. In 1151 it repelled an attack of several neighbouring cities, and formed from this time a republic governed by consuls. In 1155 it was besieged by the emperor Frederick I., but saved by the intervention of its bishop, S. Ubaldo, and was granted privileges by the emperor. In 1203 it had its first podesta, and from this period dates the rise of its importance. In 1387, after various political changes, it surrendered to Antonio da Montefeltro of Urbino, and remained under the dominion of the dukes of Urbino until, in 1624, the whole duchy was ceded to the pope.

Gubbio was the birthplace of Oderisio, a famous miniature painter (1240-1299), mentioned by Dante as the honour of his native town (_Purg._ xi. 80 "_l'onor d'Agobbio_"), but no authentic works by him exist. In the 14th and 15th centuries a branch of the Umbrian school of painting flourished here, the most famous masters of which were Guido Palmerucci (1280-1345?) and several members of the Nelli family, particularly Ottaviano (d. 1444), whose best work is the "Madonna del Belvedere" in S. Maria Nuova at Gubbio (1404), extremely well preserved, with bright colouring and fine details. Another work by him is the group of frescoes including a large "Last Judgment," and scenes from the life of St Augustine, in the church of S. Agostino, discovered in 1902 under a coating of whitewash. These painters seem to have been influenced by the contemporary masters of the Sienese school.

Gubbio occupies a far more important place in the history of majolica. In a decree of 1438 a _vasarius vasorum pictorum_ is mentioned, who probably was not the first of his trade. The art was brought to perfection by Giorgio Andreoli, whose father had emigrated hither from Pavia, and who in 1498 became a citizen of Gubbio. The works by his hand are remarkable for their ruby tint, with a beautiful metallic lustre; but only one small tazza remains in Gubbio itself. His art was carried on by his sons, Cencio and Ubaldo, but was afterwards lost, and only recovered in 1853 by Angelico Fabbri and Luigi Carocci.

Two miles outside Porta Metauro to the N.E. is the Bottaccione, a large water reservoir, constructed in the 12th or 14th century; the water is collected in the bed of a stream by a massive dam.

See A. Colasanti, _Gubbio_ (Bergamo, 1905); L. McCracken, _Gubbio_
(London, 1905). (T. As.)

GUBEN, a town of Germany, in the kingdom of Prussia, at the confluence of the Lubis with the Neisse, 28 m. S.S.E. of Frankfort-on-Oder, at the junction of railways to Breslau, Halle and Forst. Pop. (1875) 23,704; (1905) 36,666. It possesses three Evangelical churches, a Roman Catholic church, a synagogue, a gymnasium, a modern school, a museum and a theatre. The principal industries are the spinning and weaving of wool, dyeing, tanning, and the manufacture of pottery ware, hats, cloth, paper and machinery. The vine is cultivated in the neighbourhood to some extent, and there is also some trade in fruit and vegetables. Guben is of Wendish origin. It is mentioned in 1207 and received civic rights in 1235. It was surrounded by walls in 1311, about which time it came into the possession of the margrave of Brandenburg, from whom it passed to Bohemia in 1368. It was twice devastated by the Hussites, and in 1631 and 1642 it was occupied by the Swedes. By the peace of Prague in 1635 it came into the possession of the elector of Saxony, and in 1815 it was, with the rest of Lower Lusatia, united to Prussia.

GUBERNATIS, ANGELO DE, COUNT (1840- ), Italian man of letters, was born at Turin and educated there and at Berlin, where he studied philology. In 1862 he was appointed professor of Sanskrit at Florence, but having married a cousin of the Socialist Bakunin and become interested in his views he resigned his appointment and spent some years in travel. He was reappointed, however, in 1867; and in 1891 he was transferred to the university of Rome. He became prominent both as an orientalist, a publicist and a poet. He founded the _Italia letteraria_ (1862), the _Rivista orientale_ (1867), the _Civitta italiana_ and _Rivista europea_ (1869), the _Bollettino italiano degli studii orientali_ (1876) and the _Revue internationale_ (1883), and in 1887 became director of the _Giornale della societa asiatica_. In 1878 he started the _Dizionario biografico degli scrittori contemporanei_. His Oriental and mythological works include the _Piccola enciclopedia indiana_ (1867), the _Fonti vediche_ (1868), a famous work on zoological mythology (1872), and another on plant mythology (1878). He also edited the encyclopaedic _Storia universale della letteratura_ (1882-1885). His work in verse includes the dramas _Cato_, _Romolo_, _Il re Nala_, _Don Rodrigo_, _Savitri_, &c.

GUDBRANDSDAL, a district in the midlands of southern Norway, comprising the upper course of the river Lougen or Laagen from Lillehammer at the head of Lake Mjosen to its source in Lake Lesjekogen and tributary valleys. Lillehammer, the centre of a rich timber district, is 114 m. N. of Christiania by rail. The railway continues through the well-wooded and cultivated valley to Otta (70 m.). Several tracks run westward into the wild district of the Jotunheim. From Otto good driving routes run across the watershed and descend the western slope, where the scenery is incomparably finer than in Gudbrandsdal itself--(a) past Sorum, with the 13th-century churches of Vaagen and Lom (a fine specimen of the Stavekirke or timber-built church), Aanstad and Polfos, with beautiful falls of the Otta river, to Grotlid, whence roads diverge to Stryn on the Nordfjord, and to Marok on the Geirangerfjord; (b) past Domaas (with branch road north to Storen near Trondhjem, skirting the Dovrefjeld), over the watershed formed by Lesjekogen Lake, which drains in both directions, and down through the magnificent Romsdal.

GUDE (GUDIUS), MARQUARD (1635-1689), German archaeologist and classical scholar, was born at Rendsburg in Holstein on the 1st of February 1635. He was originally intended for the law, but from an early age showed a decided preference for classical studies. In 1658 he went to Holland in the hope of finding work as a teacher of classics, and in the following year, through the influence of J. F. Gronovius, he obtained the post of tutor and travelling companion to a wealthy young Dutchman, Samuel Schars. During his travels Gude seized the opportunity of copying inscriptions and MSS. At the earnest request of his pupil, who had become greatly attached to him, Gude refused more than one professional appointment, and it was not until 1671 that he accepted the post of librarian to Duke Christian Albert of Holstein-Gottorp. Schars, who had accompanied Gude, died in 1675, and left him the greater part of his property. In 1678 Gude, having quarrelled with the duke, retired into private life; but in 1682 he entered the service of Christian V. of Denmark as counsellor of the Schleswig-Holstein chancellery, and remained in it almost to the time of his death on the 26th of November 1689. Gude's great life-work, the collection of Greek and Latin inscriptions, was not published till 1731. Mention may also be made of his _editio princeps_ (1661) of the treatise of Hippolytus the Martyr on Antichrist, and of his notes on Phaedrus (with four new fables discovered by him) published in P. Burmann's edition (1698).

His correspondence (ed. P. Burmann, 1697) is the most important
authority for the events of Gude's life, besides containing valuable
information on the learning of the times. See also J. Moller, _Cimbria
literata_, iii., and C. Bursian in _Allgemeine deutsche Biographie_,
x.

GUDEMAN, ALFRED (1862- ), American classical scholar, was born in Atlanta, Georgia, on the 26th of August 1862. He graduated at Columbia University in 1883 and studied under Hermann Diels at the University of Berlin. From 1890 to 1893 he was reader in classical philology at Johns Hopkins University, from 1893 to 1902 professor in the University of Pennsylvania, and from 1902 to 1904 professor in Cornell University. In 1904 he became a member of the corps of scholars preparing the Wolfflin _Thesaurus linguae Latinae_--a unique distinction for an American Latinist, as was the publication of his critical edition, with German commentary, of Tacitus' _Agricola_ in 1902 by the Weidmannsche Buchhandlung of Berlin. He wrote _Latin Literature of the Empire_ (2 vols., _Prose and Poetry_, 1898-1899), a _History of Classical Philology_ (1902) and _Sources of Plutarch's Life of Cicero_ (1902); and edited Tacitus' _Dialogus de oratoribus_ (text with commentary, 1894 and 1898) and _Agricola_ (1899; with _Germania_, 1900), and Sallust's _Catiline_ (1903).

GUDGEON (_Gobio fluviatilis_), a small fish of the Cyprinid family. It is nearly related to the barbel, and has a small barbel or fleshy appendage at each corner of the mouth. It is the _gobione_ of Italy, _goujon_ of France (whence adapted in M. English as _gojon_), and _Grassling_ or _Grundling_ of Germany. Gudgeons thrive in streams and lakes, keeping to the bottom, and seldom exceeding 8 in. in length. In China and Japan there are varieties differing only slightly from the common European type.

GUDRUN (KUDRUN), a Middle High German epic, written probably in the early years of the 13th century, not long after the _Nibelungenlied_, the influence of which may be traced upon it. It is preserved in a single MS. which was prepared at the command of Maximilian I., and was discovered as late as 1820 in the Castle of Ambras in Tirol. The author was an unnamed Austrian poet, but the story itself belongs to the cycle of sagas, which originated on the shores of the North Sea. The epic falls into three easily distinguishable parts--the adventures of King Hagen of Ireland, the romance of Hettel, king of the Hegelingen, who woos and wins Hagen's daughter Hilde, and lastly, the more or less parallel story of how Herwig, king of Seeland, wins, in opposition to her father's wishes, Gudrun, the daughter of Hettel and Hilde. Gudrun is carried off by a king of Normandy, and her kinsfolk, who are in pursuit, are defeated in a great battle on the island of Wulpensand off the Dutch coast. The finest parts of the epic are those in which Gudrun, a prisoner in the Norman castle, refuses to become the wife of her captor, and is condemned to do the most menial work of the household. Here, thirteen years later, Herwig and her brother Ortwin find her washing clothes by the sea; on the following day they attack the Norman castle with their army and carry out the long-delayed retribution.

The epic of _Gudrun_ is not unworthy to stand beside the greater _Nibelungenlied_, and it has been aptly compared with it as the _Odyssey_ to the _Iliad_. Like the _Odyssey_, Gudrun is an epic of the sea, a story of adventure; it does not turn solely round the conflict of human passions; nor is it built up round one all-absorbing, all-dominating idea like the _Nibelungenlied_. Scenery and incident are more varied, and the poet has an opportunity for a more lyric interpretation of motive and character. _Gudrun_ is composed in stanzas similar to those of the _Nibelungenlied_, but with the essential difference that the last line of each stanza is identical with the others, and does not contain the extra accented syllable characteristic of the _Nibelungen_ metre.

_Gudrun_ was first edited by von der Hagen in vol. i. of his
_Heldenbuch_ (1820). Subsequent editions by A. Ziemann and A. J.
Vollmer followed in 1837 and 1845. The best editions are those by K.
Bartsch (4th ed., 1880), who has also edited the poem for Kurschner's
_Deutsche Nationalliteratur_ (vol. 6, 1885), by B. Symons (1883) and
by E. Martin (2nd ed., 1901). L. Ettmuller first applied Lachmann's
ballad-theory to the poem (1841), and K. Mullenhoff (_Kudrun, die
echten Teile des Gedichts_, 1845) rejected more than three-quarters of
the whole as "not genuine." There are many translations of the epic
into modern German, the best known being that of K. Simrock (15th ed.,
1884). A translation into English by M. P. Nichols appeared at Boston,
U.S.A., in 1889.

See K. Bartsch, _Beitrage zur Geschichte und Kritik der Kudrun_
(1865); H. Keck, _Die Gudrunsage_ (1867); W. Wilmanns, _Die
Entwickelung der Kudrundichtung_ (1873); A. Fecamp, _Le Poeme de
Gudrun, ses origines, sa formation et son histoire_ (1892); F. Panzer,
_Hilde-Gudrun_ (1901). For later versions and adaptations of the saga
see O. Benedict, _Die Gudrunsage in der neueren Literatur_ (1902.)

GUEBRIANT, JEAN BAPTISTE BUDES, COMTE DE (1602-1643), marshal of France, was born at Plessis-Budes, near St Brieuc, of an old Breton family. He served first in Holland, and in the Thirty Years' War he commanded from 1638 to 1639 the French contingent in the army of his friend Bernard of Saxe-Weimar, distinguishing himself particularly at the siege of Breisach in 1638. Upon the death of Bernard he received the command of his army, and tried, in conjunction with J. Baner (1596-1641), the Swedish general, a bold attack upon Regensburg (1640). His victories of Wolfenbuttel on the 29th of June 1641 and of Kempen in 1642 won for him the marshal's baton. Having failed in an attempt to invade Bavaria in concert with Torstensson he seized Rottweil, but was mortally wounded there on the 17th of November 1643.

A biography was published by Le Laboureur, _Histoire du mareschal de
Guebriant_, in 1656. See A. Brinzinger in _Wurttembergische
Vierteljahrschrift fur Landesgeschichte_ (1902).

GUELDER ROSE, so called from Guelderland, its supposed source, termed also marsh elder, rose elder, water elder (Ger. _Wasserholder_, _Schneeball_; Fr. _viorne-obier_, _l'obier d'Europe_), known botanically as _Viburnum Opulus_, a shrub or small tree of the natural order Caprifoliaceae, a native of Britain, and widely distributed in the temperate and colder parts of Europe, Asia and North America. It is common in Ireland, but rare in Scotland. In height it is from 6 to 12 ft., and it thrives best in moist situations. The leaves are smooth, 2 to 3 in. broad, with 3 to 5 unequal serrate lobes, and glandular stipules adnate to the stalk. In autumn the leaves change their normal bright green for a pink or crimson hue. The flowers, which appear in June and July, are small, white, and arranged in cymes 2 to 4 in. in diameter. The outer blossoms in the wild plant have an enlarged corolla, 3/4 in. in diameter, and are devoid of stamens or pistils; in the common cultivated variety all the flowers are sterile and the inflorescence is globular, hence the term "snowball tree" applied to the plant, the appearance of which at the time of flowering has been prettily described by Cowper in his _Winter Walk at Noon_. The guelder rose bears juicy, red, elliptical berries, 1/3 in. long, which ripen in September, and contain each a single compressed seed. In northern Europe these are eaten, and in Siberia, after fermentation with flour, they are distilled for spirit. The plant has, however, emetic, purgative and narcotic properties; and Taylor (_Med. Jurisp._ i. 448, 2nd ed., 1873) has recorded an instance of the fatal poisoning of a child by the berries. Both they and the bark contain valerianic acid. The woody shoots of the guelder rose are manufactured into various small articles in Sweden and Russia. Another member of the genus, _Viburnum_, _Lantana_, wayfaring tree, is found in dry copses and hedges in England, except in the north.

GUELPH, a city of Ontario, Canada, 45 m. W. of Toronto, on the river Speed and the Grand Trunk and Canadian Pacific railways. Pop. (1901) 11,496. It is the centre of a fine agricultural district, and exports grain, fruit and live-stock in large quantities. It contains, in addition to the county and municipal buildings, the Ontario Agricultural College, which draws students from all parts of North and South America. The river affords abundant water-power for flour-mills, saw-mills, woollen-mills and numerous factories, of which agricultural implements, sewing machines and musical instruments are the chief.

GUELPHS AND GHIBELLINES. These names are doubtless Italianized forms of the German words Welf and Waiblingen, although one tradition says that they are derived from Guelph and Gibel, two rival brothers of Pistoia. Another theory derives Ghibelline from Gibello, a word used by the Sicilian Arabs to translate Hohenstaufen. However, a more popular story tells how, during a fight around Weinsberg in December 1140 between the German king Conrad III. and Welf, count of Bavaria, a member of the powerful family to which Henry the Lion, duke of Saxony and Bavaria, belonged, the soldiers of the latter raised the cry "Hie Welf!" to which the king's troops replied with "Hie Waiblingen!" this being the name of one of Conrad's castles. But the rivalry between Welf and Hohenstaufen, of which family Conrad was a member, was anterior to this event, and had been for some years a prominent fact in the history of Swabia and Bavaria, although its introduction into Italy--in a slightly modified form, however--only dates from the time of the Italian expeditions of the emperor Frederick I. It is about this time that the German chronicler, Otto of Freising, says, "Duae in Romano orbe apud Galliae Germaniaeve fines famosae familiae actenus fuere, una Heinricorum de Gueibelinga, alia Guelforum de Aldorfo, altera imperatores, altera magnos duces producere solita." Chosen German king in 1152, Frederick was not only the nephew and the heir of Conrad, he was related also to the Welfs; yet, although his election abated to some extent the rivalry between Welf and Hohenstaufen in Germany, it opened it upon a larger and fiercer scale in Italy.

During the long and interesting period covered by Frederick's Italian campaigns, his enemies, prominent among whom were the cities of the Lombard League, became known as Welfs, or Guelphs, while his partisans seized upon the rival term of Waiblingen, or Ghibelline, and the contest between these two parties was carried on with a ferocity unknown even to the inhabitants of southern Germany. The distracted state of northern Italy, the jealousies between various pairs of towns, the savage hatred between family and family, were some of the causes which fed this feud, and it reached its height during the momentous struggle between Frederick II. and the Papacy in the 13th century. The story of the contest between Guelph and Ghibelline, however, is little less than the history of Italy in the middle ages. At the opening of the 13th century it was intensified by the fight for the German and imperial thrones between Philip, duke of Swabia, a son of Frederick I., and the Welf, Otto of Brunswick, afterwards the emperor Otto IV., a fight waged in Italy as well as in Germany. Then, as the heir of Philip of Swabia and the rival of Otto of Brunswick, Frederick II. was forced to throw himself into the arms of the Ghibellines, while his enemies, the popes, ranged themselves definitely among the Guelphs, and soon Guelph and Ghibelline became synonymous with supporter of pope and emperor.

After the death of Frederick II. in 1250 the Ghibellines looked for leadership to his son and successor, the German king, Conrad IV., and then to his natural son, Manfred, while the Guelphs called the French prince, Charles of Anjou, to their aid. But the combatants were nearing exhaustion, and after the execution of Conradin, the last of the Hohenstaufen, in 1268, this great struggle began to lose force and interest. Guelph and Ghibelline were soon found representing local and family rather than papal and imperial interests; the names were taken with little or no regard for their original significance, and in the 15th century they began to die out of current politics. However, when Louis XII. of France conquered Milan at the beginning of the 16th century the old names were revived; the French king's supporters were called Guelphs and the friends of the emperor Maximilian I. were referred to as Ghibellines.

The feud of Guelph and Ghibelline penetrated within the walls of almost every city of northern Italy, and the contest between the parties, which practically makes the history of Florence during the 13th century, is specially noteworthy. First one side and then the other was driven into exile; the Guelph defeat at the battle of Monte Aperto in 1260 was followed by the expulsion of the Ghibellines by Charles of Anjou in 1266, and on a smaller scale a similar story may be told of many other cities (see FLORENCE).

The Guelph cause was buttressed by an idea, yet very nebulous, of Italian patriotism. Dislike of the German and the foreigner rather than any strong affection for the Papacy was the feeling which bound the Guelph to the pope, and so enabled the latter to defy the arms of Frederick II. The Ghibelline cause, on the other hand, was aided by the dislike of the temporal power of the pope and the desire for a strong central authority. This made Dante a Ghibelline, but the hopes of this party, kindled anew by the journey of Henry VII. to Italy in 1310, were extinguished by his departure. J. A. Symonds thus describes the constituents of the two parties: "The Guelph party meant the burghers of the consular Communes, the men of industry and commerce, the upholders of civil liberty, the friends of democratic expansion. The Ghibelline party included the naturalized nobles, the men of arms and idleness, the advocates of feudalism, the politicians who regarded constitutional progress with disfavour. That the banner of the church floated over the one camp, while the standard of the empire rallied to itself the hostile party, was a matter of comparatively superficial moment." In another passage the same writer thus describes the sharp and universal division between Guelph and Ghibelline: "Ghibellines wore the feathers in their caps upon one side, Guelphs upon the other. Ghibellines cut fruit at table crosswise, Guelphs straight down ... Ghibellines drank out of smooth and Guelphs out of chased goblets. Ghibellines wore white and Guelphs red roses." It is interesting to note that while Dante was a Ghibelline, Petrarch was a Guelph.

See J. A. Symonds, _The Renaissance in Italy_, vol. i. (1875).

GUENEVERE (Lat. _Guanhumara_; Welsh, _Gwenhwyfar_; O. Eng. _Gaynore_), in Arthurian romance the wife of King Arthur. Geoffrey of Monmouth, who calls her Guanhumara, makes her a Roman lady, but the general tradition is that she was of Cornish birth and daughter to King Leodegrance. Wace, who, while translating Geoffrey, evidently knew, and used, popular tradition, combines these two, asserting that she was of Roman parentage on the mother's side, but cousin to Cador of Cornwall by whom she was brought up. The tradition relating to Guenevere is decidedly confused and demands further study. The Welsh triads know no fewer than three Gwenhwyfars; Giraldus Cambrensis, relating the discovery of the royal tombs at Glastonbury, speaks of the body found as that of Arthur's second wife; the prose _Merlin_ gives Guenevere a bastard half-sister of the same name, who strongly resembles her; and the _Lancelot_ relates how this lady, trading on the likeness, persuaded Arthur that she was the true daughter of Leodegrance, and the queen the bastard interloper. This episode of the false Guenevere is very perplexing.

To the majority of English readers Guenevere is best known in connexion with her liaison with Lancelot, a story which, in the hands of Malory and Tennyson, has assumed a form widely different from the original conception, and at once more picturesque and more convincing. In the French romances Lancelot is a late addition to the Arthurian cycle, his birth is not recorded till long after the marriage of Arthur and Guenevere, and he is at least twenty years the junior of the queen. The relations between them are of the most conventional and courtly character, and are entirely lacking in the genuine dramatic passion which marks the love story of Tristan and Iseult. The _Lancelot-Guenevere_ romance took form and shape in the artificial atmosphere encouraged by such patronesses of literature as Eleanor of Aquitaine and her daughter Marie, Comtesse de Champagne (for whom Chretien de Troyes wrote his _Chevalier de la Charrette_), and reflects the low social morality of a time when love between husband and wife was declared impossible. But though Guenevere has changed her lover, the tradition of her infidelity is of much earlier date and formed a part of the primitive Arthurian legend. Who the original lover was is doubtful; the _Vita Gildae_ relates how she was carried off by Melwas, king of Aestiva Regis, to Glastonbury, whither Arthur, at the head of an army, pursued the ravisher. A fragment of a Welsh poem seems to confirm this tradition, which certainly lies at the root of her later abduction by Meleagaunt. In the _Lanzelet_ of Ulrich von Zatzikhoven the abductor is Falerin. The story in these forms represents an other-world abduction. A curious fragment of Welsh dialogues, printed by Professor Rhys in his _Studies on the Arthurian Legend_, appears to represent Kay as the abductor. In the pseudo-Chronicles and the romances based upon them the abductor is Mordred, and in the chronicles there is no doubt that the lady was no unwilling victim. On the final defeat of Mordred she retires to a nunnery, takes the veil, and is no more heard of. Wace says emphatically--

_Ne fu oie ne veue,
Ne fu trovee, ne seue
Por la vergogne del mesfait
Et del pecie qu ele avoit fait_ (11. 13627-30).

Layamon, who in his translation of Wace treats his original much as Wace treated Geoffrey, says that there was a tradition that she had drowned herself, and that her memory and that of Mordred were hateful in every land, so that none would offer prayer for their souls. On the other hand certain romances, e.g. the _Perceval_, give her an excellent character. The truth is probably that the tradition of his wife's adultery and treachery was a genuine part of the Arthurian story, which, neglected for a time, was brought again into prominence by the social conditions of the courts for which the later romances were composed; and it is in this later and conventionalized form that the tale has become familiar to us (see also LANCELOT).

See _Studies on the Arthurian Legend_ by Professor Rhys; _The Legend
of Sir Lancelot_, Grimm Library, xii., Jessie L. Weston; _Der
Karrenritter_, ed. Professor Foerster. (J. L. W.)

GUENON (from the French, = one who grimaces, hence an ape), the name applied by naturalists to the monkeys of the African genus _Cercopithecus_, the Ethiopian representative of the Asiatic macaques, from which they differ by the absence of a posterior heel to the last molar in the lower jaw.

GUERET, a town of central France, capital of the department of Creuse, situated on a mountain declivity 48 m. N.E. of Limoges on the Orleans railway. Pop. (1906), town, 6042; commune (including troops, &c.), 8058. Apart from the Hotel des Monneyroux (used as prefecture), a picturesque mansion of the 15th and 16th centuries, with mansard roofs and mullioned windows, Gueret has little architectural interest. It is the seat of a prefect and a court of assizes, and has a tribunal of first instance, a chamber of commerce and lycees and training colleges, for both sexes. The industries include brewing, saw-milling, leather-making and the manufacture of basket-work and wooden shoes, and there is trade in agricultural produce and cattle. Gueret grew up round an abbey founded in the 7th century, and in later times became the capital of the district of Marche.

GUEREZA, the native name of a long-tailed, black and white Abyssinian monkey, _Colobus guereza_ (or _C. abyssinicus_), characterized by the white hairs forming a long pendent mantle. Other east African monkeys with a similar type of colouring, which, together with the wholly black west African _C. satanas_, collectively constitute the subgenus _Guereza_, may be included under the same title; and the name may be further extended to embrace all the African thumbless monkeys of the genus _Colobus_. These monkeys are the African representatives of the Indo-Malay langurs (_Semnopithecus_), with which they agree in their slender build, long limbs and tail, and complex stomachs, although differing by the rudimentary thumb. The members of the subgenus _Guereza_ present a transition from a wholly black animal (_C. satanas_) to one (_C. caudatus_) in which the sides of the face are white, and the whole flanks, as well as the tail, clothed with a long fringe of pure white hairs.

GUERICKE, HEINRICH ERNST FERDINAND (1803-1878), German theologian, was born at Wettin in Saxony on the 25th of February 1803 and studied theology at Halle, where he was appointed professor in 1829. He greatly disliked the union between the Lutheran and the Reformed churches, which had been accomplished by the Prussian government in 1817, and in 1833 he definitely threw in his lot with the Old Lutherans. In 1835 he lost his professorship, but he regained it in 1840. Among his works were a Life of _August Hermann Francke_ (1827, Eng. trans. 1837), _Church History_ (1833, Eng. trans. by W. T. Shedd, New York, 1857-1863), _Allgemeine christliche Symbolik_ (1839). In 1840 he helped to found the _Zeitschrift fur die gesammte lutherische Theologie und Kirche_, and he died at Halle on the 4th of February 1878.

GUERICKE, OTTO VON (1602-1686), German experimental philosopher, was born at Magdeburg, in Prussian Saxony, on the 20th of November 1602. Having studied law at Leipzig, Helmstadt and Jena, and mathematics, especially geometry and mechanics, at Leiden, he visited France and England, and in 1636 became engineer-in-chief at Erfurt. In 1627 he was elected alderman of Magdeburg, and in 1646 mayor of that city and a magistrate of Brandenburg. His leisure was devoted to scientific pursuits, especially in pneumatics. Incited by the discoveries of Galileo, Pascal and Torricelli, he attempted the creation of a vacuum. He began by experimenting with a pump on water placed in a barrel, but found that when the water was drawn off the air permeated the wood. He then took a globe of copper fitted with pump and stopcock, and discovered that he could pump out air as well as water. Thus he became the inventor of the air-pump (1650). He illustrated his discovery before the emperor Ferdinand III. at the imperial diet which assembled at Regensburg in 1654, by the experiment of the "Magdeburg hemispheres." Taking two hollow hemispheres of copper, the edges of which fitted nicely together, he exhausted the air from between them by means of his pump, and it is recorded that thirty horses, fifteen back to back, were unable to pull them asunder until the air was readmitted. Besides investigating other phenomena connected with a vacuum, he constructed an electrical machine which depended on the excitation of a rotating ball of sulphur; and he made successful researches in astronomy, predicting the periodicity of the return of comets. In 1681 he gave up office, and retired to Hamburg, where he died on the 11th of May 1686.

His principal observations are given in his work, _Experimenta nova,
ut vocant, Magdeburgica de vacuo spatio_ (Amsterdam, 1672). He is also
the author of a _Geschichte der Belagerung und Eroberung von
Magdeburg_. See F. W. Hoffmann, _Otto von Guericke_ (Magdeburg, 1874).

GUERIDON, a small table to hold a lamp or vase, supported by a tall column or a human or mythological figure. This piece of furniture, often very graceful and elegant, originated in France towards the middle of the 17th century. In the beginning the table was supported by a negro or other exotic figure, and there is some reason to believe that it took its name from the generic appellation of the young African groom or "tiger," who was generally called "Gueridon," or as we should say in English "Sambo." The swarthy figure and brilliant costume of the "Moor" when reproduced in wood and picked out in colours produced a very striking effect, and when a small table was supported on the head by the upraised hands the idea of passive service was suggested with completeness. The gueridon is still occasionally seen in something approaching its original form; but it had no sooner been introduced than the artistic instinct of the French designer and artificer converted it into a far worthier object. By the death of Louis XIV. there were several hundreds of them at Versailles, and within a generation or two they had taken an infinity of forms--columns, tripods, termini and mythological figures. Some of the simpler and more artistic forms were of wood carved with familiar decorative motives and gilded. Silver, enamel, and indeed almost any material from which furniture can be made, have been used for their construction. A variety of small "occasional" tables are now called in French _gueridons_.

GUERIN, JEAN BAPTISTE PAULIN (1783-1855), French painter, was born at Toulon, on the 25th of March 1783, of poor parents. He learnt, as a lad, his father's trade of a locksmith, whilst at the same time he followed the classes of the free school of art. Having sold some copies to a local amateur, Guerin started for Paris, where he came under the notice of Vincent, whose counsels were of material service. In 1810 Guerin made his first appearance at the Salon with some portraits, which had a certain success. In 1812 he exhibited "Cain after the murder of Abel" (formerly in Luxembourg), and, on the return of the Bourbons, was much employed in works of restoration and decoration at Versailles. His "Dead Christ" (Cathedral, Baltimore) obtained a medal in 1817, and this success was followed up by a long series of works, of which the following are the more noteworthy: "Christ on the knees of the Virgin" (1819); "Anchises and Venus" (1822) (formerly in Luxembourg); "Ulysses and Minerva" (1824) (Musee de Rennes); "the Holy Family" (1829) (Cathedral, Toulon); and "Saint Catherine" (1838) (St Roch). In his treatment of subject, Guerin attempted to realize rococo graces of conception, the liveliness of which was lost in the strenuous effort to be correct. His chief successes were attained by portraits, and those of Charles Nodier and the Abbe Lamennais became widely popular. He died on the 19th of January 1855.

GUERIN, PIERRE NARCISSE, BARON (1774-1833), French painter, was born at Paris on the 13th of May 1774. Becoming a pupil of Jean Baptiste Regnault, he carried off one of the three "grands prix" offered in 1796, in consequence of the competition not having taken place since 1793. The _pension_ was not indeed re-established, but Guerin fulfilled at Paris the conditions imposed upon a _pensionnaire_, and produced various works, one of which brought him prominently before the public. This work, "Marcus Sextus" (Louvre), exhibited at the Salon of 1799, excited wild enthusiasm, partly due to the subject,--a victim of Sulla's proscription returning to Rome to find his wife dead and his house in mourning--in which an allusion was found to the actual situation of the _emigres_. Guerin on this occasion was publicly crowned by the president of the Institute, and before his departure for Rome (on the re-establishment of the Ecole under Suvee) a banquet was given to him by the most distinguished artists of Paris. In 1800, unable to remain in Rome on account of his health, he went to Naples, where he painted the "Grave of Amyntas." In 1802 Guerin produced "Phaedra and Hippolytus" (Louvre); in 1810, after his return to Paris, he again achieved a great success with "Andromache and Pyrrhus" (Louvre); and in the same year also exhibited "Cephalus and Aurora" (Collection Sommariva) and "Bonaparte and the Rebels of Cairo" (Versailles). The Restoration brought to Guerin fresh honours; he had received from the first consul in 1803 the cross of the Legion of Honour, and in 1815 Louis XVIII. named him Academician. The success of Guerin's "Hippolytus" of "Andromache," of "Phaedra" and of "Clytaemnestra" (Louvre) had been ensured by the skilful selection of highly melodramatic situations, treated with the strained and pompous dignity proper to the art of the first empire; in "Aeneas relating to Dido the disasters of Troy" (Louvre), which appeared side by side with "Clytaemnestra" at the Salon of 1817, the influence of the Restoration is plainly to be traced. In this work Guerin sought to captivate the public by an appeal to those sensuous charms which he had previously rejected, and by the introduction of picturesque elements of interest. But with this work Guerin's public successes came to a close. He was, indeed, commissioned to paint for the Madeleine a scene from the history of St Louis, but his health prevented him from accomplishing what he had begun, and in 1822 he accepted the post of director of the Ecole de Rome, which in 1816 he had refused. On returning to Paris in 1828, Guerin, who had previously been made chevalier of the order of St Michel, was ennobled. He now attempted to complete "Pyrrhus and Priam," a work which he had begun at Rome, but in vain; his health had finally broken down, and in the hope of improvement he returned to Italy with Horace Vernet. Shortly after his arrival at Rome Baron Guerin died, on the 6th of July 1833, and was buried in the church of La Trinita de' Monti by the side of Claude Lorraine.

A careful analysis and criticism of his principal works will be found
in Meyer's _Geschichte der franzosischen Malerei_.

GUERIN DU CAYLA, GEORGES MAURICE DE (1810-1839), French poet, descended from a noble but poor family, was born at the chateau of Le Cayla in Languedoc, on the 4th of August 1810. He was educated for the church at a religious seminary at Toulouse, and then at the College Stanislas, Paris, after which he entered the society at La Chesnaye in Brittany, founded by Lamennais. It was only after great hesitation, and without being satisfied as to his religious vocation, that under the influence of Lamennais he joined the new religious order in the autumn of 1832; and when, in September of the next year, Lamennais, who had come under the displeasure of Rome, severed connexion with the society, Maurice de Guerin soon followed his example. Early in the following year he went to Paris, where he was for a short time a teacher at the College Stanislas. In November 1838 he married a Creole lady of some fortune; but a few months afterwards he was attacked by consumption and died on the 19th of July 1839. In the _Revue des deux mondes_ for May 15th, 1840, there appeared a notice of Maurice de Guerin by George Sand, to which she added two fragments of his writings--one a composition in prose entitled the _Centaur_, and the other a short poem. His _Reliquiae_ (2 vols., 1861), including the _Centaur_, his journal, a number of his letters and several poems, was edited by G. S. Trebutien, and accompanied with a biographical and critical notice by Sainte-Beuve; a new edition, with the title _Journal, lettres et poemes_, followed in 1862; and an English translation of it was published at New York in 1867. Though he was essentially a poet, his prose is more striking and original than his poetry. Its peculiar and unique charm arises from his strong and absorbing passion for nature, a passion whose intensity reached almost to adoration and worship, but in which the pagan was more prominent than the moral element. According to Sainte-Beuve, "no French poet or painter has rendered so well the feeling for nature--the feeling not so much for details as for the ensemble and the divine universality, the feeling for the origin of things and the sovereign principle of life."

The name of EUGENIE DE GUERIN (1805-1848), the sister of Maurice, cannot be omitted from any notice of him. Her _Journals_ (1861, Eng. trans., 1865) and her _Lettres_ (1864, Eng. trans., 1865) indicated the possession of gifts of as rare an order as those of her brother, though of a somewhat different kind. In her case mysticism assumed a form more strictly religious, and she continued to mourn her brother's loss of his early Catholic faith. Five years older than he, she cherished a love for him which was blended with a somewhat motherly anxiety. After his death she began the collection and publication of the scattered fragments of his writings. She died, however, on the 31st of May 1848, before her task was completed.

See the notices by George Sand and Sainte-Beuve referred to above;
Sainte-Beuve, _Causeries du lundi_ (vol. xii.) and _Nouveaux Lundis_
(vol. iii.); G. Merlet, _Causeries sur les femmes et les livres_
(Paris, 1865); Selden, _L'Esprit des femmes de notre temps_ (Paris,
1864); Marelle, _Eugenie et Maurice de Guerin_ (Berlin, 1869); Harriet
Parr, _M. and E. de Guerin, a monograph_ (London, 1870); and Matthew
Arnold's essays on Maurice and Eugenie de Guerin, in his _Essays in
Criticism_.

GUERNIERI, or WERNER, a celebrated mercenary captain who lived about the middle of the 14th century. He was a member of the family of the dukes of Urslingen, and probably a descendant of the dukes of Spoleto. From 1340 to 1343 he was in the service of the citizens of Pisa, but afterwards he collected a troop of adventurers which he called the Great Company, and with which he plundered Tuscany and Lombardy. He then entered the service of Louis I. the Great, king of Hungary and Poland, whom he assisted to obtain possession of Naples; but when dismissed from this service his ravages became more terrible than ever, culminating in the dreadful sack of Anagni in 1358, shortly after which Guernieri disappeared from history. He is said to have worn a breastplate with the inscription, "The enemy of God, of pity and of mercy."

GUERNSEY (Fr. _Guernesey_), one of the Channel Islands, belonging to Britain, the second in size and westernmost of the important members of the group. Its chief town, St Peter Port, on the east coast, is in 2 deg. 33' W., 49 deg. 27' N., 74 m. S. of Portland Bill on the English coast, and 30 m. from the nearest French coast to the east. The island, roughly triangular in form, is 9-1/4 m. long from N.E. to S.W. and has an extreme breadth of 5-1/4 m. and an area of 15,691 acres or 24.5 sq. m. Pop. (1901), 40,446, the density being thus 162 per sq. m.

The surface of the island rises gradually from north to south, and reaches its greatest elevation at Haut Nez (349 ft.) above Point Icart on the south coast. The coast scenery, which forms one of the principal attractions to the numerous summer visitors to the island, is finest on the south. This coast, between Jerbourg and Pleinmont Points, respectively at the south-eastern and south-western corners of the island, is bold, rocky and indented with many exquisite little bays. Of these the most notable are Moulin Huet, Saint's, and Petit Bot, all in the eastern half of the south coast. The cliffs, however, culminate in the neighbourhood of Pleinmont. Picturesque caves occur at several points, such as the Creux Mahie. On the west coast there is a succession of larger bays--Rocquaine Perelle, Vazon, and Cobo. Off the first lies Lihou Island, the Hanois and other islets, and all three bays are sown with rocks. The coast, however, diminishes in height, until at the north-eastern extremity of the island the land is so low across the Vale or Braye du Val, from shore to shore, that the projection of L'Ancresse is within a few feet of being isolated. The east coast, on which, besides the town and harbour of St Peter Port, is that of St Sampson, presents no physical feature of note. The interior of the island is generally undulating, and gains in beauty from its rich vegetation. Picturesque glens descend upon some of the southern bays (the two converging upon Petit Bot are notable), and the high-banked paths, arched with foliage, which follow the small rills down to Moulin Huet Bay, are much admired under the name of water-lanes.

The soil is generally light sandy loam, overlying an angular gravel which rests upon the weathered granite. This soil requires much manure, and a large proportion of the total area (about three-fifths) is under careful cultivation, producing a considerable amount of grain, but more famous for market-gardening. Vegetables and potatoes are exported, with much fruit, including grapes and flowers. Granite is quarried and exported from St Sampson, and the fisheries form an important industry.

For administrative purposes Guernsey is united with Alderney, Sark, Herm and the adjacent islets to form the bailiwick of Guernsey, separate from Jersey. The peculiar constitution, machinery of administration and justice, finance, &c., are considered under the heading CHANNEL ISLANDS. Guernsey is divided into the ten parishes of St Peter Port, St Sampson, Vale, Catel, St Saviour, St Andrew, St Martin, Forest, St Peter du Bois and Torteval. The population of St Peter Port in 1901 was 18,264; of the other parishes that of St Sampson was 5614 and that of Vale 5082. The population of the bailiwick of Guernsey nearly doubled between 1821 and 1901, and that of the island increased from 35,243 in 1891 to 40,446 in 1901. The island roads are excellent, Guernsey owing much in this respect to Sir John Doyle (d. 1834), the governor whose monument stands on the promontory of Jerbourg. Like Jersey and the neighbouring part of France, Guernsey retains considerable traces of early habitation in cromlechs and menhirs, of which the most notable is the cromlech in the north at L'Ancresse. As regards ecclesiastical architecture, all the parish churches retain some archaeological interest. There is good Norman work in the church of St Michael, Vale, and the church of St Peter Port is a notable building of various periods from the early 14th century. Small remains of monastic buildings are seen at Vale and on Lihou Island.