Skip to content

Chapter XIV: Section XII: embraces several objects. It is therefore recapitulated,

Text size

with the points which the EDITOR invites to be considered, distinguished by Italics. "The king cannot castle _when in check_, nor after having been moved, _nor if in passing he was exposed to a check_, nor with a rook which has been moved: and he that castles when he should not, must play his rook touched, or his king, at his own choice." Is not the prohibition upon the king from castling, when in check, as extraordinary as if a general were prevented from flying under the guns of a fort, when the efforts of a numerous enemy were concentrated on him? If this disability be essential to a tactical conduct of the game, let it be continued. It seems, however, to have been transmitted from player to player, after the reasons which occasioned it ceased to exist. In past eras of Chess, the king and rook had such a latitude in castling, that the assailant might be defied to conjecture to what part they would be transported. The most expedient qualification of this license, that then presented itself, was to restrict the king from castling when in check, in order that an elaborate attack might not be entirely eluded. Succeeding legislators of Chess have defined the place of castling, and the distance to be passed; and the original argument, for the prohibition under discussion, has vanished. Reason will not oppose a repeal of one of the restrictions on the chief piece on the board, at the multiplicity of which every person, on a first introduction to the game, feels surprise. It is to be added, that very interesting situations occur, by allowing the king to castle when in check; and that trains of operation parallel, cannot be induced under a contrary practice.

With respect to the prohibition from castling, _if the king in passing would be exposed to a check_, it rests precisely on the same grounds as the disability imposed on the pawn; and a restriction from passing a square on which an adverse piece acts, should be imposed on all the pieces, or on none; now if it were general, it would be impossible to pursue the game, from the wearying and minute examination of every square, in all possible tracks, which would be incumbent on the player; and the consequent paralysis of the leading pieces, which it would occasion. If this excessive refinement controlled all the movements on the board, chess would have a constitution most ingeniously impracticable.

FINIS.

_Printed by W. Smith,
King Street, Seven Dials._

BOOKS

_Published for_ SAMUEL BAGSTER, _No. 81, Strand_.

BELL’s BRITISH THEATRE,

CONTAINING
_The Ninety most esteemed Plays_,

EACH ORNAMENTED WITH A CHARACTER PRINT,

At Sixpence each,
or, neatly bound and gilt in 22 Vols. 3l. 3s.

_The same Work may be had_,
PRINTED ON FINE VELLUM PAPER,
And each PLAY embellished with TWO PLATES,
Price 4l. 8s. complete in Numbers,
or, 6l. elegantly bound in 22 Vols. with the
Titles of each Play lettered on the Back.

_List of the Plays in_ BELL’S _British Theatre_.

1 Comus
2 Maid of the Mill
3 Lionel and Clarissa
4 Love in a Village
5 Beggar’s Opera
6 Venice Preserv’d
7 Fair Penitent
8 Zara
9 Douglas
10 Mourning Bride
11 Rule a Wife and have a Wife
12 The Alchymist
13 Love for Love
14 Love makes a Man
15 The Busy Body
16 The Orphan
17 The Albion Queen
18 Cato
19 The Country Girl
20 The Chances
21 The Tender Husband
22 The Beaux Stratagem
23 The Spanish Friar
24 The Distrest Mother
25 The Earl of Essex
26 Jane Shore
27 Edward the Black Prince
28 The Conscious Lovers
29 Every Man in his Humour
30 Philaster
31 The Careless Husband
32 The Provoked Husband
33 Boadicea
34 Oroonoko
35 A Bold Stroke for a Wife
36 Lady Jane Grey
37 The Suspicious Husband
38 The Carmelite
39 She Stoops to Conquer
40 Alzira
41 The Country Lasses
42 The Fair Quaker of Deal
43 Oedipus
44 Medea
45 The Miser
46 Cleone
47 Ximena
48 All for Love
49 Tamerlane
50 The Way to Keep Him
51 Tancrid and Sigismunda
52 All in the Wrong
53 The Recruiting Officer
54 The Grecian Daughter
55 Isabella
56 The Constant Couple
57 The Gamesters
58 George Barnwell
59 The West Indian
60 The Hypocrite
61 The City Wives’ Confederacy
62 The Wonder
63 The Committee
64 The Gamester
65 Amphitryon
66 The Foundling
67 The Good Natured Man
68 The Brothers
69 The Minor
70 The Earl of Warwick
71 The Natural Son
72 The Roman Father
73 The Jealous Wife
74 The Refusal
75 She Wou’d and She Wou’d not
76 The Double Gallant
77 The Drummer
78 The Clandestine Marriage
79 The School for Wives
80 The Fashionable Lover
81 The School for Lovers
82 The Countess of Salisbury
83 The Choleric Man
84 The Battle of Hastings
85 The Discovery
86 The Revenge
87 Theodosius
88 The Rival Queens
89 King Charles
90 Siege of Damascus

THE MINOR THEATRE,

(being a Companion to the BRITISH THEATRE)
containing
THIRTY-SIX CHOSEN FARCES OF THE
_BRITISH STAGE_,
WITH MINIATURE PORTRAITS OF THE ACTORS,
in 7 Vols. neatly bound and gilt, 17s. 6d.

_The same Work may be had_,
PRINTED ON FINE VELLUM PAPER,
WITH
PORTRAITS and SCENE PRINTS,
bound in 7 Vols. elegant, 1l. 8s.

_Neatly Printed in One thick Vol. Octavo_,
GLEANINGS
FROM
BOOKS on AGRICULTURE,
WITH TWO PLATES OF INSTRUMENTS
USED IN AGRICULTURE,

Price 7s. 6d. Boards.

Comments

Log in to leave a comment.

Studies of chessChapter XIV: Section XII: embraces several objects. It is therefore recapitulated,

0%3 min left in chapter