Chapter XXIII: Appendix: 3 (1)

REPORTS OF FOREIGN COUNTRIES.

THE ARGENTINE REPUBLIC.

In November, 1903, the organization commission was appointed by the President as follows: Señor Francisco Sequi, president; Señor Ricardo Pillado, secretary; Señor Luis Suberbuhler; Señor Antonio Lanusse; Señor Francisco de Souza Martinez; Señor Manuel G. Llamazares.

Dr. Jose V. Fernandez, commissioner-general; Señor Eduardo Schiaffino, commissioner of fine arts; Señor Horacio Anasagasti, commissioner of liberal arts and mines; Señor Guillermo A. Puente, commissioner of manufacture and electricity; Dr. Damian Lan, commissioner of live stock; Señor Ernesto Nelson, commissioner of education; Señor Enrique M. Nelson, commissioner of agriculture and forestry; Señor Jose de Olivares, commissioner of press and propaganda; Miss Ernestina A. Lopez, Ph.D., delegate of the National Board of Education; Mrs. Sara C. de Eccleston, delegate to the Women's Congress; Dr. B. del Castillo, delegate of the Argentine Press Association; Dr. Luis A. Sauze, honorary commissioner; Dr. Vicente Casares, jr., honorary attaché; Señor Ricardo Fernandez Guerrico, honorary attaché; Señor Jorge Newbery, delegate of the municipality of Buenos Aires to the Congress of Electricity.

In the extent and importance of its participation the Argentine Republic ranked among the greatest foreign exhibitors at the International Exposition of 1904. The total amount of money expended, including the national appropriation by Congress, the contributions of the various ministries of the Government and of the art, industrial, and scientific institutions of the country, represented more than $300,000 gold. The total space covered by the Argentine exhibit sections, independent of the site occupied by the national pavilion, was about 20,000 square feet.

The Argentine commission constructed an elegant pavilion at the northern extremity of the grounds in the renaissance style, which was a copy, although reduced in dimensions, of the two higher stories of the central part of the "Casa Rosador," or "Pink Palace," the principal Government building in Buenos Aires. In the pavilion was installed the offices of the Commission, a reception and a reading room. On the second floor was exhibited an excellent archaeological collection.

Numerous photographs distributed on the walls, in albums, and in stereoscopic apparatus almost equaled a visit to the principal cities of the country. The principal exhibits of the Argentine Republic were found in the palaces of Agriculture, Mines, Liberal Arts, Manufactures, Fine Arts, Education, and Electricity. The art façades constructed about each of the exhibit spaces in the greater palaces of the exposition were universally admired.

The Argentine Republic, being a country essentially agricultural, its section in the Agriculture Building revealed the productiveness of the country and its vast agricultural resources. Wool was displayed in numerous samples. That obtained from the Merino and Lincoln sheep was noticeable. The first species was of a short and exceedingly fine thread; the other, longer, coarser, and adapted for the manufacture of "cheviot."

The Argentine Republic is reputed to be the greatest producer of wool in the world, having outrivaled Australia in its annual output. It is said to have 120,000,000 sheep, or as many as Australia and the United States combined. Besides wool, there was a magnificent display of sheepskins and hides. The industry of footwear and harness was excellently displayed.

The Argentine section in the Palace of Agriculture showed the enormous development of the dairy industry, including the manufacture of butter and cheese. Two large Argentine establishments exhibited natural milk, pasteurized, sterilized, and maternized. Both of these companies each day produced 6,000 gallons of milk, for which 5,000 cows are milked daily. In eight years the export of butter has multiplied twelve times. The product exhibited was excellent, having been tested by examination and analysis made in various colleges of agriculture in the United States.

Numerous samples of wheat, corn, and cotton were shown also. There were samples of wheat weighing 67 pounds to the bushel. Statistics show that the annual harvest of wheat reaches 120,000,000 bushels. Argentine linseed also deserves consideration in this description, the Republic producing almost one-third of the linseed consumed in the world. Flax in abundance indicated the existence of an important textile industry in connection with the enormous production of linseed.

There were exhibited also various fibers extracted from native plants, and excellent samples of cordage showed what industry can get out of the rich Argentine textile material.

The Argentine section of the manufactures offered many interesting exhibits, among which figured a large variety of tanned leathers. In the same section was exhibited foundry work executed in the Arsenal de Guerra, of the city of Buenos Aires. There were also artistic medals, ornamental shields, and munitions of war. One of the industries of Buenos Aires is the manufacture of wax matches. The exhibit in the section of manufactures spoke eloquently in favor of the position reached by the industry in Buenos Aires. Exhibits of this industry showed that Argentina is rapidly passing into the rank of industrial nations. This suggestion was confirmed by the display of the other manufactures exhibited in the Argentine section, which consisted of furniture, textiles, hats, footwear, etc. The Republic also displayed an interesting collection of minerals, which generally are shown in the Departments Nacional de Minas Geologia, in the city of Buenos Aires. There were samples of gold, silver, and copper on exhibition; also an excellent display of coal.

Another Argentine section of great interest was that in the Liberal Arts Palace, where an extensive collection of plans and relief models were displayed, showing notable works undertaken by the Argentine Republic to facilitate river as well as ocean navigation. One of the models showed the harbor of Buenos Aires, which now occupies the second place in the South American continent.

An interesting exhibit representative of the Argentine Republic was that of the national press, which in the number of publications presented and extent of space covered was one of the most important displays of the kind in the exposition.

In consequence of the size and importance of the exhibit, it was found necessary to install it in a special section. The credit for the collection of the press exhibit was due principally to the Circule de la Prensa, or National Press Association of the Argentine Republic, one of the principal literary and journalistic institutions in the southern continent. Models of dams, as constructed in the interior of the country to facilitate irrigation, were also shown. The same section contained excellent lithographic and engraving work.

The Argentine Republic had two rooms in the west wing of the Palace of Fine Arts. The Argentine paintings received as many awards in this department as any other country in proportion to the number of exhibitors.

The intellectual development of the country revealed itself in the Palace of Education. A graphic statistical exhibit in the Argentine section showed that that country spends as much money per capita in public education as any other nation in the world. Another statistical display demonstrated the number of teachers employed. A diagram showed that the Argentine Republic comes next to France and among the Latin countries in respect to the number of students attending schools. The scholastic works, especially the needlework, ranked well with that in many of the advanced schools of the United States.

AUSTRIA.

_Austrian commission._--Mr. Adalbert R. Von Stibral, commissioner-general; Mr. Victor Pillwax, assistant commissioner; Mr. Dominik Fetz, secretary; Mr. Emil S. Fischer, commercial secretary.

_Austrian commercial commission._--Count Johann Harrach, president; Mr. Oskar Edler Von Hoefft, first vice-president; Mr. Franz Hiess, second vice-president; Mr. Charles M. Rosenthal, executive commissioner; Mr. Johann Peterka, commercial director; Mr. Adolph Taussig, commercial representative and assistant commissioner.

One of the most interesting and, as far as the interior scheme of decoration is concerned, the most artistic of the various foreign buildings in the World's Fair grounds, was that of the Austrian Empire. It was most prominently situated at the western end of Administration avenue, immediately opposite the Administration Building of the World's Fair. The garden at the west end of the pavilion, though small, attracted a great deal of attention on account of its artistic beauty. Morning-glory and other vines had been planted around the building, and before the close of the fair had covered the walls and added much to the beauty of the structure.

The Austrian Government Building was of impressionistic architecture. It was 60 meters long, 35 meters wide, and built in the form of a T. From the transepts a middle aisle, 24 meters broad, extended to the building line. On either side of the aisle exits led to the loggias and to the lawns. The pavilion was built of wood and all the rooms had skylights. The style of architecture and decoration was modern, with a classical toning. The exterior of the building was faced with a grayish, yellow-colored gypsum, shaded with gold, dark blue, and light green. Two groups of figures, above life size, adorned the main porch of the central building. The imperial coat of arms, with a crown surrounded by a large wreath, was raised above the center of the pavilion, and to the right and left two sphinxes crowned the gables. The center building (garden front) was finished with two enormous square pylons, with festoons and masks and decorated with all the coats of arms of the Austrian crown lands. Four stela-bearing gilded busts were symmetrically placed along the front of the flower beds, in which monumental fountains had been erected. The interior of the building was divided into fifteen rooms. To the left and right of the entrance hall, which was adorned with a marble bust of the Emperor, were the official apartments, one of which was meant as a library and reading room and the other as a reception room. Beyond the entrance hall was the technical exhibition of the ministry of railways, which likewise occupied the room on the left-hand side for an exhibition, "Sceneries and People of Austria." The hall to the right was devoted to the department of the ministry of commerce for the building of waterways. At the back part of the middle aisle a large hall was devoted to the exhibits of the professional art schools, and two smaller ones showed interiors executed by the schools for arts and crafts in Vienna and Prague. The fine-arts exhibits of the Vienna Artists' Association and of the association called "Hagenbund" were on the right of the transepts; pictures by Bohemian and Polish artists on the opposite side.

The artists and artisans who took part in building and decorating the Austrian Government pavilion were as follows: The plans of the whole building, the entrance hall, the two halls of the ministry of railways, and the hall containing the exhibition of waterways were designed by the chief architect, Oberbaurat Ludwig Bauman, Josef Meissner substituting him in the superintendence of the works; contractor J. Lecoeur.

The library was designed by Leopold Bauer, architect, and the architect Joseph Pleonik designed the reception room.

The plastic on the outside of the building was delivered by the sculptor Othmar Schimkowitz. The figurate frieze in the library was the work of the painter Josef Engerhart. The painter Ferdinand Andri executed the frescoes on the facade and Meinrich Tomec those in the department for waterways. The Emperor's bust, which was made of Lassar marble and which had been executed in the workshop of the Tyrol Marble and Porphyry Company (Fritz Zeller), Laas (Tyrol), was a copy of Professor Strasser's model.

The relief "Empress Elizabeth" (allegory) in the reception room was by the late Rudolf Weigl, sculptor.

Sandor Jaray had been intrusted with the interior decorations and fittings. The carpets were delivered by J. Ginskey, Maffendorf, and the ornamental locksmith work by Alexander Nehr.

The mosaic and artistic work was done by Max Freiherr von Spann and Johann Kappner; the fancy needlework by Carl Giani; the inlaid work (intarsia) by Michael Kehl, Josef Duchoslav, and Franz Makienec, and the bronze works by Johann Hastach, Carl Kratky, J. Schubert, and A.T. Lange. On account of the beauty of its furnishings and the harmonious color schemes of the interior the pavilion was especially attractive to women visitors to the fair.

Austria is the home of the European alpine railways. The oldest, the Semmering Railway, constructed in 1848-1854, lies on the South Railway main line from Vienna to Trieste and is the first mountain railway conducted exclusively on the adhesive principle. Then followed the Brenner Railway (1864-1867), the shortest railway communication between central Germany via Tyrol to Italy (Verona), and the Arlberg Railway (1880-1884), which opened up the route via Tyrol and Vorarlberg to the west (Switzerland and France). Four great panoramas in the exhibition showing the above-mentioned alpine railways were witness to Austria's prominence in this special field of railway technique. One room in the pavilion was devoted to the models of alpine railways. There were also plans of the lines, photographic views of buildings and of the tracks of the first three mentioned lines, which are in full working order. The lines in course of construction were further illustrated by models of tunnels, scaffoldings, foundations of arched bridge (with span of 80 meters) over the Isonzo (littoral lands of Austria), with statistical calculations and charts of the largest vaulted bridges ever built, and photographic views of the working in the Karawanken and Wocheiner tunnels. Among the other exhibits in this department may be mentioned a model of the groundwork of the Austrian State railways for express trains, photos of the imperial court train and of the newest locomotives and passenger carriages of the Austrian State railways, as well as plans for iron bridges, groundwork, locomotives, and passenger carriages of the State railways. The work published for the Emperor's jubilee, "History of the Railways of the Austro-Hungarian Monarchy," together with a number of other publications on the statistics, pedagogy, and technique of railways, were exhibited. Finally, there was a chart of the railways of the Austro-Hungarian monarchy on a scale of 1:1000000.

For a long time the Austrian ministry of railways set itself the task of drawing the attention of the traveling public to the beauties of the scenery and the ethnographical charms in which Austria abounds, and thus inducing them to visit the country. To gain this end the ministry issued various publications, opened inquiry offices, and arranged exhibitions. The exhibition "Sceneries and People of Austria" in the Government pavilion was arranged, with the cooperation of several artists, for the same object. The exhibit principally consisted of a collection of views of the most beautiful parts of Austria, especially the Austrian Alps, and pictures of Austrian national life. Photographs taken by the best photographers, as well as a number of artistic amateur photos, representing important traveling districts in Austria (99 in all), were enlarged and reproduced as pigment prints or linographs. Two series of photographic prints were exhibited also, one consisting of Austrian castles and strongholds and the other of various favorite alpine resorts. Further, a selection of alpine and traveling works in luxurious editions were shown.

The whole exhibition was finished off with a collection of 14 pictures of costumes and sport, arranged like a frieze and illustrating special Austrian national scenes. Four bronze statuettes, viz, "Chamois-hunter," "Alpine tourist," "Ski sportsman," "Alpine dairy woman," had been placed in the room as decorations.

The exhibition of models, plans, and photographs of the existing and projected canal for deep-draft ships, arranged by the department of the ministry of commerce for the building of waterways, offered a general view of the whole network of the Austrian waterways, comprising those of the Danube, Moldau, and Elbe rivers, together with the system of canals.

The beautiful landscape of the river sides was shown by means of views of the Danube, contained in an album, while the plans, photographs, and models exhibited by the Danube Regulation Commission showed the river courses, the harbor in lower Austria and Vienna, as well as the construction for regulating the water level in the Vienna-Danube Canal. A map of Prague showed the harbor and canal construction works, some finished and others projected, in the precincts of the town. The drawings and photos exhibited in a corner of the hall by the Aussig-Teplitz Railway Company illustrated the position and traffic of the harbor of Aussig, the most important inland harbor of Austria. The charts, in addition to giving a view of the position of the canals and rivers, with canals projected, showed also longitudinal sections of the Danube-Oder Canal.

The exhibitions of the State professional art schools, arranged by the imperial royal ministry of public instruction, Vienna, gave an idea of the work done by these institutions. The exhibition was arranged in three divisions, the first two containing the exhibits of the schools for arts and crafts in Vienna and Prague (the largest of their kind in Austria) and the third the work of the other professional art schools.

The decoration of the two interiors of the schools for arts and crafts, Vienna (Director Felizian Freiherr von Myrbach) and Prague (Director Georg Stibral), as well as all the objects exhibited in these divisions, were designed at the above institutions and executed by the pupils. The organization of the "collective exhibition" of the other professional art schools was intrusted to the inspector of these schools and Hofrat Arthur von Scala, director of the Austrian Museum, Vienna. The interior and the exhibits themselves were executed in the workshops of 46 different professional art schools, with the cooperation of the pupils.

The amount of money appropriated by the Austrian Government for the participation of the Austrian Empire at the exposition was 1,100,000 crowns (about $220,000). The appropriation, however, was almost exclusively made for the display of Austria in connection with the Austrian Government Pavilion. The appropriated amount had to cover the expense for the erection of the pavilion and its installation, as well as the installation of two rooms in the Fine Arts Building, where the Vienna Artists' Association had an additional display. The appropriated amount had also to cover the transportation of the Austrian Government exhibits as well as the expense of the reshipment of same. The Government provided the 1,100,000 crowns not only for the erection of the pavilion and its sculptural works, but for the expenses of installation, transportation, etc. Part of this money was used by the various Government participants, viz:

(1) The imperial royal railroad ministry.

(2) The imperial royal department of waterways of Austria.

(3) The imperial royal ministry of education.

(4) And finally by four fine art associations. These fine art associations were: (1) the Vienna Artists' Association, (2) the "Hagenbund" Artists' Association of Vienna, (3) the Bohemian artists, and (4) the Polish Artists.

The fine art associations had their display each in one room of the thirteen contained in the Austrian Government Pavilion. The Vienna Artists' Association had also two rooms covering the Austrian section in the Fine Arts Building.

In reference to the commercial exhibit, a number of prominent individuals of Austria organized an exhibition of the manufacturers of Austria. They secured a number of participants, mostly glass and porcelain manufacturers as well as leather and jewelry merchants of Austria. Their exhibits representing Austria were displayed in the Manufactures Building, Varied Industries Building, Liberal Arts Building, and in the Agricultural Building.

BRAZIL.

By decree No. 4897 of July 21, 1903, the President of the Republic of Brazil sanctioned the act of Congress making an appropriation of $600,000 giving the Government authorization for the representation of Brazil at the Louisiana Purchase Exposition.

On the 27th of the same month the following commissioners were appointed:

Col. F.M. De Souza Aguiar, president; Maj. J. Da Cunha Pires, secretary and commissioner; Mr. J. Da Motta, assistant commissioner; Mr. Antonio Olyntho, commissioner; Mr. J.C. Alves de Lima, commissioner; Dr. A. Da Graca Couto, commissioner; Commodore J.C. Do Carvalho, commissioner; Commodore A. Correa, commissioner; Mr. J.A. Dos Santos, commissioner; Mr. A.J. Da Costa Couto, commissioner; Mr. Ferreira Ramos, commissioner; Capt. J. Cordeiro da Graca, commissioner; Mr. Eugenio Dahne, assistant commissioner; Mr. E. Da Rocha Dias, aide; Air. Ricardo Mardock and Mr. A.C. Lopes Goncalves, commissioners from State of Amazonas.

One of the most attractive exhibits at the World's Fair was offered by Brazil. That country showed itself so rich and diversified in resources as to astonish the public, and in keeping with its large exhibit erected a building which soon became one of the features of the fair.

The Brazilian Building, which was designed and personally supervised by the commissioner-general, Col. F.M. de Souza Aguiar, was located in the southwestern part of the section occupied by the foreign governments, having on its north the Belgian, Cuban, and Chinese buildings, and on the east that of Nicaragua, on the south those of France and India, and on the west the Forestry, Fish and Game, Italian, and Administration buildings.

In the center of the grounds, surrounded by lawns with flower beds and wide gravel walks, stood the Brazilian Building in the French renaissance style of architecture. The main cornice, 80 feet high, was supported by eight groups of three columns each at the corners and sides of the two entrances of the building, and by six single columns at each loggia. These thirty-six columns were of the corinthian style of architecture, without the fluting ordinarily used with this particular column, and were ornamented only at the lower third of the shaft with the Brazilian coat of arms between floral festoons. Projecting above the roof of the building were three domes, two of which, on either loggia, were spherical in form, being 44 feet in diameter, while the apex of the central dome attained a height of 135 feet. The dome was octagonal in shape, having at each corner an exterior buttress, adorned with a large statue at its top. Encircling the same was a gallery from which could be viewed the greater part of the exposition grounds and the surrounding country. Above the cornice of the building was a balustrade decorated with shields, showing the coats of arms of the twenty-one States of Brazil.

The main floor was reached by means of a flight of nineteen granitoid steps on either the north or south side of the building, which led through two spacious porticoes. The second floor formed one large room only, the ceiling of which was divided into rectangular panels, supported by thirty-two Doric columns. The second floor was reached also by a majestic double staircase, where a spacious reception room, two apartments for ladies, and the offices of the commission were situated. In the center of the reception room was a marble statue representing "the Feast," mounted on a large pedestal and encircled by an upholstered settee. Above this statue the large central dome opened, supported by eight columns, which formed an interior gallery.

In simplicity, stateliness, and beauty of outline the Brazilian Pavilion was equal to any of the foreign buildings on the grounds. Its dome rose 90 feet above the main structure, which covered 191 by 132 feet, and it soon became known as a landmark in the foreign government section of the fair.

The interior decorations of the building were entirely in keeping with the magnificent exterior. The apartments were sumptuously furnished and decorated with rare statues. The colored glass which ornamented the central dome gave a soft tint to the furnishings beneath. On the walls were hung interesting photographs and charts illustrating the chief industry of the country-coffee culture. This industry was further demonstrated by machinery of the most improved pattern, showing the process of preparing coffee for the market. In sacks, in glass jars, and cases, coffee beans ranging in size from furled grains as small as peas to flat beans as large as cocoa beans were displayed. To illustrate the abundance of the product Brazil had built here a fountain which poured forth coffee beans instead of water. At night rows of electric lights, outlining the same, took the place of the Brazilian and American flags, which ornamented it by day. There were fifteen hundred of these lights distributed throughout the building, some clustered in rich chandeliers from the center of the reception halls and loggias, others placed in rows to outline galleries and dome.

In addition to the appropriation of $600,000 made by the Federal Government, many of the States contributed all the expenses toward propaganda, collection and transportation of exhibits from their own individual territories. The installations and booths (ten in all) in the exposition building were made at the expense of the Brazilian Government at a cost of $70,000. The cost of the main building, complete with its furnishings and improvement of grounds, was $135,000. The cost of transportation of exhibits from Brazil to St. Louis was $30,000. In all, Brazil had 2,400 exhibitors in 14 departments out of 16.

CANADA.

The government of the Dominion of Canada was represented at the World's Fair by the exhibition branch of the department of agriculture of Canada. This branch was organized some years ago for the purpose of collecting, installing, and maintaining exhibits at expositions where the government of Canada was officially represented. The personnel of the exhibition branch is as follows: Hon. Sidney A. Fisher, minister of agriculture; William Hutchinson, exhibition commissioner; W.A. Burns, secretary and assistant to the commissioner; W.H. Hay, decorator; S. Anderson, superintendent of installation.

The government and products of Canada were represented at the fair in several exhibits, viz, an official building or pavilion; a collection of minerals and mining products in the Palace of Mines and Metallurgy; a display of the grains, grasses, and the agricultural products in the Palace of Agriculture; an exhibit of all the various fruits grown in the Dominion in the Palace of Horticulture; a special exhibit of the forest products of Canada showing the great variety of timber, bark, pulp wood, etc., in a building erected especially for the purpose; also a varied collection of the larger and smaller game, fish, etc., together with specimens of all the numerous varieties of wood produced in the forests and inland waters of the Dominion, exhibited in the Forestry, Fish, and Game Building, and in a special exhibit of live beaver in the same building.

As an appropriation for the installation of these exhibits the government of Canada made a preliminary grant of $150,000, which was supplemented by further appropriations for maintenance aggregating $175,000, making a total of $325,000.

The official pavilion was a structure built after the fashion of a clubhouse, located near the north entrance to the Palace of Agriculture, costing, with forestry building in rear, about $35,000. This building was furnished throughout with the products of Canadian factories and decorated with the work of Canadian artists, all suggestive of the natural wealth, progress, and enterprise of the country.

The mining exhibit occupied a space of 10,000 square feet, and comprised large quantities of coal and all the coarser metal ores, together with an extensive collection of all the finer metals minerals, building stones, and every product of the mines known to science and commerce.

The agricultural exhibit occupied a space of 12,000 square feet, and consisted of a large central figure in the form of an octagonal trophy rising to a height of 60 feet, in which were artistically worked over three hundred grasses, grains, and plants, all grown in Canada, and decorated with landscape views of the various breeds of cattle raised in the Dominion. On either side of this central figure was a pedestal of maple sugar and honey, respectively, and in the rear other products of tobacco, grain, flour, breadstuffs, etc.

The horticultural display consisted of a varied collection of all the fruits grown in Canada, comprising ninety-four varieties of apples in their natural state, taken from cold storage, and a large collection of pears, peaches, plums, grapes, currants, gooseberries, strawberries, cranberries, raspberries, and everything included in horticulture, presented in glass jars as well as in their natural state throughout their respective seasons.

The special exhibit of forest products consisted of sections of the great fir trees, pines, cedars, oaks, hemlocks, birch, ash, walnut, cherry, etc., and specimens of rough and polished lumber from every variety of wood grown in the Dominion, together with a large pyramid of pulp wood, of which Canada possesses millions of acres, railway ties, tan bark, etc.

In the Forestry, Fish, and Game Building the exhibit consisted of an unique arch or bridge structure with a double span covering 80 feet, and on this structure and under it were numerous specimens of moose, deer, elk, buffalo, mountain goat, polar, grizzly, and brown bears, and every fur-bearing animal to be found in America. There was also a fine collection of game birds and water fowls, fish, etc. In this bridge structure was worked over three thousand varieties of wood, all grown in Canada. In another section of the building was shown a pool containing a family of live beaver, an interesting animal common to the streams and lakes of Canada.

Besides those already enumerated, Canada made a very creditable display of figure and landscape paintings in the Palace of Fine Arts, as well as a collection of various subjects in water colors.

Later in the season Canada made a very successful exhibit in the live-stock department. Her display was especially large in sheep and swine classes and almost equally good in poultry and pet stock.

In addition to those enumerated in the foregoing list, Canada is entitled to credit for a number of individual exhibits of various kinds scattered over the exposition grounds; for example, in the Building of Mines and Metallurgy there was an exhibit of natural and wrought nickel, every pound of the raw material coming from the Sudbury mines, in the Province of Ontario. The exhibit occupied a large space in the Mining Building and consisted of a varied and comprehensive display of nickel and nickel goods, from the natural ore to the finest and most polished culinary and domestic utensils. Every pound of raw material used in this display was from the mines situated in Denison Township, Sudbury District, Ontario, Canada.

In Machinery Hall there was an exhibit comprising a great variety of corundum products, every pound of whose raw material came from Canada. The exhibit showed corundum in bulk, in large wheels, small wheels, hones, and every variety of grinding and sharpening specialties. The amount of raw corundum used annually by the company reaches nearly 1,000 tons. In the Machinery Building, also, was an exhibit of asbestos and its products, the raw material of which came from Canada. The display consisted of steam-pipe coverings, mattings, packings, and everything of that nature required in heating and steam machinery; also asbestos mattings and fire screens, heavy papering and cardboards, and other things that asbestos can be worked into. All the asbestos came from the Shedford and Black Lake mines, in the Province of Quebec.

In the Manufactures Building was a very fine assortment of stones, etc., from different parts of Canada. Among the assortment were garnets from the Stikine River and also from the Province of Quebec; amethysts from Thunder Bay; labradorite, finest in the world, from the Isle of St. Paul; spinel from Ottawa County, Quebec; sodalite from British Columbia; pitanite, Litchfield, Quebec; lercon and perthite from Quebec; sunstone and lebra stone from Perth, Ontario, and crown sunstone from Renfrew County, Ontario.

Besides the exhibits mentioned there were in the Mines Building an exhibit of mineral water from Abenakis Springs, Quebec; in the Philadelphia exhibit in the educational department a fine display of asbestos and pulp.

CEYLON.

Consequent on the visit to Ceylon of Hon. John Barrett, commissioner of the Louisiana Purchase Exposition, in the latter part of 1902, Hon. W.H. Figg was dispatched as advance commissioner to St. Louis to investigate the conditions of the proposed World's Fair of 1904 and to make preliminary arrangements for the representation of the colony thereat. Mr. Figg's report, dated New York, February, 1903, was followed by the appointment of a commission composed of the following members:

Hon. Stanley Bois, commissioner-general; Mr. R. Huyshe Eliot, assistant commissioner; Mr. P.E. Pieris, assistant commissioner; Mr. Russell Stanhope, assistant commissioner; Mr. Peter De Abrew, commercial agent; Hon. J. Ferguson, C.M.G., Mr. F.C. Roles, Mr. H. Van Cuylenberg, and Mr. D. Obeyesekeri, official visitors.

By vote $150,000 was placed at the disposal of this commission, and a further sum of $10,000 was contributed by the Planters' Association.

The scheme finally adopted for the exploitation of the products of Ceylon at the World's Fair was that all articles of artistic interest should be displayed in a special court and those of commercial importance in the various palaces. It was agreed that the practical demonstration of the use of tea should be carried on in the court and made as attractive as possible to the American public. A concession was accordingly obtained from the Exposition Company for the sale of tea in the cup at a nominal price, and an excellent site was allotted to the Government of Ceylon immediately west of and adjoining the lake, where the United States Life-Saving Service had its daily display and facing the north end of the Palace of Agriculture. The building (which was designed in Ceylon by Mr. Skinner) was rectangular in form, 120 feet long and 60 feet wide, and two stories in height.

Broad verandas, so characteristic a feature of oriental houses, ran round each floor, and there tea was served daily by 20 Cingalese servants. These tea servers dressed in spotless white, and with long hair fastened with big tortoise shell combs, made a most picturesque appearance and gave a touch of reality to the Cingalese pavilion.

From the center of the building sprang an octagon 75 feet high, reproducing the building where the kings of Ceylon used to show themselves to their subjects at their ancient capital of Kandy. Smaller octagons rose from the four corners. The ornamentation was characteristically Cingalese. Broad friezes painted by native artists represented the various birth stories of the Buddha. The door panels and quaint capitals were such as may be seen at many a temple in Ceylon and formed an appropriate setting for the impassive images of the Buddha. The building was constructed by Messrs. Broderick & Wind, contractors of New York, under the general supervision of Mr. Russell Stanhope, representative at St. Louis of the commissioner-general, at a total cost of $30,000.

Downstairs were the offices of the commission, while on the upper floor the greater portion of the fine art exhibit of Ceylon was situated. The native artist was seen at his best in the magnificent jeweled caskets of carved ivory and the exquisite reprousse work in silver, representing an art which has been handed down from father to son for twenty-five centuries in the caste of Cingalese silversmiths.

The department of manufactures was represented by massive furniture in calamander, ebony, and satinwood, carved with the most elaborate devices, dainty laces made by the nimble fingers of village women, beautiful productions on tortoise shell and gold, heavily embroidered cloths of gold, and a large collection of the various curios for which the East is famous, besides a display of tanned hides and jewelry of exceptional merit. There was a further display of art work in the international room of the Palace of Fine Arts. More than 100 exhibitors were represented in this building, the total value of their exhibits exceeding $50,000. Outside on the lake was an outrigger canoe of full size, such as is still in use among the fishermen of Ceylon.

The chief commercial exhibit of the country was to be found in the Palace of Agriculture, where a space of 2,000 square feet had been allotted to it. First and foremost was the great industry of tea cultivation. Thirty years ago the island exported a million tons of coffee annually, and tea was an unknown article; last year the quantity of the leaf which was exported to all parts of the world exceeded 150,000,000 pounds (of which 18,000,000 was sent to the United States), while coffee hardly figures on the customs returns The industry is almost exclusively in the hands of Europeans. All the chief producers were represented at the exposition, their interests forming the special province of an assistant commissioner.

The cocoanut palm and its cultivation was fully represented. The nut itself, the various fibers, matting and ropes made from its husk, the copra or dried kernel, from which is extracted the oil now so largely used in the manufacture of best soaps and hair oils; the desiccated and "shredded" cocoanut, the demand for which among confectioners is rapidly increasing; cocoanut butter, an excellent emollient and substitute for lard; the arrack, distilled from the "toddy" extracted from the flower, a valuable liquor after a few years in cask; the vinegar and "jaggery," or molasses; down to the brooms, made from the "ekels" or midrib of the leaves, were shown in infinite variety.

Rice, the staple food of the country, was represented in a few of its 350 varieties, and cinnamon in bark or oil, cloves, nutmegs, mace, cardamoms, pepper, vanilla, and citronella oil, cocoa and coffee, rubber, cinchona bark, from which quinine is prepared, croton seed, and annotto dye might also be seen. The fibers included those of the Kitul and Palmyra palms and the silky niyande (sansevier zeylanical). One hundred and twenty exhibitors were represented, and the value of the collective exhibit was $5,000.

The educational exhibit, which had been prepared under the direct supervision of the director of public instruction in Ceylon, illustrated the procedure adopted by the British Government in dealing with races with an advanced literature of their own, to whom a certain knowledge of English is a necessity. The present conditions of education--elementary, advanced, and technical--were well depicted, and the exhibit contained in addition a collection of the various scientific journals issued by the Colombo Museum and the department of the botanical gardens in Ceylon.

Graphite, locally known as plumbago, the only commercial mineral of the country, might be seen in the Palace of Mines and Metallurgy. More than 600,000 hundredweights of this valuable commodity were exported in 1899, the greatest demand being in the United States, where the article is employed in the manufacture of crucibles, for stove polish, and for lubricating purposes. A few of the choice rubies and sapphires, for which the island is so famous, were on view in the Ceylon court. Thirty firms and private individuals were represented in this department, the exhibits exceeding $12,000 in value.

In Liberal Arts the government of Ceylon snowed the admirable work turned out by its printing offices, and various private firms of printers and photographers were represented. The large model of the artificial harbor of Colombo was of particular interest as illustrating the position of the city as the tenth port in the world for tonnage entering and clearing. There was also a good private collection of coins found in Ceylon and covering a period of nearly two thousand years. The space occupied in the Palace of Liberal Arts was 600 square feet, and the value of the total exhibit was $1,000.

The musical instruments of the country, chiefly consisting of drums and the varied equipment of the "devil dancers," were shown in the Ceylon Building.

In the Palace of Forestry a space or 600 square feet was occupied by Ceylon. The chief exhibit there consisted of the massive trunk of a satinwood tree, hollowed out so as to form a receptacle for "books," which consisted of blocks of all the various trade timbers of the country. An exhibit prepared by the marine biologist illustrated everything connected with fishing in the Ceylon waters, from the crude fish trap of the villager to the latest addition to knowledge regarding the origin of the lustrous oriental pearl. Models of the various kinds of boats employed in the country were also shown. The wild animals of the country, its beautiful birds (including the swift, which builds the edible nest), and gorgeous butterflies, were well shown. The exhibit represented a value of $3,000.

Finally, in the department of anthropology there were shown, in the Ceylon Building, types of the various races found in Ceylon, illustrations of their pre-Christian civilization, the utensils of brass and wood still used in their houses, and all the accompaniments of their philosophic religions.

A special handbook was prepared by a subcommittee in Colombo containing information for the use of the American people regarding the trade and resources of the country.

CHINA.

The participation of China at the Louisiana Purchase Exposition was authorized by an imperial decree issued in January, 1903. The same decree appointed an imperial commission, as follows:

His Royal Highness Prince Pu Lun, imperial high commissioner; Sir Robert Hart, Bart., G.C.M.G. (inspector-general of customs), president ex-officio; Mr. Wong Kai-Pah, imperial vice-commissioner; Mr. Francis A. Carl, imperial vice-commissioner; Mr. D. Percebois, secretary of Chinese imperial commission; Mr. J.A. Berthet, assistant to secretary of Chinese imperial commission.

The amount set apart by the Chinese Government to meet the expenses connected with China's participation in the Louisiana Purchase Exposition was 750,000 taels, or, roughly speaking, $500,000 gold. As with all previous expositions in which China has taken part, the collecting of exhibits was intrusted to the imperial Chinese maritime customs service, under the control of Sir Robert Hart, Bart., G.C.M.G., inspector-general of customs. This service, with its numerous branches and ramifications throughout the Empire and an experienced staff acquainted with both native and foreign tastes was in an exceptional position to succeed in making a representative collection of the best in Chinese arts, manufactures, and products. The commissioners of customs at the principal trading centers took the work in hand, selecting such exhibits as were suitable when offered by merchants, and purchasing outright such articles as could not be procured otherwise. The collections were made at the following treaty ports: Newchang, Tientsin, Chefoo, Chungking, Hankow, Kiukiang, Wuhu, Nanking, Chinkiang, Shanghai, Hangchow, Ningpo, Wenchow, Foochow, Amoy, Swatow, Canton, Pakhoi, Kiungchow, Mengtse, Lungchow, and Szemao.

Besides the Government exhibits from the foregoing-mentioned places, the provincial authorities of Hupeh, Hunan, Kiangaan, and Fukien also made collections. This is noteworthy, as it was the first time on record that the regular Chinese officials have taken any interest in a foreign exhibition. In addition to the Government participation, fifty-three firms and private individuals sent their quota of exhibits. The following table gives the kind, class, and approximate value of exhibits installed by each:

Porcelain curios, cloisonne, carpets, art work in metal, tapestries, furniture, silks, ivory, fans, and jade ...... $510,200 Furs and skins ............................................ 6,500 Cement and fire bricks .................................... 1,000 Fancy articles, wood carvings, paintings, and drawings, etc 11,600 Collections of butterflies ................................ 100 Preserved meats, fish, vegetables, and fruit .............. 100 Chinese postal stamps and coins ........................... 5,000 Silverware and lanterns ................................... 2,750 ------------ Total ................................................... 537,250 Government exhibits ....................................... 40,000 Provincial ................................................ 61,000 ------------ Grand total ............................................. 638,250

The collection made by the twenty-two treaty ports comprised such articles as were not offered by the mercantile class. In nearly every case the ports' collection included samples of products and manufactures typical to the district, models of the prevailing architecture and of any special costume worn by the people, models of the types of boats in use, carriages and wheelwrights' work, agricultural implements and farm machinery, appliances and methods used in agricultural industries, agricultural seeds, equipment and method employed in the preparation of foods, minerals and stones and their utilization, musical instruments, chemical and pharmaceutical arts, gold and silver ware, weights and measures, coins and medals, and photographs of the port. The collections made by the provincial authorities comprised art work in jade, crystal, porcelain and bronze, Chinese books and publications, lacquered ware and fancy articles.

The total approximate value as given above was $638,250, but this sum included the cost of transportation and installation. It represents in fact the market value in the United States. There was in the neighborhood of 2,000 tons of shipments from China to St. Louis--800 tons from the south of China, and 1,200 from the north of China. The rate from the south of China, i.e., Hongkong, was $8 per ton, while from the north of China, i.e., Shanghai, or nearly 900 miles shorter trip, the rate was $14 per ton. The amount paid for transportation was more than $20,000, to which must be added some $2,000 for terminal and switching charges. The cost of installation for the entire exhibit was about $7,500. The exorbitant wages necessary for all work done at the exposition accounts for this heavy expenditure. Another large item of expense, according to the Chinese commissioner, was the 5 per cent rate charged in this country for fire insurance. Most of the foreign countries taking part in the exposition effected insurance in home companies at about half the above rate.

The total cost of the Chinese Government Pavilion amounted to $75,000. It was partly a reproduction of a portion of Prince Pu Lun's palace at Peking. Models were sent from China and copied in this country, the large arch at the entrance being a "Pai-Lou," or memorial arch, common in China as entrances to palaces, temples, and tombs. A small octagonal pavilion or tea house was shown. They are always at some beautiful spot in the gardens of the wealthy. Two flagstaffs outside were also copies of Chinese models. The wood carvings were very expensive, and good examples of what the Chinese workman can do in that line. Special men from China were imported to carry out the designs of the building and to do the painting in the Chinese style.

The space occupied by the Chinese in the Liberal Arts Palace was 28,000 square feet, and, with the exception of another 1,500 square feet in the Educational Department, China was not represented in other buildings of the exposition. The small exhibit in the Educational Palace was not an attempt to illustrate the Chinese system of education. It was intended simply to give the world an idea of the work being done by foreign societies--missionary and otherwise--in the educational line in China.

The maintenance of the staff looking after exhibits was about $30,000. The expense connected with the repacking and return of freight and unsold exhibits was about $15,000.

CUBA.

On July 20, 1903, the Cuban Congress passed the following resolutions authorizing the participation of that country at the Louisiana Purchase Exposition:

The Executive is hereby authorized to dispose of $80,000 from
the public treasury to meet the expenses which the
representation of the Republic of Cuba will incur at the
Louisiana Purchase Exposition which will take place at St.
Louis, Mo., in the year 1904.

Of this amount $30,000 shall be set aside to meet the expenses
of a special commission whose object is to study the advancement
which may have been realized in agriculture, chemistry, and
mechanical industries applicable to the industries of Cuba, also
public instruction in hygiene.

The commission will report the results of their investigation to
the Executive, which reports will be duly published.

The expenses incurred in the publication of the reports will be
met by the public treasury and will not be included in the above
allowed sum.

On the 15th of July, 1904, the Congress voted $50,000 as an additional sum for the same purpose.

The Cuban Pavilion at the exposition was constructed on a lot 140 by 170 feet. The building was 100 feet by 80 feet surrounded by a garden containing more than five hundred native plants. It was one story high. At its front was a beautiful terrace, and there were extensive porticoes on the sides. Access to the building was gained by a 32-foot stair on the front, and by lateral stairs of smaller size.

Five rooms surrounding a central court. Access to the roof was obtained by a winding stair placed on a tower. The style of architecture on the building in its exterior court and entrances was Florentine-Renaissance, from the last half of the fourteenth century. The other salons were decorated in the modern style, called "New Art." The building was lighted by more than four hundred incandescent lamps, arranged in such a manner that they formed part of the decorations. The cost of erecting the building was $31,050.

The members of the Cuban commission were as follows:

Mr. Gonzalo de Quesada, honorary president; Mr. Esteban Duque Estrada, commissioner-general; Mr. Antonio Carillo, secretary of the Cuban commission; Mr. Eduardo Morales de los Rios, commissioner of education; Mr. Sixto Lopez Miranda, technical commissioner of education for Cuba; Dr. J.J. Luis, commissioner of social economy; Mr. Enrique B. Barnet, sanitary commissioner; Mr. J.W. Flanagan, honorary commissioner; Mr. J.E. Bernal, Mr. Fernando Mesa, Mr. Francisco de Armas, assistant commissioners; Mr. Antonio E. Trujillo, disbursing officer; Mr. John R. Taylor, assistant sanitary commissioner. Technical commission: Dr. Enrique Jose Varona, doctor in philosophy and letters; Dr. Carlos de la Torre, doctor of natural sciences; Señor Carlos Theye, chemical engineer; Señor Manuel D. Diaz, civil engineer; Señor Ramon Jimenez Alfonso, agronomical engineer; Dr. Gaston Alfonso Cuadrado, doctor of sciences and pharmacy.

The exhibit of Cuba in the Department of Education comprised the whole educational system from the kindergarten to the university. For the organization of this exhibit the secretary of public instruction, Dr. Leopolds Cancio, appointed a committee of seven. The committee issued several circulars inviting the teachers to contribute to the educational exhibit.

Toward the beginning of March the first contributions began to arrive, and in the early days of April the first shipment was made. This was followed by others, and by the 25th of April all the educational exhibits were in the various booths and ready for display.

This exhibit was classified in groups 1, 2, 3, 4, 6, and 8, which left the only two groups, 5 and 7, in which it was not represented.

In group 1 it was represented by the normal school of kindergarten of Habana, and by kindergarten public schools of Habana, Guanabacoa, Matanzas, Gardenas, Sagua la Grande, and Cienfuegos, by elementary public and private schools from most of the school districts of the country, by a teachers' academy, and by training and correctional schools for boys and girls.

In group 2 the six public secondary schools of the country were represented by photographs, reports, collections of shells and butterflies, pupils' work and reports.

The "San Alijandro" School of Painting and Sculpture of Habana appeared with a report and photographs in group 4.

In group 6 the School of Arts and Trades of Habana had a very good display of manual training and photographs.

Correspondence schools, the Academy of Science, meteorological and magnetical observations of the Belen Observatory, geological collections, text-books, school appliances, and a collection of the text-books used at the present and of those used under the Spanish Government in the public schools were all classified in group 8.

One of the most important features of the exhibit was the display of photographs showing over 500 views of schoolrooms, school buildings, groups of teachers and children, institutions of secondary education, institutions of special education, and the university.

In these photographs the department showed the best schools, such as "Luz y Caballero," of Habana, and the "Eseulen Modelo," of Santiago de Cuba, and the least advanced rural schools located in thatched-roof huts 20 or more miles from the nearest town.

The exhibit showed not only the great increase in the last few years in the number of schools and in the school expenditures, both of which have increased about tenfold, but the great change undergone in the methods of teaching, which at present accord with the most modern standards, the old methods having been entirely abolished from the public schools.

The superior board of health of Cuba was represented at the exposition by Dr. Federico Torralbas, as medical inspector of the sanitary department of Habana; Dr. Emilo Martines, as assistant professor of pathology of the National University, and member of the commission for infectious diseases of the sanitary department of Habana; Dr. Juan H. Davalos, as chief of the section of bacteriology of the laboratory of the island of Cuba, who is considered the leading authority on bacteriological subjects in Cuba; Dr. Enriqui B. Barnet, as the executive officer of the sanitary department of Habana and acting secretary of the superior board of health of Cuba; Mr. John R. Taylor, as preparator of the laboratory of Las Animas Hospital, of Habana, having a thorough knowledge of the transmission of diseases by the medium of the mosquito. He was one of those who voluntarily allowed himself to be bitten with infected mosquitoes known to be capable of transmitting yellow fever, recovering after a severe attack of the disease.

In the Department of Mines and Metallurgy, Cuba's exhibition consisted of Portland cement and its products, asphaltum (crude and refined), iron, manganese, copper, zinc, tin, gold, and silver ores, and a collection of marbles of the Isle of Pines.

In Liberal Arts Cuba's exhibition consisted of photographs, engravings, periodicals, perfumes, soaps, and other manufactured articles.

In the Department of Art Cuba had a room where about one hundred and fifty pictures were hung, consisting of oil paintings and water colors.

In the Department of Agriculture Cuba's exhibit consisted of manufactured cigars, chocolate, jellies, beer, preserved fruits of all descriptions, cotton, hemp, coffee, sugar, and various other agricultural products of Cuba.

In the Department of Forestry, Fish, and Game Cuba's exhibition consisted of samples of woods used in construction and for furniture, house decorations, etc. The collection of woods at the Forestry Building was given to the Yale University Forestry Schools at the close of the fair. The mineral collection at the Mines Building was subsequently donated to the United States National Museum, at Washington, D.C.

DENMARK.