Chapter CLXXXIII: Section LXXVII: Fourth side. Destroyed, all but a book, which
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identifies it with the "Celestial Chastity" of the Renaissance copy; there represented as a woman pointing to a book (connecting the convent life with the pursuit of literature?).
Spenser's Chastity, Britomart, is the most exquisitely wrought of all his characters; but, as before noticed, she is not the Chastity of the convent, but of wedded life.
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Stones of Venice [introductions]Chapter CLXXXIII: Section LXXVII: Fourth side. Destroyed, all but a book, which
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