Chapter L: C. card, 51-60018 (2)

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Credits: Director, Norman Taurog; screenplay, John V. A. Weaver;
continuity, Barbara Keon; film editor, Margaret Clancey; music
director, Lou Forbes.

THE ADVENTURES OF TOM SAWYER. SEE Tom Sawyer.

THE ADVENTURES OF TOM THE TAMER AND KID KELLY. (Animated Grouch
Chaser) 1916. 1,000 ft.

Credits: Raoul Barre.

ADVENTURES OF VAN BIBBER. SEE

The Fight.

A Fool and His Honey.

The Guest of Honor.

Hot House Hazel.

The Hunt.

The Kiss Doctor.

The Mad Racer.

The Race.

Rah! Rah! Heidelberg!

T-Bone for Two.

Too Many Cookies.

Credits: Director, Fred J. Balshofer; story, Charles Taylor, Tom J.
Geraghty.

© Republic Distributing Corp. (Charles Taylor & Tom J. Geraghty,
authors); title & descr., 17Apr20; 445 prints, 10Apr20; LU15025.

THE ADVENTURESS. SEE

The Desert Bride.

The Keyhole.

THE ADVENTURESS IN GREEN. Pasquali & Co., Italy.

ADVENTUROUS AMBROSE. 1918. 2 reels.

THE ADVENTUROUS BLONDE. 1937. 8 reels, sd.

Credits: Director, Frank McDonald; original screenplay, Robertson
White, David Diamond; film editor, Frank Magee.

ADVERTISING DID IT. 1915. 1 reel.

Credits: Producer, Romaine Fielding.

ADVICE TO THE LOVELORN. Released through United Artists. 1933. 7
reels, sd. From a novel by Nathaniel West.

Credits: Producer, Darryl F. Zanuck; director, Alfred Werker;
screenplay, Leonard Praskins; film editor, Alan McNeil; musical
direction, Alfred Newman.

THE ADVISOR. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Harvey Gates.

THE AERIAL BUDS. Powers. 1916. 1/2 reel.

AN AERIAL JOY RIDE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Reed.

** © Itala Film Co. of America; title, descr. & 86 prints, 27Jun14;
LU2922.

AERO NUTS. 1927. 1 reel. Adapted from the Krazy Kat cartoons by George
Herriman.

Credits: Animation, Ben Harrison, Manny Gould.

AEROPLANE VERSUS AUTOMOBILE. Société Générale des Cinématographes
Éclipse, Paris. © 1913.

AN AFFAIR FOR THE POLICE. 1914. 2 reels.

Credits: Director, William Humphrey.

THE AFFAIR OF SUSAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, David Diamond; director, Kurt Neumann; story,
Mann Page; screenplay, Clarence Marks, Andrew Bennison, H. M.
Walker; film editor, Phil Cahn; music direction, Bakalelnikoff.

AN AFFAIR OF THE FOLLIES. 1927. 7 reels. From the story "Here Y'Are
Brother" by Dixie Willson.

Credits: Producer, Al Rockett; director, Millard Webb; scenario,
Carey Wilson.

AN AFFAIR OF THREE NATIONS; an Exploit in the Career of Ashton-Kirk,
Investigator. © 1915.

AFFAIRS OF A GENTLEMAN. 1934. 7 reels. From a play by Edith and Edward
Ellis.

Credits: Director, Edward L. Marin; screenplay, Cyril Hume, Peter
Ruric, Milton Krims.

THE AFFAIRS OF ANATOL. 1921. 9 reels. Suggested by the play by Arthur
Schnitzler.

Credits: Jeanie McPherson; producer, Cecil B. De Mille.

THE AFFAIRS OF ANNABEL. 1938. 68 min., sd.

Credits: Producer, Lou Lusty; director, Ben Stoloff; story, Charles
Hoffman; screenplay, Bert Granet, Paul Yawitz; editor, Jack Hively;
music director, Roy Webb.

AFFAIRS OF CAPPY RICKS. 1937. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Ralph Staub;
story, Peter B. Kyne; original screenplay, Lester Cole.

THE AFFAIRS OF CELLINI. 1934. 9 reels, sd. From the play by Edwin
Justus Mayer.

Credits: Associate producers, William Goetz, Raymond Griffith;
director, Gregory La Cava; screenplay, Bess Meredyth.

THE AFFAIRS OF HANNERL. SEE Love Me and the World Is Mine.

THE AFFAIRS OF PIERRE. Presented by E. W. Hammons. 1937. 1,754 ft.,
sd.

Credits: Producer, Al Christie; story, Parke Levy, Marcy Klauber,
Arthur Jarrett.

AFFINITIES. 1915. 2 reels. From the story by Mary Roberts Rinehart.

Credits: Director, E. H. Calvert.

AFLAME IN THE SKY. Released by F. B. O. 1927. 6 reels.

Credits: Director, J. P. McGowan; story, Mary Roberts Rinehart;
screenplay and continuity, Ewart Adamson.

AFRAID TO FIGHT. 1922. 5 reels.

Credits: Director, William Worthington; story, Leete Renick Brown;
scenario, Charles Sarver.

AFRAID TO LOVE. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1927. 7 reels. Based on the play "The Marriage of Kitty" by
Fred de Grésac and F. de Croisset.

Credits: Director, E. H. Griffith; adaptation, Doris Anderson;
screenplay, Doris Anderson, Joseph Jackson.

AFRAID TO TALK. 1932. 8 reels. From the drama by George Sklar and
Albert Maltz.

Credits: Director, Edward L. Cahn; screenplay, Tom Reed.

AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930.
1 reel.

Credits: Animation, Walter Lantz, Bill Nolan.

AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

AFRICA SHRIEKS. 1931. 1 reel.

AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels,
sd.

Credits: Produced and filmed by Paul A. Hoefler and Walter A.
Futter.

AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.

Credits: Director, Roy Mack; story, Burnet Hershey.

AFRICA SQUAWKS. 1931. 2 reels, sd.

Credits: Producer, Phil Goldstone.

AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music,
Philip A. Scheib.

AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.

AN AFRICAN ADVENTURE. 1927. 1 reel.

AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.

THE AFRICAN DODGER. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue
staged by Max E. Hayes.

AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."

Credits: Drawn by Vincent Whitman.

AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.

AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

AFRICAN SEA BIRDS. 1913. 1 reel.

AFTER A REPUTATION. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

AFTER ALL. SEE New Morals for Old.

AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.

AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story
"Everything Money Can Buy" by Ethel Watts Mumford.

Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor,
Errol Taggard.

Credits: Screenplay, J. F. Natteford.

AFTER FIVE. © 1915. Based on the play by Cecil B. De Mille and William
C. De Mille.

© Jesse L. Lasky Feature Play Co., Inc. (William C. De Mille and
Cecil B. De Mille, authors); title, descr. & 19 prints, 25Jan15;
LU4276.

AFTER FIVE. SEE The Night Club.

AFTER HENRY. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames
Williams.

Credits: Producer, Maxwell Karger; director, Harry L. Franklin;
scenario, A. S. Le Vino.

AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.

Credits: Written and directed by Norman Dawn.

AFTER MIDNIGHT. 1921. 5 reels.

Credits: Producer, Ralph Ince; story, John Lynch.

AFTER MIDNIGHT. 1927. 7 reels, b&w.

Credits: Production, direction, and story, Monta Bell; scenario,
Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.

AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels,
sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard;
story, Laurence Stallings, Dale Van Every; screenplay, Herman J.
Mankiewicz; film editor, Tom Held.

AFTER SEBEN. 1929. 2 reels.

Credits: Director, S. Jay Kaufman; story, James Barton.

AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From
stories of the Old Testament.

Credits: Producers and directors, Armando Vay, Piero Antonio
Gariazzo; edited and titled by Kathyrne Stuart.

Credits: Picturized and directed by Pierce Kingsley.

AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels.
Adapted from the song by Charles K. Harris.

Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris;
scenario, James Colwell.

AFTER THE BALL. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer.

AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.

Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.

AFTER THE BALLED-UP BALL. 1917. 2 reels.

Credits: Director, J. A. Howe; supervision, J. G. Blystone.

AFTER THE BATTLE. Special Big U. 1916. 2 reels.

AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days
of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

AFTER THE DANCE. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay,
Harold Shumate; additional dialogue, Bruce Manning; film editor,
Otto Meyer; music, Harry Akst.

AFTER THE ORDER—THEN WHAT? 1928. 1 reel.

AFTER THE PLAY. Victor. 1916. 1 reel.

Credits: Producer, William Worthington; story, Robert McGowan;
scenario, Ben Cohn.

AFTER THE RAIN. SEE The Painted Woman.

AFTER THE SHOW. 1921. 7 reels.

Credits: Director, William De Mille; story, Rita Weiman.

AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.

Credits: Production, direction and story, Harry Delmar; supervision,
Philip Tannura; film editor, E. Pfitzenmeier.

AFTER THE SQUALL IS OVER. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, W. H.
Woodmansee.

AFTER THE STORM. 1915. 2 reels.

AFTER THE STORM. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story,
Harold Shumate; continuity, Will M. Ritchey.

AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell
Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke;
screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J.
Kern; music score, Herbert Stothart, Edward Ward.

AFTER THE WAR. 1919. 5 reels.

Credits: Director, Joseph DeGrasse; story, Kingsley Benedict;
scenario, Harvey Gates.

AFTER THE WELSH RAREBIT. 1913. 1 reel.

Credits: William W. Hansom.

AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John
Golden and Hugh S. Stange.

Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor,
Margaret Clancy.

AFTER TONIGHT. 1933. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; story, Jane Murfin;
screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner;
editor, William Hamilton; music director, Max Steiner.

AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.

AFTER YOUR OWN HEART. 1921. 5 reels.

Credits: Director, George Marshall; story, William Wallace Cook;
adaptation, Tom Mix; edited and titled by Ralph Spence.

AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud.
of William Sydney Porter].

Credits: Director, David Smith; scenario, Robert A. Sanborn.

AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.

AFTERWARDS. SEE Their Big Moment.

AGAINST ALL ODDS. 1924. 5 reels.

Credits: Director, Edmund Mortimer; story, Max Brand [pseud. of
Frederick Faust]; scenario, Frederic Chapin.

AGAINST THE CURRENT. SEE Contra la Corriente.

AGAINST THE LAW. 1934. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold
Shumate; film editor, Otto Meyer.

AGAINST THE RULES. (Rainbow Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Arch B. Heath;
film editor, John Link; music director, Francis Groman.

AGATHA'S AUNT. SEE A Heart To Let.

THE AGE FOR LOVE. 1931. 9 reels. From the novel by Ernest Pascal.

Credits: Director, Frank Lloyd; adaptation, Ernest Pascal; dialogue,
R. E. Sherwood.

THE AGE OF CONSENT. Presented by Radio Pictures. 1932. 7 reels, sd.
From the play "Crossroads" by Martin Flavin.

Credits: Executive producer, David O. Selznick; director, Gregory
Lacava; screenplay, Sarah Y. Mason, Francis Cockrell.

THE AGE OF DESIRE. First National. 1923. 6 reels. Adapted from the
story by Dixie Willson.

Credits: Producer and director, Frank Borzage.

AGE OF INDISCRETION. 1935. 8 reels, sd.

Credits: Producer, Phillip Goldstone; director, Edward Ludwig;
original story, Lenore Coffee; screenplay, Leon Gordon, Otis
Garrett; film editor, Hugh Wynn.

THE AGE OF INNOCENCE. 1924. 7 reels. From the novel by Edith Wharton.

THE AGE OF INNOCENCE. 1934. 9 reels, sd. From the novel by Edith
Wharton and the play by Margaret Ayer Barnes.

Credits: Producer, Pandro S. Berman; director, Philip Moeller;
screenplay, Sarah Y. Mason, Victor Heerman; editor, George Hively;
music director, Max Steiner.

THE AGELESS SEX. 1914. 1 reel.

AGGIE APPLEBY MAKER OF MEN. 1933. 8 reels, sd. From the play by Joseph
O. Kesselring.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich;
screenplay, Humphrey Pearson, Edward Kaufman; editor, Basil
Wrangell; music director, Max Steiner.

THE AGGRAVATIN' B'AR. (A Sports-Eye-View) 1933. 1 reel.

THE AGGRAVATIN' KID. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

AGGRAVATIN' MAMA. SEE The Gumps in Aggravatin' Mama.

AGGRESSIVENESS: ESTABLISHING OUTPOSTS. 1929. 1 reel.

AGHILEEN PINNACLES. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Father Hubbard and
Lowell Thomas.

Credits: Producer, John L. Hawkinson.

AGNES. SEE

A Million Bid.

A Woman's Experience.

THE AGONY COLUMN. SEE

The Blind Adventure.

The Second Floor Mystery.

THE AGONY OF FEAR. 1915. 3 reels.

Credits: Director, Giles R. Warren.

AGRICULTURAL OPPORTUNITIES IN WESTERN CANADA. 1918. 1 reel.

AH, GAY VIENNA. Bluebird. 1927. 1 reel.

Credits: Director, Harry Sweet.

AH, WILDERNESS! 1935. 10 reels, sd., b&w. From the play by Eugene
O'Neill.

Credits: Producer, Hunt Stromberg; director, Clarence Brown;
screenplay, Frances Goodrich, Albert Hackett; film editor, Frank E.
Hull; musical score, Herbert Stothart.

A HAUNTING WE WILL GO. (A Walter Lantz Cartune) 1939. 1 reel, sd.,
color.

Credits: Director, Burt Gillett; story, Gil Burton, Kin Platt;
animation, Fred Kopietz, Lester Kline.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Robert C. Bruce.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Alfred Eugster,
Rudolph Eggeman.

AIN'T HE GRAND? Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

AIN'T IT THE TRUTH? 1915. 1 reel.

AIN'T IT THE TRUTH. 1929. 2 reels, sd.

AIN'T LOVE AWFUL? Century. 1923. 2 reels.

AIN'T LOVE FUNNY? Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Kay Clement, Lela Gidley;
adaptation and continuity, Doris Anderson.

AIN'T LOVE GRAND! 1921. 2 reels.

Credits: Director, Al. St. John.

AIN'T NATURE GRAND. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Stephen Roberts.

AIN'T NATURE WONDERFUL. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons-Moran.

AIN'T SHE SWEET. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel,
Thomas Johnson.

AIN'T WE GOT FUN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
animation, Charles Jones, Bob Clampett; musical score, Carl W.
Stalling.

AIR. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; drawings, Helen
S. Zwart.

AIR ATTACK. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

THE AIR CIRCUS. 1928. 8 reels, b&w, tinted sequences.

Credits: Directors, Howard Hawks, Lew Seiler; story, Graham Baker,
Andrew Bennison; scenario, Seton I. Miller, Norman Z. McLeod.

THE AIR DERBY. (Russ Farrell Aviator Series) 1929. 2 reels.

Credits: Producers, Charles R. Rogers, Harry J. Brown; director,
Harry J. Brown; story, Thompson Burtis.

AIR DEVILS. 1938. 7 reels.

Credits: Associate producer, Paul Malvern; director, John Rawlins;
original story, Harold Buckley; screenplay, Harold Buckley, George
Waggner; film editor, Charles Craft.

THE AIR EXPRESS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walt Lantz, Victor McLeod;
artists, Lester Kline, Fred Kopietz, Laverne Harding.

AIR FRIGHT. (Hal Roach, Thelma Todd and Patsy Kelly Comedy) 1933. 2
reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

THE AIR HAWK. Released by F. B. O. 1924. 5 reels. From the novel by
George W. Pyper.

Credits: Director, Bruce Mitchell; editor, Della M. King.

AIR HAWKS. 1935. 7 reels, sd.

Credits: Director, Albert Rogell; screenplay, Griffin Jay, Grace
Neville; film editor, Richard Cahoon.

AIR HOSTESS. 1933. 7 reels, sd.

Credits: Director, Albert Rogell; story, Grace Perkins; screenplay,
Keene Thompson, Milton Raison.

AIR HOSTESS. (Scrappy) (A Color Rhapsody) Released by Columbia
Pictures Corp. 1937. 703 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art
Davis; music, Joe de Nat.

THE AIR LEGION. 1929. 7 reels.

Credits: Director, Bert Glennon; story, James A. Creelman;
continuity, Fred Mynton.

THE AIR MAIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1925. 6,976 ft.

Credits: Producer, Irvin Willat; story, Byron Morgan; screenplay,
James Shelley Hamilton.

AIR MAIL. 1932. 9 reels.

Credits: Director, John Ford; screenplay, Dale Van Every, Frank
Wead.

THE AIRMAIL MYSTERY. 1932. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story and dialogue, Ella O'Neill;
continuity, Basil Dickey, George Plympton, George Morgan.

1. Pirates of the Air. © 14Mar32; LP2918.

2. Hovering Death. © 14Mar32; LP2919.

3. A Leap for Life. © 24Mar32; LP2938.

4. A Fatal Crash. © 29Mar32; LP2952.

5. The Hawk Strikes. © 6Apr32; LP2973.

6. The Bridge of Destruction. © 13Apr32; LP2986.

7. The Hawk's Treachery. © 21Apr32; LP2994.

8. The Aerial Third Degree. © 27Apr32; LP3002.

9. The Attack on the Mine. © 6May32; LP3019.

10. The Hawk's Lair. © 13May32; LP3035.

11. The Law Strikes. © 20May32; LP3052.

12. The Mail Must Go Through. © 8Jun32; LP3076.

AIR MANIACS. Treasure Chest. Presented by E. W. Hammons. 1933. 960
ft., sd.

Credits: Producer, Nate Watt.

AIR PARADE. Presented by E. W. Hammons. 1938. 1,743 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy
Klauber.

THE AIR PATROL. (Thrill Series) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story, Al Wilson; continuity,
William Lester.

AIR POLICE. 1931. 6 reels, sd.

Credits: Director, Stuart Paton; story, continuity, and dialogue,
Arthur Hoerl, Bennett Cohen.

THE AIR PRESSURE IN WHICH WE LIVE. 1924. 1 reel.

AIR THRILLS. (World of Sports) 1935. 1 reel, sd.

Credits: Producer, Sidney H. MacKean.

AIR TIGHT. (Bobby Vernon Comedies) Educational Pictures. 1925. 2
reels.

Credits: Director, Harold Beaudine.

AIR TIGHT. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor,
Richard Currier.

AIR TONIC. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Joseph A.
Fields, Walter Weems; film editor, Charles Kimball.

THE AIR TORPEDO (DAS LUFT-TORPEDO). Deutsche Kinematographen Ges.,
Germany. © 1914.

AIRHOPPERS. (A Sports Parade Subject) 1936. 1 reel, sd., b&w.

Credits: Director, Joseph Boyle; explanatory remarks by Pete Smith.

AN AIRPLANE TRIP. 1938. 1 reel, sd.

AL ABBOTT IN SMALL TOWN RAMBLES. 1929. 1 reel, sd.

AL. FAUSSETT, MONROE LOGGER AND DAREDEVIL, RIDES SUNSET FALLS IN A
CANOE. © 1926.

AL HERMAN, THE ASSASSIN OF GRIEF AND REMORSE. 1928. 1 reel, sd.

AL JOLSON IN A PLANTATION ACT SINGS APRIL SHOWERS [and others]. 1927.
1 reel, sd.

AL JOLSON IN ANNOUNCEMENT TRAILER (BLACKFACE) FOR THE SINGING FOOL.
1928. 1 reel, sd.

AL. LYDELL AND BOBBY HIGGINS IN A FRIEND OF FATHER'S. 1928. 1 reel,
sd.

AL LYONS AND HIS FOUR HORSEMEN. 1929. 1 reel, sd.

AL TRAHAN IN THE MUSICALE. 1930. 1 reel, sd.

AL WOHLMAN, BROADWAY'S DOCTOR OF MELODY [OFFERS] WHAT YOU GONNA DO NOW
[and others]. (Movietone Act) 1929. 1 reel, sd.

Credits: Producer, Al Wohlman.

AN ALABASTER BOX. 1917. 5 reels.

Credits: A. Van Buren Powell; director, Chester Withey; story, Mary
E. Wilkins Freeman, Florence Morse Kingsley.

ALADDIN AND HIS WONDERFUL LAMP. 1939. 2 reels, sd., color.

Credits: Director, Dave Fleischer; animation, David Tendlar, William
Sturm, Nicholas Tafuri, Reuben Grossman.

ALADDIN AND THE WONDERFUL LAMP. 1917. For Fox Film Corp. 8 reels.
Based on "The Arabian Nights."

Credits: Directors, S. A. and C. M. Franklin; scenario, Bernard
McConville.

ALADDIN AND THE WONDERFUL LAMP. (ComiColor Cartoon) 1934. 1 reel, sd.,
color.

ALADDIN FROM BROADWAY. 1917. 5 reels.

Credits: Frederick Isham; director, William Wolbert; scenario.
Helmer Walton Bergman.

ALADDIN-UP-TO-DATE. Black Cat. 1917. 30 min.

Credits: H. Tipton Steck; director, Arthur Berthelet.

ALADDIN'S LAMP. (Paul Terry-Toons) Educational Film Exchanges, Inc.
1931. 9 min.

Credits: Frank Moser, Paul Terry.

ALADDIN'S LAMP. (Paul Terry-Toons) Presented by E. W. Hammons. 1935.
543 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A.
Scheib.

ALADDIN'S LANTERN. (Our Gang Comedy) Presented by Metro-Goldwyn Mayer.
1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; screenplay, Hal Law, Robert
McGowan; music director, David Snell.

ALADDIN'S OTHER LAMP. Presented by B. A. Rolfe. 1917. 5 reels. From
the play "The Dream Girl" by Willard Mack.

Credits: Director, John H. Collins; adaptation, June Mathis.

THE ALARM. 1921. 2 reels.

Credits: Director, Robert Hill; story and scenario, George Morgan,
George H. Plympton.

THE ALARM. 1922. 2 reels.

Credits: Director, Al St. John.

ALARM CLOCK ANDY. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story,
Agnes C. Johnston.

ALAS AND ALACK. Rex. 1915. 1 reel.

Credits: Producer, Joseph de Grasse; scenario, Ida May Park.

Credits: Written and produced by Colin Campbell.

ALASKA. 1930. 1 reel.

ALASKA. (Oswald Cartoon) 1930. 1 reel.

Credits: Animation, Walter Lantz, William Nolan.

ALASKA. 1931. 1 reel.

ALASKA LOVE. (Educational's Comedies) 1932. 20 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy, Felix Adler.

ALASKA OR BUST. (Fables, no. 378) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

ALASKA SWEEPSTAKES. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz and Victor
McLeod.

© Al. I. Smith, W. A. Hillis, A. J. Buzard & W. E. Wright (Al. I.
Smith, author); title, descr. & 71 prints, 11Jan17; MU819.

THE ALASKAN. Paramount. 1924. 6,736 ft. From the novel by James Oliver
Curwood.

Credits: Producer, Herbert Brenon; screenplay, Willis Goldbeck.

Credits: Producer, John Morton Allen; director, Jack Robertson;
edited and titled by Paul Hugon; photographed by Jack Robertson and
Wylie Wells Kelly.

THE ALASKAN INDIANS. 1/2 reel. 1916.

Credits: Photographer, Edward S. Curtis.

AN ALASKAN INTERLUDE. 1914. 1 reel.

Credits: George Lessey.

ALASKAN NIGHTS. (Krazy Kat Comic) Winkler. 1930. 1 reel. Adapted from
the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE ALBANY BRANCH. 1931. 20 min., sd.

Credits: Director, Max Sennett; story and dialogue, John A. Waldron,
Earl Rodney, Del Lord, Walter Weems, Harry McCoy.

THE ALBANY NIGHT BOAT; 1928. 6 reels.

Credits: Director, Alfred Raboch; story and continuity, Wellyn
Totman; editor, Byron Robinson.

ALBERT CARROLL IN IMPRESSIONS. 1930. 1 reel, sd.

ALBERT SPALDING. 1929. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING GYPSY AIRS BY SARASATE,
SOUVENIR BY DRDLA. 1927. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING NOCTURNE NO. 12 IN G
MAJOR BY CHOPIN, HARK, HARK, THE LARK BY FRANZ SCHUBERT. 1927. 1
reel, sd.

ALBERT SPAULDING PLAYING ALABAMA BY SPAULDING AND VALSE IN G FLAT BY
CHOPIN. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING AVE MARIA BY SCHUBERT, WALTZ IN A BY BRAHMS.
1929. 1 reel, sd.

ALBERT SPALDING PLAYING LEIBESLEID, CAVATINA, BY RAFF. 1929. 1 reel,
sd.

ALBERT SPALDING PLAYING MINUET IN D BY MOZART, LIEBESFREUD BY
KREISLER. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING SCHUMANN'S TRAUMEREI AND SARASATE'S ROMANZA
ANDALUZA. 1929. 1 reel, sd.

ALCATRAZ ISLAND. Cosmopolitan. First National. 1937. 6 reels, sd.

Credits: Director, William McGann; original screenplay, Crane
Wilbur.

THE ALCHEMIST'S HOURGLASS. 1936. 2 reels, sd.

Credits: Director, Leo Lipp; score composed and conducted by S. B.
Grimson.

ALEC LLOYD, COWPUNCHER. SEE Cupid, the Cowpuncher.

ALEX MORRISON, ASSISTED BY WALTER WEEMS IN A LESSON IN GOLF. 1927. 1
reel.

ALEX THE GREAT. 1928. 7 reels. From the novel by H. C. Witwer.

Credits: Adaptation, Dudley Murphy.

ALEXANDER HAMILTON. (Chronicles of America) Presented by Yale
University Press. © 1924. Adapted from "Washington and His
Colleagues" by Henry Jones Ford.

Credits: Director, Kenneth Webb; adaptation, Allen Johnson.

ALEXANDER HAMILTON. 1931. 8 reels, sd.

Credits: George Arliss, Mary Hamlin; director, John Adolfi;
adaptation, Julian Josephson, Maude Howell.

ALEXANDER'S RAGTIME BAND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

ALEXANDER'S RAGTIME BAND. 1938. 9,569 ft., sd.

Credits: Director, Henry King; screenplay, Kathryn Scola, Lamar
Trotti; adaptation, Richard Sherman; music director, Alfred Newman.

ALEXANDRA. SEE Princess Charming.

ALEXANDRIA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

ALEXIA'S STRATEGY. 1913. 2 reels.

Credits: Frank Dormedont.

ALFALFA LOVE. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

ALFALFA'S AUNT. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer.
1938. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert
McGowan.

AL FALFA'S SCIENTIFIC DAIRY. 1916. 1 reel.

Credits: Paul Terry.

ALF'S BUTTON. First National. 1921. 6 reels. From the novel by W. A.
Darlington.

Credits: Producer, Cecil M. Hepworth; adaptation, Blanche Macintosh.

ALGEBRA—PRE-VIEW. 1933. 1 reel.

ALGERIA OLD AND NEW. Powers. 1917. 1/2 reel.

ALGIERS. Released through United Artists. 1938. 10 reels, sd. From the
novel by Detective Ashelbe [pseud. of Henri La Barthe].

Credits: Director, John Cromwell; screenplay, John Howard Lawson;
additional dialogue, James M. Cain; film editors, Otho Lovering,
William Reynolds; music, Vincent Scotto, Mohammed Igorbouchen.

ALGIE'S SISTER. 1914. 1 reel.

Credits: Producer, Gilmore Walker.

ALI BABA AND THE FORTY THIEVES. 1918. 5 reels.

Credits: Directors, C. M. Franklin, S. A. Franklin; scenario,
Bernard McConville.

ALI BABA GOES TO TOWN. 1937. 7,402 ft., sd.

Credits: Director, David Butler; story, Gene Towne, Graham Baker,
Gene Fowler; screenplay, Harry Tugend, Jack Yellen; music director,
Louis Silvers.

ALI GAZAM. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

ALIAS BULLDOG DRUMMOND. 1935. 6 reels, sd.

Credits: Director, Walter Forde; original screenplay, J. O. C.
Orton, Sidney Gilliat, Gerard Fairlie; collaboration, Sapper [pseud.
of Herman Cyril McNeile]; basic idea and dialogue, Jack Hulbert;
editor, Otto Ludwig; music director, Louis Levy.

ALIAS FRENCH GERTIE. Radio. 1930. 7 reels, sd. From the stage play
"The Chatterbox" by Bayard Veiller.

Credits: Associate producer, Henry Hobart; director, George
Archainbaud; screenplay, Wallace Smith.

ALIAS JANE JONES. Laemmle. 1916. 2 reels.

Credits: William Mong; producer, Cleo Madison.

ALIAS JIMMIE BARTON. 1916. 2 reels.

ALIAS JIMMY VALENTINE. 1920. 6 reels. From the play by Paul Armstrong.

Credits: Director general, Maxwell Karger; adaptation and scenario,
Finis Fox.

ALIAS JIMMY VALENTINE. 1929. 10 reels, sd., b&w. From the play by Paul
Armstrong.

Credits: Producer and director, Jack Conway; adaptation, A. P.
Younger; continuity, Sarah Y. Mason; film editor, Sam S. Zimbalist.

ALIAS JULIUS CAESAR. Presented by Arthur S. Kane. 1922. 5 reels.

Credits: Richard Andrés; director, Charles Ray.

ALIAS LADYFINGERS. 1921. 5 reels. Based on a story by Jackson Gregory.

Credits: Producer and director, Bayard Veiller; scenario, Lenore J.
Coffee.

ALIAS MARY DOW. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Director, Kurt Neumann; original story, Forrest Halsey,
William Allen Johnston; screenplay, Gladys Unger, Rose Franken,
Arthur Caesar; film editor, Phil Cohn.

ALIAS MARY FLYNN. Released by F. B. O. 1925. 6 reels.

Credits: Director, Ralph Ince; story, Frederick Kennedy Myton,
Edward J. Montagne; scenario, Fred Myton.

ALIAS MIKE MORAN. 1919. 5 reels. From the story "Open Sesame" by
Frederick Orin Bartlett.

Credits: Director, James Cruze; scenario, Will M. Ritchey.

ALIAS MISS DODD. 1920. 5 reels.

Credits: Director, Harry L. Franklin; story, Edgar Franklin [pseud.
of Edgar Franklin Stearns]; scenario, Charles J. Wilson, Jr.

ALIAS MRS. JESSOP. 1917. 5 reels. Based on a story by Blair Hall.

Credits: Supervision, Maxwell Karger; director, William S. Davis;
adaptation, Albert Shelby Le Vino.

ALIAS ST. NICK. (Happy Harmonies) 1935. 1 reel.

ALIAS THE BAD MAN. 1931. 66 min.

Credits: Director, Phil Rosen; story, Ford Beebe; continuity and
dialogue, Earle Snell; editor, Martin G. Cohn.

ALIAS THE BANDIT. 1930. 2 reels.

Credits: Director, Jack Nelson; story and continuity, Harry A.
Crist.

ALIAS THE DEACON. Universal-Jewel. 1927. 7 reels. From the play by
John B. Hymer and Leroy Clemens.

Credits: Director, Edward Sloman; adaptation and continuity, Charles
Kenyon.

ALIAS THE DEACON. SEE Half a Sinner.

ALIAS THE DOCTOR. First National and Vitaphone. 1932. 7 reels. Based
on the play by Emric Foeldes.

Credits: Director, Michael Curtiz; adaptation, Houston Branch;
dialogue, Charles Kenyon.

ALIAS THE LONE WOLF. 1927. 7 reels. Based on the story by Louis Joseph
Vance.

Credits: Producer, Harry Cohn; director, E. H. Griffith; scenario,
Dorothy Howell, Edward H. Griffith.

ALIAS THE NIGHT WIND. 1923. 5 reels, b&w, tinted sequences. Based on
the story by Varick Vanardy [pseud. of Frederic Van Rensselear Dey].

Credits: Director, Joseph Franz; scenario, Robert N. Lee.

ALIAS THE PROFESSOR. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Director, James W. Horne; story, James W. Horne, George
Stevens.

THE ALIBI. Imp. 1915. 1 reel. Adapted from the story by Frank Condon.

Credits: Producer, Clem Easton; scenario, Dwight Cleveland.

THE ALIBI. 1916. 5 reels. From the story by George Allan England.

Credits: Producer, Paul Scardon; picturized by George H. Plympton.

ALIBI. 1929. Presented by Roland West. 10 reels. Based on the play
"Nightstick" by John Wray, J. C. Nugent and Elaine Sterne
Carrington.

Credits: Produced and directed by Roland West; adaptation and
dialogue, Ronald West, C. Gardner Sullivan.

THE ALIBI. 1929. 2 reels, sd.

Credits: Scenario and dialogue, Marcel Achard.

THE ALIBI. SEE Broken Ties.

ALIBI BYE BYE. Presented by Radio Pictures. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnny
Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film
editor, Edward Mann.

ALIBI FOR MURDER. 1936. 6 reels.

Credits: Director, D. Ross Lederman; original screenplay, Tom Van
Dycke; film editor, William A. Lyon.

ALIBI IKE. Warner Bros. Productions Corp. Presented by Warner Bros.
Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. From the
story by Ring Lardner.

Credits: Director, Ray Enright; screenplay, William Wister Haines.

ALIBI MARK. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

ALIBI RACKET. (Crime Does Not Pay Series, no. 2) 1935. 2 reels, sd.,
b&w.

Credits: Director, George B. Seitz; story, Marty Brooks; screenplay,
Richard Goldstone.

ALIBI TIME. 1937. 1 reel, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

ALICE ADAMS. 1935. 11 reels, sd. Based on the novel by Booth
Tarkington.

Credits: Producer, Pandro S. Berman; director, George Stevens;
screenplay, Dorothy Yost, Mortimer Offner, Jane Murfin; music
director, Roy Webb.

ALICE AT THE CARNIVAL. Winkler Pictures, Inc. 1927. 1 reel.

ALICE BLUES. 1926. 2 reels.

Credits: Producer, Joe Rock.

ALICE CHARMS THE FISH. Presented by Winkler Pictures, Inc. 1926. 1
reel.

Credits: Walt Disney.

ALICE CUTS THE ICE. 1926. 1 reel.

Credits: Walt Disney.

ALICE FOILS THE PIRATES. Winkler Pictures, Inc. 1927. 1 reel.

ALICE HELPS THE ROMANCE. Winkler Pictures, Inc. 1926. 1 reel.

ALICE IN MOVIELAND. 1928. 2 reels.

Credits: Producer, Louis Lewyn.

ALICE IN SOCIETY. 1916. 3 reels.

ALICE IN THE ALPS. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE BIG LEAGUE. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE IN THE KLONDIKE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE WOOLY WEST. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE IN UNDERLAND. SEE Smiling All the Way.

ALICE IN WONDERLAND. 1933. 8 reels, sd. From the story by Lewis
Carroll [pseud. of Charles Lutwidge Dodgson].

Credits: Producer, Louis D. Lighton; director, Norman McLeod;
screenplay, Joseph L. Mankiewicz, William Cameron Menzies.

ALICE OF THE LAKE. 1915. 1 reel.

Credits: Director, Burton L. King.

ALICE SOLVES THE PUZZLE. 1925. 1 reel.

Credits: Walt Disney.

ALICE THE BEACH NUT. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE COLLEGIATE. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE FIRE FIGHTER. 1926. 1 reel.

Credits: Walt Disney.

ALICE THE GOLF BUG. Winkler Pictures, Inc. 1927. 1 reel.

ALICE THE LUMBER JACK. Winkler Pictures, Inc. 1926. 1 reel.

ALICE THE WHALER. Winkler Pictures, Inc. 1927. 1 reel.

ALICE WINS THE DERBY. 1925. 1 reel.

Credits: Walt Disney.

ALICE'S AUTO RACE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S BROWN DERBY. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S CHANNEL SWIM. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S CIRCUS DAZE. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S KNAUGHTY KNIGHT. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MEDICINE SHOW. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MONKEY BUSINESS. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S PICNIC. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S RODEO. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S SPANISH GUITAR. Winkler Pictures, Inc. 1926. 1 reel.

ALICE'S THREE BAD EGGS. Winkler Pictures Corp. 1927. 1 reel.

Credits: Walter Disney.

ALICIA OF THE ORPHANS. SEE The Ragged Princess.

Credits: Producer, Thomas H. Ince.

Credits: Producer, John L. Hawkinson.

ALIEN SOULS. 1916. 5 reels.

Credits: Margaret Turnbull; story, Hector Turnbull.

THE ALIMENTARY TRACT. 1938. 1 reel, sd.

ALIMONY. 1924. 7 reels.

Credits: Director, James W. Horne; story, A. T. Locke; scenario, E.
Magnus Ingleton; adaptation, Wyndham Gittens, E. M. Ingleton.

ALIMONY ACHES. 1935. 2 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart
Adamson; film editor, Charles Hochberg.

ALIMONY MADNESS. Presented by Golden Arrow, Ltd. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; screenplay
and dialogue, John Thomas Neville; editor, Jeanne Spencer.

ALL ABOARD. 1927. 7 reels.

Credits: Director, Charles Hines; story, Matt Taylor.

ALL ABOARD. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

ALL ABOARD FOR BRINDISI. (A Paramount-Burton Holmes Travel Picture)
1921. 1 reel.

ALL ABOARD FOR THE MOON. 1924. 1 reel.

ALL ABROAD. 1925. 2 reels.

Credits: Director, Albert Ray; story, Mabel Herbert Urner; scenario,
Catherine Carr.

ALL ALIKE. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, St.
Elmo Boyce, W. H. Woodmansee, Pinto Colvig.

ALL AMERICA BLONDES. 1939. 1,505 ft.

Credits: Director, Del Lord; original screenplay, Elwood Ullman.

THE ALL AMERICAN. 1932. 9 reels.

Credits: Director, Russell Mack; story, Dale Van Every, Richard
Schayer; screenplay, Frank W. Wead, Ferdinand Reyher.

ALL AMERICAN CHUMP. 1936. 7 reels, sd., b&w.

Credits: Producers, Lucien Hubbard, Michael Fessier; director,
Edward L. Marin; original screenplay, Lawrence Kimble; film editor,
Frank E. Hull; music score, William Axt.

ALL AMERICAN DRAWBACK. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

ALL AMERICAN KICKBACK. (Educational Comedies) 1931. 20 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron,
Earle Rodney, Harry McCoy, Lew Foster.

ALL AMERICAN SWEETHEART. 1937. 6 reels, sd.

Credits: Director, Lambert Hillyer; story, Robert E. Kent;
screenplay, Grace Neville, Fred Niblo, Jr., Michael L. Simmons; film
editor, James Sweeney; music, Ben Oakland; music director, Morris
Stoloff.

AN ALL AMERICAN TOOTHACHE. (Hal Roach Comedy) (Thelma Todd & Patsy
Kelly Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Jack Ogilvie.

© General Motors Sales Corp., Chevrolet Motor Division (Jam Handy
Picture Service, author); title & descr., 28Sep38; 20 prints,
29Sep38; MU8784.

ALL AMERICANS. 1929. 2 reels.

Credits: John Murray Anderson; director, Joseph Santley.

AN ALL AROUND CURE. Joker. 1916. 1 reel.

Credits: William W. Farmer; producer, Allen Curtis.

ALL AROUND FRYING PAN. Released by F. B. O. 1925. 6 reels.

Credits: Director, David Kirkland; story, Frank R. Pierce.

AN ALL AROUND MISTAKE. Imp. 1915. 2 reels.

Credits: Producer, George Lessey.

ALL AROUND WITH THE CAMERAMAN. 1921. 1 reel.

Credits: Producer, John L. Hawkinson.

ALL AT SEA. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

ALL AT SEA. 1929. 6 reels, sd., b&w.

Credits: Director, Alf Goulding; story, Byron Morgan; continuity,
Ann Price, Byron Morgan; film editor, Basil Wrangell.

ALL AT SEA. Mentone. 1933. 2 reels, sd.

Credits: Director, E. H. Kleinert; story, Ballard McDonald.

ALL BALLED UP. (Star Comedy) 1922. 1 reel.

ALL BALLED UP. (Puffy Comedy) 1927. 2 reels.

Credits: Directors, Harry Sweet, Clarence Hennecke; original story,
Octavus Roy Cohen; continuity, Frances Hyland.

ALL BETS OFF. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producers, Lyons, Moran.

ALL BOUND ROUND. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Direction, story and scenario, Lyons-Moran.

ALL BUSINESS. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story,
Leslie Goodwins, Jean Yarbrough; film editor, Edward Mann.

ALL COLORED VAUDEVILLE SHOW. 1935. 1 reel, sd.

ALL COOKED UP. 1915. 1,000 ft.

Credits: Howard Lester; director, Charles Ranson.

ALL DOLLED UP. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, John Colton; scenario, A.
P. Yonger.

ALL EXCITED. (Sidney-Murray Comedy) 1931. 2 reels.

Credits: Director, Charles Lamont; story, James Mulhauser, Francis
J. Martin.

ALL FOR A HUSBAND. 1917. 6 reels.

Credits: Scenario and direction, Carl Harbaugh; story, George
Scarborough.

ALL FOR A TOOTH. 1914. 1 reel.

Credits: Ruth M. Woodward; director, C. Jay Williams.

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Comments

Motion pictures, 1912-1939Chapter L: C. card, 51-60018 (2)

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