Chapter VIII: Gods, Supernatural Beings, and Worship (2)

The second great festival of the deity takes place in the middle of August. The rains which have lasted and refreshed up to this time, become intermittent, and the fine season approaches, during which the azure sky of the tropics pours its splendor and its beneficial warmth upon men, animals, and plants, scattered over a plain situated 8500 feet above the level of the sea. This is the twelfth month there, the month of ripe fruits. The idols in all temples and dwellings are decorated with flowers. It is now no longer the rain which is the blessing, but the blue sky which cherishes the variegated flower-world. For this reason the image of Huitzilopochtli was blue, his head was wound round with an azure ribbon, in his right hand he held an azure staff or club, and he sat on an azure stool, which, according to ancient accounts, represents heaven as his dwelling-place. His arms and legs had also blue stripes, and costly blue stones hung round his neck. The Egyptian god of fertility, Khem, was also represented in blue.

[Sidenote: DEATH OF VEGETATION.]

The third festival of Huitzilopochtli takes place during the winter solstice, a period which plays a great rôle in all worships and myths. The best-known festival of this kind is the one held on the 25th of December throughout the Roman Empire, to celebrate the birth of Mithras, the invincible sun. The Chipewas in North America call December the month of the small spirit, and January that of the great spirit. The Mexican festival of this month represented the character of the entering season, and the new state of nature. The cold sets in, the mountains are covered with snow, the ground dries up, the plants search in vain for their nourishment, many trees lose their foliage--in a word, nature seems dead. And so it happened with their god. The priests prepared his image of various seeds kneaded with the blood of sacrificed children. Numerous religious purifyings and penances, washings with water, blood-lettings, fasts, processions, burning of incense, sacrifices of quails and human beings, inaugurated the festival. One of Quetzalcoatl's priests then shot an arrow at this image of Huitzilopochtli, which penetrated the god who was now considered as dead. His heart was cut out, as with human victims, and eaten by the king, the representative of the god on earth. The body, however, was divided among the various quarters of the city, so that every man received a piece. This was called _teoqualo_ 'the god who is eaten.'

The meaning of the death of this god is, on the whole, evident; it corresponds with the death of vegetation; and a comparison of the myth of his birth, with the two other feasts of Huitzilopochtli, leads to the same conclusion. This third feast is, therefore, at the same time, a festival in honor of the brother of this god, Tezcatlipoca, the god of the under-world, of death, of drought, and of hunger, whose rule commences where that of his brother ends. The myth gives a similar form and sense to the death of Osiris, who is killed by Typhon, and the death of Dionysos and Hercules in the Phœnician colonies. Adonis lives with Aphrodite during one half of the year, and with Persephone the other half; the Indian Krishna leaves for the under-world; thus, too, Brahma and the Celtic sun-god, Hu, died yearly, and were yearly born again. The festival of the self-burning of the Tyrian Heracles is also of this kind; it takes place at the time of the dying off of vegetation, even if this should be in the summer.

As regards the custom of eating the god, this also occurs at another feast which is celebrated during this season, in honor of the gods of the mountains and the water. Small idols of seeds and dough were then prepared, their breasts were opened like those of human victims, the heart was cut out, and the body distributed for eating. The time at which this occurs, shows that it stands in necessary connection with the death of the god. When the god dies it must be as a sacrifice in the fashion of his religion, and when the anthropomorphized god dies, it is as a human sacrifice amid all the necessary usages pertaining thereto: he is killed by priests, the heart is torn out, and his body eaten at the sacrifice meal, just as was done with every human sacrifice. Could it be meant that the god, in being eaten, is imparted to, or incorporated with, the person eating him? This is no doubt so, though not in the abstract, metaphysical, Christian or moral sense, but only with regard to his nature-sense, (seiner Naturseite), which is the real essence of the god. He gives his body, in seed, to be eaten by his people, just as nature, dying at the approach of the winter, at this very period, has stored up an abundance of its gifts for the sustenance of man. It gives man its life-fruit, or its fruit of life as a host or holy wafer. As a rule, the god, during the time of sacrifice, regales with the offering those bringing sacrifices; and, the eating of the flesh of the slave, who so often represents the god to whom he is sacrificed, is the same as eating the god. We have heard of the custom among some nations of eating the ashes of their forefathers, to whom they give divine honors, in order to become possessors of their virtues. The Arkansas nation, west of the Mississippi, which worshiped the dog, used to eat dog-flesh at one of its feasts. Many other peoples solemnly slaughter animals, consume their flesh, and moreover pay divine honors to the remains of these animals. Here the eating of the god, in seeds, is made clear--this custom also existed among the Greeks. The division of the year-god by the ancients, in myth and religious system, has, for the rest, no other sense than has this distribution of the body of Huitzilopochtli. This is done with the sun-bull at the festival of the Persian Mithras, as at the feast, and in the myth of the Dionysos-Zagreus, of Osiris and Attys.

[Sidenote: YEARLY LIFE OF THE PLANT-WORLD.]

The three yearly festivals, as well as the myth of his birth, all tend to show the positive connection of Huitzilopochtli with the yearly life of the plant-world. The first festival is the arrival of the god, as the plant-world is ushered in, with its hymns praying for rain, its virgins representing the sisters of the god and the inimical drought, in the same sense as the brothers and sister, especially the latter, are his enemies in the myth of his birth, and, as Tezcatlipoca, the god of drought is his brother. Brothers and sisters not seldom represent parallel contrasts in mythology and worship. The second celebration presents the god as the botanical kingdom in its splendor, for which reason the Mexicans call the humming-bird the sunbeam, from the form assumed by the god at this time. The humming-bird, moreover, takes also his winter sleep, and thus the god dies in winter with the plants. The Greenlanders asked the younger Egede if the god of heaven and earth ever died, and, when answered in the negative, they were much surprised, and said that he must surely be a great god. This intimate connection with the plant-world is also shown in the birth-myth of Huitzilopochtli, who here appears as the son of the goddess of plants. It now becomes easier to answer the question of Wuttke: has the fable of this birth reference merely to the making a man out of a god already existing, or to the actual birth of the god? The Aztecs, it is true, were undecided on this point, some conceding to him a human existence on earth, others investing him with a consciousness of his nature being. We, however, answer this question simply, from the preceding: the birth of the god is annual, and the myth has therefrom invented one birth, said to have taken place at some period, while the anthropomorphism fables very prettily the transformation into a man. Of the former existence of a born god, the myth knows nothing, for it is only afterward that it raises the god into heaven. It has not, however, come to euhemerism in the case of Huitzilopochtli, though it has with Huitziton. In placing the god in the position of son to the plant-goddess, the myth separates his being from that of the mother, consequently, Huitzilopochtli is not the plant-world himself, however closely he may be related to it. This is made clearer by following up the birth-myth, which makes him out to be not only the son of Coatlicue, but also of the force causing her fructification. The variegated ball of feathers which fell from heaven, is none other than Huitzilopochtli himself, the little humming-bird, which is the means of fructifying the plants, and the virile, fructifying nature-force manifested by and issuing from him in the spring. He is also born with the feather-tuft, and this symbol of the fine season never leaves him in any of his forms, it remains his attribute.

The Tapuas in South America have, after a similar symbolism, the custom, at their yearly seed-sowing festivals, of letting some one hang a bunch of ostrich-feathers on his back, the feathers being spread over like a wheel. This feather-bunch is their symbol of the fructifying power which comes from heaven. Their belief that bread falls from heaven into this tuft of feathers is thus made clear. In this myth we find the natural basis of such a birth-myth. In our northern mythology, Neekris, the ball, is, in the same manner, the father of Nanna, the northern Flora. That this virile power of heaven is made to appear as a ball of feathers, suits the humming-bird god. The Esths also imagined their god of thunder, as the god of warmth, in the form of a bird. In the same sense, doves were consecrated to Zeus, in Dodona and Arcadia, and a flying bird is a symbol of heaven among the Chinese. This force may, however, be symbolized in another form, and give rise to a birth-myth of exactly the same kind. Thus, the daughter of the god Sangarius, in the Phrygian myth, hid in her bosom the fruit of an almond-tree, which had grown out of the seed of the child of the earth, Agdistis: the fruit disappeared, the daughter became pregnant and bore the beautiful boy Attes. According to Arnobius, it was the fruit of a pomegranate-tree, which fructified Nanna. Among the Chinese, a nymph, called Puzza, the nourisher of all living things, became pregnant by eating a lotus-flower, and gave birth to a great law-giver and conqueror. Danaë, again, becomes pregnant from the golden shower of Zeus--an easily understood symbolism. It is always the virile nature-power, either as seen in the sun, or in the azure sky (for which reason Huitzilopochtli is called the lord of the heaven, Ochibus or Huchilobos), which puts the variegated seed into the womb of the plant-world, 'at the same time bringing himself forth again, and making himself manifest in the plant-world.' This heavenly life-force no sooner finds an earthly mother-womb than its triumph is assured, even before birth, while developing its bud; just as the inner voice, in the myth, consoled the mother, and protected her against all her enemies. It is only after his birth that the myth holds Huitzilopochtli as a personal anthropomorphic god.

[Sidenote: THE VIRILE NATURE-POWER.]

This is the natural signification of Huitzilopochtli, which we have accepted as the basis of all other developments of the god, and for this universal reason, namely, that the most ancient heathen gods are nature-gods, mythologic rules being followed, and that the pagan religion is essentially a nature-worship as well as a polytheism. The special investigation and following up of the various virtues have led to the same result. But, as this view has not yet been generally accepted in regard to this god, a few words concerning the union of the anthropomorphic national aspect of Huitzilopochtli, with his natural one may be added. It has been thought necessary to make the martial phase of Huitzilopochtli the basis of the others, as with Mars. War is, from this point of view, a child of spring, because weapons are then resumed after the long winter armistice. This is not at all the case with Huitzilopochtli, because the rainy season, setting in in spring, when the arrival and birth of the god are celebrated, renders the soft roads of Mexico unsuitable for war expeditions. Wars were originally children of autumn, at which time the ripe fruits were objects of robbery. But the idea of a war and national god is easily connected with the basis of a fructifying god of heaven. This chief nature-god may either be god of heaven, as Huitzilopochtli, as the rain-giving Zeus is made the national god by Homer, to whom human sacrifices were brought in Arcadia down to a late period, or he may be a sun-god, like Baal, to whom prayers for rain were addressed in Phoenicia, to further the growth of the fruit, and who also received human sacrifices. The Celtic Hu is also an ethereal war god, properly sun-god, who received human sacrifices in honor of the victory of spring; none the less is Odin's connection with war, battle, and war horrors; he is a fire-god, like Moloch and Shiva, to whom human sacrifices were made for fear of famine and failure of crops. The apparent basis of such a god has not to be considered so much as the point that the people ascribed to him the chief government of the course of the year. In such a case, the chief ruler also becomes the national god, the life of the nation depending immediately on the yearly course of nature. Is the nation warlike, then, the national god naturally becomes a war god as well. As anthropomorphism connects itself with the nature-god only at a later period, so does his worship as war god and national god. In the case of Mars, as well as of Picus and Faunus, the same succession is followed. Mars, for example, is called upon in a prayer which has been preserved by Cato, to protect shepherds and flocks, and to avert bad weather and misgrowth; Virgil refers to him as a god of plants. In the song of the Arvalian brothers, he is called upon as the protector of the flowers. Thus, in his case also, the nature side is the basis. The Chinese symbolism of the union of the two sides or phases, is expressed in such a manner as to make spears and weapons representations of the germs of plants. This union has already been illustrated among the Aztecs, in the humming-bird, the sunbeam which plays round the flowers, in whose little body the intensest war spirit burns. Among the Egyptians, the beetle was placed upon the ring of the warrior, with whom it signified world and production.

[Sidenote: SNAKE SYMBOLISM.]

It remains to speak of another attribute of Huitzilopochtli, the snake attribute. Huitzilopochtli is also a snake-god. We have already, when treating of the snake-worship of the Mayas, referred to the numerous snakes with which this god is connected by myth and image, and how this attribute was added to the original humming-bird attribute, in Coatepec, where the snake-goddess Coatlicue gave him birth. If the snake signifies, in one case, time, in another, world, and in another instance, water, or the yearly rejuvenation of germs and blossoms, the eternal circle of nature, domination, soothsaying--it is quite proper; for all these qualities are found united in the god. Still other qualities, not seemingly possessed by him, we pass over, such as a connection with the earth and with the healing power, to be found in other Mexican gods, or the evil principle, which is entirely wanting. Just as the snake changes its skin every year, and takes its winter sleep, so does Huitzilopochtli, whose mother, Flora, is, therefore, a snake-goddess. Even so the snake represents the seed-corn in the mysteries of Demeter. In the Sabazii it represents the fructifying Zeus and the blessing. It is also the symbol of productive power and heat, or of life, attribute of the life-endowing Shiva; among the Egyptians it represents the yearly rejuvenation of germs and blossoms. The snake Agathodæmon appears with ears of grain and poppies, as the symbol of fertility. If the god exhibits this nature of his, in spring, in the rain, then the snake is a suitable attribute. In India, snakes are genii of seas, and the Punjab, whose fertility is assured by the yearly inundations, has the name of snake lands (Nagakhanda), and claims an ancient worship. The sustaining water-god, Vishnu, also received the snake attribute. Among the Chinese, the water could be represented by a snake. The Peruvians call the boa constrictor the mother of nature.

The idea of the yearly renewal of nature is also connected with that of time forever young, and the Aztecs, therefore, encircle their cycle with a snake as the symbol of time. The more positive signification which the snake, placed by the side of the humming-bird, gives to Huitzilopochtli, is that of a soothsaying god, like the snake Python among the Greeks. The snake signified 'king' among the Egyptians, and this suits Huitzilopochtli also, who may properly enough be considered the real king of his people. If, as connected with Huitzilopochtli, the snake also represents the war god, on account of its spirited mode of attack, I cannot with certainty say, but the myth as well as the worship places it in this relation to the war goddess Athene. Although the idea of a national and a war god is not quite obscured in the snake attribute, yet the nature side is especially denoted by it, as in the southern countries, where snake worship prevailed; the reference to the southern nature of this god is quite evident in the snake attribute. In the north, moisture, represented by the snake, has never attained the cosmological import which it has in the hot countries of the south. There, the snake rather represents an anticosmogonic, or a bad principle.[VIII-15]

[Sidenote: WINTER-SOLSTICE FESTIVAL.]

Mr Tylor, without committing himself to any extent in details, yet agrees, as far as he goes, with Müller. He says: "The very name of Mexico seems derived from Mexitli, the national war-god, identical or identified with the hideous gory Huitzilopochtli. Not to attempt a general solution of the enigmatic nature of this inextricable compound parthenogenetic deity, we may notice the association of his principal festival with the winter solstice, when his paste idol was shot through with an arrow, and being thus killed, was divided into morsels and eaten, wherefore the ceremony was called the _teoqualo_, or 'god-eating.' This, and other details, tend to show Huitzilopochtli as originally a nature-deity, whose life and death were connected with the year's, while his functions of war-god may be of later addition."[VIII-16]

Of this festival of the winter solstice the date and further particulars are given by the Vatican Codex as follows:--

The name Panquetzaliztli, of the Mexican month that began on the first of December, means, being interpreted, 'the elevation of banners.' For, on the first day of December every person raised over his house a small paper flag in honor of this god of battle; and the captains and soldiers sacrificed those that they had taken prisoners in war, who, before they were sacrificed, being set at liberty, and presented with arms equal to their adversaries, were allowed to defend themselves till they were either vanquished or killed, and thus sacrificed. The Mexicans celebrated in this month the festival of their first captain, Vichilopuchitl. They celebrated at this time the festival of the wafer or cake. They made a cake of the meal of bledos, which is called _tzoalli_, and having made it, they spoke over it in their manner, and broke it into pieces. These the high priest put into certain very clean vessels, and with a thorn of maguey, which resembles a thick needle, he took up with the utmost reverence single morsels, and put them into the mouth of each individual, in the manner of a communion--and I am willing to believe that these poor people have had the knowledge of our mode of communion or of the preaching of the gospel; or perhaps the devil, most envious of the honor of God, may have led them into this superstition in order that by this ceremony he might be adored and served as Christ our Lord. On the twenty-first of December they celebrated the festival of this god--through whose instrumentality, they say, the earth became again visible after it had been drowned with the waters of the deluge: they therefore kept his festival during the twenty following days, in which they offered sacrifices to him.[VIII-17]

[Sidenote: DECORATIONS OF TLALOC.]

The deity Tlaloc, or Tlalocateuchtli, whom we have several times found mentioned as seated beside Huitzilopochtli in the great temple, was the god of water and rain, and the fertilizer of the earth. He was held to reside where the clouds gather, upon the highest mountain-tops, especially upon those of Tlaloc, Tlascala, and Toluca, and his attributes were the thunderbolt, the flash, and the thunder. It was also believed that in the high hills there resided other gods, subaltern to Tlaloc--all passing under the same name, and revered not only as gods of water but also as gods of mountains. The prominent colors of the image of Tlaloc were azure and green, thereby symbolizing the various shades of water. The decorations of this image varied a good deal according to locality and the several fancies of different worshipers: the description of Gama, founded on the inspection of original works of Mexican religious art, is the most authentic and complete. In the great temple of Mexico, in his own proper chapel, called _epeoatl_, adjoining that of Huitzilopochtli, this god of water stood upon his pedestal. In his left hand was a shield ornamented with feathers; in his right were certain thin, shining, wavy sheets of gold representing his thunderbolts, or sometimes a golden serpent representing either the thunderbolt or the moisture with which this deity was so intimately connected. On his feet were a kind of half-boots, with little bells of gold hanging therefrom. Round his neck was a band or collar set with gold and gems of price; while from his wrists depended strings of costly stones, even such as are the ornaments of kings. His vesture was an azure smock reaching to the middle of the thigh, cross-hatched all over with ribbons of silver forming squares; and in the middle of each square was a circle also of silver, while in the angles thereof were flowers, pearl-colored, with yellow leaves hanging down. And even as the decoration of the vesture so was that of the shield; the ground blue, covered with crossed ribbons of silver and circles of silver: and the feathers of yellow and green and flesh-color and blue, each color forming a distinct band. The body was naked from mid-thigh down, and of a grey tint, as was also the face. This face had only one eye of a somewhat extraordinary character: there was an exterior circle of blue, the interior was white with a black line across it and a little semi-circle below the line. Either round the whole eye or round the mouth was a doubled band, or ribbon of blue; this, although unnoticed by Torquemada, is affirmed by Gama to have been never omitted from any figure of Tlaloc, to have been his most characteristic device, and that which distinguished him specially from the other gods. In his open mouth were to be seen only three grinders; his front teeth were painted red, as was also the pendant, with its button of gold, that hung from his ear. His head-adornment was an open crown, covered in its circumference with white and green feathers, and from behind it over the shoulder depended other plumes of red and white. Sometimes the insignium of the thunderbolt is omitted with this god, and Ixtlilxochitl represents him, in the picture of the month Etzalli, with a cane of maize in the one hand, and in the other a kind of instrument with which he was digging in the ground. In the ground thus dug were put maize leaves filled with a kind of food, like fritters, called _etzalli_; from this the month took its name.[VIII-18]

[Sidenote: PRAYER TO TLALOC.]

[Sidenote: PRAYER FOR RAIN.]

A prayer to this god has been preserved by Sahagun, in which it will be noticed that the word Tlaloc is used sometimes in the singular and sometimes in the plural:--

O our Lord, most clement, liberal giver and lord of verdure and coolness, lord of the terrestrial paradise, odorous and flowery, and lord of the incense of copal, woe are we that the gods of water, thy subjects, have hid themselves away in their retreat, who are wont to serve us with the things we need and who are themselves served with _ulli_ and _auchtli_ and copal. They have left concealed all the things that sustain our lives, and carried away with them their sister the goddess of the necessaries of life, and carried away also the goddess of pepper. O our Lord, take pity on us that live; our food goes to destruction, is lost, is dried up; for lack of water, it is as if turned to dust and mixed with spiders' webs. Woe for the miserable laborers and for the common people; they are wasted with hunger, they go about unrecognizable and disfigured every one. They are blue under the eyes as with death; their mouths are dry as sedge; all the bones of their bodies may be counted as in a skeleton. The children are disfigured and yellow as earth; not only those that begin to walk, but even those in the cradle. There is no one to whom this torment of hunger does not come; the very animals and birds suffer hard want, by the drought that is. It is pitiful to see the birds, some dragging themselves along with drooping wings, others falling down utterly and unable to walk, and others still with their mouths open through this hunger and thirst. The animals, O our Lord, it is a grievous sight to see them stumbling and falling, licking the earth for hunger, and panting with open mouth and hanging tongue. The people lose their senses and die for thirst; they perish, none is like to remain. It is woeful, O our Lord, to see all the face of the earth dry, so that it cannot produce the herbs nor the trees, nor anything to sustain us--the earth that used to be as a father and mother to us, giving us milk and all nourishment, herbs and fruits that therein grew. Now is all dry, all lost; it is evident that the Tlaloc gods have carried all away with them, and hid in their retreat, which is the terrestrial paradise. The things, O Lord, that thou wert graciously wont to give us, upon which we lived and were joyful, which are the life and joy of all the world, and precious as emeralds or sapphires--all these things are departed from us. O our Lord, god of nourishment and giver thereof, most humane and most compassionate, what thing hast thou determined to do with us? Hast thou, peradventure altogether forsaken us? Thy wrath and indignation shall it not be appeased? Hast thou determined on the perdition of all thy servants and vassals, and that thy city and kingdom shall be left desolate and uninhabited? Peradventure, this has been determined, and settled in heaven and hades. O our Lord, concede at least this, that the innocent children, who cannot so much as walk, who are still in the cradle, may have something to eat, so that they may live, and not die in this so great famine. What have they done that they should be tormented and should die of hunger? No iniquity have they committed, neither know they what thing it is to sin; they have neither offended the god of heaven nor the god of hell. We, if we have offended in many things, if our sins have reached heaven and hades, and the stink thereof gone out to the ends of the earth, just it is that we be destroyed and made an end of; we have nothing to say thereto, nor to excuse ourselves withal, nor to resist what is determined against us in heaven and in hades. Let it be done; destroy us all, and that swiftly, that we may not suffer from this long weariness which is worse than if we burned in fire. Certainly it is a horrible thing to suffer this hunger; it is like a snake lacking food, it gulps down its saliva, it hisses, it cries out for something to devour. It is a fearful thing to see the anguish of it demanding somewhat to eat; this hunger is intense as burning fire, flinging out sparks. Lord, let the thing happen that many years ago we have heard said by the old men and women that have passed away from us, let the heavens fall on us and the demons of the air come down, the Izitzimites, who are to come to destroy the earth with all that dwell on it; let darkness and obscurity cover the whole world, and the habitation of men be nowhere found therein. This thing was known to the ancients, and they divulged it, and from mouth to mouth it has come down to us, all this that has to happen when the world ends and the earth is weary of producing creatures. Our Lord, such present end would be now dear to us as riches or pleasures once were--miserable that we are! See good, O Lord, that there fall some pestilence to end us quickly. Such plague usually comes from the god of hades; and if it came there would peradventure be provided some allowance of food, so that the dead should not travel to hades without any provision for the way. O that this tribulation were of war, which is originated by the sun, and which breaks from sleep like a strong and valiant one--for then would the soldiers and the brave, the stout and warlike men, take pleasure therein. In it many die, and much blood is spilt, and the battle-field is filled with dead bodies and with the bones and skulls of the vanquished; strewn also is the face of the earth with the hairs of the head of warriors that rot; but this they fear not, for they know that their souls go to the house of the sun. And there they honor the sun with joyful voices, and suck the various flowers with great delight; there all the stout and valiant ones that died in war are glorified and extolled; there also the little and tender children that die in war are presented to the Sun, very clean and well adorned and shining like precious stones. Thy sister, the goddess of food, provides for those that go thither, supplying them with provision for the way; and this provision of necessary things is the strength and the soul and the staff of all the people of the world, and without it there is no life. But this hunger with which we are afflicted, O our most humane Lord, is so sore and intolerable that the miserable common people are not able to suffer nor support it; being still alive they die many deaths; and not the people alone suffer but also all the animals. O our most compassionate Lord, lord of green things and gums, of herbs odorous and virtuous, I beseech thee to look with eyes of pity on the people of this thy city and kingdom; for the whole world down to the very beasts is in peril of destruction, and disappearance, and irremediable end. Since this is so, I entreat thee to see good to send back to us the food-giving gods, gods of the rain and storm, of the herbs and of the trees; so that they perform again their office here with us on the earth. Scatter the riches and the prosperity of thy treasures, let the timbrels of joy be shaken that are the staves of the gods of water, let them take their sandals of india-rubber that they may walk with swiftness. Give succor, O Lord, to our lord, the god of the earth, at least with one shower of water, for when he has water he creates and sustains us. See good, O Lord, to invigorate the corn, and the other foods, much wished for and much needed, now sown and planted; for the ridges of the earth suffer sore need and anguish from lack of water. See good, O Lord, that the people receive this favor and mercy at thine hand, let them see and enjoy of the verdure and coolness that are as precious stones; see good that the fruit and the substance of the Tlalocs be given, which are the clouds that these gods carry with them and that sow the rain about us. See good, O Lord, that the animals and herbs be made glad, and that the fowls and birds of precious feather, such as the _quechotl_ and the _caguan_, fly and sing and suck the herbs and flowers. And let not this come about with thunderings and lightnings, symbols of thy wrath; for if our lords the Tlalocs come with thunder and lightning the whole people, being lean and very weak with hunger, would be terrified. If indeed some are already marked out to go to the earthly paradise by the stroke of the thunderbolt, let this death be restricted to them, and let no injury befall any of the other people in mountain or cabin; neither let hurt come near the magueys or the other trees and plants of the earth; for these things are necessary to the life and sustenance of the people, poor, forsaken, and cast-away, who can with difficulty get food enough to live, going about through hunger with the bowels empty and sticking to the ribs. O our Lord, most compassionate, most generous, giver of all nourishment, be pleased to bless the earth and all the things that live on the face thereof. With deep sighing and with anguish of heart I cry upon all those that are gods of water, that are in the four quarters of the world, east and west, north and south, and upon those that dwell in the hollow of the earth, or in the air, or in the high mountains, or in the deep caves, I beseech them to come and console this poor people and to water the earth; for the eyes of all that inhabit the earth, animals as well as men, are turned toward you, and their hope is set upon your persons. O our Lord, be pleased to come.[VIII-19]

[Sidenote: VENGEANCE OF TLALOC.]

This is a prayer to Tlaloc. But it was not with prayers alone that they deprecated his wrath and implored his assistance; here as elsewhere in the Mexican religion sacrifices played an important part. When the rain failed and the land was parched by drought, great processions were made in which a number of hairless dogs, common to the country, and good to eat, were carried on decorated litters to a place devoted to this use. There they were sacrificed to the god of water by cutting out their hearts. Afterwards the carcasses were eaten amid great festivities. All these things the Tlascaltec historian, Camargo, had seen with his own eyes thirty years before writing his book. The sacrifices of men, which were added to these in the days of greatness of the old religion, he describes as he was informed by priests who had officiated thereat. Two festivals in the year were celebrated to Tlaloc, the greater feast and the less. Each of these was terminated by human sacrifices. The side of the victim was opened with a sharp knife; the high priest tore out the heart, and turning toward the east offered it with lifted hands to the sun, crushing it at the same time with all his strength. He repeated this, turning in succession towards the remaining three cardinal points; the other _tlamacaxques_, or priests, not ceasing the while to darken with clouds of incense the faces of the idols. The heart was lastly burned and the body flung down the steps of the temple. A priest, who had afterwards been converted to Christianity, told Camargo that when he tore out the heart of a victim and flung it down, it used to palpitate with such force as to clear itself of the ground several times till it grew cold. Tlaloc was held in exceeding respect and the priests alone had the right to enter his temple. Whoever dared to blaspheme against him was supposed to die suddenly or to be stricken of thunder; the thunderbolt, instrument of his vengeance, flashed from the sky even at the moment it was clearest. The sacrifices offered to him in times of drought were never without answer and result; for, as Camargo craftily insinuates, the priests took good care never to undertake them till they saw indications of coming rain; besides, he adds--introducing, in defiance of _nec deus intersit_, a surely unneeded personage, if we suppose his last statement true--the devil, to confirm these people in their errors, was always sure to send rain.[VIII-20]

Children were also sacrificed to Tlaloc. Says Motolinia, when four years came together in which there was no rain, and there remained as a consequence hardly any green thing in the fields, the people waited till the maize grew as high as the knee, and then made a general subscription with which four slave children, of five or six years of age, were purchased. These they sacrificed in a cruel manner by closing them up in a cave, which was never opened except on these occasions.[VIII-21]

According to Mendieta, again, children were sometimes offered to this god by drowning. The children were put into a canoe which was carried to a certain part of the lake of Mexico where was a whirlpool, which is no longer visible. Here the boat was sunk with its living cargo. These gods had, according to the same author, altars in the neighborhood of pools especially near springs; which altars were furnished with some kind of roof, and at the principal fountains were four in number set over against each other in the shape of a cross--the cross of the rain god.[VIII-22]

The Vatican Codex says that in April a boy was sacrificed to Tlaloc and his dead body put into the maize granaries or maize fields--it is not clearly apparent which--to preserve the food of the people from spoiling.[VIII-23] It is to Sahagun, however, that we must turn for the most complete and authentic account of the festivals of Tlaloc with their attendant sacrifices.

[Sidenote: SACRIFICES OF CHILDREN.]

In the first days of the first month of the year, which month is called in some parts of Mexico, Quavitleloa, but generally Atlcaoalo, and begins on the second of our February, a great feast was made in honor of the Tlalocs, gods of rain and water. For this occasion many children at the breast were purchased from their mothers; those being chosen that had two whirls (remolinos) in their hair, and that had been born under a good sign; it being said that such were the most agreeable sacrifice to the storm gods, and most likely to induce them to send rain in due season. Some of these infants were butchered for this divine holiday on certain mountains, and some were drowned in the lake of Mexico. With the beginning of the festival, in every house, from the hut to the palace, certain poles were set up and to these were attached strips of the paper of the country, daubed over with india-rubber gum, said strips being called _amateteuitl_; this was considered an honor to the water-gods. And the first place where children were killed was Quauhtepetl, a high mountain in the neighborhood of Tlatelulco; all infants, boys or girls, sacrificed there were called by the name of the place, Quauhtepetl, and were decorated with strips of paper dyed red. The second place where children were killed was Yoaltecatl, a high mountain near Guadalupe. The victims were decorated with pieces of black paper, with red lines on it, and were named after the place, Yoaltecatl. The third death-halt was made at Tepetzingo, a well-known hillock that rose up from the waters of the lake opposite Tlatelulco; there they killed a little girl, decking her with blue paper, and calling her Quetzalxoch, for so was this hillock called by another name. Poiauhtla, on the boundary of Tlascala, was the fourth hill of sacrifice. Here they killed children, named as usual after the locality, and decorated with paper on which were lines of india-rubber oil. The fifth place of sacrifice was the no longer visible whirlpool or sink of the lake of Mexico, Pantitlan. Those drowned here were called Epcoatl, and their adornment _epuepaniuhqui_. The sixth hill of death was Cocotl,[VIII-24] near Chalcoatenco; the infant victims were named after it and decorated with strips of paper of which half the number were red and half a tawny color. The mount Yiauhqueme, near Atlacuioaia, was the seventh station; the victims being named after the place and adorned with paper of a tawny color.

All these miserable babes before being carried to their death were bedecked with precious stones and rich feathers and with raiment and sandals wrought curiously; they put upon them paper wings (as if they were angels); they stained their faces with oil of india-rubber, and on the middle of each tiny cheek they painted a round spot of white. Not able yet to walk, the victims were carried in litters shining with jewels and awave with plumes; flutes and trumpets bellowed and shrilled round the little bedizened heads, all so unfortunate in their two whirls of hair, as they passed along; and everywhere as the litters were borne by, all the people wept. When the procession reached the temple near Tepetzinco, on the east, called Tozocan, the priests rested there all night, watching and singing songs, so that the little ones could not sleep. In the morning the march was again resumed; if the children wept copiously those around them were very glad, saying it was a sign that much rain would fall; while if they met any dropsical person on the road it was taken for a bad omen and something that would hinder the rain. If any of the temple ministers, or of the others called _quaquavitli_, or of the old men, broke off from the procession or turned back to their houses before they came to the place where the sacrifice was done, they were held for infamous and unworthy of any public office; thenceforward they were called _mocauhque_, that is to say, 'deserters.'[VIII-25]

[Sidenote: SPOLIATION OF CÆSAR FOR THE CHURCH.]

More ludicrous than diabolical are the ceremonies of the next feast of Tlaloc. In the sixth Aztec month, the month Etzalqualixtli, there was held a festival in honor of the gods of water and rain. Before the commencement of this festival the idol priests fasted four days, and before beginning to fast they made a procession to a certain piece of water, near Citlaltepec, to gather tules; for at that place these rushes grew very tall and thick and what part of them was under water was very white. There they pulled them up, rolled them in bundles wrapped about with their blankets, and so carried them back on their shoulders. Both on going out for these rushes and on coming back with them, it was the custom to rob anyone that was met on the road; and as every one knew of this custom the roads were generally pretty clear of stragglers about this time. No one, not even a king's officer returning to his master with tribute, could hope to escape on such an occasion, nor to obtain from any court or magistrate any indemnification for loss or injury so sustained in goods or person; and if he made any resistance to his clerical spoilers they beat and kicked and dragged him over the ground. When they reached the temple with their rushes they spread them out on the ground and plaited them, white with green, into as it were painted mats, sewing them firm with threads of maguey-root; of these mats they made stools, and chairs with backs. The first day of the fast arrived, all the idol ministers and priests retired to their apartments in the temple buildings. There retired all those called _tlamacaztequioagues_, that is to say, 'priests that have done feats in war, that have captured three or four prisoners;' these although they did not reside continually in the temple, resorted thither at set times to fulfil their offices. There retired also those called _tlamacazcayiaque_, that is, 'priests that have taken one prisoner in war;' these also, although not regular inmates of the cues, resorted thither, when called by their duties. There retired also those that are called _tlamacazquecuicanime_, 'priest singers,' who resided permanently in the temple building because they had as yet captured no one in war. Last of all those also retired that were called _tlamacaztezcahoan_, which means 'inferior ministers,' and those boys, like little sacristans, who were called _tlamacatoton_, 'little ministers.'

Next, all the rush mats that had been made which were called _aztapilpetlatl_, 'jaspered mats of rushes, or mats of white and green' were spread round about the hearths (hogares) of the temple, and the priests proceeded to invest themselves for their offices. They put on a kind of jacket that they had, called _xicolli_, of painted cloth; on the left arm they put a kind of scarf, _macataxtli_; in the left hand they took a bag of copal, and in the right a censer, _temaitl_, which is a kind of sauce-pan or frying-pan of baked clay. Then they entered into the court-yard of the temple, took up their station in the middle of it, put live coals into their censers, added copal, and offered incense toward the four quarters of the world, east, north, west, and south. This done they emptied the coals from their incense-pans into the great brasiers that were always burning at night in the court, brasiers somewhat less in height than the height of a man, and so thick that two men could with difficulty clasp them.

[Sidenote: BATHING IN THE FESTIVAL OF TLALOC.]

This over, the priests returned to the temple buildings, _calmecac_, and put off their ornaments. Then they offered before the hearth little balls of dough, called _veutelolotli_; each priest offering four, arranging them on the aforementioned rush mats, and putting them down with great care, so that they should not roll nor move; and if the balls of any one stirred, it was the duty of his fellows to call attention to the matter and have him punished therefor. Some offered instead of dough four little pies or four pods of green pepper. A careful scrutiny was also observed to see if any one had any dirt on his blanket, or any bit of thread or hair or feather, and that no one should trip or fall; for in such a case he had to be punished; and as a consequence every man took good heed to all his steps and ways during these four days. At the end of each day's offerings, certain old men, called _quaquacuiltin_ came, their faces dyed black, and their heads shaved, save only the crown of the head, where the hair was allowed to grow long, the reverse of the custom of the Christian priests. These old men daily collected the offerings that had been made, dividing them among themselves. It was further the custom with all the priests and in all the temples, while fasting these four days, to be wakened at midnight by the blast of horns and shells and other instruments; when all rose up and, utterly naked, went to where were certain thorns of maguey, cut for the purpose the day before, and with little lancets of stone they hacked their ears, staining the prepared thorns of maguey and besmearing their faces with the blood that flowed; each man staining maguey-thorns with his blood in number proportioned to his devotion, some five, others more, others less. This done all the priests went to bathe themselves, how cold soever it might be, attended by the music of marine shells and shrill whistles of baked clay. Every one had a little bag strapped to his shoulders, ornamented with tassels or strips of painted paper; in these bags was carried a sort of herb ground fine and made up with a kind of black dye into little longish pellets.[VIII-26] The general body of the priests marched along, each one carrying a leaf of maguey in which the thorns were stuck, as in a pincushion, which he had to use. Before these went a priest with his censer full of live coals and a bag of copal; and in advance of all these walked one carrying a board on his shoulder of about a span broad and two yards long, hollowed apparently in some way, and filled with little rollers of wood that rattled and sounded as the bearer went along shaking them.[VIII-27] All the priests took part in this procession, only four remaining behind to take care of the temple-building, or calmecac, which was their monastery. These four during the absence of the others remained seated in the calmecac and occupied themselves in devotion to the gods, in singing and in rattling with a hollow board of the sort mentioned above. At the piece of water where the priests were to bathe there were four houses, called _axaucalli_, 'fog houses,' set each toward one of the four quarters of the compass; in the ablutions of the first night one of these houses was occupied, on the second night another, and so on through all the four nights and four houses of the fog. Here also were four tall poles standing up out of the water. And the unfortunate bathers, naked from the outset as we remember, reached this place trembling and their teeth chattering with cold. One of their number mumbled a few words, which being translated mean: this is the place of snakes, the place of mosquitos, the place of ducks, and the place of rushes. This said, all flung themselves into the water and began to splash with their hands and feet, making a great noise and imitating the cries of various aquatic birds.[VIII-28] When the bathing was over, the naked priests took their way back accompanied by the music of pipes and shells. Half dead with cold and weariness they reached the temple, where drawing their mantles over them they flung themselves down in a confused heap on the rush mats, so often mentioned, and slept as best they could. We are told that some talked in their sleep, and some walked about in it, and some snored, and some sighed in a painful manner. There they lay in a tangled weary heap not rising till noon of the next day.

[Sidenote: RELIGIOUS DISCIPLINE.]

The first thing to be done on waking was to array themselves in their canonicals, take their censers, and to follow an old priest called Quaquacuilti to all the chapels and altars of the idols, incensing them. After this they were at liberty to eat; they squatted down in groups, and to each one was given such food as had been sent to him from his own house; and if any one took any of the portion of another, or even exchanged his for that of another, he was punished for it. Punishment also attended the dropping of any morsel while eating, if the fault were not atoned for by a fine. After this meal, they all went to cut down branches of a certain kind called _acxoiatl_, or, where these were not to be found, green canes instead, and to bring them to the temple in sheaves. There they sat down, every man with his sheaf, and waited for an arranged signal. The signal given, every one sprang up to some appointed part of the temple to decorate it with his boughs; and if any one went to a place not his, or wandered from his companions, or lagged behind them, they punished him--a punishment only to be remitted by paying to his accuser, within the four days of which we are now speaking, either a hen or a blanket or a breech-clout, or, if very poor, a ball of dough in a cup.