Chapter CLXXVIII: Section LXXI: Seventh side. Vanity. She is smiling complacently
as she looks into a mirror in her lap. Her robe is embroidered with roses, and roses form her crown. Undecipherable.
There is some confusion in the expression of this vice, between pride in the personal appearance and lightness of purpose. The word Vanitas generally, I think, bears, in the mediaeval period, the sense given it in Scripture. "Let not him that is deceived trust in Vanity, for Vanity shall be his recompense." "Vanity of Vanities." "The Lord knoweth the thoughts of the wise, that they are vain." It is difficult to find this sin,--which, after Pride, is the most universal, perhaps the most fatal, of all, fretting the whole depth of our humanity into storm "to waft a feather or to drown a fly,"--definitely expressed in art. Even Spenser, I think, has only partially expressed it under the figure of Phaedria, more properly Idle Mirth, in the second book. The idea is, however, entirely worked out in the Vanity Fair of the "Pilgrim's Progress."
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Stones of Venice [introductions]Chapter CLXXVIII: Section LXXI: Seventh side. Vanity. She is smiling complacently
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