Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (9)

Text size

3D. © title, descr. & 180 prints, 2Apr38; MU8296.

Volume 4, 1938.

1. title, descr. & 132 prints, 2Apr38; MU8297.

3. © title & descr. 26Oct38; 66 prints, 27Oct38; MU8840.

Volume 5, 1939.

1. © title, descr. & 77 prints, 15Mar39; MU9248.

2. © title & descr., 29Jun39; 66 prints, 1Jul39; MU9519.

THE LEADING LADY. 1913. 1 reel.

Credits: Director, Ned Finley.

LEADING LIZZIE ASTRAY. 1914. 1 reel.

Credits: Producer, Mack Sennett.

LEADING UP TO AN EASY CLOSE. 1937. For the Charis Corp. 1 reel, sd.

A LEAF FROM NATURE'S BOOK. SEE Open the Bars, Squirrel Food, and A
Leaf from Nature's Book.

THE LEAGUE OF FRIGHTENED MEN. 1937. 7 reels, sd. From the Nero Wolfe
Mystery by Rex Stout.

Credits: Associate producer, Edward Chodorov; director, Alfred E.
Green; screenplay, Eugene Solow, Guy Endore; film editor, Gene
Milford.

LEAH KLESCHNA. SEE

The Girl Who Came Back.

The Moral Sinner.

THE LEAK. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William W. Beaudine.

THE LEAP. Bison. 1916. 2 reels.

Credits: Producer, Henry McRae; story, James MacGregor; scenario,
Harvey Gates.

LEAP AND LOOK THEREAFTER. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis.

** © Itala Film Co. of America; title, descr. & 85 prints, 13Sep13;
LU1298.

Credits: Director, Carlyle Blackwell; story, Raymond Schrock.

A LEAP YEAR TANGLE. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al. E. Christie; story, Neal
Burns.

LEAPING LIONS AND JAILBIRDS. Century. 1921. 2 reels.

Credits: Written and directed by William H. Watson.

LEAPING LOVE. (Hal Roach Comedy) 1929. 2 reels, sd.

Credits: Director, Warren H. Doane; story, Leo McCarey; film editor,
Richard Currier.

LEAPING LUCK. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

Credits: Producer, John L. Hawkinson.

LEARN POLIKENESS. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar,
Nicholas Tafuri.

LEARNING AND GROWTH. (Yale Films of Child Development) 1935. 1 reel.

Credits: Producer, John L. Hawkinson.

LEARNING TO BE A FATHER. Powers. 1915. 1 reel.

Credits: J. Fleming Wilson; scenario and production, Jacques
Jaccard.

LEARNING TO LOVE. First National. 1925. 7 reels.

Credits: Director, Sidney A. Franklin; story and adaptation, John
Emerson, Anita Loos.

THE LEASE BREAKERS. 1931. 2 reels, sd.

Credits: Director, Al Ray; story, Corey Ford, Howard Dietz.

THE LEASE BREAKERS. 1932. 1 reel.

Credits: Director, Roy Mack.

LEATHER. 1929. 1 reel.

THE LEATHER GOODS LADY. 1915. 1,000 ft. Adapted from The Munsey
Magazines.

THE LEATHER PUSHERS. Universal Jewel. Knickerbocker Photoplay Corp.
1922-24. 2 reels each. From the stories by H. C. Witwer published in
Collier's. Title varies: no. 7-12, 1922-24, have title "The New
Leather Pushers."

Credits: Direction, Harry A. Pollard; scenario, Harry A. Pollard,
Harvey Thew.

1. Let's Go. © 10Jan22; LP17451.

2. Round Two. © 13Jan22; LP17452.

3. Payment Through the Nose. © 23Feb22; LP17578.

4. A Fool and His Money. © 17Mar22; LP17660.

5. The Taming of the Shrewd. © 31Mar22; LP17710.

6. Whipsawed. © 13Apr22; LP17760.

7. Young King Cole. © 23Nov22; LP18433.

8. He Raised Kane. © 1Dec22; LP18467.

9. Chickasha Bone Crusher. © 15Dec22; LP18527.

10. When Kane Met Abel. © 29Dec22; LP18546.

11. Strike Father, Strike Son. © 18Jan23; LP18596.

12. Joan of Newark. © 25Jan23; LP18618.

13. The Wandering Two. © 25Apr23; LP18920. (3 reels)

14. The Widower's Mite. © 4Jun23; LP19055.

15. Don Coyote. © 13Jun23; LP19107.

16. Something for Nothing. © 5Jul23; LP19180.

17. Columbia the Gem and the Ocean. © 18Jul23; LP19221.

18. Barnaby's Grudge. © 4Aug23; LP19286.

19. That Kid from Madrid. © 10Dec23; LP19702.

20. He Loops to Conquer. © 10Dec23; LP19703.

21. Girls will Be Girls. © 10Jan24; LP19823.

22. A Tough Tenderfoot. © 21Jan24; LP19845.

23. Swing Bad the Sailor. © 8Feb24; LP19904.

24. Big Boy Blue. © 27Feb24; LP19957.

THE LEATHER PUSHERS. 1930-31. 2 reels each. Based on the stories by H.
C. Witwer. © Universal Pictures Corp.

Credits: Director, Albert Kelley; screenplay, Douglas Doty, Ralph
Cedar, Harry Fraser; continuity and dialogue, Ralph Cedar, Harry
Fraser.

1. Kid Roberts. © 21Aug30; LP1513.

2. Hammer and Tongs. © 4Aug30; LP1537.

3. The Knockout. © 18Sep30; LP1578.

4. The Come-Back. © 8Nov30; LP1710.

5. The Mardi Gras. © 29Nov30; LP1769.

6. All for a Lady! © 16Dec30; LP1820.

7. Framed! © 6Jan31; LP1867.

8. The Lady Killer. © 19Jan31; LP1902.

9. Kane Meets Abel. © 26Jan31; LP1929.

10. The Champion. © 18Feb31; LP1989.

LEATHERFACE. SEE Two Lovers.

THE LEATHERNECK. 1929. 8 reels.

Credits: Producer, Ralph Block; director, Howard Higgin; story and
continuity, Elliott Clawson.

THE LEATHERNECKER. 1935. 1,534 ft., sd.

Credits: Written and directed by Arthur Ripley; screenplay, John
Grey.

LEATHERNECKING. 1930. 79 min., sd. From the stage play "Present Arms"
by Herbert Fields, Richard Rogers, and Lorenz Hart.

Credits: Associate producer, Louis Sarecky; director, Eddie Cline;
screen adaptation, Alfred Jackson; continuity, Jane Murfin; musical
director, Victor Baravalle.

THE LEATHERNECKS HAVE LANDED. 1936. 7 reels, sd.

Credits: Supervision, Ken Goldsmith; director, Howard Bretherton;
original story, Wellyn Totman, James Gruen; screenplay, Seton I.
Miller; editor, Robert Johns.

LEATHERSTOCKING. © 1924. Based on novels by James Fenimore Cooper. ©
Pathe Exchange, Inc. (Robert Dillon, author).

1. The Warpath. © title, descr. & 40 prints, 20Feb24; LU19936.

2. The Scarlet Trail. © title, descr. & 40 prints, 20Feb24; LU19937.

3. The Hawk's Eyes. © title, descr. & 50 prints, 20Feb24; LU19938.

4. The Paleface Law. © title, descr. & 38 prints, 18Apr24; LU20082.

5. Ransom. © title, descr. & 40 prints, 18Apr24; LU20083.

6. The Betrayal. © title, descr. & 40 prints, 18Apr24; LU20084.

7. Rivenoak's Revenge. © title, descr. & 40 prints, 18Apr24;
LU20085.

8. Out of the Storm. © title, descr. & 40 prints, 18Apr24; LU20086.

9. The Panther. © title, descr. & 40 prints, 18Apr24; LU20087.

10. Mingo Torture. © title, descr. & 36 prints, 24Apr24; MU2522.

LEAVE 'EM LAUGHING. Presented by Hal Roach. 1928. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde Bruckman; story
and production, Hal Roach; editor, Richard Currier.

LEAVE IT TO A DOG. SEE A Canine Matchmaker.

LEAVE IT TO DAD. (Mermaid Comedy) Presented by E. W. Hammons. 1933. 19
min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest
Pagano, Jack Townley, C. Edward Roberts.

LEAVE IT TO GERRY. 1924. 6 reels.

Credits: Director, Arvid E. Gillstrom; story, Adam Hull Shirk.

LEAVE IT TO ME. 1920. 5 reels.

Credits: Director, Emmett J. Flynn; story, Arthur Jackson; scenario,
Jules Furthman.

LEAVE IT TO SUSAN. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Clarence G. Badger; story, Rex Taylor, Irma
Whipley Taylor.

LEAVE WELL ENOUGH ALONE. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner
Mathews.

THE LEAVENWORTH CASE. 1923. 6 reels. From the novel by Anna Katharine
Green.

Credits: Director, Charles Giblyn; scenario. Eve Stuyvesant.

THE LEAVENWORTH CASE. 1936. 7 reels, sd. Based on the novel by Anna
Katharine Green.

Credits: Supervision, Ken Goldsmith; director, Lewis D. Collins;
screenplay, Albert DeMond, Sidney Sutherland; film editor, Dan
Milner.

LEAVES. (Biological Science Series) 1936. 1 reel, sd.

Credits: Clyde Fisher.

© Pathé Frères (Compagnie Générale des Établissements Pathé Frères
Phonographes et Cinématographes, author); title, descr. & 82 prints,
19Nov13; LU1617.

THE LEAVING OF LAWRENCE. 1915. 1 reel.

Credits: Written and produced by Giles R. Warren.

LEBEN UM LEBEN. SEE Life for a Life.

THE LEDGER OF LIFE. SEE Private Affairs.

LEE BLOUNT GOES HOME. Imp. 1916. 2 reels.

Credits: Harvey Gates; director, William Worthington.

LEE MORSE IN THE MUSIC RACKET. 1930. 1 reel.

Credits: Director, Neal Hart; story, Jane Hurrle, editor, Fred
Burnsworth.

LEFT-HANDED LAW. 1937. 6 reels.

Credits: Director, Lesley Selander; story, Charles M. Martin;
screenplay, Frances Guihan; editor, Bernard Loftus.

LEFT IN THE SOUP. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William Beaudine.

LEFTOVER LADIES. 1931. 6,281 ft., sd. From an original article by
Ursula Parrott.

Credits: Producer, Samuel Bischoff; director, Erle C. Kenton;
dialogue and continuity, Robert R. Presnell; film editor, Arthur
Huffsmith.

LEGAL ADVICE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

THE LEGAL LIGHT. 1915. 1 reel.

Credits: Director, Tom Mix.

LEGAL MURDER. SEE Within the Limit of the Law.

LEGALLY DEAD. 1923. 6 reels.

Credits: Director, William Parke; story, Charles Furthman; scenario,
Harvey Gates.

THE LEGEND OF HOLLYWOOD. Released by Producers Distributing Corp.
1924. 6 reels. Adapted from a story by Frank Condon.

Credits: Director, Renaud Hoffman; film editor, Glenn Wheeler.

THE LEGEND OF THE LEI. Treasure Chest. Presented by E. W. Hammons.
1936. 1 reel, sd.

Credits: Story and narration, Norman Brokenshire.

THE LEGEND OF THE LONE TREE. 1914. 1 reel.

Credits: Archie R. Lloyd; director, Ulysses Davis.

THE LEGEND OF THE LORELEI. SEE Sirens.

THE LEGEND OF THE POISONED POOL. 1915. 1,000 ft.

Credits: Producer, Edward Sloman.

THE LEGEND OF THE WILLOW PLATE. 1917. 1 reel.

THE LEGION OF DEATH. 1918. 7 reels.

Credits: Director, Tod Browning; story and adaptation, June Mathis.

LEGION OF LOST FLYERS. 1939. 7 reels, sd.

Credits: Associate producer and original story, Ben Pivar; director,
Christy Cabanne; screenplay, Maurice Tombragel; film editor, Maurice
Wright.

THE LEGION OF MISSING MEN. 1937. 7 reels, sd.

Credits: Supervision, Charles Hutchinson; director, Hamilton
MacFadden; story, Norman S. Hall; scenario and dialogue, Sherman L.
Lowe, Harry D. Hoyt.

LEGION OF TERROR. 1936. 7 reels.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Bert
Granet; film editor, Al Clark.

THE LEGION OF THE CONDEMNED. Paramount. Presented by Adolph Zukor and
Jesse L. Lasky. 1928. 7,415 ft.

Credits: Producer and director, William A. Wellman; story, John Monk
Saunders; screenplay, John Monk Saunders, Jean de Limur.

THE LEGIONARY. SEE The Silent Lover.

LEGIONNAIRES IN PARIS. 1927. 6 reels.

Credits: Director, Arvid E. Gillstrom; story, Louis Sarecky;
screenplay, Jefferson Moffitt.

LEGONG; DANCE OF THE VIRGINS. Presented by Bennett Pictures Corp.
1935. 6 reels, sd., color.

Credits: Producer and director, Henri de la Falaise; story told by
Henri de la Falaise, Gaston Glass; photographer, William H. Green;
editor, Edward Schroeder; music supervised by Abe Meyer; orchestra
director, S. K. Wineland.

LEGRAND'S REVENGE. 1915. 2 reels.

Credits: Henry C. Rowland.

LEITH STEVENS AND THE SATURDAY NIGHT SWING CLUB ON THE AIR. (Melody
Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

LEM HAWKINS' CONFESSION. 1935. 10 reels. Based upon the Stanfield
murder case.

Credits: Produced, written, and directed by Oscar Micheaux.

THE LEMON. SEE Hugh Herbert.

THE LEMON DROP KID. Presented by Adolph Zukor. 1934. 8 reels, sd. From
the story by Damon Runyon.

Credits: Producer, William LeBaron; director, Marshall Neilan;
screenplay, Howard J. Green; additional dialogue, J. P. McEvoy.

LEMON MERINGUE. (Mr. Average Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Story, adaptation, and direction, Harry Sweet; film editor,
Walter Thompson.

LEMONADE AIDS CUPID. Joker. 1915. 1 reel.

Credits: Gale Henry; producer, Allen Curtis.

LEM'S COLLEGE CAREER. Nestor. 1916. 2 reels.

Credits: Written and produced by Al. E. Christie.

LENA. 1914. 2 reels.

Credits: Original scenario, Ellis Parker Butler.

LENA RIVERS. 1914. 5 reels.

LENA RIVERS. 1925. 9 reels. From the novel by Mary J. Holmes.

Credits: Directed by Whitman Bennett; adaptation, Dana Rust.

LENA RIVERS. Presented by Tiffany Pictures. 1932. 7 reels, sd. From
the book by Mary J. Holmes.

Credits: Producer, Samuel Bischoff; director, Phil Rosen; adaptation
and dialogue, Stuart Anthony, Warren B. Duff; film editor, Maurice
Wright; supervising editor, Martin G. Cohn; music director, Val
Burton.

LEND ME YOUR HUSBAND. 1924. 6 reels.

Credits: Director, William Christy Cabanne; story, Marguerite Gove;
scenario, Raymond S. Harris.

LEND ME YOUR NAME. Yorke Film Corp. 1918. 5 reels. From the novel by
Francis Perry Elliott.

Credits: Director, Fred J. Balshofer; adaptation, Fred J. Balshofer,
John Clymer.

LENINGRAD—THE GATEWAY TO SOVIET RUSSIA. (Fitzpatrick-M. G. M.
Traveltalk) 1932. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music, Nathaniel
Shilkret; photographer, Frank Goodliffe.

LENNIE HEYTON & HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

LENSES. 1931. 985 ft.

LEO BEERS, WORLD RENOWNED WHISTLING SONGSTER. 1928. 1 reel, sd.

LEO CARRILLO IN THE FOREIGNER. 1928. 1 reel.

Credits: Director, Archie Mayo.

LEO CARRILLO IN THE HELL GATE OF SOISSONS. 1928. 1 reel, sd.

LEO CARRILLO, THE ITALIAN HUMORIST, IN A COMEDY MONOLOGUE, AT THE BALL
GAME. 1927. 1 reel.

LEO CARRILLO, THE ITALIAN HUMORIST, IN AT THE BALL GAME. 1927. 1 reel.

LEO REISMAN AND HIS HOTEL BRUNSWICK ORCHESTRA IN RHYTHMS. 1929. 1
reel, sd.

LEON NAVARA AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

LEON VAVARA IN A PIANOLOGUE. 1927. 1 reel, sd.

LEONIE. 1913. 1 reel.

Credits: Bannister Merwin.

THE LEOPARD LADY. De Mille Pictures Corp. 1928. 7 reels. From the play
by Edward Childs Carpenter.

Credits: Supervision, Bertram Millhauser; director, Rupert Julian;
screenplay, Beulah Marie Dix; film editor, Claude Berkeley.

Credits: Producer, Lem B. Parker.

THE LEOPARD WOMAN. Associated Producers. 1920. 6 reels. From the story
by Stewart Edward White.

Credits: Supervision, J. Parker Read, Jr.; director, Wesley Ruggles.

THE LEOPARDESS. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Director, Henry Kolker; story, Katharine N. Burt; scenario
and adaptation, J. Clarkson Miller.

THE LEOPARD'S FOUNDLING. 1914. 2 reels.

Credits: Written and produced by Kathlyn Williams.

THE LEOPARD'S LAIR. 1915. 1 reel.

Credits: Director, E. A. Martin.

THE LEOPARD'S SPOTS. Released by F. B. O. 1925. 1 reel.

Credits: Written and directed by Walter Lantz.

LERDO'S MEXICAN ORCHESTRA. 1929. 1 reel, sd.

LESS THAN KIN. 1918. 5 reels.

Credits: Director general, Cecil B. De Mille; story, Alice Duer
Miller.

THE LESSON. 1918. 5 reels.

Credits: Direction and adaptation, Charles Giblyn; story, Virginia
Terhune Van De Water.

A LESSON FOR SOMEBODY. 1916. 1 reel.

Credits: Elliott Flower; director, David Smith.

A LESSON FROM THE FAR EAST. Rex. 1915. 2 reels.

Credits: Director, Clem Easton.

A LESSON IN GOLF. (A Sport Champion Reel) 1932. 878 ft.

Credits: Director, Dudley Murphy.

A LESSON IN GOLF. SEE Alex Morrison.

A LESSON IN JEALOUSY. 1913. 1 reel.

Credits: Director, Harry Lambart.

A LESSON IN LABOR. 1916. 2 reels.

Credits: Director, Paul Powell.

A LESSON IN LOVE. 1931. 1 reel, sd.

Credits: J. P. Murray, Barry Trivers, Ben Oakland; director, Casey
Robinson; staged by Max E. Hayes.

A LESSON IN PROPOSING. (Organlogue, no. 22) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

A LESSON IN ROMANCE. 1915. 3 reels.

LESSON NUMBER ONE. 1929. 2 reels, b&w.

Credits: Director, James G. Parrott; story and scenario, Robert
Benchley.

THE LESSON OF THE NARROW STREET. 1915. 1 reel.

Credits: Director, S. Rankin Drew.

LESSONS IN LOVE. First National. 1921. 72 min. From the play "Perkins"
by Douglas Murray.

Credits: Director, Chet Withey; scenario, Grant Carpenter.

LEST WE FORGET. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

LEST WE FORGET. Presented by Screen Classics, Inc. 1918. 7 reels.

Credits: Written and directed by Leonce Perret.

LESTER ALLEN IN PARIS. 1931. 1 reel, sd.

Credits: Directors, Frank Cambria, Ray Cozine.

LET 'EM HAVE IT. United Artists. 1935. 12 reels, sd.

Credits: Director, Samuel Wood; story, Joseph Moncure March, Elmer
Harris; additional dialogue, Al Boasberg.

LET 'ER BUCK. Gibson. 1925. 6 reels.

Credits: Director, Edward Sedgwick; story and scenario, Edward
Sedgwick, Raymond L. Schrock.

LET 'ER BUCK. (A Grantland Rice Sportlight) 1930. 1 reel, sd.

Credits: John Eaton.

LET 'ER GO. 1920. 2 reels.

Credits: Director, James Davis.

LET 'ER GO, GALLEGHER. De Mille Pictures Corp. 1927. 6 reels.

Credits: Director, Elmer Clifton; story, Richard Harding Davis;
adaptation and continuity, Elliott Clawson; film editor, Harold
McLernon.

LET FIDO DO IT. 1919. 2 reels.

Credits: Director, Noel Smith.

LET FREEDOM RING. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels,
sd., sepia.

Credits: Producer, Harry Rapf; director, Jack Conway; original story
and screenplay, Ben Hecht; film editor, Frederick Y. Smith; music
director, Arthur Lange.

LET IT BE ME. (Merrie Melody) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger.

LET IT RAIN. Paramount. 1927. 7 reels.

Credits: Director, Edward F. Cline; story and scenario, Wade
Boteler, George J. Crone, Earle Snell.

LET KATIE DO IT. 1916. 5 reels. Adapted from the novel by Granville
Warwick.

Credits: Scenario, Bernard McConville.

LET LOOSE. Mustang. 1926. 2 reels.

Credits: Story, W. C. Tuttle.

LET ME CALL YOU SWEETHEART. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane,
David Tendlar.

LET ME EXPLAIN. Presented by Al Christie. 1930. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Kenyon Nicholson.

LET ME HAVE YOUR CATALOGUE—THEN WHAT? 1927. 1 reel.

LET NOT MAN PUT ASUNDER. 1924. 9 reels. Adapted from the novel by
Basil King.

Credits: Director, J. Stuart Blackton; scenario, Charles L. Gaskill.

LET THEM LIVE! 1937. 8 reels, sd.

Credits: Associate producer, Edmund Grainger; director, Harold
Young; story, Richard Wormser; screenplay, Bruce Manning, Lionel
Houser; film editor, John Rawlins; music director, Lou Forbes.

LET US BE GAY. 1930. 8 reels, sd., b&w. From the play by Rachel
Crothers.

Credits: Producer, Robert Z. Leonard; continuity and dialogue,
Frances Marion; additional dialogue, Lucile Newmark; film editor,
Basil Wrangel.

LET US LIVE. 1939. 7 reels, sd.

Credits: Director, John Brahm; story, Joseph F. Dinneen; screenplay,
Anthony Veiller, Allen Rivkin; film editor, Al Clark; music
director, Karol Rathaus.

LET WOMEN ALONE! Released by Producers Distributing Corp. 1925. 6
reels. From the story "On the Shelf" by Viola Brothers Shore.

Credits: Production and adaptation, Frank Woods; director, Paul
Powell.

LETITIA. 1916. 3 reels.

Credits: Gordon Arthur Smith; producer, Harry Davenport; picturized
by Joseph F. Poland.

LET'S ALL SING LIKE THE BIRDIES SING. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Thomas
Johnson.

LET'S BE FASHIONABLE. 1920. 5 reels.

Credits: Director, Lloyd Ingraham; story, Mildred Considine;
adaptation, Luther Reed.

LET'S BE OPTIMISTIC. (Organlogue, no. 7) 1931. 1 reel, sd.

Credits: Announcements, Brokenshire.

LET'S BE RITZY. 1934. 8 reels.

Credits: Director, Edward Ludwig; story, William Anthony McGuire;
screenplay, Harry Sauber, Earle Snell.

LET'S CELEBRAKE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel,
William Henning.

LET'S DANCE. 1933. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

LET'S DANCE. (A Miniature) 1936. 1 reel, sd.

Credits: Director, David Miller.

LET'S DO THINGS. 1931. 3 reels, sd., b&w.

Credits: Director, Hal Roach; dialogue, H. M. Walker; editor,
Richard Currier.

LET'S EAT. (An Oswald Comedy) Snappy. 1932. 1 reel.

LET'S ELOPE. Paramount. Presented by Thomas H. Ince. 1919. 5 reels.
From the play "The Naughty Wife" by Fred Jackson.

Credits: Supervision, Thomas H. Ince; director, John S. Robertson;
scenario, Katherine Reed.

LET'S ELOPE. SEE Betty and Jerry Browne in Let's Elope.

LET'S FALL IN LOVE. 1934. 7 reels, sd.

Credits: Director, David Burton; story and screenplay, Herbert
Fields; film editor, Gene Milford; music and lyrics, Harold Arlen,
Ted Koehler; music director, Constantin Bakaleinikoff.

LET'S FIGHT. Nestor. 1918. 1 reel.

Credits: Director, Ben Wilson; story, William Wing.

LET'S GET A DIVORCE. 1918. 5 reels. Based on the play "Divorçons" by
Victorien Sardou.

Credits: Director, Charles Gyblin; adaptation, John Emerson, Anita
Loos.

LET'S GET MARRIED. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1926. 7 reels. Adapted from "The Man from Mexico" by H. A. Du
Souchet.

Credits: Director, Gregory LaCava; screenplay, J. Clarkson Miller;
adaptation, Luther Reed.

LET'S GET MARRIED. 1937. 7 reels, sd.

Credits: Director, Alfred E. Green; story, A. H. Z. Carr;
screenplay, Ethel Hill; film editor, Al Clark; music director,
Morris Stoloff.

LETS GET MOVIN'. 1936. 1 reel, sd.

LET'S GO. 1923. 6 reels.

Credits: Director, William K. Howard; story and scenario, Keene
Thompson.

LET'S GO. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures
Corp. 1937. 684 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation,
Manny Gould; music, Joe de Nat.

LET'S GO. SEE Fast Life.

LET'S GO COMMERCIAL. 1937. For Ice Refrigeration Bureau. Filmstrip,
sd.

LET'S GO GALLAGHER. Released by F. B. O. 1925. 5 reels.

Credits: Directors, Robert De Lacey, James Gruen; story and
continuity, Percy Heath, James Gruen.

LET'S GO LATIN. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky; editor,
Leslie Roush.

LET'S GO NATIVE. 1930. 6,787 ft., sd.

Credits: Director, Leo McCarey; story, George Marion, Jr., Percy
Heath.

LET'S GO PLACES. 1929. 6,442 ft.

Credits: Director, Frank Strayer; editor, Al De Gaetano.

LET'S HAVE ADVENTURE. Presented by Elmer Clifton. 1934. 2 reels.

Credits: Director, Alfred E. Smalley; story, Jack Natteford; editor,
Anthony Martenelli.

LET'S IMAGINE. (Organlogue, no. 6) 1931. 1 reel, sd.

Credits: Voice, Campbell.

LET'S LIVE TONIGHT. 1935. 7 reels, sd.

Credits: Director, Victor Schertzinger; story, Bradley King;
screenplay, Gene Markey; film editor, Gene Milford.

LET'S LOOK AHEAD. 1937. For the Ice Refrigeration Bureau. Filmstrip,
sd.

LET'S MAKE A MILLION. Presented by Adolph Zukor. 1936. 7 reels, sd.
Based on a story by Lawrence Pohle and Thomas Ahearn.

Credits: Producer, Harold Hurley; director, Raymond McCarey;
screenplay, Robert Yost, Manuel Seff.

LET'S MAKE A NIGHT OF IT. 1937. 7 reels, sd. Adapted from the play
"The Silver Spoon" by Hendrik N. Ege.

Credits: Director, Walter C. Mycroft; screenplay, Hugh Brooke;
adaptation, F. McGrew Willis; music director, Harry Acres; music and
lyrics, Michael Carr, Jimmy Kennedy, Ray Noble, Allan Murray.

LET'S PLAY. (Slim Summerville Comedy) 1931. 19 min.

Credits: Director, Stephen Roberts; story, Francis J. Martin, James
Mulhauser.

LET'S PLAY KING. SEE Forbidden Adventure.

LET'S PLAY POST OFFICE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran.

LET'S RING DOORBELLS. 1935. 1 reel, sd.

Credits: Story, Art Davis; animation, Sid Marcus.

LET'S STAY SINGLE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Rube Welch.

LET'S TALK IT OVER. 1934. 7 reels.

Credits: Director, Kurt Neumann; story, Dore Schary, Lewis Foster;
screenplay and dialogue, John Meehan, Jr.

LET'S TALK IT OVER. 1936. For Gooderham & Worts, Ltd. 1 reel, sd.

LET'S TALK SHOP. 1936. Filmstrip, sd.

LET'S TALK TURKEY. (The Rambling Reporter Series) 1930. 1 reel, sd.

Credits: Narrative by Malcolm La Prade; musical arrangement, Tom
Griselle.

LET'S TALK TURKEY. (A Pete Smith Specialty) Presented by
Metro-Goldwyn-Mayer. 1939. 882 ft., sd., b&w.

Credits: Director, Felix E. Feist; story, Thornton Sargent;
screenplay, Robert Lees, Fred Rinaldo; film editor, Philip Anderson.

LET'S TRY AGAIN. 1934. 7 reels. From the play "Sour Grapes" by Vincent
Lawrence.

Credits: Associate producer, Myles Connolly; adaptation and
direction, Worthington Miner; music director, Max Steiner; editor,
Ralph Dietrich.

LET'S USE A HELPER. 1934. Filmstrip.

LET'S YOU AND HIM FIGHT. (A Popeye the Sailor Cartoon) 1934. 1 reel,
sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky,
William Sturm.

THE LETTER. 1929. 5,868 ft. Adapted from the stage play by W. Somerset
Maugham.

Credits: Director, Jean De Limur; adaptation, Garrett Fort.

THE LETTER BOX. 1930. 1 reel.

LETTER OF INTRODUCTION. 1938. 11 reels.

Credits: Director, John M. Stahl; original story, Bernice Boone;
screenplay, Sheridan Gibney, Leonard Spigelgass; music director,
Charles Previn.

THE LETTER THAT NEVER CAME OUT. 1914. 1 reel.

Credits: W.T. Nichols; director, Charles J. Brabin.

A LETTER TO DADDY. 1915. 1 reel.

A LETTER TO UNCLE SAM. 1913. 1 reel.

Credits: Arthur Lenox.

LETTERS. 1930. 1 reel, sd.

LETTERS ENTANGLED. 1915. 2 reels.

LETTY. SEE Loves of Letty.

LETTY LYNTON. 1932. 9 reels, sd., b&w. From the novel by Marie Belloc
Lowndes.

Credits: Producer and director, Clarence Brown; adaptation, Wanda
Tuchock; dialogue and continuity, John Meehan.

THE LEVEL. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE LEVEL. 1915. 1,000 ft.

LEVY'S SEVEN DAUGHTERS. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

LEW FIELDS IN 23 ... SKIDOO. 1930. 1 reel.

LEW TYLER'S WIVES. Presented by J. G. Bachmann. 1926. 70 min. From the
novel by Wallace Irwin.

Credits: Director, Harley Knoles; adaptation, Eugene Clifford,
Arthur Hoerl.

THE LEWIS AND CLARK EXPEDITION. SEE The Louisiana Purchase and the
Lewis and Clark Expedition. 1920.

LEWIS-MUNN WRESTLING BOUT SPECIAL. 1925. 2 reels.

THE LIAR. 1918. 5 reels.

Credits: Director, E. Lawrence; scenario, Adeline Leitzbach.

THE LIAR BIRD. (Krazy Kat) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny
Gould.

LIBELED LADY. 1936. 10 reels, sd., b&w.

Credits: Producer, Laurence Weingarten; director, Jack Conway;
story, Wallace Sullivan; screenplay, Maurine Watkins, Howard Emmett
Rogers, George Oppenheimer; film editor, Frederick Y. Smith; music
score, William Axt.

LIBERATED JERUSALEM. (A Paramount-Burton Holmes Travel Picture) 1921.
1 reel.

THE LIBERATION OF SWITZERLAND. SEE William Tell.

THE LIBERATOR. SEE Maciste in The Liberator Series.

THE LIBERTINE. 1916. 6 reels.

Credits: Directors, Julius Steger, Joseph A. Golden.

LIBERTY. Universal Special. 1916. 2 reels each, except no. 1 which is
3 reels. © Universal Film Mfg. Co., Inc.

Credits: W. B. Pearson; production, story and adaptation, Jacques
Jaccard; directors, Jacques Jaccard, Henry McRae.

1. The Fangs of the Wolf. © 4Aug16; LP8875.

2. Riding with Death. © 7Aug16; LP8886.

3. American Blood. © 15Aug16; LP8941.

4. Dead or Alive. © 24Aug16; LP8998.

5. Love and War. © 1Sep16; LP9043.

6. The Desert of Lost Souls. © 11Sep16; LP9092.

7. Liberty's Sacrifice. © 19Sep16; LP9146.

8. Clipped Wings. © 23Sep16; LP9175.

9. Trapped. © 5Oct16; LP9249.

10. The Human Target. © 13Oct16; LP9309.

11. A Daughter of Mars. © 6Nov16; LP9468.

12. For the Flag. © 11Nov16; LP9494.

13. Strife and Sorrow. © 11Nov16; LP9495.

14. A Modern Joan of Arc. © 11Nov16; LP9496.

15. The Flag of Truce. © 15Nov16; LP9532.

LIBERTY. 1929. 2 reels, sd., b&w.

Credits: Direction, supervision, and story, Leo McCarey; editor,
William Terhune.

LIBERTY BELLES. 1914.

A LIBERTY LOAN APPEAL. SEE Charles Chaplin in A Liberty Loan Appeal.

THE LIBRARY OF CONGRESS. (The Washington Parade, no. 4) 1939. 1 reel,
sd.

Credits: Narrative, Jack Kofoed; narrator, Basil Ruysdael; editor,
Harry Foster.

© Standard Brands, Inc. (Standard Brands, Inc., employer for hire of
Russell W. Varney, author); title, descr. & 56 prints, 21Mar35;
MU5470.

LICKETY SPLIT. (Mermaid Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

A LICKPENNY LOVER. 1926. 2 reels. A jazz version of the story by O.
Henry [pseud. of William Sydney Porter].

Credits: Director, "Bunny" Dull; adaptation, Mark Sandrich, Edward
P. Moran.

THE LIE. Artcraft. Famous Players Film Co. 1918. 5 reels. Based on the
play by Henry Arthur Jones.

Credits: Director, J. Searle Dawley; scenario, Charles Maigne.

THE LIE SUBLIME. Big U. 1916. 2 reels.

Credits: Harry Dittmar; producer, Henry Otto; directors, King
Baggott, Bennett Molter.

THE LIE THAT FAILED. Released through General Film Co. 1918. 15 min.

Credits: Edward T. Lowe, Jr.; director, Arthur Berthelet.

LIEBE IM RING (LOVE IN THE RING). 1930. 8 reels.

Credits: Regie, Reinhold Schünzel; writing and production
management, Max Glass.

LIEBES INTRIGUEN. SEE Love Intrigues.

DER LIEBLING VON WIEN. 1930. 9 reels, sd.

Credits: Director, Geza von Bolvary; scenario, Walter Reisch; music,
Robert Stolz.

DAS LIED IST AUS (THE SONG IS OVER). 1930. 10 reels.

Credits: Walter Reisch; director, Geza von Bolvary; music and
musical direction, Robert Stolz.

THE LIEUTENANT GOVERNOR. 1915. 2 reels. Adapted from the Smart Set
Magazine.

Credits: Producer, Lem B. Parker.

LIFE. 1921. 5 reels. A picturization of the drama by Thompson Buchanan
and William A. Brady.

Credits: Director, Travers Vale.

THE LIFE AND LOVES OF BEETHOVEN. 1938. 8 reels, sd.

Credits: Story and direction, Abel Gance; dialogue, Steve Passeur.

LIFE AND MOVING PICTURES. L-Ko. 1915. 2 reels.

LIFE AND TRAINING IN UNITED STATES NAVY. 1916. 1 reel.

A LIFE AT STAKE. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

LIFE BEGINS. 1932. 72 min. Based on the play by Mary McDougal Axelson.

Credits: Directors, James Flood, Elliott Nugent; adaptation and
dialogue, Earl Baldwin; film editor, George Marks.

LIFE BEGINS AT FORTY. 1935. 7,200 ft., sd. Suggested by the book by
Walter B. Pitkin.

Credits: Director, George Marshall; screenplay, Lamar Trotti;
dialogue, Robert Quillen; music director, Samuel Kaylin.

LIFE BEGINS FOR ANDY PANDA. (A Walter Lantz Cartune) (A Walter Lantz
Andy Panda) 1939. 1 reel, sd., color.

LIFE BEGINS IN COLLEGE. 1937. 11 reels, sd. Suggested by a series of
stories by Darrell Ware.

Credits: Director, William A. Seiter; screenplay, Karl Tunberg, Don
Ettlinger; music director, Louis Silvers.

LIFE BEGINS WITH LOVE. 1937. 7 reels, sd.

Credits: Director, Raymond B. McCarey; story, Dorothy Bennett;
screenplay, Thomas Mitchell, Brown Holmes; film editor, Viola
Lawrence; music director, Morris Stoloff.

A LIFE CHASE. 1916. 3 reels.

LIFE DANCES ON (UN CARNET DE BAL). 1938. 11 reels, sd.

Credits: Scenario and direction, Julien Duvivier; dialogue, Henri
Jeanson, Jean Sarment, Bernard Zimmer; English titles, John Primi,
Herman G. Weinberg; music, Jaubert.

THE LIFE GUARD. 1915. 1 reel.

LIFE HESITATES AT 40. (Charley Chase Comedy) Presented by Hal Roach.
1935. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Harold Law; film editor, William
Ziegler.

THE LIFE HISTORY OF A SILK WORM. 1915.

LIFE HISTORY OF THE BULLFROG. 1931. 1 reel.

LIFE HISTORY OF THE MOSQUITO: AËDES AEGYPTI. 1929. 1 reel.

LIFE IN A CIRCUS. SEE In the Den of Lions.

LIFE IN LAPLAND; The Vanishing Race of the Laplanders. 1938. 1 reel,
sd.

Credits: Story and dialogue, Leonard Clairmont; narrator, John
Martin.

LIFE IN SOMETOWN, U. S. A. (A Miniature) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Buster Keaton; screenplay, Carl Dudley, Richard
Murphy; narrator, Carey Wilson.

A LIFE IN THE BALANCE. Imp. 1915. 2 reels.

LIFE IN THE HOLY LAND. SEE Palestine, the Jewish Return from Exile.

LIFE IN THE LATIN QUARTER. SEE La Bohème.

LIFE IN THE RAW. 1933. 5,750 ft., sd.

Credits: Director, Louis King; screenplay, Stuart Anthony; editor,
Barney Wolf.

LIFE IN THE SAHARA. 1932. 1 reel.

THE LIFE INSURANCE PROGRAM. (Educational Film Service, v. 25) 1931.

THE LIFE LINE. 1915. 2 reels.

Credits: Producer, Arthur Johnson.

THE LIFE LINE. Paramount-Artcraft. Presented by Maurice Tourneur.
1919. 6 reels. Based on the melodrama "The Romany Rye" by George R.
Sims.

Credits: Adaptation, Charles Everard Whittaker.

THE LIFE MASK. 1918. 6 reels. Based on the novel by Alice Muriel
Livingston Williamson.

Credits: Director, Frank H. Crane; scenario, L. Case Russell.

THE LIFE OF ABRAHAM LINCOLN. 1915. 2 reels.

Credits: James Oppenheim.

THE LIFE OF CHRIST. SEE The Life of Our Savior.

THE LIFE OF EDWARD. 1937. 1 reel. 8 & 16 mm. Based on incidents in the
life of Edward VIII of Great Britain.

THE LIFE OF EMILE ZOLA. 1937. 13 reels, sd.

Credits: Director, William Dieterle; story, Heinz Herald, Geza
Herczeg; screenplay, Norman Reilly Raine, Heinz Herald, Geza
Herczeg; music, Max Steiner.

THE LIFE OF JIMMY DOLAN. Presented by Warner Brothers Pictures, Inc.
and The Vitaphone Corp. 1933. 9 reels, sd. Based on a play by
Bertram Milhauser and Beulah Marie Dix.

Credits: Director, Archie Mayo; screenplay, David Boehm, Erwin
Gelsey.

Credits: Conceived and visualised by Rex Wilson.

THE LIFE OF RILEY. 1927. 7 reels.

Credits: Producers, William Beaudine, E. M. Asher; director, William
Beaudine; story, Mann Page; adaptation, Howard J. Green; continuity,
Curtis Benton.

LIFE OF THE FROG. 1915. 380 ft.

Credits: Raymond L. Ditmars.

THE LIFE OF THE PARTY. 1920. 5 reels. From the Saturday Evening Post
story by Irvin S. Cobb.

Credits: Director, Joseph Henabery; scenario, Walter Woods.

THE LIFE OF THE PARTY. 1930. 8 reels, sd.

Credits: Director, Roy Del Ruth; story, Melville Crossman,
screenplay and dialogue, Arthur Caesar.

LIFE OF THE PARTY. Trailer. 1930. 1 reel.

LIFE OF THE PARTY. Educational Films Corp. of America. Presented by E.
W. Hammons. Distributed by Fox Film Corp. 1935. 827 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story,
Marcy Klauber, Charlie Williams.

THE LIFE OF THE PARTY. 1937. 9 reels, sd.

Credits: Producer, Edward Kaufman; director, William A. Seiter;
story, Joseph Santley; screenplay, Bert Kalmar, Harry Ruby, Viola
Brothers Shore; editor, Jack Hively; music director, Roy Webb.

LIFE OF THE SALAMANDER. 1915. 1/2 reel.

THE LIFE OF VERGIE WINTERS. 1934. 9 reels, sd. From the story by Louis
Bromfield.

Credits: Producer, Pandro S. Berman; director, Alfred Santell;
screenplay, Jane Murfin; editor, George Hively; music, Max Steiner.

THE LIFE SAVER. 1913. 1 reel.

Credits: Director, Wilfred North.

LIFE SAVERS. 1928. 1 reel.

Credits: Edited and titled by Beth Brown.

LIFE SAVING AND RESUSCITATION. SEE First Aid, Life Saving, and
Resuscitation.

THE LIFE STORY OF DR. SAMUEL A. MUDD. SEE The Prisoner of Shark
Island.

Credits: Written and produced by William Duncan.

THE LIFERS OF THE PARTY. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story, Burnet Hershey.

LIFE'S CHANGING TIDE. 1915. 1 reel.

LIFE'S CROSSROADS. Presented by Samuel Zierler. 1928. 5,355 ft.

Credits: Director, Edgar Lewis; story and scenario, Eloise Macie
Lewis.

LIFE'S CRUCIBLE. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

LIFE'S DARN FUNNY. 1921. 6 reels. Adapted from the story "Caretakers
Within" by Christine Jope Slade.

Credits: Producer, Dallas M. Fitzgerald; adaptation, Mary O'Hara,
Arthur D. Ripley.

LIFE'S FLAT MOMENTS. Presented by Goodrich. 1938. 1 reel, sd.

LIFE'S FURROW. Laemmle. 1915. 1 reel.

Credits: Scenario, George Edwardes Hall.

LIFE'S GREATEST GAME. Released by F. B. O. 1924. 7 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson.

LIFE'S GREATEST PROBLEM. Presented by J. Stuart Blackton. 1919. 6
reels.

Credits: Director and producer, J. Stuart Blackton; story and
scenario, Anthony Paul Kelly.

Credits: Collected and produced by Carl Stearns Clancy; narrator,
Arthur Hale.

LIFE'S LITTLE PROBLEMS. Issue no. 1. 1935. 945 ft.

Credits: Director, William Watson; story and dialogue, George T.
Eggleston.

LIFE'S MAELSTROM. Big U. 1916. 2 reels.

Credits: Murdock MacQuarrie; director. Jay Hunt.

LIFE'S PENDULUM. Special Imp. 1917. 2 reels.

Credits: Producer, Robert Leonard.

LIFE'S PITFALLS. 1915. 3,000 ft.

Credits: Edward E. Kidder; director, George Ridgwell.

LIFE'S SHADOWS. 1916. 5 reels.

Credits: Written and produced by William Nigh.

LIFE'S SHOP WINDOW. 1914. For Fox Film Corp. 5 reels. Adapted from the
book and play by Victoria Cross [pseud. of Vivian Cory].

Credits: Synopsis, Mary Asquith.

LIFE'S STREAM. 1914. 1 reel.

LIFE'S WHIRLPOOL. Presented by B. A. Rolfe. 1917. 5 reels.

Credits: Written and directed by Lionel Barrymore.

LIFE'S YESTERDAYS. 1915. 2 reels.

Credits: Director, Lorimer Johnston.

THE LIFTED VEIL. Presented by B. A. Rolfe. 1917. 5 reels. From the
novel by Basil King.

Credits: Director, George D. Baker; adapted by Albert Shelby Le
Vino.

LIFTING THE BAN OF COVENTRY. 1915. 3 reels.

Credits: Director, Wilfrid North.

THE LIGHT. 1919. 5 reels.

Credits: Director, J. Gordon Edwards; story, Luther Reed, Brett
Page; scenario, Charles Kenyon, Adrian Johnson.

LIGHT. (General Science) 1937. Filmstrip, 40 frames.

THE LIGHT AT DUSK. 1916. 6 reels.

Credits: Director, Edgar Lewis.

LIGHT CAVALRY OVERTURE. 1927. 1 reel.

Credits: Music, Franz Von Suppé; conductor, Herman Heller.

THE LIGHT FANTASTIC. (Star Personality Comedy) Presented by E. W.
Hammons. 1935. 1,604 ft., sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy
Klauber.

LIGHT FINGERS. 1929. 7 reels, sl., sd.

Credits: Producer, Harry Cohn; director, Joseph E. Henabery; story,
Alfred Henry Lewis; screenplay, John Francis Natteford.

LIGHT HEARTS AND LEAKING PIPES. Rainbow. 1920. 2 reels.

Credits: Director, Billy Watson.

LIGHT HEAVYWEIGHT CHAMPIONSHIP BOXING CONTEST BETWEEN MELIO BETTINA,
OF BEACON, NEW YORK, CHAMPION, AND BILLY CONN, OF PITTSBURGH, PA.,
LEADING CONTENDER, HELD JUNE 13, 1939, AT MADISON SQUARE GARDEN, NEW
YORK. © 1939. Sd., b&w, 35 mm.

LIGHT HOUSEKEEPING. (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

LIGHT HOUSE KEEPING. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from
the cartoon character by George Herriman.

Credits: Ben Harrison; producer, Charles Mintz; animation, Al
Eugster, Preston Blair; musical score, Joe De Nat.

LIGHT IN DARKNESS. 1917. 5 reels. From the story by Peter B. Kyne.

Credits: Direction and adaptation, Alan Crosland.

THE LIGHT IN THE CLEARING. Hodkinson Pictures. 1921. 7 reels. From the
novel by Irving Bacheller.

Credits: Producer and director, T. Hayes Hunter.

THE LIGHT IN THE DARK. 1922. 7 reels.

Credits: Director, Clarence Brown; scenario, William Dudley Pelley,
Clarence Brown.

LIGHT O' LOVE. 1915. 2 reels.

THE LIGHT OF HAPPINESS. 1916. For the Metro program. 5 reels.

Credits: Produced and written by John H. Collins.

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Comments

Motion pictures, 1912-1939Chapter I: YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd (9)

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