Chapter I: PROMESSI SPOSI. SEE The Betrothed (10)

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13. Over the Falls. © title, descr. & 48 prints, 8Dec17; LU11804.

13. © title, descr. & 43 prints, 3Apr18; LU12252.

14. © title, descr. & 25 prints, 3Apr18; LU12253.

15. © title, descr. & 30 prints, 3Apr18; LU12254.

SEVEN SINNERS. 1925. 7 reels.

Credits: Director, Louis Milestone; story and adaptation, Louis
Milestone, Darryl Francis Zanuck.

SEVEN SINNERS. 1936. 8 reels.

Credits: Director, Albert De Courville; story, Arnold Ridley,
Bernard Merlvale; screenplay, Sidney Gilliat, Frank Launder;
additional dialogue, Austin Melford; adaptation, L. Du Garde Peach;
editor, M. Gordon; music director, Louis Levy.

THE SEVEN SWANS. 1917. 5 reels.

Credits: Story and direction, J. Searle Dawley.

SEVEN UP LIKES YOU AND YOU AND YOU.... No. 40X-52X. 1938. 1 reel each,
sd.

THE SEVEN WONDERS OF WOOL. 1935. Filmstrip, sd.

SEVEN YEARS BAD LUCK. 1913. 1 reel.

Credits: Alice Williams.

SEVEN YEARS BAD LUCK. 1921. 5 reels.

Credits: Written and directed by Max Linder.

SEVENTEEN. Released by Paramount Pictures Corp. 1916. 5 reels. A
picturization of the book by Booth Tarkington.

Credits: Director, Robert G. Vignola.

THE SEVENTH DAY. 1915. 1,000 ft.

Credits: K. E. Horton; director, Will Louis.

THE SEVENTH DAY. 1922. 6 reels.

Credits: Porter Emerson Browne; director, Henry King.

SEVENTH HEAVEN. Presented by William Fox. 1927. 12 reels. From the
play by Austin Strong.

Credits: Director, Frank Borzage; scenario, Benjamin Glazer.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by
Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music
director, Louis Silvers.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by
Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music
director, Louis Silvers.

THE SEVENTH SHERIFF. 1923. 5 reels.

Credits: Written and directed by Richard Hatton.

THE SEVENTH SON. 1917. 1 reel.

Credits: Hal Reed.

SEVENTY AND SEVEN. Black Cat. 1917. 2 reels.

70,000 WITNESSES. 1932. 8 reels, sd. From the novel by Cortland
Fitzsimmons.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy;
screenplay, Garrett Fort, Robert N. Lee; dialogue, P. J. Wolfson,
Allen Rivkin.

SEVILLE IN FAIR TIME. (Paramount-Burton Holmes Travel Picture) 1921. 1
reel.

SEWAGE DISPOSAL. 1930. 1 reel.

SEX. Presented by J. Parker Read, Jr. 1920. 7 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan.

THE SEX LIFE OF THE POLYP. SEE Robert Benchley in The Sex Life of the
Polyp.

Credits: Scenario and direction by Ivan Abramson; story, Don Dundas.

THE SEYMOUR HOUSE PARTY. 1915. 1 reel.

Credits: Director, George E. Reehm.

SEZ O'REILLY TO MACNAB. Gainsborough. 1937. 9 reels, sd.

Credits: Director, William Beaudine; story, Howard Irving Young;
screenplay, Leslie Arliss; dialogue, Marriott Edgar; music director,
Louis Levy.

SEZ YOU. Fey Production, Ltd. 1932. 1 reel, sd.

Credits: Director, Lou Breslow; story and dialogue, Ray Mayer;
editor, William Austin.

SH! THE OCTOPUS. 1937. 6 reels, sd. From plays by Ralph Spence, Ralph
Murphy, and Donald Gallaher.

Credits: Director, William McGann; screenplay, George Bricker;
dialogue editor, Hugh Cummings; film editor, Clarence Kolster.

THE SHABBIES. 1915. 2 reels.

Credits: Director, Wilfrid North.

SHACKLE SHOPPING WITH MR. SHEPARD. 1928. 1 reel.

SHACKLES. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story, Laura Oakley; scenario,
F. McGrew Willis.

SHACKLES OF GOLD. 1922. 6 reels. From the play "Samson" by Henri
Bernstein.

Credits: Director, Herbert Brenon; screen version, Paul H. Sloane.

THE SHADOW. Victor. 1916. 1-1/2 reels.

Credits: Director, Allan J. Holubar; scenario, E. B. Lewis.

THE SHADOW. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Milton Raison;
screenplay, Arthur T. Horman; film editor, Byron Robinson; music
director, Morris Stoloff.

THE SHADOW AND THE SHADE. 1915. 2 reels.

Credits: Director, Edw. J. Le Saint.

THE SHADOW BETWEEN. 1932. 7 reels.

Credits: Direction and scenario, Norman Walker.

SHADOW BOXING (DEFENSIVE). (Models in Motion) 1931. 243 ft.

THE SHADOW LAUGHS. 1933. 8 reels, sd.

Credits: Written and directed by Arthur Hoerl.

Credits: Director, Ray Physioc.

SHADOW OF DOUBT. 1935. 8 reels, sd., b&w. From the story by Arthur
Somers Roche.

Credits: Producer, Lucien Hubbard; director, George B. Seitz;
screenplay, Wells Root; film editor, Basil Wrangell; synchronized
score, Oscar Radin.

THE SHADOW OF FEAR. 1915. 1 reel.

Credits: Director, William Humphrey.

THE SHADOW OF ROSALIE BYRNES. 1920. 5 reels.

Credits: Director, George Archainbaud; story, Grace Sartwell Mason;
scenario, R. Cecil Smith.

THE SHADOW OF SUSPICION. 1921. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H.
Plympton.

THE SHADOW OF SUSPICION. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H.
Plympton.

SHADOW OF THE DRAGON. (Vagabond Adventure Series, no. 23) The Van
Beuren Corp. 1931. 1 reel.

THE SHADOW OF THE EAST. 1924. 6 reels.

Credits: Director, George Archainbaud; story, E. M. Hull; scenario,
Frederic Hatton, Fannie Hatton.

THE SHADOW OF THE LAW. Baird-Beck. © 1926. From the novel by Henry
Chapman Ford.

Credits: Director, Wallace Worsley.

SHADOW OF THE LAW. 1930. 9 reels. From the novel "The Quarry" by John
A. Moroso.

Credits: Director, Louis Gasnier; story, Max Marcin; scenario, John
Farrow; film editor, Bob Bassler.

THE SHADOW OF THE PAST. 1914. 3 reels.

THE SHADOW OF THE ROPE. SEE Out of the Shadow.

THE SHADOW ON THE WALL. Gotham. 1925. 6 reels. Adapted from the book
"The Picture on the Wall" by J. Breckenridge Ellis.

Credits: Director, Reaves Eason; continuity, Elsie Werner.

SHADOW RANCH. 1930. 6 reels.

Credits: Producer, Harry Cohn; director, Louis King.

THE SHADOW SINISTER. Big U. 1916. 1 reel.

Credits: Albert Russell; producer, A. W. Rice.

THE SHADOW STRIKES. Presented by Edward L. Alperson. 1937. 6 reels,
sd. Based on the story "The Ghost of the Manor" by Maxwell Grant.

Credits: Producers, Max and Arthur Alexander; director, Lynn Shores;
adaptation, Al Martin, Rex Taylor; screenplay, Al Martin.

SHADOW THEORY. 1928. 1 reel. Adapted from Krazy Kat cartoon by George
Herriman.

Credits: Ben Harrison, Manny Gould.

A SHADOWED SHADOW. Joker. 1916. 1 reel.

Credits: Jack Byrne; director, William Beaudine.

SHADOWING HENRY. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Drew.

SHADOWLAND SCREEN REVIEW. 1921. 1 reel.

Credits: Editor, Arthur DeVere Storey.

Credits: Scenario, Max Goldberg.

SHADOWS. Goldwyn. 1918. 5 reels.

Credits: Director, Reginald Barker; story, Willard Mack.

SHADOWS. Presented by B. P. Schulberg. 1922. 83 min. Based on the
story "Ching, Ching, Chinaman" by Wilbur Daniel Steele.

Credits: Producer and director, Tom Forman; scenario, Eve Unsell,
Hope Loring.

SHADOWS. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

SHADOWS. SEE Head over Heels.

SHADOWS FROM THE PAST. 1915. 4 reels.

Credits: Richard Ridgely.

© Popular Plays & Players, Inc. (Herbert Blache and Aaron Hoffman,
authors); title & 52 prints, 28May15; descr., 8Jul15; LU5797.

THE SHADOWS OF A GREAT CITY. 1915. 5 reels.

Credits: Producer and director, John P. McCarthy; story and
photoplay, John P. McCarthy, Francis Powers; editor, Fred S. Allen.

© John P. McCarthy (John P. McCarthy and Francis Powers, authors);
title & 173 prints, 19Sep21; descr., 20Sep21; LU17075.

Credits: Producer, W. D. Russell.

SHADOWS OF HER PAST. 1918. 2 reels.

Credits: Henry Lehrman.

SHADOWS OF PARIS. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1924. 6,549 ft. From the play "Mon Homme" by André Picard and
Francis Carco.

Credits: Producer and director, Herbert Brenon; scenario, Eve
Unsell; adaptation, Fred Jackson.

SHADOWS OF SING SING. 1933. 7 reels, sd.

Credits: Director, Phil Rosen; story, Katherine Scola, Doris Malloy;
screenplay, Albert DeMond; film editor, John Rawlins.

SHADOWS OF SUSPICION. Laemmle. 1916. 1 reel.

Credits: Arthur Maude, Constance Crawley; producer, Donald
MacDonald.

SHADOWS OF THE MOULIN ROUGE. 1914. 4 reels.

Credits: Produced and written by Alice Blache.

SHADOWS OF THE NIGHT. 1928. 7 reels, b&w.

Credits: Adaptation and direction, D. Ross Lederman; story, Ted
Shane; film editor, Dan Sharits.

SHADOWS OF THE NIGHT. SEE The Gangsters.

SHADOWS OF THE NORTH. 1923. 5 reels.

Credits: Director, Robert F. Hill; story, Edison Marshall; scenario,
Paul Schofield.

SHADOWS OF THE ORIENT. 1937. 7 reels, sd.

Credits: Director, Burt Lynwood; original story, L. E. Heifetz;
screenplay and adaptation, Charles Francis Royal.

SHADOWS OF THE PAST. 1919. 5 reels.

Credits: Director, Ralph Ince; editors, Mr. and Mrs. George Randolph
Chester.

SHADOWS OF THE SEA. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Producer and director, Alan Crosland; story, Frank A.
Dazey; scenario, Lewis Allen Browne.

SHADOWS OVER SHANGHAI. Released through Grand National. 1938. 7 reels,
sd.

Credits: Producer, Franklyn Warner; director, Charles Lamont;
original story, Richard B. Sale; screenplay, Joseph Hoffman; film
editor, Bernard Loftus.

THE SHADY LADY. 1929. 7 reels. From the story suggested by Leonard
Praskins and Richard L. Sharpe.

Credits: Producer, Ralph Black; director, Edward H. Griffith; story
and continuity, Jack Jungmeyer; film editor, Doane Harrison.

SHAKE IT UP WITH MORAN & CHALLIS AND THEIR CHEERFUL STEPPERS. 1929. 1
reel, sd.

SHAKE, MR. SHAKESPEARE. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SHAKE YOUR POWDER PUFF. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng;
animation, Bob McKimson, Bob Clampett; musical score, Bernard B.
Brown.

THE SHAKEDOWN. Jewel. 1928. 7 reels.

Credits: Director, William Wyler; story and continuity, Charles A.
Logue; adaptation, Clarence Marks.

SHAKEDOWN. 1936. 6 reels.

Credits: Director, David Selman; story, Barry Shipman; screenplay,
Grace Neville; film editor, Gene Milford.

SHAKESPEARE WITH TIN EARS. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Harry Sweet, Leslie
Goodwins; story, Harry Sweet, Hugh Cummings; film editor, Tholan
Gladden.

A SHAKY FAMILY TREE. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson; story and scenario, Lew Lipton.

SHALL CURFEW RING TO-NIGHT? 1914. Split reel.

SHALL WE DANCE. 1937. 12 reels, sd.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; story,
Lee Loeb, Harold Buchman; adaptation, P. J. Wolfson; screenplay,
Allan Scott, Ernest Pagano; editor, William Hamilton; music
director, Nathaniel Shilkret; music, George Gershwin; lyrics, Ira
Gershwin.

SHALL WE FORGIVE HER? Presented by William A. Brady. © 1917. From the
play by Charles Sarver.

Credits: Director, Arthur Ashley.

SHAM. 1921. 5 reels. From the play by Elmer Harris and Geraldine
Bonner.

Credits: Director, Thomas N. Heffron.

SHAM POO, THE MAGICIAN. (Headliner Series) 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story,
Harry Sweet, Hugh Cummings; film editor, Daniel Mandell.

THE SHAM REALITY. Rex. 1916. 1/2 reel.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

SHAME. 1921. 8 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, Max Brand [pseud. of
Frederick Faust]; adaptation and scenario, Emmett J. Flynn, Bernard
McConville.

THE SHAME OF THE BULLCON. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHAMEFUL BEHAVIOR. Preferred. Presented by J. G. Bachmann. 1926. 6
reels. From the novel by Mrs. Belloc Lowndes.

Credits: Director, Albert Kelley; adaptation, George Scarborough;
continuity, Douglas Bronston.

SHAMROCK. 1928. 3 reels. Adapted from the sketch by Edgar Allan Woolf.

Credits: Scenario and direction, Marcel G. Silver.

SHAMROCK ALLEY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

THE SHAMROCK HANDICAP. 1926. 6 reels, tinted.

Credits: Director, John Ford; story, Peter B. Kyne; scenario, John
Stone.

SHAMS. SEE Shams of Society.

SHAMS OF SOCIETY. 1921. 6 reels. From "Shams" by Walter McNamara.

Credits: Director, Thomas B. Walsh; story, Walter McNamara;
adaptation, Mary Murillo, Kenneth O'Hara.

SHANGHAI. (A Vagabond Adventure Series) 1932. 1 reel.

Credits: Narrator, Gayne Whitman.

SHANGHAI. Presented by Adolph Zukor. 1935. 8 reels.

Credits: Producer, Walter Wanger; director, James Flood; original
screenplay, Gene Towne, Graham Baker, Lynn Starling; film editor,
Otho Lovering.

SHANGHAI BOUND. 1927. 6 reels.

Credits: Director, Luther Reed; story, E. S. O'Reilly; screenplay,
John Goodrich, Ray Harris.

SHANGHAI EXPRESS. 1932. 9 reels. Based on the story by Harry Hervey.

Credits: Director, Josef von Sternberg; screenplay, Jules Furthman.

SHANGHAI LADY. 1929. 7 reels. From the play "Drifting" by John Colton.

Credits: Director, John S. Robertson.

SHANGHAI MADNESS. 1933. 5,700 ft., sd.

Credits: Director, John Blystone; story, Frederick Hazlitt Brennan;
adaptation, Austin Parker, Gordon Wong Wellesley; screenplay, Austin
Parker; editor, Margaret Clancy.

SHANGHAIED. 1915. 2 reels.

SHANGHAIED. 1927. 7 reels. From an original story "Limehouse Polly" by
Edward J. Montagne.

Credits: Director, Ralph Ince; adaptation, J. G. Hawks.

SHANGHAIED. (Walt Disney's Mickey Mouse) 1934. 1 reel.

THE SHANGHAIED BABY. 1915. 3,000 ft.

SHANGHAIED LOVE. 1931. 7 reels, sd. From the story "Then Hell Broke
Loose" by Norman Springer.

Credits: Director, George B. Seitz; adaptation and dialogue, Roy
Chanslor, Jack Cunningham; film editor, Gene Milford.

SHANGHAIED SHIPMATES. (Looney Tunes) 1936. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King;
animation, Paul Smith, Joe D'Igalo; music, Norman Spencer.

SHANKS AND CHIVALRY. 1916. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

SHANKS AND CHIVALRY. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham
Baker.

THE SHANNONS OF BROADWAY. 1929. 8 reels. From the play by James
Gleason.

Credits: Director, Emmett J. Flynn; adaptation, Agnes Christine
Johnston.

SHANNONS OF BROADWAY. SEE Goodbye Broadway.

THE SHANTY AT TREMBLING HILL. 1914. 2 reels. Adapted from the Munsey
Magazines.

THE SHANTY WHERE SANTA CLAUS LIVES. The Vitaphone Corp. 1933. 1 reel.

SHAPES AND SCRAPES. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

SHARE AND SHARE ALIKE. 1925. 6 reels.

Credits: Director, Whitman Bennett; story, Reginald Wright Kaufman.

SHARE THE WEALTH. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black.

THE SHARK. 1920. 5 reels.

Credits: Director, Del Henderson; story and scenario, Thomas F.
Fallon.

SHARK FISHING. 1931. 955 ft.

THE SHARK MASTER. 1921. 5 reels.

Credits: Story and production, Fred Leroy Granville; scenario,
George Hull.

SHARK MONROE. 1918. 5 reels.

Credits: Story, C. Gardner Sullivan; director, William S. Hart.

SHARKS AND SWORDFISH. (A Fisherman's Paradise Picture) 1931. 1 reel,
sd.

Credits: Pete Smith.

Credits: L. DeLorme, H. E. Hancock.

SHARP SHOOTERS. 1928. 6 reels.

Credits: Director, J. G. Blystone; story, Randall H. Faye; scenario,
Marion Orth.

SHARP TOOLS. SEE Ethel Grey Terry in Sharp Tools.

SHARPS AND FLATS. SEE

Conlin and Glass in Sharps and Flats.

Krazy Kat in Sharps and Flats.

SHARPSHOOTERS. 1938. 5,746 ft., sd.

Credits: Director, James Tinling; original story, Maurice Rapf,
Lester Ziffren; screenplay, Robert Ellis, Helen Logan; music
director, Samuel Kaylin.

SHATTERED DREAMS. 1921. 5 reels. Adapted from the novel "Wind Along
the Waste" by Maude Annesley.

Credits: Producer, Paul Scardon; adaptation, J. Grubb Alexander.

SHATTERED IDEALS. Special Big U. 1916. 1 reel.

SHATTERED IDOLS. First National. 1921. 6 reels.

Credits: Director, Edward Sloman; story, I. A. R. Wylie; scenario,
William V. Mong.

SHATTERED LIVES. Gotham. Presented by Samuel Sax. 1925. 6 reels.

Credits: Story, Victor Gibson; adaptation, direction and continuity,
Henry McCarty.

SHATTERED MEMORIES. Gold Seal. 1915. 3 reels.

Credits: Producer, Robert Leonard; scenario, Grant Carpenter.

SHATTERED NERVES. Rex. 1915.

Credits: Anthony P. Kelly; producer, Ben Wilson.

THE SHATTERED TREE. 1914. 2 reels.

Credits: Director, Ben Wilson.

THE SHAUGHRAUN. SEE My Wild Irish Rose.

SHAVE IT WITH MUSIC. 1932. 2 reels, sd.

Credits: Director, Kenneth Webb; story, Raymond W. Peck; music
director, Charles A. Prince.

SHAVED IN MEXICO. L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

SHAW AND LEE IN GOING PLACES. 1930. 1 reel.

SHAW AND LEE, THE BEAU BRUMMELLS. 1928. 1 reel.

Credits: Producer, Will Barker; scenario, Nellie E. Lucoque.

SHE. 1917. For Fox Film Corp. 5 reels. Based on the story by H. Rider
Haggard.

Credits: Director, Kenean Buel; adaptation, Mary Murillo.

SHE. 1935. 11 reels, sd. From the novel by H. Rider Haggard.

Credits: Producer, Merian C. Cooper; directors, Irving Pichel,
Lansing C. Holden; adaptation, continuity, and dialogue, Ruth Rose;
additional dialogue, Dudley Nichols; editor, Ted Cheesman.

SHE ASKED FOR IT. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Erle C. Kenton;
screenplay, Frederick Jackson, Theodore Reeves, Howard Irving Young;
film editor, Robert Bischoff; music director, Boris Morros.

SHE CAUGHT ON QUICK. (Minute Movie, no. 6) © 1938. Sd., b&w. color
sequences, 35 mm.

SHE COULDN'T HELP IT. 1920. 5 reels. From the novel "In the Bishop's
Carriage" by Miriam Michelson and the play by Channing Pollock.

Credits: Scenario, Douglas Bronston.

SHE COULDN'T SAY NO. Trailer. 1929. 1 reel, sd.

SHE COULDN'T SAY NO. 1930. 7 reels.

Credits: Benj. M. Kaye; director, Lloyd Bacon; screenplay and
dialogue, Robert Lord, Arthur Caesar.

SHE COULDN'T TAKE IT. 1935. 8 reels, sd.

Credits: Director, Tay Garnett; story, Gene Towne, Graham Baker;
screenplay, Oliver H. P. Garrett; film editor, Gene Havlick.

THE SHE-DEVIL. 1918. 6 reels.

Credits: Director, J. Gordon Edwards; story, Neje Hopkins.

SHE DID HER BIT. 1918. 2 reels.

Credits: Director, J. G. Blystone.

SHE DONE HIM RIGHT. Snappy. (Pooch the Pup Cartoon) 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

SHE DONE HIM WRONG. 1933. 7 reels, sd.

Credits: Director, Lowell Sherman; story, Mae West; screenplay,
Harvey Thew, John Bright; music, Ralph Rainger.

SHE GETS HER MAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, David Diamond; director, William Nigh;
story, Aben Kandel, David Diamond; screenplay, Aben Kandel; film
editor, Bernard W. Burton.

SHE GOES TO WAR. 1929. 10 reels. Sd. From the novel by Rupert Hughes.

Credits: Produced and directed by Henry King; scenario, Howard
Estabrook; adaptation, Fred de Gresac.

A SHE-GOING SAILOR. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Frank Conklin; titles, Al
Martin.

SHE GOT WHAT SHE WANTED. Released by Tiffany. 1930. 9 reels. From the
stage success by George Rosener.

Credits: Producers, James Cruze, Samuel Zierler; director, James
Cruze; continuity and dialogue, George Rosener.

SHE GOT WHAT SHE WANTED. (Minute Movie, no. 5) © 1938. Sd., b&w, color
sequences, 35 mm.

SHE HAD TO CHOOSE. 1934. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Ralph Ceder; original
story, Mann Page, Izzola Forrester; adaptation, Houston Branch;
editor, Charles Harris.

SHE HAD TO EAT. 1937. 6,698 ft., sd. Based on stories by M. M.
Musselman and James Edward Grant.

Credits: Director, Malcolm St. Clair; screenplay, Samuel G. Engel;
music, Samuel Kaylin.

SHE HAD TO SAY YES. Presented by First National Pictures, Inc. and the
Vitaphone Corp. 1933. 7 reels. Based on the story "Customer's Girl"
by John Francis Larkin.

Credits: Director, Busby Berkeley, George Amy; screenplay, Rian
James, Don Mullaly.

SHE HIRED A HUSBAND. 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor.

SHE KISSED THE MAT. 1920. 1 reel.

SHE LEARNED ABOUT SAILORS. 1934. 9 reels, sd.

Credits: Director, George Marshall; story, Randall H. Faye;
screenplay, William Conselman, Henry Johnson; music director, Samuel
Kaylin.

SHE LOVED A FIREMAN. 1937. 6 reels, sd.

Credits: Director, John Farrow; original screenplay, Carlton Sand,
Morton Grant; dialogue director, Jo Graham; film editor, Thomas
Pratt; music and lyrics, M. K. Jerome, Jack Scholl.

SHE LOVED HIM PLENTY. 1918. 2 reels.

Credits: Director, Richard Jones.

SHE LOVED THEM BOTH. Powers. 1915. 1 reel.

Credits: Production and scenario by Sydney Ayres.

SHE LOVES AND LIES. 1919. 5 reels. From the story by Wilkie Collins.

Credits: Scenario, Grant Carpenter.

SHE LOVES ME NOT. Presented by Adolph Zukor. 1934. 9 reels, sd. From
the novel by Edward Hope [pseud. of Edward Hope Coffey] and the play
by Howard Lindsay.

Credits: Production and screenplay, Benjamin Glazer; director,
Elliott Nugent; music, Mack Gordon, Harry Revel.

SHE MADE HER BED. 1934. 8 reels. From the story "Baby in the Ice-Box"
by James M. Cain.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy;
screenplay, Casey Robinson, Frank R. Adams; adaptation, Richard E.
Schayer.

SHE MADE HIM BLUSH. 1920. 1 reel.

SHE MARRIED A COP. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Sidney Salkow;
original screenplay, Olive Cooper; film editors, Ernest Nims, Murray
Seldeen; animation, Leon Schlesinger; songs, Ralph Freed, Burton
Lane; music director, Cy Feuer.

SHE MARRIED AN ARTIST. 1937. 8 reels, sd. From the story by Avery
Strakosch.

Credits: Producer, Sidney Buchman; director, Marion Gering;
screenplay, Gladys Lehman, Delmar Daves; film editor, Viola
Lawrence; music director, Morris Stoloff.

SHE MARRIED HER BOSS. 1935. 9 reels, sd.

Credits: Director, Gregory LaCava; story, Thyra Samter Winslow;
screenplay, Sidney Buchman; film editor, Richard Cahoon.

SHE MARRIED HER HUSBAND. Special Victor. 1917. 2 reels.

Credits: J. Grubb Alexander; director, Matt Moore.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

SHE OF THE TRIPLE CHEVRON. SEE Over the Border.

SHE OUTDONE HIM. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story,
Harry Sweet, Hugh Cummings; film editor, John Lockert.

SHE REMINDS ME OF YOU. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky,
William Sturm.

SHE SERVED HIM RIGHT. (A Bed-Time Story for Grown-Ups) 1931. 1 reel,
sd.

Credits: Director, Eddie Buzzell; story, Paul Gerard Smith; film
editor, William Lyon.

SHE SIGHED BY THE SEASIDE. Associated Producers. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Erle Kenton.

SHE SNOOPS TO CONQUER. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Director, Fred Guiol; story and adaptation, Ewart Adamson;
film editor, Russel Schoengarth.

SHE STOOPS TO CONQUER. © 1914. Adapted from the play by Oliver
Goldsmith.

SHE TOOK A CHANCE. 1915. 1 reel.

Credits: Director, C. Jay Williams.

SHE TROUPES TO CONQUER. Released by F. B. O. (Beauty Parlor Series,
no. 12) 1927. 2 reels.

Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation,
Tom McNamara; continuity, Jean DuPont; supervising editor, James
Wilkinson.

SHE WANTED A FORD. 1916. 1 reel.

SHE WANTED A MILLIONAIRE. 1932. 6,650 ft., sd.

Credits: Director, John Blystone; story and continuity, Sonya
Levien; screenplay, William Anthony McGuire; editor, Louis Loeffler.

SHE WANTED TO BE A WIDOW. 1915. 1 reel.

Credits: Director, Norval MacGregor.

SHE WAS A LADY. 1934. 7,033 ft., sd. Based on the novel by Elisabeth
Cobb.

Credits: Director, Hamilton MacFadden; screenplay, Gertrude Purcell;
music director, Louis de Francesco.

SHE WAS AN ACROBAT'S DAUGHTER. (Merrie Melodies) 1937. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Bob McKimson, A. C.
Gamer.

SHE WAS SOME VAMPIRE. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

SHE WAS THE OTHER. 1914. 400 ft.

SHE WASN'T HUNGRY—BUT. Nestor. 1918. 1 reel.

SHE WENT FOR A TRAMP. 1931. 2 reels, sd.

Credits: Production, story, and direction, Lou Brock; adaptation and
dialogue, Lloyd French, Mauri Grashin.

SHE WHO GETS SLAPPED. 1930. 1 reel, sd.

SHE WHO LAST LAUGHS. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

SHE WINKED. Joker. 1915. Split reel.

Credits: Written and produced by Arthur McMackin.

THE SHE-WOLF. 1931. 9 reels. Based on the stage play "Mother's
Millions" by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred
Dunn.

SHE WOLVES. 1925. 6 reels, tinted. From David Belasco's stage play
"The Man in Evening Clothes" by André Picard and Yves Mirande,
adapted by Ruth Chatterton.

Credits: Director, Maurice Elvey; scenario, Dorothy Yost.

SHE WON THE PRIZE. 1916. 1 reel.

Credits: Director, George D. Baker.

SHE WRONGED HIM RIGHT. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall,
Thomas Johnson.

SHE WROTE A PLAY AND PLAYED IT. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Ben Cohn.

SHEBA. SEE Playing Around.

SHEBO. SEE Miss Nobody.

SHEEP. 1934. 1 reel.

THE SHEEP RUNNERS. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

SHEEP SKINNED. 1929. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison and
Manny Gould.

SHEEP'S CLOTHING. 1914. 2 reels. Adapted from the novel by Louis
Joseph Vance.

SHEEZA BEAR. SEE A Hot Time in Iceland.

THE SHEIK. 1921. 8 reels. Adapted from the novel by Edith M. Hull.

Credits: Director, George Melford; adaptation, Monte M. Katterjohn.

THE SHEIK OF ARABY. 1922. 5 reels. From the story "The Man Who Turned
White" by F. McGrew Willis.

Credits: Director, Park Frame.

THE SHEIK STEPS OUT. 1937. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Irving Pichel;
original story and screenplay, Adele Buffington; additional
dialogue, Gordon Kahn; film editor, Ernest Nims.

SHEIK TO SHEIK. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

THE SHEIK'S WIFE. 1922. 6 reels.

Credits: Producer, Harilal C. Triwedi; written and directed by Henry
Roussell.

SHELL-FISHING. 1938. 1 reel, sd.

THE SHELL GAME. 1918. 5 reels. Based on the story "Good Will and
Almond Shells" by Kenneth L. Roberts.

Credits: Supervision, Maxwell Karger; adapted and directed by George
D. Baker.

SHELL SOCKED. (Jimmie Adams Comedies) Educational Film Exchanges, Inc.
1926. 2 reels.

Credits: Director, Walter Graham; story, Frank Conklin.

SHELLS AND SHIVERS. 1917. 1 reel.

Credits: Graham Baker, Lawrence Semon; director, Lawrence Semon.

SHELLS AND SHIVERS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham
Baker.

SHELTER. 1937. 1 reel.

SHELTERED DAUGHTERS. 1921. 5 reels.

Credits: Director, Edward Dillon; story, George Bronson Howard;
scenario, Clara Beranger.

THE SHEPHERD KING. 1923. 9 reels. Based on the play by Wright Lorimer
and Arnold Reeves.

Credits: Producer and director, J. Gordon Edwards; scenario,
Virginia Tracey.

THE SHEPHERD OF THE HILLS. © 1919. 10 reels. From the novel by Harold
Bell Wright.

THE SHEPHERD OF THE HILLS. Presented by Richard A. Rowland. 1927. 9
reels. From the story by Harold Bell Wright.

Credits: Producer, Charles R. Rogers; director, Albert Rogell;
adaptation and continuity, Marion Jackson.

THE SHEPHERD OF THE SEVEN HILLS. © 1934. Presented by Joseph F. Moore.
9 reels, sd.

THE SHEPPER-NEWFOUNDER. SEE Part Time Wife.

SHERIFF NELL'S COMEBACK. 1920. 2 reels.

Credits: Supervision, Hamilton Del Ruth; director, Eddie Cline.

SHERIFF NELL'S TUSSLE. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, William Campbell.

Credits: Robert North Bradbury, Frank Howard Clark.

THE SHERIFF OF PINE MOUNTAIN. Rex. 1916. 2 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

THE SHERIFF OF RED ROCK GULCH. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, James Dayton.

THE SHERIFF OF SUN-DOG. 1922. 5 reels. From the story by W. C. Tuttle
in the Adventure Magazine.

Credits: Director, Lewis King.

THE SHERIFF OF WILLOW GULCH. 1914. 1 reel.

THE SHERIFF'S BLUNDER. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

THE SHERIFF'S DILEMMA. 1915. 1 reel.

THE SHERIFF'S DUTY. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S OATH. 1920. 2 reels.

Credits: Director, Phillip Rosen; story, Paul Annitzer.

THE SHERIFF'S REWARD. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S SON. Paramount. Presented by Thomas H. Ince. 1919. 5
reels. From the story by William MacLeod Raine.

Credits: Supervision, Thomas H. Ince; director, Victor L.
Schertzinger; scenario, J. G. Hawks.

THE SHERIFF'S STORY. 1915. 1 reel.

THE SHERIFF'S TRAP. 1915. 1 reel.

SHERLOCK AMBROSE. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

Credits: Written and produced by Bruce Mitchell.

SHERLOCK BROWN. 1921. 5 reels.

Credits: Produced, written, and directed by Bayard Veiller;
scenario, Leonore Coffee.

SHERLOCK HOLMES. 1916. 7 reels.

Credits: William Gillette; director, Arthur Berthelet.

SHERLOCK HOLMES. 1922. 9 reels. Adapted from William Gillette's play
based on the stories by Sir Arthur Conan Doyle.

Credits: Director, Albert Parker.

SHERLOCK HOLMES. 1932. 6,400 ft.

Credits: Director, William K. Howard; editor, Margaret Clancy.

SHERLOCK HOLMES' FATAL HOUR. 1931. 8 reels, sd. Adapted from "The
Final Problem" and "The Empty House" by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril
Twyford; editor, Jack Harris.

THE SHERLOCK HOLMES GIRL. 1913. 1 reel.

Credits: Bliss Milford.

SHERLOCK, JR. Metro. 1924. 5 reels.

Credits: Director, Buster Keaton; written and adapted by Clyde
Bruckman, Jean Havey, Joe Mitchell.

SHERLOCK'S HOME. 1932. 2 reels.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

SHERMAN SAID IT. (Hal Roach Comedy) (A Charley Chase Comedy) Presented
by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

SHERMAN WAS RIGHT. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

Credits: Adaptation, Frances Guihan.

SHERRY LOUISE MARSHALL [and] THE THREE BAD BOYS. 1927. 1 reel.

Credits: Director, Bryan Foy.

SHE'S A BOY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

Credits: Scenario, Bruce Mitchell.

SHE'S A HE. Century. 1923. 2 reels.

SHE'S A HE. (A Sunny Jim Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield.

SHE'S A NATURAL. 1936. For Borden Sales Co. 1 reel, sd.

SHE'S A PIPPIN. 1928. 2 reels. From the cartoon by Rube Goldberg.

SHE'S A PRINCE. (Blue Ribbon Comedy, no. 9) 1926. 2 reels.

SHE'S A SHEIK. 1927. 5,931 ft.

Credits: Produced and directed by Clarence Badger; story, John
McDermott; screenplay, Lloyd Corrigan, Grover Jones.

SHE'S DANGEROUS. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; directors, Lewis R.
Foster, Milton Carruth; original story, Murray Roth, Ben Ryan;
screenplay, Lionel Houser, Albert R. Perkins.

SHE'S EVERYWHERE. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jack Larric;
scenario, Calder Johnston.

SHE'S GOT EVERYTHING. 1938. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Joseph Santley;
screenplay, Harry Segall, Maxwell Shane; editor, Frederic Knudtson;
music director, Frank Tours.

SHE'S MY BABY. 1927. 6 reels.

Credits: Director, Fred Windermere.

SHE'S MY COUSIN. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2
reels.

Credits: Director, Francis Corby; story, William Anthony.

SHE'S MY DAISY. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough.
1931. 1 reel, sd.

SHE'S MY GIRL! (A Stern Brothers Comedy) 1928. 2 reels. From the
cartoons by George McManus.

Credits: Director, Samuel Newfield.

SHE'S MY LILLY, I'M HER WILLIE. Presented by E. W. Hammons. 1934.
1,978 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Bert Granet.

SHE'S MY WEAKNESS. 1930. 8 reels, sd. From the play "Tommy" by Howard
Lindsay and Bertrand Robinson.

Credits: Associate producer, Henry Hobart; director, Melville Brown;
screenplay, J. Walter Ruben.

SH-H! DON'T WAKE THE BABY. Rex. 1915. 1 reel.

Credits: Dorothy Donnell Calhoun; producer, Ben Wilson.

SHIELD OF HONOR. Jewel. 1927. 6 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity,
Leigh Jacobson, Gladys Lehman.

SHIFTING SHADOWS. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

SHIFTS. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

THE SHIFTY SHOPLIFTER. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

A SHILLING FOR CANDLES. SEE The Girl Was Young.

SHIMMIE SHIVERS and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

THE SHINDIG. (Mickey Mouse Cartoon) 1930. 1 reel.

SHINE ON HARVEST MOON. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane,
Reuben Timinsky.

SHINE ON HARVEST MOON. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane;
original screenplay, Jack Natteford; film editor, Lester Orlebeck;
music director, Cy Feuer.

SHINES AND MONKEYSHINES. 1918. 1 reel.

Credits: Montgomery and Rock; director, J. A. Howe.

THE SHINING HOUR. A Frank Borzage Production. Presented by
Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. Based on the play by
Keith Winter.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage;
screenplay, Jane Murfin, Ogden Nash; film editor, Frank E. Hull;
music score, Franz Waxman.

SHIP A HOOEY! 1932. 22 min., sd.

Credits: Producer, Al Christie; director, Harry J. Edwards; story
and dialogue, Carl Harbaugh.

Credits: Written and directed by Charles Parrott.

SHIP AHOY. Paramount-St. John. Presented by J. and S. Warner. 1920. 2
reels.

Credits: Director, Frank C. Griffin.

SHIP AHOY! 1924. 1 reel.

Credits: Director, Slim Summerville; story, Richard Smith.

SHIP AHOY. 1929. 3 reels, sd., b&w.

SHIP AHOY. 1930. 1 reel.

Credits: John Foster.

SHIP AHOY. SEE Arthur Pat West in Ship Ahoy.

SHIP CAFE. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Harlan Thompson, Herbert Fields; producer, Harold Hurley;
director, Robert Florey; film editor, James Smith; music and lyrics,
Ray Noble, Harlan Thompson, Lewis E. Gensler.

A SHIP COMES IN. De Mille Studio. 1928. 7 reels.

Credits: Director, William K. Howard; original story, Julien
Josephson; continuity, Sonya Levien, Julien Josephson; titles, John
Krafft; film editor, Barbara Hunter.

THE SHIP FROM SHANGHAI. 1930. 8 reels, sd., b&w. From the novel
"Ordeal" by Dale Collins.

Credits: Director, Charles Brabin; screenplay, John Howard Lawson;
film editor, Grant Whytock.

Credits: Producer, Max O. Miller; director, Charles Miller.

THE SHIP OF THE DESERT. 1933. 1 reel.

THE SHIP OF WANTED MEN. Presented by Showmens Pictures, Inc.
Screencraft. 1933. 7 reels.

Credits: Supervision, Al Alt; director, Lew Collins; original story,
Ethel Hill; continuity and dialogue, Joseph O'Donnell and Lew
Collins.

SHIP, OY, OY. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHIP SHAPE. (Cameo Comedy) 1925. 1 reel.

THE SHIP THAT DIED. (An Historical Mystery) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, George Sayre;
narrator, John Nesbitt; historical compilations, Charles E.
Whittaker.

SHIP MATES. (Educational-Lupino Lane Talking Comedies) Presented by E.
W. Hammons. 1929. 2 reels.

Credits: Director, Henry W. George.

SHIPMATES. 1931. 8 reels, sd., b&w. Based on the story "Maskee" by
Ernest Paynter.

Credits: Producer, Harry Pollard; adaptation, Lou Edelman, Delmer
Daves; continuity, Raymond L. Schrock, Lieut. Comdr. Wead; dialogue,
Malcolm Stuart Boylan, Delmer Daves; film editor, William Le Vanway.

SHIPMATES. SEE Taming the Wild.

SHIPMATES FOREVER. 1935. 12 reels.

Credits: Director, Frank Borzage; story and screenplay, Delmer
Daves; music and lyrics, Harry Warren, Al Dublin.

SHIPPING LIVE FISH IN SEALED BOTTLES. 1917. 1 reel. Photographed at
the New York Aquarium under the auspices of the New York Zoological
Society.

SHIPWRECK. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

SHIPWRECKED. Presented by John C. Flinn. Released by Producers
Distributing Corp. 1926. 7 reels. From the play by Langdon
McCormick.

Credits: Director, Joseph Henabery; scenario, Harold Shumate;
adaptation, Finis Fox.

SHIPWRECKED AMONG ANIMALS. 1921. 2 reels.

Credits: Written and directed by Alf Goulding.

SHIPWRECKED AMONG CANNIBALS. Jewel. 1920. 6 reels.

Credits: Director, William F. Alder.

SHIPWRECKED BROTHERS. (Paul Terry-Toons) Educational Pictures.
Presented by E. W. Hammons. 1933. 523 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Phillip A.
Scheib.

SHIR HASHIRIM (SONG OF SONGS). 1935. 9 reels, sd.

Credits: Direction and screenplay, Henry Lynn; story, Anshel Schorr.

SHIRLEY KAYE. 1917. 5 reels. From the play by Hulbert Footner.

Credits: Director, Joseph Kaufman; scenario, Margaret Turnbull.

SHIRLEY OF THE CIRCUS. Fox Film Corp. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story and scenario, Robert N.
Lee.

SHIVER ME TIMBERS! 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky,
William Sturm.

SHIVER MY TIMBERS. (Our Gang Comedies) (A Hal Roach Comedy) 1931. 2
reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M.
Walker; editor, Richard Currier.

SHIVERING SHAKESPEARE. (Our Gang Comedies) Presented by Hal Roach.
1929. 2 reels, sd., b&w.

Credits: Production, supervision, and story, Robert McGowan;
director, Anthony Mack.

SHIVERS. 1934. 2 reels, sd.

Credits: Written and directed by Arthur Ripley; screenplay, John
Grey; film editor, William A. Lyon.

THE SHOCK. Jewel. 1923. 7 reels.

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Motion pictures, 1912-1939Chapter I: PROMESSI SPOSI. SEE The Betrothed (10)

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