Architecture
by OpenStories
Original author: Henry-Russell Hitchcock
"Architecture: Nineteenth and Twentieth Centuries" by Henry-Russell Hitchcock is a scholarly account written in the late 20th century. This work explores the evolution of architectural styles and movements from the Romantic Classicism of the early 19th century to the Modernist movements of the mid-20th century. It delves into significant architectural developments, highlighting key figures, styles, and their cultural contexts, making it an extensive guide for anyone interested in architectural history. At the start of the text, Hitchcock sets the stage by discussing the significant historical context that shaped architecture around 1800, particularly noting the impact of the Napoleonic Wars on building production. He introduces the concept of Romantic Classicism, commenting on its emergence from the Baroque style as architects began to embrace new aesthetic ideals influenced by various cultural movements. The early chapters emphasize the cross-cultural exchanges among architects from different countries, particularly focusing on key figures like Jean-Nicolas Servandoni and the influence of the English Picturesque, as they contribute to the foundational ideas that later led to diverse architectural expressions in the 19th and 20th centuries.
Architecture, by Henry-Russell Hitchcock. Republished by OpenStories from Project Gutenberg eBook #70079.
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88 Chapters
- 1.Introduction: xxi207 words
- 2.Epilogue: 4294,682 words
- 3.Preface: To the Second Edition210 words
- 4.Introduction4,447 words
- 5.Chapter 1: Romantic Classicism Around 18006,973 words
- 6.Chapter 3: ). In association with Antonio de Simone, Leconte also2,831 words
- 7.Chapter 2: The Doctrine of J.-N.-L. Durand and Its Application in Northern Europe3,462 words
- 8.Chapter 6: ). Deriving from the more utilitarian arcuated models provided2,189 words
- 9.Chapter 20: )5,515 words
- 10.Chapter 3: France and the Rest of the Continent8,611 words
- 11.Chapter 4: Great Britain1,911 words
- 12.Chapter 9: )7,624 words
- 13.Chapter 5: The New World7,588 words
- 14.Chapter 6: The Picturesque and the Gothic Revival7,637 words
- 15.Chapter 10: )3,257 words
- 16.Chapter 8: )1,010 words
- 17.Chapter 7: Building with Iron and Glass: 1790-18557,842 words
- 18.Chapter 86,083 words
- 19.Chapter 11: )1,073 words
- 20.Chapter 11: )—that at the Massachusetts Institute of Technology in Boston3,782 words
- 21.Chapter 9: Second Empire and Cognate Modes Elsewhere4,680 words
- 22.Chapter 10: )1,250 words
- 23.Chapter 10: )3,847 words
- 24.Chapter 15: )1,324 words
- 25.Chapter 10: High Victorian Gothic in England4,214 words
- 26.Chapter 15: ). But the solid, compactly planned, and simply detailed264 words
- 27.Chapter 11: ). Moreover, the detailing is of a distinctly French972 words
- 28.Chapter 15: ). Here the plain row of small London shops that he built at1,513 words
- 29.Chapter 14: )2,931 words
- 30.Chapter 11: Later Neo-Gothic Outside England1,491 words
- 31.Chapter 14: )3,547 words
- 32.Chapter 12: )3,060 words
- 33.Chapter 12: Norman Shaw and His Contemporaries8,045 words
- 34.Chapter 13: H. H. RICHARDSON AND McKIM, MEAD & WHITE6,377 words
- 35.Chapter 14: The Rise of Commercial Architecture in England and America3,010 words
- 36.Chapter 22: )8,136 words
- 37.Chapter 157,448 words
- 38.Chapter 19: ), his apprentice years as a builder of houses provide a very719 words
- 39.Chapter 13: ). But when Burnham at this point offered to send Wright to2,981 words
- 40.Chapter 24: ). His increasing material success after the opening years of165 words
- 41.Chapter 19: ). Three houses by Ashbee side by side in Cheyne Walk in300 words
- 42.Chapter 16: The Beginnings of the Art Nouveau: Victor Horta5,754 words
- 43.Chapter 174,272 words
- 44.Chapter 20: ). Only his Pavilion of the Plastic Arts of 1901 at Darmstadt3,966 words
- 45.Chapter 18375 words
- 46.Chapter 21: )1,121 words
- 47.Chapter 7: )1,693 words
- 48.Chapter 19: ). When Perret erected the church of Notre-Dame at Le Raincy,3,364 words
- 49.Chapter 19: Frank Lloyd Wright and His California Contemporaries7,642 words
- 50.Chapter 20: Peter Behrens and Other German Architects918 words
- 51.Chapter 17: ). At Darmstadt he also continued to build houses for some5,849 words
- 52.Chapter 21: The First Generation in Austria, Holland, and Scandinavia7,310 words
- 53.Chapter 228,030 words
- 54.Chapter 23: Later Work of the Leaders of the Second Generation6,330 words
- 55.Chapter 249,870 words
- 56.Chapter 25: Architecture at the MID Century8,437 words
- 57.Epilogue3,871 words
- 58.Introduction: Notes662 words
- 59.Chapter 1: Notes518 words
- 60.Chapter 2: Notes619 words
- 61.Chapter 3: Notes418 words
- 62.Chapter 4: Notes281 words
- 63.Chapter 5: Notes991 words
- 64.Chapter 6: Notes1,361 words
- 65.Chapter 7: Notes971 words
- 66.Chapter 8: Notes1,308 words
- 67.Chapter 9: Notes570 words
- 68.Chapter 10: Notes565 words
- 69.Chapter 11: Notes830 words
- 70.Chapter 12: Notes989 words
- 71.Chapter 13: Notes273 words
- 72.Chapter 3: )312 words
- 73.Chapter 14: Notes845 words
- 74.Chapter 15: Notes1,101 words
- 75.Chapter 16: Notes910 words
- 76.Chapter 17: Notes484 words
- 77.Chapter 18: Notes347 words
- 78.Chapter 25: and Epilogue)179 words
- 79.Chapter 19: Notes538 words
- 80.Chapter 20: Notes595 words
- 81.Chapter 21: Notes567 words
- 82.Chapter 22: Notes492 words
- 83.Chapter 14: for Oriel Chambers of 1864-51,680 words
- 84.Chapter 23: Notes923 words
- 85.Chapter 24: Notes1,144 words
- 86.Chapter 25: Notes (1)7,399 words
- 87.Chapter 25: Notes (2)6,904 words
- 88.Chapter 25: Notes (3)5,188 words