Chapter CLV: Section XLVIII: SEVENTH CAPITAL. This is the first of the series which
is complete; the first open arch of the lower arcade being between it and the sixth. It begins the representation of the Virtues.
_First side_. Largitas, or Liberality: always distinguished from the higher Charity. A male figure, with his lap full of money, which he pours out of his hand. The coins are plain, circular, and smooth; there is no attempt to mark device upon them. The inscription above is, "LARGITAS ME ONORAT."
In the copy of this design on the twenty-fifth capital, instead of showering out the gold from his open hand, the figure holds it in a plate or salver, introduced for the sake of disguising the direct imitation. The changes thus made in the Renaissance pillars are always injuries.
This virtue is the proper opponent of Avarice; though it does not occur in the systems of Orcagna or Giotto, being included in Charity. It was a leading virtue with Aristotle and the other ancients.
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Stones of Venice [introductions]Chapter CLV: Section XLVIII: SEVENTH CAPITAL. This is the first of the series which
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