Chapter I: PROMESSI SPOSI. SEE The Betrothed (18)

Text size

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese
Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles;
adaptation and dialogue, Jane Murfin.

STREET OF CHANCE. 1930. 7,023 ft.

Credits: Director, John Cromwell; story and dialogue, Oliver H. P.
Garrett; scenario, Howard Estabrook.

THE STREET OF FORGOTTEN MEN. Paramount. Presented by Adolph Zukor and
Jesse L. Lasky. 1925. 7 reels. From the Liberty Magazine story by
George Kibbe Turner.

Credits: Producer, Herbert Brenon; screenplay, Paul Schofield;
adaptation, John Russell.

THE STREET OF ILLUSION. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Erie C. Kenton; story,
Channing Pollock; screenplay, Harvey Thew; continuity, Dorothy
Howell; film editor, Frank Atkinson.

STREET OF MISSING MEN. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney
Salkow; original story, Eleanor Griffen, William Rankin; screenplay,
Frank Dolan, Leonard Lee; film editor, Ernest Nims; music director,
Cy Feuer.

THE STREET OF SIN. 1928. 7 reels.

Credits: Director, Mauritz Stiller; story, Josef von Sternberg,
Benjamin Glazer; scenario, Chandler Sprague.

STREET OF WOMEN. 1932. 7 reels, sd. Based on the novel by Polan Banks.

Credits: Director, Archie Mayo; screenplay, Mary McCall, Jr.;
adaptation and dialogue, Charles Kenyon, Brown Holmes.

STREET SAFETY FOR ADVANCED GRADES. (Safety Series) 1934. Made in
cooperation with the Dept. of Biology and Public Health,
Massachusetts Institute of Technology, the National Safety Council,
and the American Automobile Association. 954 ft.

STREET SAFETY FOR PRIMARY GRADES, Grades 1-3. (Safety Series) 1934.
Made in cooperation with the Dept. of Biology and Public Health,
Massachusetts Institute of Technology, the National Safety Council,
and the American Automobile Association. 474 ft.

STREET SCENE. United Artists. 1931. 9 reels. Adapted from the play by
Elmer Rice.

Credits: Director, King Vidor; adaptation, Elmer Rice.

THE STREET SINGER. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story,
William Rowland, Monte Brice.

THE STREET SINGERS. 1913. 2 reels.

Credits: Directors, Wilfred North, Wallie Van [pseud. of Wally Van
Nostrand].

THE STREETCAR. 1939. 1 reel.

STREET CARS AND CARBUNCLES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE STREETS OF CAIRO. (Rambling Reporter) Bray Pictures Corp. 1931. 1
reel.

Credits: Narrative by Malcolm La Prade.

THE STREETS OF MAKE BELIEVE. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, P. Kelly.

STREETS OF MYSTERY. (Vagabond Series, no. 2) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE STREETS OF NEW YORK. State Pictures Corp. 1922. 7 reels. Suggested
by the play by Leota Morgan.

Credits: Director, Burton King.

STREETS OF NEW YORK. 1939. 8 reel, sd.

Credits: Supervision, William T. Lackey; director, William Nigh;
screenplay and original story, Robert D. Andrews; film editor,
Russell Schoengarth.

STREETS OF PARIS. (A Century of Progress) 1933. 100 ft.

STREETS OF PARIS. (A Century of Progress Exposition) New version.
1933. 1 reel.

STREETS OF SHANGHAI. Presented by Tiffany-Stahl. 1928. 6 reels. From
the story by John Francis Natteford.

Credits: Director, Louis Gasnier; film editor, Martin G. Cohn.

STRENGTH. 1915. 1 reel.

Credits: Producer, Ulysses Davis.

THE STRENGTH OF A SAMSON. 1915. 1 reel.

Credits: Producer, E. A. Martin.

THE STRENGTH OF DONALD MCKENZIE. Mutual Star. 1916. 5 reels.

Credits: William Russell, John Prescott; dramatization, J. Edward
Hungerford; story, Russell E. Smith.

THE STRENGTH OF LOVE. SEE When the Earth Trembled.

STRENGTH OF THE PINES. 1922. 5 reels.

Credits: Director, Edgar Lewis; story, B. Edison Marshall;
adaptation, Louise Lewis.

THE STRENGTH OF THE WEAK. 1915. 2 reels.

THE STRENGTH OF THE WEAK. 1916. 5 reels. Adapted from the play by
Alice M. Smith and Charlotte Thompson.

Credits: Producer, Lucius Henderson; adaptation, William Addison
Lathrop.

STRENGTHENING OUR NATION. 1924. 3 reels.

Credits: Written and directed by M. Gertrude Slaughter.

THE STRENUOUS LIFE. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

STRETCHING THE TRUTH. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STRICTLY BUSINESS. 1917. 2 reels. From a story by O. Henry [pseud. of
William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Will Courtney.

STRICTLY CONFIDENTIAL. 1919. 5 reels. Founded on the play "Fannie and
the Servant Problem" by Jerome K. Jerome.

Credits: Director, Clarence G. Badger.

STRICTLY DISHONORABLE. 1931. 10 reels. From the stage play by Preston
Sturges.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

STRICTLY DYNAMITE. 1934. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; director, Elliott
Nugent; story, Robert T. Colwell, Robert A. Simon; screenplay,
Maurine Watkins, Ralph Spence; additional dialogue, Milton Raison,
Jack Harvey; editor, George Crone; music director, Max Steiner.

STRICTLY FRESH YEGGS. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Fred
Guiol, Jack Townley; film editor, John Lockert.

STRICTLY MODERN. 1930. 6 reels. Based on "Cousin Kate" a play by
Hubert Henry Davies.

Credits: Producer, William A. Seiter; adaptation, Ray Harris, Gene
Towne.

STRICTLY MODERN. Trailer. 1930. 1 reel, sd.

STRICTLY NEUTRAL. 1915. 1 reel.

Credits: Director, C. Jay Williams.

STRICTLY PERSONAL. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; story,
Wilson Mizner, Robert T. Shannon; screenplay, Willard Mack, Beatrice
Banyard; additional dialogue, Casey Robinson; film editor, Joseph
Kane.

STRICTLY-UNCONVENTIONAL. 1930. 6 reels, sd., b&w. Based on the play
"The Circle" by W. Somerset Maugham.

Credits: Director, David Burton; talking version, Sylvia Thalberg,
Frank Butler; film editor, Margaret Booth.

STRICTLY UNRELIABLE. (A Hal Roach Subject) Presented by Hal Roach.
1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; dialogue, H. M. Walker; editor,
Richard Currier.

THE STRIFE ETERNAL; the Romance of Jane Shore. Barker Motion
Photography, Ltd. 1915. 5 reels.

THE STRIFE OF THE PARTY. 1931. 2 reels.

Credits: Director, Mark Sandrich; story and adaptation, Ned Sparks,
Mark Sandrich.

STRIKE! (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STRIKE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story, C. B. Hoadley.

STRIKE ME PINK. Released through United Artists. 1936. 11 reels, sd.
Adapted from the Saturday Evening Post serial "Dreamland" by
Clarence Budington Kelland.

Credits: Director, Norman Taurog; adaptation and screenplay, Frank
Butler, Walter DeLeon, Francis Martin; additional dialogue, Philip
Rapp; film editor, Sherman Todd; music director, Alfred Newman;
music and lyrics, Harold Arlen, Lew Brown.

THE STRIKE OF THE RATTLER. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge.

STRIKE ONE. Nestor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B.
Hoadley.

STRIKE UP THE BAND. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

STRIKE UP THE BAND! The Jam Handy Organization. © 1938. Filmstrip,
b&w, 35 min.

© General Motors Sales Corp., Chevrolet Motor Div. (Jam Handy
Picture Service, author); title & descr., 3Nov38; 62 prints, 4Nov38;
MU8877.

STRIKE! YOU'RE OUT. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

STRIKES AND SPARES. (M. G. M. Oddity) 1934. 1 reel.

Credits: Director, Felix E. Feist; explanatory remarks by Pete
Smith.

STRING BEAN JACK. (Terry Toons) Presented by Paul Terry. 1938. 1 reel,
sd., color.

Credits: Director, John Foster; music, Philip A. Scheib.

STRING BEANS. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger;
story, Julien Josephson; editor, Duncan Mansfield.

THE STRING CHOIR. 1931. 1 reel.

THE STRING CHOIR. 1938. 1 reel, sd.

STRINGS AND STRAINS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Produced and directed by George M. Arthur; music, Lewis E.
Gensler.

STRINGS OF STEEL. 1926. 2 reels each.

Credits: Director, Henry Mac Rae; story, Phillip Dutton Hurn, Oscar
Lund.

1. The Voice on the Wire. © 15May26; LP22738.

2. The First Central. © 22May26; LP22759.

3. Fighting for Love. © 29May26; LP22786.

4. The Power of Might. © 24Jun26; LP22848.

5. Kings of the Wire. © 26Jun26; LP22849.

6. Voice of the Continent. © 6Jul26; LP22877.

7. Telephone Poles. © 8Jul26; LP22895.

8. War of the Wires. © 15Jul26; LP22913.

9. When Lightning Strikes. © 15Jul26; LP22915.

10. Love and Victory. © 22Jul26; LP22949.

STRIPES AND STARS. 1918. 1 reel.

Credits: Story and direction, Walter Hall.

STRIPES AND STARS. Winkler. 1929. 1 reel.

Credits: Walt Lantz.

STRIPES AND STUMBLES. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

STRIVING FOR FORTUNE. 1926. 6 reels.

Credits: Director, Nat Ross; story, Merle Johnson.

THE STROKE OF FATE. 1915. 1,000 ft.

STROKE OF GENIUS. (A Miniature) Presented by Metro-Goldwyn-Mayer.
1938. 1 reel, sd., b&w.

Credits: Producer and director, Nat Ross; associate producer, Jack
White; original story, Edwin Rutt, Vernon McKenzie; screenplay,
Walter Wise, Hugo Butler.

THE STROKE OF MIDNIGHT. Swedish Biograph. 1922. 6 reels.

Credits: Selma Lagerlof; adapted and directed by Victor Seastrom.

THE STROKE OF THE PHOEBUS EIGHT. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

STRONG AND WILLING. SEE Trixie Friganza in Strong and Willing.

THE STRONG ARM SQUAD. Rex. 1916. 1 reel.

Credits: Grace Cunard; producer, Francis Ford.

STRONG BOY. 1929. 6 reels, b&w.

Credits: Director, John Ford; story, Frederick Hazlitt Brennan;
scenario, James Kevin McGuinness, Andrew Bennison.

STRONG EVIDENCE. 1916. 1 reel.

STRONG FOR LOVE. 1925. 2 reels.

Credits: Director, Louis Seiler.

THE STRONG MAN. Presented by Harry Langdon Corp. 1926. 7 reels.

Credits: Director, Frank Capra; story, Arthur Ripley.

STRONG TO THE FINICH. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneltel,
Roland Crandall.

Credits: Director, George Kelson; story, Octavus Roy Cohen.

Credits: Producer, A. Ambrosio.

THE STRONGER LOVE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

THE STRONGER SEX. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin
Clements.

STRONGER THAN DEATH. Rex. 1915. 2 reels.

Credits: Producer, Joseph Degrass; scenario, Bess Meredyth.

STRONGER THAN DEATH. Presented by Richard A. Rowland and Maxwell
Karger. 1920. 7 reels. From the novel "The Hermit Doctor of Gaya" by
I. A. R. Wylie.

Credits: Directors, Herbert Blache, Charles Bryant; scenario and
adaptation, Charles Bryant.

STRONGER THAN DESIRE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels,
sd., b&w. Based on a novel by W. E. Woodward.

Credits: Producer, John W. Considine, Jr.; director, Leslie Fenton;
screenplay, David Hertz, William Ludwig; film editor, W. Donn Hayes;
music score, Edward Ward, David Snell.

STRONGER THAN LOVE. 1915. 1 reel.

STRONGER THAN STEEL. Laemmle. 1916. 2 reels. From the story by George
Bronson Howard.

Credits: Director, Allen J. Holubar.

STRONGER THAN WOMAN'S WILL. 1916. 3 reels.

THE STRONGER VOW. Presented by Samuel Goldwyn. 1919. 6 reels.

Credits: Director, Reginald Barker; story, Izola Forrester.

THE STRONGER WILL. Presented by Samuel Zierler. 1928. 6,723 ft.

Credits: Director, Bernard McEveety; supervision and story, Harry
Chandlee; adaptation, Adrian Johnson.

THE STRONGEST. 1920. 5 reels, b&w, tinted sequences. Based on the
story by Georges Clemenceau.

Credits: Direction and scenario, R. A. Walsh.

STRONGHEART. 1914.

STRONGHEART. SEE Braveheart.

Credits: Scenario, Frank E. Montgomery.

THE STRUGGLE. Rex. 1915. 1 reel.

Credits: Producer, Jos. DeGrasse; story, L. V. Jefferson; scenario,
Calder Johnstone.

Credits: Director, John Ince; book, Harry Chandlee.

Credits: Story, William E. Wing.

THE STRUGGLE. 1931. 9 reels.

Credits: Director, D. W. Griffith; story, Anita Loos, John Emerson.

THE STRUGGLE EVERLASTING. Presented by Harry Rapf. 1918. 6 reels.

Credits: Edwin Milton Royle; director, James Kirkwood; scenario,
Bennet Musson.

THE STRUGGLE FOR EXISTENCE. SEE The Nature Man.

STRUGGLE OF THE ENGLISH AND FRENCH FOR AMERICA. 1920. 1 reel.

THE STRUGGLE UPWARD. 1915. 2,000 ft.

Credits: Harold G. Files; director, James W. Castle.

THE STUBBORN MULE. (Walter Lantz Cartune) (A Walter Lantz Lil
Eightball) 1939. 1 reel, sd.

STUCK IN THE STICKS. 1937. 2 reels, sd.

Credits: Director, Preston Black; screenplay, Ewart Adamson.

STUCK STUCK STUCCO. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story. Glen Lambert, Jack Henley.

THE STUDENT PRINCE IN OLD HEIDELBERG. 1928. 10 reels, b&w. From the
book "Karl Heinrich" by Wilhelm Meyer-Förster.

Credits: Director, Ernst Lubitsch; story, Meyer-Förster; continuity,
Hans Kraly; titles, Marian Ainslee, Ruth Cummings; film editor,
Andrew Marton.

STUDENT TOUR. 1934. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Charles F. Reisner;
original story, George Seaton, Arthur Bloch, Samuel Marx;
screenplay, Ralph Spence, Philip Dunne; film editor, Frank Hall;
music and lyrics, Nacio Herb Brown, Arthur Freed; music director.
Jack Virgil.

THE STUDENT'S ROMANCE. Presented by Associated British Picture Corp.,
Ltd. 1936. 7,066 ft., sd. Adapted from the operetta "I Lost My Heart
in Heidelberg;" original lyrics by Beda [pseud. of Fritz Löhner] and
Ernst Neubach; English lyrics by Harry S. Pepper; music by Fredy
Raymond.

Credits: Director, Otto Kanturek; adaptation and scenario, Clifford
Grey, Richard Hutter, Norman Watson.

STUDIES IN CLAY. 1915.

Credits: Drawn by Vincent Whitman.

A STUDIO CINDERELLA. Special Laemmle. 1917. 1 reel.

A STUDIO ESCAPADE. 1915. 2 reels. From the story "The Escape" by
Charles Belmont Davis.

Credits: Director, Lloyd B. Carleton.

THE STUDIO GIRL. 1918. 5 reels. Adapted from the comedy "La Gamine" by
Pierre Veber and Henri de Gorsse.

Credits: Director, Charles Giblyn; adaptation, Paul West.

THE STUDIO MURDER MYSTERY. 1929. 6,009 ft.

Credits: Production, direction, adaptation and dialogue, Frank
Tuttle; story by the Edingtons; screen playright, Ethel Doherty.

STUDIO PESTS. (An Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE STUDIO RUBE. 1922. 2 reels.

Credits; Director, Gil Pratt.

STUDIO SAP. (Chester Conklin Comedy) 1931. 1 reel.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin;
story, Frank C. Griffin, George Cleethorpe.

STUDIO SAP. (Chester Conklin Comedy) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin;
story, Frank C. Griffin, George Cleethorpe.

STUDY AND UNDERSTUDY. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

STUDY IN BOTANY. 1913. 1 reel.

A STUDY IN FEET. 1914. 1 reel.

Credits: Director, Harry Lambart.

A STUDY IN FORD SAFETY. Ford Motion Picture Laboratories. 1923. 2
reels.

A STUDY IN SCARLET. World Wide. Presented by E. W. Hammons. 1933. 62
min., sd. Suggested by the book by Sir Arthur Conan Doyle.

Credits: Director, Edwin L. Marin; screenplay, Robert Florey;
continuity and dialog, Reginald Owen.

A STUDY IN TRAMPS. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE STUDY OF A CAVE IN LIMESTONE. 1920. 1 reel.

THE STUDY OF INFANT BEHAVIOR. 1930. 2 reels.

Credits: Arnold Gesell.

A STUDY OF SHORE FEATURES: A BOLD SHORE. 1920. 1 reel.

A STUDY OF SHORE FEATURES: A LOW SHORE. 1920. 1 reel.

Credits: Story and continuity by J. Allman and E. O'Toole.

A STUDY OF THE WORK OF RIVERS. 1920. 1 reel.

STÜRME DER LEIDENSCHAFT (TEMPEST). 1932. 10 reels.

Credits: Director, Robert Siedmak; story, Robert Leibmann, Hans
Mueller.

STUFF ON THE BALL. (Sports-Eye View, no. 4) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE STUFF THAT DREAMS ARE MADE OF. 1914. 2 reels. A new version of the
Edison comedy.

Credits: Director, Charles H. France.

STUFFED LIONS. Century. 1921. 2 reels.

Credits: Written and directed by Chuck Reisner.

STUFFY'S ERRAND OF MERCY. 1935. 1 reel, sd.

Credits: Editor, Bert Frank.

STUMBLING. Imp. 1916. 2 reels.

Credits: Producer and director, Leon D. Kent; story, Max Genaski;
scenario, Harvey Gates.

THE STUMBLING HERD. SEE Rose of the Tenements.

STUNG. 1916. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

STUNG. 1931. 10 min.

Credits: F. R. Buckley; adapted and directed by William Cowen.

STUNG AGAIN. 1933. 2 reels.

Credits: Director, W. P. Hackney; story, B. Vernon Smith, James W.
Horne.

THE STUNT MAN. (Educational-Larry Semon Comedy) 1927. 2 reels.

Credits: Written and directed by Larry Semon.

STUNT PILOT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, George Waggner; original
story, Hal Forrest; screenplay, Scott Darling, Joseph West; film
editor, Carl Pierson.

Credits: Producer, John L. Hawkinson.

STUPID BUT BRAVE. (Tuxedo Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

THE STUPOR-VISOR. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; story and direction, Charles
Roberts; film editor, John Lockert.

STURM IN WASSERGLAS. SEE Storm in a Teacup.

A STUTTERING ROMANCE. 1930. 1 reel.

Credits: Director, Arthur Hurley; story, Stanley Raugh.

STYLES AND SMILES. (Nu-Atlas Musical, no. 2) 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald.

STYLISH STOUTS. (An Educational Coronet Comedy) Presented by E. W.
Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William
Watson.

SUBMARINE. 1928. 9 reels.

Credits: Producer, Irvin Willat; director, Frank R. Capra; story,
Norman Springer.

SUBMARINE D-l. Cosmopolitan. First National. 1937. 11 reels, sd.

Credits: Director, Lloyd Bacon; story, Frank Wead; screenplay, Frank
Wead, Warren Duff, Lawrence Kimble; music, Max Steiner.

THE SUBMARINE EYE. 1917. 8 reels.

SUBMARINE PATROL. 1938. 95 min., sd. From a book by Ray Millholland.

Credits: Associate producer, Gene Markey; director, John Ford;
screenplay, Rian James, Darrell Ware, Jack Yellen; film editor,
Robert Simpson; music director, Arthur Lange.

A SUBMARINE PIRATE. 1915. 4 reels.

Credits: Supervision, Mack Sennett; directors, Charles Avery, Syd
Chaplin.

SUBMARINES AND SIMPS. 1918. 2 reels.

Credits: Director, Roy McGray; story, Earl Montgomery, Joe Rock.

THE SUBSTITUTE. 1915. 1,000 ft.

THE SUBSTITUTE HEIR. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE SUBSTITUTE STENOGRAPHER. (A Kate Kirby Detective Story) 1913.

THE SUBSTITUTE WIFE. 1925. 6 reels.

Credits: Director, Wilfred May; story, Katherine Smith.

THE SUBTERRANEAN TOWN. Société Générale des Cinématographs Éclipse,
Paris. © 1913.

THE SUBURBAN. Imp. 1915. 4 reels.

Credits: Producer, George Lessey; story, C. T. Dazy; scenario, James
Dayton.

THE SUBURBAN. SEE The Kentucky Derby.

SUBWAY EXPRESS. 1931. 7 reels, sd. From the play by Eva Kay Flint
[pseud. of Eva Finklestein] and Martha Madison [pseud. of Martha
O'Dwyer].

Credits: Director, Fred Newmeyer; adaptation and dialogue, Earl
Snell; film editor, Arthur Huffsmith.

SUBWAY SADIE. 1926. 7 reels.

Credits: Director, Alfred Santell; story, Mildred Cram; scenario,
Adele Comandini, Paul Schofield.

SUCCESS. Presented by Murray W. Garsson. 1923. 7 reels.

Credits: Written and adapted by Adelaide Leitzbach, Theodore A.
Liebler, Jr.; producer and director, Ralph Ince.

SUCCESS AT ANY PRICE. Group Theatre, Inc. 1934. 8 reels, sd. From the
play "Success Story" by John Howard Lawson.

Credits: Associate producer, H. N. Swanson; director, J. Walter
Ruben; screenplay, John Howard Lawson, Howard J. Green; editor, Jack
Hively; music director, Max Steiner.

THE SUCCESS OF THE WHIPPET. 1927. 1 reel.

SUCCESS STORY. SEE Success at Any Price.

THE SUCCESSFUL ADVENTURE. 1918. 5 reels.

Credits: Supervisor, Maxwell Karger; director, Harry L. Franklin;
story, June Mathis; scenario, June Mathis, Katharine Kavanaugh.

A SUCCESSFUL CALAMITY. Warner Bros, and Vitaphone. 1932. 8 reels.
Based on the play by Clare Kummer.

Credits: Director, John G. Adolfi; adaptation and dialogue, Austin
Parker, Maude Howell, Julian Josephson.

SUCCESSFUL DEMONSTRATIONS. 1926.

SUCCESSFUL FAILURE. 1934. 7 reels, sd. From the novel by Michael Kane.

Credits: Producer, Trem Carr; supervision, George Yohalem; director,
Arthur Lubin; screenplay, Marion Orth; editor, Jack Ogilvie.

SUCCESSFUL SELLING METHODS. 1937. For the Texas Co. 1 reel, sd.

SUCH A HUNTER. 1914. 1 reel.

Credits: Director, George D. Baker.

SUCH A LITTLE PIRATE. Paramount. Presented by Jesse L. Lasky. 1918. 5
reels.

Credits: Director, George Melford; story, James Oliver Curwood;
scenario, Monte M. Katterhohn.

SUCH A LITTLE QUEEN. 1921. 5 reels. Adapted from the play by Channing
Pollock.

Credits: Director, George Fawcett; scenario, J. Clarkson Miller,
Laurence McCloskey.

SUCH A LOVELY COUPLE. SEE People Will Talk.

SUCH A PRINCESS. Rex. 1915. 3 reels.

SUCH IS LIFE. (Century Comedy) 1923. 2 reels.

Credits: Orpheus B. Caravias; supervision and direction, James
Vincent.

SUCH IS LIFE IN ALASKA. (Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN CHINA. (Universal Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN SOUTH ALGERIA. Powers. 1917. 1 reel.

SUCH MEN ARE DANGEROUS. 1930. 7,400 ft., sd. Based on the story by
Elinor Glyn.

Credits: Associate producer, Al Rockett; screenplay and dialogue,
Ernest Vajda; editor, Harold Schuster.

SUCH THINGS REALLY HAPPEN. 1915. 2,000 ft.

SUCH WOMEN ARE DANGEROUS. 1934. 7,421 ft., sd. From the story "Odd
Thursday" by Vera Caspary.

Credits: Director, James Flood; screenplay, Jane Storm, Oscar M.
Sheridan; additional dialogue, Lenore Coffee; music director, Louise
de Francisco.

SUCKER MONEY. 1933. 8 reels, sd.

Credits: Directors, Dorothy Reid, Melville Shyer.

SUDDEN BILL DORN. 1937. 6 reels, sd.

Credits: Director, Ray Taylor; story, Jackson Gregory; screenplay,
Frances Guihan; film editor, Bernard Loftus.

SUDDEN MONEY. 1939. 6 reels, sd. Based on a play by Milton Lazarus.

Credits: Director, Nick Grinde; screenplay, Lewis Foster; film
editor, Ellsworth Hoagland.

Credits: Director, Emile Chautard; story, E. Richard Schayer;
scenario, Clara S. Beranger.

SUDS. 1920. 5 reels. From the play "'Op o' Me Thumb" by Frederick Fenn
and Richard Pryce.

Credits: Director, Jack Dillon; adaptation, Waldemar Young.

SUDS OF LOVE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Jay A. Howe.

SUE. 1915. 1 reel.

Credits: Victor Eubank.

SUE MY LAWYER. 1938. 2 reels, sd.

Credits: Director, Jules White; story, Harry Langdon; screenplay,
Ewart Adamson.

SUE OF THE SOUTH. 1919. 5 reels.

Credits: Director, W. Eugene Moore; story, Maud Reeves White;
scenario, Charles J. Wilson, Jr.

SUED FOR LIBEL. 1939. 66 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story,
Wolfe Kaufman; screenplay, Jerry Cady; editor, Desmond Marquette;
music director, Roy Webb.

SUEZ. 1938. 9,389 ft., sd.

Credits: Director, Allan Dwan; story, Sam Duncan; screenplay, Philip
Dunne, Julien Josephson; music director, Louis Silvers.

THE SUFFERIN' BABY. 1915. 700 ft.

Credits: Marie Pavis; director, Will Louis.

THE SUFFERING OF SUSAN. 1914. 1 reel.

A SUFFRAGETTE IN SPITE OF HIMSELF. 1912. 600 ft.

Credits: Bannister Merwin.

SUGAR. (Ford Educational Library. Agriculture) Ford Motion Picture
Laboratories. 1925. 1 reel.

THE SUGAR BOWL FOOTBALL GAME AT NEW ORLEANS, SANTA CLARA VS. L. S. U.,
JANUARY 1, 1938. 1938. 1 reel.

SUGAR DADDIES. 1927. 2 reels.

Credits: Director, Fred L. Guiol.

SUGAR PLUM PAPA. (Educational-Mack Sennett Talking Comedies) 1930. 21
min., sd.

Credits: Director, Mack Sennett.

THE SUICIDE CLUB. SEE Trouble for Two.

SUICIDE FLEET. 1931. 9 reels, sd., b&w. From the story "The Mystery
Ship" by Herbert A. Jones.

Credits: Producer, Charles R. Rogers; director, Albert Rogell;
screenplay, Lew Lipton; continuity and dialogue, F. McGrew Willis;
film editor, Joseph Kane; musical director, Arthur Lange.

THE SUICIDE SHEIK. Snappy. Winkler. 1929. 1 reel.

Credits: Hugh Harman.

SUICIDE SQUAD. 1936. 6 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story,
C. E. Roberts, Ray Nazzaro; scenario, Homer King Gordon; special
dialogue, Edward K. O'Brien; editor, Arthur Brooks; music, Abe
Meyer.

SUITABILITY SELLS SUITS. 1937. For Associated Wool Industries.
Filmstrip, sd.

SUITE HOMES. 1927. 2 reels, b&w. Based on the story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, Zion Myers; scenario, Max Gold.

THE SUITOR. 1920. 2 reels.

Credits: Written and directed by Larry Semon and Norman Taurog.

THE SUITOR. 1929. 1 reel, sd.

Credits: Director, Dick Currier; editor, Arthur F. Ellis.

SUITS TO NUTS. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Harry Sweet; story, Harry
Sweet, Hugh Cummings, Walter Weems, Hal Davitt; film editor, Tom
Persons.

THE SULTAN AND THE ROLLER SKATES. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, C. Jay Williams.

THE SULTAN OF ZULON. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

SULTAN PEPPER. (King Cartoon, no. 7) 1934. 1 reel. Based on "The
Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

Credits: Henry Rowland.

A SULTANA OF THE DESERT. 1915. 2 reels.

Credits: Director, Thomas Santschi.

THE SULTAN'S CAMP OF VICTORY. (Around the World with Burton Holmes)
1930. 1 reel, sd.

THE SULTAN'S CAT. (Paul Terry-Toons) 1931. 6 min.

Credits: Frank Moser, Paul Terry.

SUMMER. (Walt Disney Comic) 1930. 1 reel.

SUMMER BACHELORS. Presented by William Fox. 1926. 6 reels, tinted.
From the novel by Warner Fabian [pseud.].

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SUMMER BOARDERS. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

SUMMER BOARDING. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

SUMMER DAZE. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, H. O. Kusell.

THE SUMMER GIRL. Peerless. Presented by World Pictures. © 1916. Title
changed from "Contrary Mary."

Credits: Director, Edwin August; story, Louis V. Jefferson.

THE SUMMER GIRLS. 1918. 2 reels.

Credits: Director, Edward Cline.

SUMMER IN WINTER. 1921. 1 reel.

Credits: Direction and scenario, E. Dean Parmelee.

SUMMER KNIGHTS. Snappy. 1928. 1 reel.

Credits: Story and direction, Ansel Friedberger; continuity, George
H. Plympton.

SUMMER LIGHTNING. SEE I Met My Love Again.

A SUMMER RESORT IDYLL. 1914. 1 reel.

Credits: Dorothy H. Brown.

SUMMER SAPS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

SUMMERS AND HUNT IN SOME PUMPKINS. 1929. 1 reel, sd.

SUMMERTIME. (Aesop Sound Fable) Presented by The Van Buren Corp. 1929.
1 reel, sd.

Credits: John Foster.

SUMMER TIME. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931.
6 min.

Credits: Frank Moser, Paul Terry.

THE SUMMONING SHOT. 1915. 1 reel.

Credits: Producer, John L. Hawkinson.

SUN-CHASERS. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

THE SUN NEVER SETS. 1939. 10 reels, sd.

Credits: Producer and director, Rowland V. Lee; story, Jerry Horwin,
Arthur FitzRichard; screenplay, W. P. Lipscomb; film editor, Ted
Kent.

THE SUNBEAM. 1916. 5 reels.

Credits: Shannon Fife; director, Edwin Carewe; scenario, June
Mathis.

SUNBEAMS. (Robert C. Bruce Scenic Novelties) Presented by E. W.
Hammons. 1926. 1 reel.

A SUNBONNET BLUE. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
animation, Sid Sutherland, Virgil Ross; musical score, Carl W.
Stalling.

SUNDAE SERENADE. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

Credits: Producer, George Lederer; screen version, Herbert Hall
Winslow.

A SUNDAY AFTERNOON IN RURAL ENGLAND. 1912.

SUNDAY CLOTHES. (Scrappy) Presented by Columbia Pictures Corp. 1931. 1
reel, sd.

Credits: Dick Heumer; producer, Charles Mintz; animation, Sid
Marcus; musical score, Joe De Nat.

SUNDAY GO TO MEETIN' TIME. (Merrie Melodies) 1936. 1 reel. Sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng;
animation, Bob McKimson, Paul Smith; musical score, Norman Spencer.

SUNDAY MORNING. 1929. 2 reels.

Credits: Director, Harry Edwards.

SUNDAY NIGHT AT THE TROCADERO. 1937. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney; dialogue,
John Krafft.

SUNDAY ON THE FARM. (Fables, no. 380) 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE SUNDAY ROUND-UP. 1937. 2 reels, sd.

Credits: Director, William Clemens; original story, William Collier,
Jr.; screenplay, H. C. Witwer, Jr., Olga Jamison.

SUNDAY SPORTS IN MEXICO. Treasure Chest. Presented by E. W. Hammons.
1935. 917 ft., sd.

Credits: Director, Antonio Samaniego; narration, Norman Brokenshire.

SUNDAYING IN FAIRVIEW. Black Cat. 1917. 2 reels.

Credits: Director, L. C. Windom; story, Charles J. McGuirk.

SUN DOG TRAILS. 1923. 5 reels.

Credits: Director, Lewis King; story, W. C. Tuttle; scenario, Daniel
Whitcomb.

SUNDOWN. 1924. 8 reels.

Credits: E. J. Hudson; directors, Laurence Trimble, Harry O. Hoyt.

SUNDOWN ON THE PRAIRIE. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and
screenplay, William Nolte, Edmond Kelso; additional dialogue, Edmond
Kelso.

SUNDOWN RIDER. 1932. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Jack
Neville.

SUNDOWN SLIM. 1920. 5 reels. From the story by H. H. Knibbs.

Credits: Director, Val Paul.

SUNDOWN SLIM. SEE The Burning Trail.

THE SUNDOWN TRAIL. 1919. 6 reels.

Credits: Director, Rollin Sturgeon; story, J. G. Hawks; scenario,
Waldemar Young.

SUNDOWN TRAIL. 1931. 6 reels, sd., b&w. From the story by Robert F.
Hill.

Credits: Supervision, Fred Allen; direction and dialogue, Robert F.
Hill; music director, Arthur Lange.

Credits: Producer and director, George B. Seitz; scenario and
adaptation, Frank Leon Smith.

SUNKISSED SWEETIES. (Andy Clyde Comedies) 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest
Pagano, Jack Townley.

SUNKIST STARS AT PALM SPRINGS. (An M-G-M Musical Revue) 1936. 2 reels,
sd., color.

Credits: Producer, Louis Lewyn; director, Roy Rowland; dialogue,
John Krafft.

SUNLIGHT AND SHADOW. Imp. 1916. 1 reel.

Credits: Written and produced by Brinsley Shaw; scenario, May B.
Havey.

SUNLIGHT'S LAST RAID. 1917. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady.

SUNNY. First National & Vitaphone. 1930. 80 min., sd.

Credits: Producer and director, William A. Seiter; book and lyrics,
Otto Harbach, Oscar Hammerstein, II.; music, Jerome Kern.

SUNNY CALIFORNIA. SEE May McAvoy in Sunny California.

A SUNNYDAY EVERYDAY. 1937. For Crane Co. Filmstrip, sd.

SUNNY DUCROW. SEE Sunny Side up.

SUNNY GYM. Century. 1923. 2 reels.

Credits: Written and directed by Herman C. Raymaker.

SUNNY ITALY. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

SUNNY JIM IN A BARREL OF GOLD; or, THE WONDERFUL DEVELOPMENT IN FOUR
YEARS OF A PRAIRIE INTO ONE OF THE WORLD'S GREATEST LEAD AND ZINC
MINING DISTRICTS. © 1920.

Credits: Producer, George Walter Staton.

SUNNY JIM IN SEARCH OF A MOTHER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

SUNNY SANDS AND DRIFTING SNOW. SEE Henpecks and Pecked Hens, Sunny
Sands and Drifting Snow, and Memories.

SUNNYSIDE. 1919. 3 reels.

Credits: Written and produced by Charlie Chaplin.

SUNNY SIDE UP. De Mille Pictures Corp. Released by Producers
Distributing Corp. 1926. 6 reels. From the novel "Sunny Ducrow" by
Henry St. John Cooper.

Credits: Supervision, Elmer Harris; director, Donald Crisp;
adaptation, Beulah Marie Dix, Elmer Harris.

SUNNYSIDE UP. 1929. 12,000 ft., sd.

Credits: Continuity directed by David Butler, Ernest Palmer; staged
by Seymour Felix; edited by Irene Morra.

SUNNY SKIES. 1930. 8 reels, sd.

Credits: Director, Norman Taurog; story, A. P. Younger; continuity.
Earl Snell.

SUNNY SOUTH. (An Oswald Comedy) Snappy. 1931. 1 reel.

THE SUNNY SOUTH. (Paul Terry Toons) Educational Pictures. Presented by
E. W. Hammons. 1933. 518 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A.
Scheib.

SUNNY, THE CATTLE THIEF. 1913. 1 reel.

Credits: Director, W. J. Bauman.

SUNRISE. 1927. 10 reels.

Credits: Hermann Sudermann; director, F. W. Murnau; scenario, Carl
Mayer.

THE SUNRISE TRAIL. 1931. 6 reels, sd.

Credits: Director, J. P. McCarthy; story and adaptation, Wellyn
Totman.

THE SUNSET DERBY. 1927. 6 reels.

Credits: Producer, Charles R. Rogers; director, Albert Rogell;
story, William Dudley Pelley; scenario, Curtis Benton.

THE SUNSET HUNTER. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

SUNSET JONES. 1921. 5 reels.

Credits: Director, George L. Cox; adaptation, Daniel F. Whitcomb.

THE SUNSET LEGION. 1928. 7 reels.

Credits: Director, Lloyd Ingraham, Alfred L. Werker; story, Frank M.
Clifton.

SUNSET OF POWER. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; original story,
J. E. Grinsted; screenplay, Earl Snell; film editor, Bernard Loftus.

SUNSET PASS. 1929. 5,862 ft. Based on the story by Zane Grey.

Credits: Director, Otto Brower; adaptation, J. Walter Ruben, Ray
Harris.

SUNSET PASS. 1933. 7 reels, sd. From the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham,
Gerald Geraghty.

SUNSET RANGE. 1935. 6 reels, sd.

Credits: Director, Ray McCarey; story and continuity, Paul
Schofield.

SUNSET SPRAGUE. 1920. 5 reels.

Credits: Director, Thomas Heffron, Paul Cazeneuve; story and
scenario, Clyde C. Westover.

THE SUNSET STRIP CASE. 1938. 7 reels, sd. From the original story
"Murder on Sunset Boulevard" by Harold Joyce.

Credits: Producer, George Hirliman; director, Louis Gasnier;
screenplay, Arthur Hoerl, Paul Franklin; film editor, Martin G.
Cohn; music supervision, Hugo Riesenfeld; music director, Sam
Coslow.

THE SUNSET TRAIL. 1917. 5 reels. From the story by Alice McIver.

Credits: Director, George H. Melford; adaptation, Beulah Marie Dix.

THE SUNSET TRAIL. 1924. 5 reels.

Credits: Director, Ernst Laemmle; adaptation, Isadore Bernstein;
continuity, Wyndham Gittens.

SUNSET TRAIL. Presented by Adolph Zukor. 1939. 7 reels, sd. Based on
characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander;
screenplay, Norman Houston.

SUNSHINE ALLEY. 1917. 6 reels.

Credits: Director, John Noble; story, Mary Rider.

SUNSHINE AND SHADOWS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

SUNSHINE AND SHADOWS. (Paramount-Post Nature Pictures) Post Pictures
Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

THE SUNSHINE BOYS, DAVE RINGLE, EDDIE ROTH [AND] BILLY SHARKEY [IN] A
TRIPLE ALLIANCE OF SONG, MUSIC [AND] FUN. 1927. 1 reel each.

SUNSHINE DAD. 1916. 5 reels.

Credits: Scenario, Chester Withey, F. M. Pierson.

THE SUNSHINE MAKERS. Released by RKO Radio. 1935. 1 reel, color.

Credits: Directors, Burt Gillett, Ted Eshbaugh.

SUNSHINE NAN. 1918. Adapted from "Calvary Alley" by Alice Hegan Rice.
5 reels.

Credits: Director, Charles Giblyn; scenario, Eve Unsell.

SUNSHINE SAMMY AND HIS BROTHERS IN STEPPIN' ALONG. (Movietone Act)
1929. 1 reel, sd.

SUNSHINE SUSIE. SEE The Office Girl.

THE SUNSHINE TRAIL. 1923. 5 reels.

Credits: William Wallace Cook; adaptation, Bradley King.

SUNSHINE'S DARK MOMENT. (Barney Google Series, no. 7) 1929. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, George
Gray.

SUN UP. 1925. 7 reels, b&w, tinted sequences. From the play by Lulu S.
Vollmer.

Credits: Production, direction, scenario, and adaptation, Edmund
Goulding; story, Lulu S. Vollmer; film editor, Harold Young.

SUPER OF THE GAIETY. SEE His Tiger Lady.

SUPER-ATHLETES. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SUPERIOR CLAIM. Bison. 1915. 3 reels.

Credits: Ben Cohn; producer, Jos. Franz.

THE SUPERIOR WHIPPET'S DOLLAR FOR DOLLAR VALUE. 1929. 1 reel.

SUPERNATURAL. 1933. 7 reels, sd.

Credits: Producers, Victor and Edward Halperin; director, Victor
Halperin; dialogue director, Sidney Salkow; story and adaptation,
Garnett Weston; screenplay, Harvey Thew, Brian Marlow.

THE SUPER-SEX. 1922. 5,749 ft. Adapted from the story "Miles Brewster
and the Super-Sex" by Frank R. Adams.

Credits: Producer, Frank R. Adams; direction, adaptation, and
scenario, Lambert Hillyer.

SUPER-SLEUTH. 1937. 7 reels, sd. From the play by Harry Segall.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay,
Gertrude Purcell, Ernest Pagano; editor, William Hamilton.

THE SUPER SNOOPER. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Harry J. Edwards; story
and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts,
Beatrice Van.

THE SUPER SNOOPER. 1937. 2 reels.

Credits: Director, Preston Black; story and screenplay, Ewart
Adamson.

SUPER-SOLVENIZED PRIZE CONTEST, APRIL 1 TO MAY 31, 1936. 1936. 1 reel.
Sd.

SUPERSPEED. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold
Shumate; film editor, Otto Meyer.

SUPERSTITION. 1920. 2 reels.

Credits: Director, Edward Laemmle; story, A. H. Gooden; scenario,
Ford Beebe.

THE SUPERSTITION OF THE BLACK CAT. (Paramount Varieties) Presented by
Adolphe Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THE RABBIT'S FOOT. Presented by Adolph Zukor.
1935. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THREE ON A MATCH. (Paramount Varieties) Presented
by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF WALKING UNDER A LADDER. (Paramount Varieties)
Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

SUPERSTITIONS OF SPORTS CHAMPIONS. SEE The Fortune Telling Racket,
Superstitions of Sports Champions, and a Visit to West Point.

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Comments

Motion pictures, 1912-1939Chapter I: PROMESSI SPOSI. SEE The Betrothed (18)

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