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Chapter CXLIX: Section XLII: Above these three sculptures are set, in the upper arcade,

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the statues of the archangels Raphael, Michael, and Gabriel: their positions will be understood by reference to the lowest figure in Plate XVII., where that of Raphael above the Vine angle is seen on the right. A diminutive figure of Tobit follows at his feet, and he bears in his hand a scroll with this inscription:

EFICE Q
SOFRE
TUR AFA
EL REVE
RENDE
QUIETU

i.e. Effice (quseso?) fretum, Raphael reverende, quietum. [Footnote: "Oh, venerable Raphael, make thou the gulf calm, we beseech thee." The peculiar office of the angel Raphael is, in general, according to tradition, the restraining the harmful influences of evil spirits. Sir Charles Eastlake told me, that sometimes in this office he is represented bearing the gall of the fish caught by Tobit; and reminded me of the peculiar superstitions of the Venetians respecting the raising of storms by fiends, as embodied in the well known tale of the Fisherman and St. Mark's ring.] I could not decipher the inscription on the scroll borne by the angel Michael; and the figure of Gabriel, which is by much the most beautiful feature of the Renaissance portion of the palace, has only in its hand the Annunciation lily.

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Stones of Venice [introductions]Chapter CXLIX: Section XLII: Above these three sculptures are set, in the upper arcade,

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