Chapter XXVII: Section XXXIX: It is in Venice, therefore, and in Venice only that

effectual blows can be struck at this pestilent art of the Renaissance. Destroy its claims to admiration there, and it can assert them nowhere else. This, therefore, will be the final purpose of the following essay. I shall not devote a fourth section to Palladio, nor weary the reader with successive chapters of vituperation; but I shall, in my account of the earlier architecture, compare the forms of all its leading features with those into which they were corrupted by the Classicalists; and pause, in the close, on the edge of the precipice of decline, so soon as I have made its depths discernible. In doing this I shall depend upon two distinct kinds of evidence:--the first, the testimony borne by particular incidents and facts to a want of thought or of feeling in the builders; from which we may conclude that their architecture must be bad:--the second, the sense, which I doubt not I shall be able to excite in the reader, of a systematic ugliness in the architecture itself. Of the first kind of testimony I shall here give two instances, which may be immediately useful in fixing in the reader's mind the epoch above indicated for the commencement of decline.