Chapter CXIX: Section XII: 2nd. The GOTHIC PALACE. The reader, doubtless, recollects

that the important change in the Venetian government which gave stability to the aristocratic power took place about the year 1297, [Footnote: See Vol. I. Appendix 3, Stones of Venice.] under the Doge Pietro Gradenigo, a man thus characterized by Sansovino:--"A prompt and prudent man, of unconquerable determination and great eloquence, who laid, so to speak, the foundations of the eternity of this republic, by the admirable regulations which he introduced into the government."

We may now, with some reason, doubt of their admirableness; but their importance, and the vigorous will and intellect of the Doge, are not to be disputed. Venice was in the zenith of her strength, and the heroism of her citizens was displaying itself in every quarter of the world. [Footnote: Vide Sansovino's enumeration of those who flourished in the reign of Gradenigo, p. 564.] The acquiescence in the secure establishment of the aristocratic power was an expression, by the people, of respect for the families which had been chiefly instrumental in raising the commonwealth to such a height of prosperity.

The Serrar del Consiglio fixed the numbers of the Senate within certain limits, and it conferred upon them a dignity greater than they had ever before possessed. It was natural that the alteration in the character of the assembly should be attended by some change in the size, arrangement, or decoration of the chamber in which they sat.

We accordingly find it recorded by Sansovino, that "in 1301 another saloon was begun on the Rio del Palazzo, _under the Doge Gradenigo_, and finished in 1309, _in which year the Grand Council first sat in it_." [Footnote: Sansovino, 324, I.] In the first year, therefore, of the fourteenth century, the Gothic Ducal Palace of Venice was begun; and as the Byzantine Palace was, in its foundation, coeval with that of the state, so the Gothic Palace was, in its foundation, coeval with that of the aristocratic power. Considered as the principal representation of the Venetian school of architecture, the Ducal Palace is the Parthenon of Venice, and Gradenigo its Pericles.