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Chapter LIV: Introduction (54)

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Who ever beheld the charming Emilia, without feeling in his Breast
at once the Glow of Love and the Tenderness of virtuous Friendship?
The unstudied Graces of her Behaviour, and the pleasing Accents of
her Tongue, insensibly draw you on to wish for a nearer Enjoyment of
them; but even her Smiles carry in them a silent Reproof to the
Impulses of licentious Love. Thus, tho the Attractives of her
Beauty play almost irresistibly upon you and create Desire, you
immediately stand corrected not by the Severity but the Decency of
her Virtue. That Sweetness and Good-humour which is so visible in
her Face, naturally diffuses it self into every Word and Action: A
Man must be a Savage, who at the Sight of Emilia, is not more
inclined to do her Good than gratifie himself. Her Person, as it is
thus studiously embellished by Nature, thus adorned with
unpremeditated Graces, is a fit Lodging for a Mind so fair and
lovely; there dwell rational Piety, modest Hope, and chearful
Resignation.

Many of the prevailing Passions of Mankind do undeservedly pass
under the Name of Religion; which is thus made to express itself in
Action, according to the Nature of the Constitution in which it
resides: So that were we to make a Judgment from Appearances, one
would imagine Religion in some is little better than Sullenness and
Reserve, in many Fear, in others the Despondings of a melancholly
Complexion, in others the Formality of insignificant unaffecting
Observances, in others Severity, in others Ostentation. In Emilia it
is a Principle founded in Reason and enlivened with Hope; it does
not break forth into irregular Fits and Sallies of Devotion, but is
an uniform and consistent Tenour of Action; It is strict without
Severity, compassionate without Weakness; it is the Perfection of
that good Humour which proceeds from the Understanding, not the
Effect of an easy Constitution.

By a generous Sympathy in Nature, we feel our selves disposed to
mourn when any of our Fellow-Creatures are afflicted; but injured
Innocence and Beauty in Distresses an Object that carries in it
something inexpressibly moving: It softens the most manly Heart with
the tenderest Sensations of Love and Compassion, till at length it
confesses its Humanity, and flows out into Tears.

Were I to relate that part of Emilia's Life which has given her an
Opportunity of exerting the Heroism of Christianity, it would make
too sad, too tender a Story: But when I consider her alone in the
midst of her Distresses, looking beyond this gloomy Vale of
Affliction and Sorrow into the Joys of Heaven and Immortality, and
when I see her in Conversation thoughtless and easie as if she were
the most happy Creature in the World, I am transported with
Admiration. Surely never did such a Philosophic Soul inhabit such a
beauteous Form! For Beauty is often made a Privilege against Thought
and Reflection; it laughs at Wisdom, and will not abide the Gravity
of its Instructions.

Were I able to represent Emilia's Virtues in their proper Colours
and their due Proportions, Love or Flattery might perhaps be thought
to have drawn the Picture larger than Life; but as this is but an
imperfect Draught of so excellent a Character, and as I cannot, will
not hope to have any Interest in her Person, all that I can say of
her is but impartial Praise extorted from me by the prevailing
Brightness of her Virtues. So rare a Pattern of Female Excellence
ought not to be concealed, but should be set out to the View and
Imitation of the World; for how amiable does Virtue appear thus as
it were made visible to us in so fair an Example!

Honoria's Disposition is of a very different Turn: Her Thoughts are
wholly bent upon Conquest and arbitrary Power. That she has some Wit
and Beauty no Body denies, and therefore has the Esteem of all her
Acquaintance as a Woman of an agreeable Person and Conversation; but
(whatever her Husband may think of it) that is not sufficient for
Honoria: She waves that Title to Respect as a mean Acquisition, and
demands Veneration in the Right of an Idol; for this Reason her
natural Desire of Life is continually checked with an inconsistent
Fear of Wrinkles and old Age.

Emilia cannot be supposed ignorant of her personal Charms, tho she
seems to be so; but she will not hold her Happiness upon so
precarious a Tenure, whilst her Mind is adorned with Beauties of a
more exalted and lasting Nature. When in the full Bloom of Youth and
Beauty we saw her surrounded with a Crowd of Adorers, she took no
Pleasure in Slaughter and Destruction, gave no false deluding Hopes
which might encrease the Torments of her disappointed Lovers; but
having for some Time given to the Decency of a Virgin Coyness, and
examined the Merit of their several Pretensions, she at length
gratified her own, by resigning herself to the ardent Passion of
Bromius. Bromius was then Master of many good Qualities and a
moderate Fortune, which was soon after unexpectedly encreased to a
plentiful Estate. This for a good while proved his Misfortune, as it
furnished his unexperienced Age with the Opportunities of Evil
Company and a sensual Life. He might have longer wandered in the
Labyrinths of Vice and Folly, had not Emilia's prudent Conduct won
him over to the Government of his Reason. Her Ingenuity has been
constantly employed in humanizing his Passions and refining his
Pleasures. She shewed him by her own Example, that Virtue is
consistent with decent Freedoms and good Humour, or rather, that it
cannot subsist without em. Her good Sense readily instructed her,
that a silent Example and an easie unrepining Behaviour, will always
be more perswasive than the Severity of Lectures and Admonitions;
and that there is so much Pride interwoven into the Make of human
Nature, that an obstinate Man must only take the Hint from another,
and then be left to advise and correct himself. Thus by an artful
Train of Management and unseen Perswasions, having at first brought
him not to dislike, and at length to be pleased with that which
otherwise he would not have bore to hear of, she then knew how to
press and secure this Advantage, by approving it as his Thoughts,
and seconding it as his Proposal. By this Means she has gained an
Interest in some of his leading Passions, and made them accessary to
his Reformation.

There is another Particular of Emilia's Conduct which I cant
forbear mentioning: To some perhaps it may at first Sight appear but
a trifling inconsiderable Circumstance but for my Part, I think it
highly worthy of Observation, and to be recommended to the
Consideration of the fair Sex. I have often thought wrapping Gowns
and dirty Linnen, with all that huddled Oeconomy of Dress which
passes under the general Name of a Mob, the Bane of conjugal Love,
and one of the readiest Means imaginable to alienate the Affection
of an Husband, especially a fond one. I have heard some Ladies, who
have been surprized by Company in such a Deshabille, apologize for
it after this Manner; Truly I am ashamed to be caught in this
Pickle; but my Husband and I were sitting all alone by our selves,
and I did not expect to see such good Company--This by the way is a
fine Compliment to the good Man, which tis ten to one but he
returns in dogged Answers and a churlish Behaviour, without knowing
what it is that puts him out of Humour.

Emilia's Observation teaches her, that as little Inadvertencies and
Neglects cast a Blemish upon a great Character; so the Neglect of
Apparel, even among the most intimate Friends, does insensibly
lessen their Regards to each other, by creating a Familiarity too
low and contemptible. She understands the Importance of those Things
which the Generality account Trifles; and considers every thing as a
Matter of Consequence, that has the least Tendency towards keeping
up or abating the Affection of her Husband; him she esteems as a fit
Object to employ her Ingenuity in pleasing, because he is to be
pleased for Life.

By the Help of these, and a thousand other nameless Arts, which tis
easier for her to practise than for another to express, by the
Obstinacy of her Goodness and unprovoked Submission, in spight of
all her Afflictions and ill Usage, Bromius is become a Man of Sense
and a kind Husband, and Emilia a happy Wife.

Ye guardian Angels to whose Care Heaven has entrusted its dear
Emilia, guide her still forward in the Paths of Virtue, defend her
from the Insolence and Wrongs of this undiscerning World; at length
when we must no more converse with such Purity on Earth, lead her
gently hence innocent and unreprovable to a better Place, where by
an easie Transition from what she now is, she may shine forth an
Angel of Light.

T.

[Footnote 1: The character of Emilia in this paper was by Dr. Bromer, a clergyman. The lady is said to have been the mother of Mr. Ascham, of Conington, in Cambridgeshire, and grandmother of Lady Hatton. The letter has been claimed also for John Hughes (Letters of John Hughes, &c., vol. iii. p. 8), and Emilia identified with Anne, Countess of Coventry.]

[Footnote 2: [some other]]

* * * * *

No. 303. Saturday, February 16, 1712. Addison.

--volet hæc sub luce videri,
Judicis argulum quæ non formidat acumen.

Hor.

I have seen in the Works of a Modern Philosopher, a Map of the Spots in the Sun. My last Paper of the Faults and Blemishes in Milton's Paradise Lost, may be considered as a Piece of the same Nature. To pursue the Allusion: As it is observed, that among the bright Parts of the Luminous Body above mentioned, there are some which glow more intensely, and dart a stronger Light than others; so, notwithstanding I have already shewn Milton's Poem to be very beautiful in general, I shall now proceed to take Notice of such Beauties as appear to me more exquisite than the rest. Milton has proposed the Subject of his Poem in the following Verses.

Of Man's first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought Death into the World and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blisful Seat,
Sing Heavenly Muse--

These Lines are perhaps as plain, simple and unadorned as any of the whole Poem, in which Particular the Author has conformed himself to the Example of Homer and the Precept of Horace.

His Invocation to a Work which turns in a great measure upon the Creation of the World, is very properly made to the Muse who inspired Moses in those Books from whence our Author drew his Subject, and to the Holy Spirit who is therein represented as operating after a particular manner in the first Production of Nature. This whole Exordium rises very happily into noble Language and Sentiment, as I think the Transition to the Fable is exquisitely beautiful and natural.

The Nine Days Astonishment, in which the Angels lay entranced after their dreadful Overthrow and Fall from Heaven, before they could recover either the use of Thought or Speech, is a noble Circumstance, and very finely imagined. The Division of Hell into Seas of Fire, and into firm Ground impregnated with the same furious Element, with that particular Circumstance of the Exclusion of Hope from those Infernal Regions, are Instances of the same great and fruitful Invention.

The Thoughts in the first Speech and Description of Satan, who is one of the Principal Actors in this Poem, are wonderfully proper to give us a full Idea of him. His Pride, Envy and Revenge, Obstinacy, Despair and Impenitence, are all of them very artfully interwoven. In short, his first Speech is a Complication of all those Passions which discover themselves separately in several other of his Speeches in the Poem. The whole part of this great Enemy of Mankind is filled with such Incidents as are very apt to raise and terrifie the Readers Imagination. Of this nature, in the Book now before us, is his being the first that awakens out of the general Trance, with his Posture on the burning Lake, his rising from it, and the Description of his Shield and Spear.

Thus Satan talking to his nearest Mate,
With head up-lift above the wave, and eyes
That sparkling blazed, his other parts beside
Prone on the Flood, extended long and large,
Lay floating many a rood--

Forthwith upright he rears from off the pool
His mighty Stature; on each hand the flames
Drivn backward slope their pointing Spires, and roared
In Billows, leave i'th midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky Air
That felt unusual weight--

--His pondrous Shield
Ethereal temper, massie, large and round,
Behind him cast; the broad circumference
Hung on his Shoulders like the Moon, whose orb
Thro Optick Glass the Tuscan Artist views
At Evning, from the top of Fesole,
Or in Valdarno, to descry new Lands,
Rivers, or Mountains, on her spotted Globe.
His Spear (to equal which the tallest pine
Hewn on Norwegian Hills to be the Mast
Of some great Admiral, were but a wand)
He walk'd with, to support uneasie Steps
Over the burning Marl--

To which we may add his Call to the fallen Angels that lay plunged and stupified in the Sea of Fire.

He call'd so loud, that all the hollow deep
Of Hell resounded--

But there is no single Passage in the whole Poem worked up to a greater Sublimity, than that wherein his Person is described in those celebrated Lines:

--He, above the rest
In shape and gesture proudly eminent
Stood like a Tower, &c.

His Sentiments are every way answerable to his Character, and suitable to a created Being of the most exalted and most depraved Nature. Such is that in which he takes Possession of his Place of Torments.

--Hail Horrors! hail
Infernal World! and thou profoundest Hell
Receive thy new Possessor, one who brings
A mind not to be changed by place or time.

And Afterwards,

--Here at least
We shall be free; th'Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure; and in my choice
To reign is worth Ambition, tho in Hell:
Better to reign in Hell, than serve in Heavn.

Amidst those Impieties which this Enraged Spirit utters in other places of the Poem, the Author has taken care to introduce none that is not big with absurdity, and incapable of shocking a Religious Reader; his Words, as the Poet himself describes them, bearing only a Semblance of Worth, not Substance. He is likewise with great Art described as owning his Adversary to be Almighty. Whatever perverse Interpretation he puts on the Justice, Mercy, and other Attributes of the Supreme Being, he frequently confesses his Omnipotence, that being the Perfection he was forced to allow him, and the only Consideration which could support his Pride under the Shame of his Defeat.

Nor must I here omit that beautiful Circumstance of his bursting out in Tears, upon his Survey of those innumerable Spirits whom he had involved in the same Guilt and Ruin with himself.

--He now prepared
To speak; whereat their doubled ranks they bend
From wing to wing, and half enclose him round
With all his Peers: Attention held them mute.
Thrice he assayed, and thrice in spite of Scorn
Tears such as Angels weep, burst forth--

The Catalogue of Evil Spirits has abundance of Learning in it, and a very agreeable turn of Poetry, which rises in a great measure from [its [1]] describing the Places where they were worshipped, by those beautiful Marks of Rivers so frequent among the Ancient Poets. The Author had doubtless in this place Homers Catalogue of Ships, and Virgil's List of Warriors, in his View. The Characters of Moloch and Belial prepare the Readers Mind for their respective Speeches and Behaviour in the second and sixth Book. The Account of Thammuz is finely Romantick, and suitable to what we read among the Ancients of the Worship which was paid to that Idol.

--Thammuz came next behind.
Whose annual Wound in Lebanon allured
The Syrian Damsels to lament his fate,
In amorous Ditties all a Summers day,
While smooth Adonis from his native Rock
Ran purple to the Sea, supposed with Blood
Of Thammuz yearly wounded: the Love tale
Infected Zion's Daughters with like Heat,
Whose wanton Passions in the sacred Porch
Ezekiel saw, when by the Vision led
His Eye survey'd the dark Idolatries
Of alienated Judah.--

The Reader will pardon me if I insert as a Note on this beautiful Passage, the Account given us by the late ingenious Mr. Maundrell [2] of this Ancient Piece of Worship, and probably the first Occasion of such a Superstition.

We came to a fair large River--doubtless the Ancient River Adonis, so
famous for the Idolatrous Rites performed here in Lamentation of
Adonis. We had the Fortune to see what may be supposed to be the
Occasion of that Opinion which Lucian relates, concerning this River,
viz. That this Stream, at certain Seasons of the Year, especially
about the Feast of Adonis, is of a bloody Colour; which the Heathens
looked upon as proceeding from a kind of Sympathy in the River for the
Death of Adonis, who was killed by a wild Boar in the Mountains, out
of which this Stream rises. Something like this we saw actually come
to pass; for the Water was stain'd to a surprizing Redness; and, as we
observ'd in Travelling, had discolour'd the Sea a great way into a
reddish Hue, occasion'd doubtless by a sort of Minium, or red Earth,
washed into the River by the Violence of the Rain, and not by any
Stain from Adonis's Blood.

The Passage in the Catalogue, explaining the manner how Spirits transform themselves by Contractions or Enlargement of their Dimensions, is introduced with great Judgment, to make way for several surprizing Accidents in the Sequel of the Poem. There follows one, at the very End of the first Book, which is what the French Criticks call Marvellous, but at the same time probable by reason of the Passage last mentioned. As soon as the Infernal Palace is finished, we are told the Multitude and Rabble of Spirits immediately shrunk themselves into a small Compass, that there might be Room for such a numberless Assembly in this capacious Hall. But it is the Poets Refinement upon this Thought which I most admire, and which is indeed very noble in its self. For he tells us, that notwithstanding the vulgar, among the fallen Spirits, contracted their Forms, those of the first Rank and Dignity still preserved their natural Dimensions.

Thus incorporeal Spirits to smallest Forms
Reduced their Shapes immense, and were at large,
Though without Number, still amidst the Hall
Of that Infernal Court. But far within,
And in their own Dimensions like themselves,
The great Seraphick Lords and Cherubim,
In close recess and secret conclave sate,
A thousand Demy-Gods on Golden Seats,
Frequent and full--

The Character of Mammon and the Description of the Pandæmonium, are full of Beauties.

There are several other Strokes in the first Book wonderfully poetical, and Instances of that Sublime Genius so peculiar to the Author. Such is the Description of Azazel's Stature, and of the Infernal Standard, which he unfurls; as also of that ghastly Light, by which the Fiends appear to one another in their Place of Torments.

The Seat of Desolation, void of Light,
Save what the glimmring of those livid Flames
Casts pale and dreadful--

The Shout of the whole Host of fallen Angels when drawn up in Battel Array:

--The universal Host up sent
A Shout that tore Hells Concave, and beyond
Frighted the reign of Chaos and old Night.

The Review, which the Leader makes of his Infernal Army:

--He thro the armed files
Darts his experienc'd eye, and soon traverse
The whole Battalion mews, their Order due,
Their Visages and Stature as of Gods.
Their Number last he sums; and now his Heart
Distends with Pride, and hardning in his strength
Glories--

The Flash of Light which appear'd upon the drawing of their Swords:

He spake: and to confirm his words outflew
Millions of flaming Swords, drawn from the thighs
Of mighty Cherubim; the sudden Blaze
Far round illumin'd Hell--

The sudden Production of the Pandæmonium;

Anon out of the Earth a Fabrick huge
Rose like an Exhalation, with the Sound
Of dulcet Symphonies and Voices sweet.

The Artificial Illuminations made in it:

--From the arched Roof
Pendent by subtle Magick, many a Row
Of Starry Lamps and blazing Crescets, fed
With Naphtha and Asphaltus, yielded Light
As from a Sky--

There are also several noble Similes and Allusions in the First Book of Paradise Lost. And here I must observe, that when Milton alludes either to Things or Persons, he never quits his Simile till it rises to some very great Idea, which is often foreign to the Occasion that gave Birth to it. The Resemblance does not, perhaps, last above a Line or two, but the Poet runs on with the Hint till he has raised out of it some glorious Image or Sentiment, proper to inflame the Mind of the Reader, and to give it that sublime kind of Entertainment, which is suitable to the Nature of an Heroick Poem. Those who are acquainted with Homers and Virgil's way of Writing, cannot but be pleased with this kind of Structure in Milton's Similitudes. I am the more particular on this Head, because ignorant Readers, who have formed their Taste upon the quaint Similes, and little Turns of Wit, which are so much in Vogue among Modern Poets, cannot relish these Beauties which are of a much higher Nature, and are therefore apt to censure Milton's Comparisons in which they do not see any surprizing Points of Likeness. Monsieur Perrault was a Man of this viciated Relish, and for that very Reason has endeavoured to turn into Ridicule several of Homers Similitudes, which he calls Comparisons a longue queue, Long-tail's Comparisons. [3] I shall conclude this Paper on the First Book of Milton with the Answer which Monsieur Boileau makes to Perrault on this Occasion;

Comparisons, says he, in Odes and Epic Poems, are not introduced only
to illustrate and embellish the Discourse, but to amuse and relax the
Mind of the Reader, by frequently disengaging him from too painful an
Attention to the Principal Subject, and by leading him into other
agreeable Images. Homer, says he, excelled in this Particular, whose
Comparisons abound with such Images of Nature as are proper to relieve
and diversifie his Subjects. He continually instructs the Reader, and
makes him take notice, even in Objects which are every Day before our
Eyes, of such Circumstances as we should not otherwise have observed.

To this he adds, as a Maxim universally acknowledged,

That it is not necessary in Poetry for the Points of the Comparison
to correspond with one another exactly, but that a general Resemblance
is sufficient, and that too much Nicety in this Particular favours of
the Rhetorician and Epigrammatist.

In short, if we look into the Conduct of Homer, Virgil and Milton, as the great Fable is the Soul of each Poem, so to give their Works an agreeable Variety, their Episodes are so many short Fables, and their Similes so many short Episodes; to which you may add, if you please, that their Metaphors are so many short Similes. If the Reader considers the Comparisons in the first Book of Milton, of the Sun in an Eclipse, of the Sleeping Leviathan, of the Bees swarming about their Hive, of the Fairy Dance, in the view wherein I have here placed them, he will easily discover the great Beauties that are in each of those Passages.

L.

[Footnote 1: [his]]

[Footnote 2: A journey from Aleppo to Jerusalem at Easter, A.D. 1697. By Henry Maundrell, M.A. It was published at Oxford in 1703, and was in a new edition in 1707. It reached a seventh edition in 1749. Maundrell was a Fellow of Exter College, which he left to take the appointment of chaplain to the English factory at Aleppo. The brief account of his journey is in the form of a diary, and the passage quoted is under the date, March 15, when they were two days journey from Tripoli. The stream he identifies with the Adonis was called, he says, by Turks Ibrahim Pasha. It is near Gibyle, called by the Greeks Byblus, a place once famous for the birth and temple of Adonis. The extract from Paradise Lost and the passage from Maundrell were interpolated in the first reprint of the Spectator.]

[Footnote 3: See note to No. 279. Charles Perrault made himself a lasting name by his Fairy Tales, a charming embodiment of French nursery traditions. The four volumes of his Paralièle des Anciens et des Modernes 1692-6, included the good general idea of human progress, but worked it out badly, dealing irreverently with Plato as well as Homer and Pindar, and exalting among the moderns not only Molière and Corneille, but also Chapelain, Scuderi, and Quinault, whom he called the greatest lyrical and dramatic poet that France ever had. The battle had begun with a debate in the Academy: Racine having ironically complimented Perrault on the ingenuity with which he had elevated little men above the ancients in his poem (published 1687), le Siècle de Louis le Grand. Fontenelle touched the matter lightly, as Perraults ally, in his Digression sur les Anciens et les Modernes but afterwards drew back, saying, I do not belong to the party which claims me for its chief. The leaders on the respective sides, unequally matched, were Perrault and Boileau.]

* * * * *

No. 304. Monday, February 18, 1712. Steele.

Vulnus alit venis et cæco carpitur igni.

Virg.

The Circumstances of my Correspondent, whose Letter I now insert, are so frequent, that I cannot want Compassion so much as to forbear laying it before the Town. There is something so mean and inhuman in a direct Smithfield Bargain for Children, that if this Lover carries his Point, and observes the Rules he pretends to follow, I do not only wish him Success, but also that it may animate others to follow his Example. I know not one Motive relating to this Life which would produce so many honourable and worthy Actions, as the Hopes of obtaining a Woman of Merit: There would ten thousand Ways of Industry and honest Ambition be pursued by young Men, who believed that the Persons admired had Value enough for their Passion to attend the Event of their good Fortune in all their Applications, in order to make their Circumstances fall in with the Duties they owe to themselves, their Families, and their Country; All these Relations a Man should think of who intends to go into the State of Marriage, and expects to make it a State of Pleasure and Satisfaction.

Mr. SPECTATOR,

I have for some Years indulged a Passion for a young Lady of Age and
Quality suitable to my own, but very much superior in Fortune. It is
the Fashion with Parents (how justly I leave you to judge) to make all
Regards give way to the Article of Wealth. From this one Consideration
it is that I have concealed the ardent Love I have for her; but I am
beholden to the Force of my Love for many Advantages which I reaped
from it towards the better Conduct of my Life. A certain Complacency
to all the World, a strong Desire to oblige where-ever it lay in my
Power, and a circumspect Behaviour in all my Words and Actions, have
rendered me more particularly acceptable to all my Friends and
Acquaintance. Love has had the same good Effect upon my Fortune; and I
have encreased in Riches in proportion to my Advancement in those Arts
which make a man agreeable and amiable. There is a certain Sympathy
which will tell my Mistress from these Circumstances, that it is I who
writ this for her Reading, if you will please to insert it. There is
not a downright Enmity, but a great Coldness between our Parents; so
that if either of us declared any kind Sentiment for each other, her
Friends would be very backward to lay an Obligation upon our Family,
and mine to receive it from hers. Under these delicate Circumstances
it is no easie Matter to act with Safety. I have no Reason to fancy my
Mistress has any Regard for me, but from a very disinterested Value
which I have for her. If from any Hint in any future Paper of yours
she gives me the least Encouragement, I doubt not but I shall surmount
all other Difficulties; and inspired by so noble a Motive for the Care
of my Fortune, as the Belief she is to be concerned in it, I will not
despair of receiving her one Day from her Fathers own Hand.

I am, SIR,
Your most obedient humble Servant,
Clytander.

To his Worship the SPECTATOR,

The humble Petition of Anthony Title-Page, Stationer, in the Centre of
Lincoln's-Inn-Fields,

Sheweth,
That your Petitioner and his Fore-Fathers have been Sellers of Books
for Time immemorial; That your Petitioners Ancestor, Crouchback
Title-Page, was the first of that Vocation in Britain; who keeping his
Station (in fair Weather) at the Corner of Lothbury, was by way of
Eminency called the Stationer, a Name which from him all succeeding
Booksellers have affected to bear: That the Station of your Petitioner
and his Father has been in the Place of his present Settlement ever
since that Square has been built: That your Petitioner has formerly
had the Honour of your Worships Custom, and hopes you never had
Reason to complain of your Penny-worths; that particularly he sold you
your first Lilly's Grammar, and at the same Time a Wits Commonwealth
almost as good as new: Moreover, that your first rudimental Essays in
Spectatorship were made in your Petitioners Shop, where you often
practised for Hours together, sometimes on his Books upon the Rails,
sometimes on the little Hieroglyphicks either gilt, silvered, or
plain, which the Egyptian Woman on the other Side of the Shop had
wrought in Gingerbread, and sometimes on the English Youth, who in
sundry Places there were exercising themselves in the traditional
Sports of the Field.

From these Considerations it is, that your Petitioner is encouraged to
apply himself to you, and to proceed humbly to acquaint your Worship,
That he has certain Intelligence that you receive great Numbers of
defamatory Letters designed by their Authors to be published, which
you throw aside and totally neglect: Your Petitioner therefore prays,
that you will please to bestow on him those Refuse Letters, and he
hopes by printing them to get a more plentiful Provision for his
Family; or at the worst, he may be allowed to sell them by the Pound
Weight to his good Customers the Pastry-Cooks of London and
Westminster. And your Petitioner shall ever pray, &c.

To the SPECTATOR,

The humble Petition of Bartholomew Ladylove, of Round-Court in the
Parish of St. Martins in the Fields, in Behalf of himself and
Neighbours,

Sheweth,

That your Petitioners have with great Industry and Application arrived
at the most exact Art of Invitation or Entreaty: That by a beseeching
Air and perswasive Address, they have for many Years last past
peaceably drawn in every tenth Passenger, whether they intended or not
to call at their Shops, to come in and buy; and from that Softness of
Behaviour, have arrived among Tradesmen at the gentle Appellation of
the Fawners.

That there have of late set up amongst us certain Persons of
Monmouth-street and Long-lane, who by the Strength of their Arms, and
Loudness of their Throats, draw off the Regard of all Passengers from
your said Petitioners; from which Violence they are distinguished by
the Name of the Worriers.

That while your Petitioners stand ready to receive Passengers with a
submissive Bow, and repeat with a gentle Voice, Ladies, what do you
want? pray look in here; the Worriers reach out their Hands at
Pistol-shot, and seize the Customers at Arms Length.

That while the Fawners strain and relax the Muscles of their Faces in
making Distinction between a Spinster in a coloured Scarf and an
Handmaid in a Straw-Hat, the Worriers use the same Roughness to both,
and prevail upon the Easiness of the Passengers, to the Impoverishment
of your Petitioners.

Your Petitioners therefore most humbly pray, that the Worriers may not
be permitted to inhabit the politer Parts of the Town; and that
Round-Court may remain a Receptacle for Buyers of a more soft
Education.

And your Petitioners, &c.

The Petition of the New-Exchange, concerning the Arts of Buying and Selling, and particularly valuing Goods by the Complexion of the Seller, will be considered on another Occasion.

T.

* * * * *

No. 305. Tuesday, February 19, 1712. Addison.

Non tali auxilio, nec defensoribus istis
Tempus eget.

Virg.

Our late News-Papers being full of the Project now on foot in the Court of France, for Establishing a Political Academy, and I my self having received Letters from several Virtuosos among my Foreign Correspondents, which give some Light into that Affair, I intend to make it the Subject of this Days Speculation. A general Account of this Project may be met with in the Daily Courant of last Friday in the following Words, translated from the Gazette of Amsterdam.

Paris, February 12.
Tis confirmed that the King has resolved to establish a new Academy
for Politicks, of which the Marquis de Torcy, Minister and Secretary
of State, is to be Protector. Six Academicians are to be chosen,
endowed with proper Talents, for beginning to form this Academy, into
which no Person is to be admitted under Twenty-five Years of Age: They
must likewise each have an Estate of Two thousand Livres a Year,
either in Possession, or to come to em by Inheritance. The King will
allow to each a Pension of a Thousand Livres. They are likewise to
have able Masters to teach em the necessary Sciences, and to instruct
them in all the Treaties of Peace, Alliance, and others, which have
been made in several Ages past. These Members are to meet twice a Week
at the Louvre. From this Seminary are to be chosen Secretaries to
Ambassies, who by degrees may advance to higher Employments.

Cardinal Richelieus Politicks made France the Terror of Europe. The Statesmen who have appeared in the Nation of late Years, have on the contrary rendered it either the Pity or Contempt of its Neighbours. The Cardinal erected that famous Academy which has carried all the Parts of Polite Learning to the greatest Height. His chief Design in that Institution was to divert the Men of Genius from meddling with Politicks, a Province in which he did not care to have any one else interfere with him. On the contrary, the Marquis de Torcy seems resolved to make several young Men in France as Wise as himself, and is therefore taken up at present in establishing a Nursery of Statesmen.

Some private Letters add, that there will also be erected a Seminary of Petticoat Politicians, who are to be brought up at the Feet of Madam de Maintenon, and to be dispatched into Foreign Courts upon any Emergencies of State; but as the News of this last Project has not been yet confirmed, I shall take no farther Notice of it.

Several of my Readers may doubtless remember that upon the Conclusion of the last War, which had been carried on so successfully by the Enemy, their Generals were many of them transformed into Ambassadors; but the Conduct of those who have commanded in the present War, has, it seems, brought so little Honour and Advantage to their great Monarch, that he is resolved to trust his Affairs no longer in the Hands of those Military Gentlemen.

The Regulations of this new Academy very much deserve our Attention. The Students are to have in Possession, or Reversion, an Estate of two thousand French Livres per Annum, which, as the present Exchange runs, will amount to at least one hundred and twenty six Pounds English. This, with the Royal Allowance of a Thousand Livres, will enable them to find themselves in Coffee and Snuff; not to mention News-Papers, Pen and Ink, Wax and Wafers, with the like Necessaries for Politicians.

A Man must be at least Five and Twenty before he can be initiated into the Mysteries of this Academy, tho there is no Question but many grave Persons of a much more advanced Age, who have been constant Readers of the Paris Gazette, will be glad to begin the World a-new, and enter themselves upon this List of Politicians.

The Society of these hopeful young Gentlemen is to be under the Direction of six Professors, who, it seems, are to be Speculative Statesmen, and drawn out of the Body of the Royal Academy. These six wise Masters, according to my private Letters, are to have the following Parts allotted them.

The first is to instruct the Students in State Legerdemain, as how to take off the Impression of a Seal, to split a Wafer, to open a Letter, to fold it up again, with other the like ingenious Feats of Dexterity and Art. When the Students have accomplished themselves in this Part of their Profession, they are to be delivered into the Hands of their second Instructor, who is a kind of Posture-Master.

This Artist is to teach them how to nod judiciously, to shrug up their Shoulders in a dubious Case, to connive with either Eye, and in a Word, the whole Practice of Political Grimace.

The Third is a sort of Language-Master, who is to instruct them in the Style proper for a Foreign Minister in his ordinary Discourse. And to the End that this College of Statesmen may be thoroughly practised in the Political Style, they are to make use of it in their common Conversations, before they are employed either in Foreign or Domestick Affairs. If one of them asks another, what a-clock it is, the other is to answer him indirectly, and, if possible, to turn off the Question. If he is desired to change a Louis d'or, he must beg Time to consider of it. If it be enquired of him, whether the King is at Versailles or Marly, he must answer in a Whisper. If he be asked the News of the late Gazette, or the Subject of a Proclamation, he is to reply, that he has not yet read it: Or if he does not care for explaining himself so far, he needs only draw his Brow up in Wrinkles, or elevate the Left Shoulder.

The Fourth Professor is to teach the whole Art of Political Characters and Hieroglyphics; and to the End that they may be perfect also in this Practice, they are not to send a Note to one another (tho it be but to borrow a Tacitus or a Machiavil) which is not written in Cypher.

Their Fifth Professor, it is thought, will be chosen out of the Society of Jesuits, and is to be well read in the Controversies of probable Doctrines, mental Reservation, and the Rights of Princes. This Learned Man is to instruct them in the Grammar, Syntax, and construing Part of Treaty-Latin; how to distinguish between the Spirit and the Letter, and likewise demonstrate how the same Form of Words may lay an Obligation upon any Prince in Europe, different from that which it lays upon his Most Christian Majesty. He is likewise to teach them the Art of finding Flaws, Loop-holes, and Evasions, in the most solemn Compacts, and particularly a great Rabbinical Secret, revived of late Years by the Fraternity of Jesuits, namely, that contradictory Interpretations, of the same Article may both of them be true and valid.

When our Statesmen are sufficiently improved by these several Instructors, they are to receive their last Polishing from one who is to act among them as Master of the Ceremonies. This Gentleman is to give them Lectures upon those important Points of the Elbow Chair, and the Stair Head, to instruct them in the different Situations of the Right-Hand, and to furnish them with Bows and Inclinations of all Sizes, Measures and Proportions. In short, this Professor is to give the Society their Stiffening, and infuse into their Manners that beautiful Political Starch, which may qualifie them for Levees, Conferences, Visits, and make them shine in what vulgar Minds are apt to look upon as Trifles. I have not yet heard any further Particulars, which are to be observed in this Society of unfledged Statesmen; but I must confess, had I a Son of five and twenty, that should take it into his Head at that Age to set up for a Politician, I think I should go near to disinherit him for a Block-head. Besides, I should be apprehensive lest the same Arts which are to enable him to negotiate between Potentates might a little infect his ordinary behaviour between Man and Man. There is no Question but these young Machiavil's will, in a little time, turn their College upside-down with Plots and Stratagems, and lay as many Schemes to Circumvent one another in a Frog or a Sallad, as they may hereafter put in Practice to over-reach a Neighbouring Prince or State.

We are told, that the Spartans, tho they punished Theft in their young Men when it was discovered, looked upon it as Honourable if it succeeded. Provided the Conveyance was clean and unsuspected, a Youth might afterwards boast of it. This, say the Historians, was to keep them sharp, and to hinder them from being imposed upon, either in their publick or private Negotiations. Whether any such Relaxations of Morality, such little jeux desprit, ought not to be allowed in this intended Seminary of Politicians, I shall leave to the Wisdom of their Founder.

In the mean time we have fair Warning given us by this doughty Body of Statesmen: and as Sylla saw many Marius's in Cæsar, so I think we may discover many Torcys in this College of Academicians. Whatever we think of our selves, I am afraid neither our Smyrna or St. James's will be a Match for it. Our Coffee-houses are, indeed, very good Institutions, but whether or no these our British Schools of Politicks may furnish out as able Envoys and Secretaries as an Academy that is set apart for that Purpose, will deserve our serious Consideration, especially if we remember that our Country is more famous for producing Men of Integrity than Statesmen; and that on the contrary, French Truth and British Policy make a Conspicuous Figure in NOTHING, as the Earl of Rochester has very well observed in his admirable Poem upon that Barren Subject.

L.

* * * * *

No. 306. Wednesday, February 20, 1712. Steele.

Quæ forma, ut se tibi semper
Imputet?

Juv.

Mr. SPECTATOR, [1]

I write this to communicate to you a Misfortune which frequently
happens, and therefore deserves a consolatory Discourse on the
Subject. I was within this Half-Year in the Possession of as much
Beauty and as many Lovers as any young Lady in England. But my
Admirers have left me, and I cannot complain of their Behaviour. I
have within that Time had the Small-Pox; and this Face, which
(according to many amorous Epistles which I have by me) was the Seat
of all that is beautiful in Woman, is now disfigured with Scars. It
goes to the very Soul of me to speak what I really think of my Face;
and tho I think I did not over-rate my Beauty while I had it, it has
extremely advanc'd in its value with me now it is lost. There is one
Circumstance which makes my Case very particular; the ugliest Fellow
that ever pretended to me, was and is most in my Favour, and he treats
me at present the most unreasonably. If you could make him return an
Obligation which he owes me, in liking a Person that is not
amiable;--But there is, I fear, no Possibility of making Passion move
by the Rules of Reason and Gratitude. But say what you can to one who
has survived her self, and knows not how to act in a new Being. My
Lovers are at the Feet of my Rivals, my Rivals are every Day bewailing
me, and I cannot enjoy what I am, by reason of the distracting
Reflection upon what I was. Consider the Woman I was did not die of
old Age, but I was taken off in the Prime of my Youth, and according
to the Course of Nature may have Forty Years After-Life to come. I
have nothing of my self left which I like, but that
I am, SIR,
Your most humble Servant,
Parthenissa.

When Lewis of France had lost the Battle of Ramelies, the Addresses to him at that time were full of his Fortitude, and they turned his Misfortune to his Glory; in that, during his Prosperity, he could never have manifested his heroick Constancy under Distresses, and so the World had lost the most eminent Part of his Character. Parthenissa's Condition gives her the same Opportunity; and to resign Conquests is a Task as difficult in a Beauty as an Hero. In the very Entrance upon this Work she must burn all her Love-Letters; or since she is so candid as not to call her Lovers who follow her no longer Unfaithful, it would be a very good beginning of a new Life from that of a Beauty, to send them back to those who writ them, with this honest Inscription, Articles of a Marriage Treaty broken off by the Small-Pox. I have known but one Instance, where a Matter of this Kind went on after a like Misfortune, where the Lady, who was a Woman of Spirit, writ this Billet to her Lover.

SIR,
If you flattered me before I had this terrible Malady, pray come and
see me now: But if you sincerely liked me, stay away; for I am not the
same
Corinna.

The Lover thought there was something so sprightly in her Behaviour, that he answered,

Madam,
I am not obliged, since you are not the same Woman, to let you know
whether I flattered you or not; but I assure you, I do not, when I
tell you I now like you above all your Sex, and hope you will bear
what may befall me when we are both one, as well as you do what
happens to your self now you are single; therefore I am ready to take
such a Spirit for my Companion as soon as you please.
Amilcar.

If Parthenissa can now possess her own Mind, and think as little of her Beauty as she ought to have done when she had it, there will be no great Diminution of her Charms; and if she was formerly affected too much with them, an easie Behaviour will more than make up for the Loss of them. Take the whole Sex together, and you find those who have the strongest Possession of Mens Hearts are not eminent for their Beauty: You see it often happen that those who engage Men to the greatest Violence, are such as those who are Strangers to them would take to be remarkably defective for that End. The fondest Lover I know, said to me one Day in a Crowd of Women at an Entertainment of Musick, You have often heard me talk of my Beloved: That Woman there, continued he, smiling when he had fixed my Eye, is her very Picture. The Lady he shewed me was by much the least remarkable for Beauty of any in the whole Assembly; but having my Curiosity extremely raised, I could not keep my Eyes off of her. Her Eyes at last met mine, and with a sudden Surprize she looked round her to see who near her was remarkably handsome that I was gazing at. This little Act explain'd the Secret: She did not understand herself for the Object of Love, and therefore she was so. The Lover is a very honest plain Man; and what charmed him was a Person that goes along with him in the Cares and Joys of Life, not taken up with her self, but sincerely attentive with a ready and chearful Mind, to accompany him in either.

I can tell Parthenissa for her Comfort, That the Beauties, generally speaking, are the most impertinent and disagreeable of Women. An apparent Desire of Admiration, a Reflection upon their own Merit, and a precious Behaviour in their general Conduct, are almost inseparable Accidents in Beauties. All you obtain of them is granted to Importunity and Sollicitation for what did not deserve so much of your Time, and you recover from the Possession of it, as out of a Dream.

You are ashamed of the Vagaries of Fancy which so strangely mis-led you, and your Admiration of a Beauty, merely as such, is inconsistent with a tolerable Reflection upon your self: The chearful good-humoured Creatures, into whose Heads it never entred that they could make any Man unhappy, are the Persons formed for making Men happy. There's Miss Liddy can dance a Jigg, raise Paste, write a good Hand, keep an Account, give a reasonable Answer, and do as she is bid; while her elder Sister Madam Martha is out of Humour, has the Spleen, learns by Reports of People of higher Quality new Ways of being uneasie and displeased. And this happens for no Reason in the World, but that poor Liddy knows she has no such thing as a certain Negligence that is so becoming, that there is not I know not what in her Air: And that if she talks like a Fool, there is no one will say, Well! I know not what it is, but every Thing pleases when she speaks it.

Ask any of the Husbands of your great Beauties, and they'll tell you that they hate their Wives Nine Hours of every Day they pass together. There is such a Particularity for ever affected by them, that they are incumbered with their Charms in all they say or do. They pray at publick Devotions as they are Beauties. They converse on ordinary Occasions as they are Beauties. Ask Belinda what it is a Clock, and she is at a stand whether so great a Beauty should answer you. In a Word, I think, instead of offering to administer Consolation to Parthenissa, I should congratulate her Metamorphosis; and however she thinks she was not in the least insolent in the Prosperity of her Charms, she was enough so to find she may make her self a much more agreeable Creature in her present Adversity. The Endeavour to please is highly promoted by a Consciousness that the Approbation of the Person you would be agreeable to, is a Favour you do not deserve; for in this Case Assurance of Success is the most certain way to Disappointment. Good-Nature will always supply the Absence of Beauty, but Beauty cannot long supply the Absence of Good-Nature.

P. S.

Madam, February 18. I have yours of this Day, wherein you twice bid me not to disoblige you, but you must explain yourself further before I know what to do. Your most obedient Servant, The SPECTATOR.

T.

[Footnote 1: Mr. John Duncombe ascribed this letter to his relative, John Hughes, and said that by Parthenissa was meant a Miss Rotherham, afterwards married to the Rev. Mr. Wyatt, master of Felsted School, in Essex. The name of Parthenissa is from the heroine of a romance by Roger Boyle, Earl of Orrery.]

* * * * *

No. 307. Thursday, February 21, 1712. Budgell.

--Versate diu quid ferre recusent
Quid valeant humeri--

Hor.

I am so well pleased with the following Letter, that I am in hopes it will not be a disagreeable Present to the Publick.

Sir,
Though I believe none of your Readers more admire your agreeable
manner of working up Trifles than my self, yet as your Speculations
are now swelling into Volumes, and will in all Probability pass down
to future Ages, methinks I would have no single Subject in them,
wherein the general Good of Mankind is concern'd, left unfinished.

I have a long time expected with great Impatience that you would
enlarge upon the ordinary Mistakes which are committed in the
Education of our Children. I the more easily flattered my self that
you would one time or other resume this Consideration, because you
tell us that your 168th Paper was only composed of a few broken Hints;
but finding myself hitherto disappointed, I have ventur'd to send you
my own Thoughts on this Subject.

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The Spectator, Volumes 1, 2 and 3Chapter LIV: Introduction (54)

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