Chapter CXXXIX: Section XXXII: The Ducal Palace, however, accepts the principle in its

completeness, and throws the main decoration upon its angles. The central window, which looks rich and important in the woodcut, was entirely restored in the Renaissance time, as we have seen, under the Doge Steno; so that we have no traces of its early treatment; and the principal interest of the older palace is concentrated in the angle sculpture, which is arranged in the following manner. The pillars of the two bearing arcades are much enlarged in thickness at the angles, and their capitals increased in depth, breadth, and fulness of subject; above each capital, on the angle of the wall, a sculptural subject is introduced, consisting, in the great lower arcade, of two or more figures of the size of life; in the upper arcade, of a single angel holding a scroll: above these angels rise the twisted pillars with their crowning niches, already noticed in the account of parapets in the seventh chapter; thus forming an unbroken line of decoration from the ground to the top of the angle.