Chapter I: PROMESSI SPOSI. SEE The Betrothed (11)

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Credits: Director, Lambert Hillyer; story, William Dudley Pelley.

SHOCK. 1934. 7 reels, sd.

Credits: Producer, George Yohalem; original story and direction, Roy
J. Pomeroy; screenplay, Madeleine Ruthven; editor, Jack Ogilvie.

THE SHOCK PUNCH. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1925. 8,151 ft. From the story by John Monk Saunders.

Credits: Director, Paul Sloane; screenplay, Luther Reed.

A SHOCKING NIGHT. 1920. 5 reels.

Credits: Producers, Lyons-Moran; story, Edgar Franklin; scenario, C.
B. Hoadley.

THE SHOCKS OF DOOM. 1919. 2 reels.

Credits: Director, Henry Houry; story, O. Henry [pseud. of William
Sydney Porter].

SHOD WITH FIRE. 1920. 5 reels.

Credits: Director, Emmett Flynn; story, Harold Titus; scenario, J.
Anthony Roach.

SHODDY, THE TAILOR. 1,000 ft. 1915.

SHOEIN' HOSSES. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David
Tendlar.

THE SHOEMAKER AND THE ELVES. (Color Rhapsody) Presented by Columbia
Pictures Corp. 1934. 812 ft., sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid
Marcus; music, Joe de Nat.

THE SHOEMAKER OF KOPENICK. SEE Captain Jinks the Cobbler.

SHOES. 1916. 5 reels.

Credits: Producers, the Smalleys; adapted and directed by Lois
Weber; story by Stella Wynne Herron.

SHOES. 1925. 2 reels. From the story by O. Henry [pseud. of William
Sydney Porter].

Credits: Director, Daniel Keefe; adaptation, Beatrice Van.

SHOES WITH RHYTHM. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

SHOESTRING. SEE New Faces of 1937.

SHOESTRING FOLLIES. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran.

SHOO FLY. (Chronicles of Bloom Center) 1915. 2 reels.

Credits: Director, Burton L. King.

SHOOSH. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story, Charles
Bowers, H. L. Muller, Ted Sears.

THE SHOOT 'EM UP KID. Mustang. 1926. 2 reels.

Credits: Director, Hoot Gibson; story, Carol Holloway; scenario,
William Lester.

SHOOT THE WORKS. Presented by Adolph Zukor. 1934. 9 reels, sd. From a
play by Ben Hecht and Gene Fowler.

Credits: Producer, Albert Lewis; director, Wesley Ruggles;
screenplay, Howard J. Green, Claude Binyon.

SHOOTIN' 'EM UP. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohn.

SHOOTIN' FOR LOVE. 1923. 5 reels.

Credits: Director, Edward Sedgwick; story, Raymond L. Schrock,
Edward Sedgwick.

SHOOTIN' IRONS. 1927. 5,179 ft.

Credits: J. Walter Ruben, Sam Mintz; director, Richard Rosson;
story, Richard Allen Gates.

THE SHOOTIN' KID. 1920. 2 reels.

Credits: Director, Ed Hoot Gibson; scenario, George W. Pyper.

SHOOTIN' WILD. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

Credits: Producer, John L. Hawkinson.

SHOOTING BIG GAME WITH A CAMERA. 1933. 8 reels.

SHOOTING FOR PAR. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed Thorgersen;
arranged by Raoul Marlo.

SHOOTING HIS 'ART OUT. 1916. 2 reels.

Credits: Producer, David Kirkland.

THE SHOOTING OF DAN MCGREW. 1915. 5 reels. From the poem by Robert W.
Service.

THE SHOOTING OF DAN MCGREW. Sawyer-Lubin Special. 1924. 6 reels. Based
on the poem by Robert W. Service.

Credits: Supervision, Arthur H. Sawyer; director, Clarence Badger;
adaptation, Winifred Dunn.

THE SHOOTING OF DAN THE DUCK. (Educational's Comedies) (Mermaid
Comedies) 1931. 20 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Harry McCoy, Jimmy
Star; continuity and dialogue, Ernest Pazano, Jack Townley.

THE SHOOTING PARTY. 1918. 2 reels.

THE SHOOTING STAR. 1917. 1 reel.

SHOOTING STRAIGHT. 1930. 8 reels, sd. From an original story by Barney
A. Sarecky.

Credits: Supervision, Louis Sarecky; director, George Archainbaud;
screenplay and dialogue, J. Walter Ruben; adaptation, Wallace Smith.

SHOOTING THE BULL. (Stern Brothers Comedy) 1928. 2 reels. From the
cartoons by Rube Goldberg.

Credits: Director, Gus Meins.

SHOOTING THE RECORD BREAKERS. (Adventures of the Newsreel Cameraman)
1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

SHOOTING THE WHIRLPOOL RAPIDS IN A MOTOR BOAT AT NIAGARA FALLS. ©
1915.

© William Bentley Van Zandt (Peter W. Langgaard and Paul A. Lohrke,
authors); title & 24 prints, 18Feb15; descr., 28Jan15; MU294.

SHOOTING UP THE MOVIES. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

SHOOTING WILD. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

SHOP TALK. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

THE SHOP GIRL. SEE Winifred, the Shop Girl.

SHOPGIRL'S EVIDENCE. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

SHOPPING WITH WIFIE. (Educational-Mack Sennett Andy Clyde Comedies)
1932. 20 min.

Credits: Director, Babe Stafford; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy, Lew Foster.

SHOPWORN. 1932. 8 reels.

Credits: Director, Nicholas Grinde; story, Sarah Y. Mason; dialogue,
Jo Swerling, Robert Riskin; film editor, Gene Havelick.

THE SHOPWORN ANGEL. 1929. 8 reels. Sd. & si. From the story by Dana
Burnet.

Credits: Director, Richard Wallace; adaptation, Howard Esterbook,
Albert Shelby LeVino.

THE SHOPWORN ANGEL. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels,
sd., b&w. Based on a story by Dana Burnet.

Credits: Producer, Joseph L. Monkiewicz; director, H. C. Potter;
screenplay, Waldo Salt; film editor, W. Donn Hayes; music score,
Edward Ward.

SHORE ACRES. Screen Classics, Inc. 1920. 6 reels. From the play by
James A. Herne.

Credits: Director, Rex Ingram; adaptation and scenario, Arthur J.
Zellner.

SHORE ENOUGH. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

SHORE LEAVE. First National. 1925. 7 reels. From the play by Hubert
Osborne.

Credits: Producer, John S. Robertson; scenario, Josephine Lovett.

SHORE LEAVE. SEE

Follow the Fleet.

Hit the Deck.

SHORE LINES AND SHORE DEVELOPMENT. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

SHORE SHY. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

THE SHORN LAMB. SEE Strangers in Love.

SHORT AND SWEET. (Star Comedy) 1921. 1 reel.

SHORT CHANGE. (Walter Heirs Comedies) Educational. 1924. 2 reels.

Credits: Jack Jevne; director, Archie Mayo.

A SHORT CIRCUIT. 1927. 1 reel.

Credits: Paul Terry and John Foster.

A SHORT LIFE AND A MERRY ONE. 1913. 1 reel.

SHORT PANTS. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, W. Scott Darling.

SHORT SKIRTS. 1921. 5 reels.

Credits: Producer, Harry B. Harris; story, Alice Tildesley;
scenario, Doris Schroeder.

SHORT SKIRTS AND DEEP WATER. Joker. 1917. 1 reel.

Credits: Story and direction, Allen Curtis; adapted by Tom Gibson.

SHORT SOCKS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Frank Conklin; director, Harold H. Beaudine; story, Sig
Herzig; titles, Al Martin.

Credits: Producer, Charles H. France.

A SHORT TAIL. 1927. 2 reels.

Credits: Producer, Charles B. Mintz; written and directed by Hal
Sintzenich.

SHORT WEIGHT. Century. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SHORTS. Treasure Chest. Educational Film Corp. of America. Presented
by E. W. Hammons. 1933. 1 reel, sd.

Credits: Director, Charles Judels; narrator, Johnny Woods; dialogue,
William K. Wells; original music, James Hanley, Benny Davis.

SHORTY. 1914. 1 reel.

Credits: J. A. Dorward; director, Ashley Miller.

SHORTY AT CONEY ISLAND. 1936. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentator, Justin
Herman.

SHORTY AT THE SEASHORE. (Paramount Varieties) Presented by Adolph
Zukor. 1936. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Harry Von Zell.

SHORTY GOES SOUTH. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentary, Justin
Herman.

SHORTY ON THE FARM. Presented by Adolph Zukor. 1935. 1 reel, sd.

SHORTY'S LONG SUIT, STILL SMALL VOICE, and SQUIRREL FOOD. 1920. 2
reels.

Credits: Producer, Ward Lascelle; directors, G. Cooper, W. Hayes.

THE SHOT. Powers. 1915. 2 reels.

Credits: Producer, Carl M. LeVinness; scenario, Vincent Charles.

A SHOT IN THE DARK. Rex. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Ben Wilson.

A SHOT IN THE DARK. 1935. 7 reels, sd. From the story "The Dartmouth
Murders" by Clifford Orr.

Credits: Director, Charles Lamont; adaptation and screenplay,
Charles S. Belden.

SHOT IN THE DUMBWAITER. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Leslie T.
Peacocke.

SHOT IN THE EXCITEMENT. 1914.

Credits: Producer, Mack Sennett.

SHOT IN THE WEST. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; scenario, C. B. Hoadley.

SHOTGUN JONES. 1914. 2 reels.

Credits: Producer, Colin Campbell.

Credits: Written and produced by William Duncan.

SHOTGUN PASS. 1931. 6 reels.

Credits: Director, J. P. McGowan; story and dialogue, Robert
Quigley; film editor, S. Ray Luby.

A SHOT-GUN WEDDING. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

A SHOTGUN WEDDING. (Educational's Comedies) (Vanity Comedies) 1931. 20
min., sd.

Credits: Director, William Watson; story and dialogue, Walter
DeLeon, Neal Burns.

SHOTGUNS THAT KICK. 1914. 1 reel.

Credits: Producer, Mack Sennett.

SHOULD A GIRL MARRY? 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer;
screenplay, David Silverstein, Gayl Newberry.

SHOULD A HUSBAND FORGIVE? 1919. 7 reels.

Credits: Story, scenario, and direction, R. A. Walsh.

SHOULD A MOTHER TELL? 1915. 5 reels.

Credits: Director, J. Gordon Edwards; scenario adapted by Rex
Ingram.

SHOULD A WIFE FORGIVE? © 1915. Previously entitled "The Lady of
Perfume."

SHOULD A WOMAN DIVORCE? An Ivan Film Productions, Inc. presentation. ©
1914. 5 reels.

SHOULD A WOMAN TELL? Screen Classics, Inc. 1919. 6 reels.

Credits: Supervision, Maxwell Karger; director, John E. Ince;
original story, Finis Fox.

SHOULD BRIDES MARRY? (Broadway Comedy, no. 3) 1921. 2 reels.

Credits: Director, Ward Hayes.

SHOULD CROONERS MARRY? (Warren-Doane Comedy) 1933. 2 reels.

Credits: Director, George Stevens; story, James W. Horne, Fred
Guiol.

SHOULD DUMMIES WED? 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

SHOULD HUSBANDS DO HOUSEWORK? (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, Vincent Bryan.

SHOULD HUSBANDS MIND BABIES? (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; story, Vincent Bryan.

SHOULD HUSBANDS WORK? 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins;
original screenplay, Jack Townley, Taylor Caven; supervising editor,
Murray Seldeen; film editor, William Morgan; music director, Cy
Feuer.

SHOULD LADIES BEHAVE. 1933. 9 reels, sd., b&w. From the play "The
Vinegar Tree" by Paul Osborn.

Credits: Producer, Lawrence Weingarten; director, Harry Beaumont;
screenplay, Bella Spewack, Samuel Spewack; film editor, Hugh Wynn.

SHOULD MARRIED MEN GO HOME. Presented by Hal Roach. 1928. 2 reels,
sd., b&w.

Credits: Director, James Parrott; story and supervision, Leo
McCarey; editor, Richard Currier.

SHOULD POKER PLAYERS MARRY? 1924. 1 reel.

SHOULD SCOTCHMEN MARRY? 1928. 2 reels.

Credits: Directors, William Holland, Gus Meins; story, Frank R.
Conklin.

SHOULD SHE HAVE TOLD? Gold Seal. 1916. 3 reels.

Credits: Written and directed by John McDermott.

SHOULD STEPMOTHERS TRIFLE. (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, W. Scott Darling.

SHOULD TAILORS TRIFLE? Century. 1920. 2 reels.

Credits; Written and directed by Thomas Buckingham.

SHOULD WAITERS MARRY? (Rainbow Comedy) 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

SHOULD WATCHMEN SLEEP. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson.

SHOULD WE EAT PIE? Powers. 1915. Split reel.

Credits: Producer, Curtis Benton.

SHOULD WILLIAM TELL? 1923. 1 reel.

SHOULD WIVES WORK? 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story,
Leslie Goodwins, George Jeske; film editor, Les Millbrook.

SHOULD WOMEN DRIVE? Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Hal Yates;
titles, H. M. Walker; editor, Richard Currier.

SHOULDER ARMS. 1918. 3 reels.

Credits: Story, Charles Chaplin.

SHOULDER TO SHOULDER. 1936. For Plymouth Division of the Chrysler
Corp. 1 reel, sd.

SHOVE OFF. 1931. 2 reels, sd.

Credits: Director, Edward Cline; story, Albert Ray.

THE SHOW. (Out of the Inkwell) 1922. 1 reel.

Credits: Drawn by Max Fleischer; director, Dave Fleischer.

THE SHOW. 1922. 2 reels.

Credits: Written and directed by Larry Semon, Norman Taurog.

THE SHOW. 1927. 7 reels. Based on the novel "The Day of Souls" by
Charles Tenney Jackson.

Credits: Producer and director, Tod Browning; screenplay, Waldemar
Young; film editor, Errol Taggart.

SHOW BOAT. Jewel. 1929. 12 reels. From the novel by Edna Ferber.

Credits: Director, Arch Heath.

THE SHOW BOAT. (Organlogue, no. 14) 1931. 1 reel.

Credits: Narration, Norman Brokenshire.

SHOW BOAT. Presented by Carl Laemmle. 1936. 12 reels, sd. From the
novel by Edna Ferber and the musical play by Oscar Hammerstein II
and Jerome Kern.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale;
screenplay and lyrics, Oscar Hammerstein II; film editor, Milton
Carruth; music director, Victor Baravelle.

SHOW BUSINESS. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2
reels, sd.

Credits: Director, Jules White; dialogue, H. M. Walker; editor,
Richard Currier.

THE SHOW COWPUNCHER. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, Leigh
Jacobson.

THE SHOW-DOWN. 1917. 5 reels.

Credits: Lynn F. Reynolds, Waldemar Young; director, Lynn F.
Reynolds.

THE SHOW-DOWN. 1921. 2 reels.

Credits: Producer, William J. Craft; story and scenario, William E.
Wing.

THE SHOW DOWN. Mustang. 1925. 2 reels.

Credits: Director, William J. Craft; story and scenario, William E.
Wing.

THE SHOWDOWN. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8
reels. From the story "Wildcat" by Houston Branch.

Credits: Director, Victor Schertzinger; adaptation, Hope Loring;
continuity, Hope Loring, Ethel Doherty.

SHOW FOLKS. 1928. 8 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story,
Philip Dunning; screenplay, Jack Jungmeyer, George Dromgold.

SHOW FOR SALE. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Marko.

THE SHOW GIRL. Presented by W. Ray Johnston. 1927. 6 reels.

Credits: Producer, Trem Carr; director, Charles J. Hunt; story, H.
H. Van Loan.

SHOW GIRL. Presented by Richard A. Rowland. 1928. 7 reels. From the
novel by J. P. McEvoy.

Credits: Producer, Alfred Santell.

SHOWGIRL IN HOLLYWOOD. First National and Vitaphone. 1930. 9 reels,
sd., b&w, color sequences. Based on the story by J. P. McEvoy.

Credits: Producer, Robert Lord; director, Mervyn Le Roy; adaptation,
Harvey Thew; film editor, Pete Fritch; music, Green and Stept.

SHOW GIRL IN HOLLYWOOD. Trailer. 1930. 1 reel, sd.

THE SHOW GOES ON. 1938. 8 reels. Adapted from the story by Nicholas
Farkas. Released in England under the title "The Three Maxims."

Credits: Producer and director, Herbert Wilcox; screenplay, Herman
Mankiewicz.

SHOW KIDS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; screenplay and dialogue, Joe Traub.

SHOW ME THE WAY TO GO HOME. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SHOW ME YOUR SAMPLES. (Star Comedy) 1921. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, W. Scott
Darling.

THE SHOW OF SHOWS. Vitaphone. 1929. 15 reels, sd.

Credits: Supervision, Daryl Francis Zanuck; director, John G.
Adolfi.

THE SHOW OFF. Paramount. 1926. 7 reels. From the comedy by George
Kelly.

Credits: Director, Malcolm St. Clair; screenplay, Pierre Collings.

THE SHOW-OFF. 1934. 8 reels, sd. From the play by George Kelly.

Credits: Producer, Lucien Hubbard; director, Charles F. Riesner;
screenplay, Herman J. Mankiewicz; film editor, William S. Gray.

THE SHOW-OFF. SEE Men Are Like That.

SHOW PEOPLE. 1928. 9 reels, b&w.

Credits: Producers, Marion Davies, King Vidor; director, King Vidor;
treatment, Agnes Christine Johnston, Laurence Stallings; continuity,
Wanda Tuchock.

SHOW THEM NO MERCY. 1935. 6,838 ft., sd.

Credits: Kubec Glasmon; director, George Marshall; adaptation, Henry
Lehrman; music director, David Buttolph.

THE SHOW VOTE. (Krazy Kat Cartoon) 1928. 1 reel. Based on cartoons by
George Herriman.

Credits: Adaptation, Ben Harrison, Manny Gould.

A SHOWER OF SLIPPERS. 1913. 1 reel.

Credits: Elizabeth A. Bull.

SHOWING OFF. (Stern Brothers Comedy) (Keeping Up With the Joneses)
1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

SHOWING OFF. (Scrappy Cartoon) 1931. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid
Marcus; musical score, Joe De Nat.

THE SHOWMAN. (Toby the Pup Series) Winkler Film Corp. 1930. 1 reel.

THE SHRIEK. (An Oswald Cartoon) Snappy. 1933. 1 reel.

A SHRIEK IN THE NIGHT. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

A SHRIEK IN THE NIGHT. 1933. 8 reels, sd.

Credits: Director, Albert Ray; story, Kurt Kempler; screenplay,
Frances Hyland.

THE SHRIEK OF ARABY. 1923. 5 reels.

Credits: Director, F. Richard Jones; film editor, Allen McNeil.

THE SHRIMP. (A Hal Roach Comedy) Presented by Hal Roach. 1930. 2
reels, sd., b&w.

Credits: Director, Charley Rogers; story, H. M. Walker; film editor,
Richard Currier.

SHRIMP FISHING. (Ford Educational Library, Industrial Geography, v. 1)
Ford Motion Picture Laboratories. 1921. 1 reel.

SHRIMPS FOR A DAY. (Hal Roach Comedy) (Our Gang Comedy) Presented by
Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SHUFFLE OFF TO BUFFALO. (Merrie Melodies, no. 11) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore
Freleng, Paul Smith; music score, Frank Marsales.

Credits: Producer, George L. Tucker.

© Paul H. Cromelin (Alice and Claude Askew and Edward Knoblauch,
London Film Co., Ltd., authors); title, descr. & 57 prints, 19Aug15;
LU6134.

THE SHULAMITE. SEE Under the Lash.

SHUTTING THE DOOR ON JOE MECHANICAL. 1937. For Ice Refrigeration
Bureau. Filmstrip, sd.

THE SHUTTLE. 1918. Based on a novel by Frances Hodgson Burnett.

Credits: Director, Rollin S. Sturgeon; scenario, Margaret Turnbull,
Harvey Thew.

SI AND SUE ACROBATS. 1915. 600 ft.

SI SI SENOR. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, William Goodrich.

SIBERIA. 1926. 7 reels, tinted.

Credits: Director, Victor Schertzinger; story, Bartley Campbell;
scenario, Eve Unsell; adaptation, Nicholas A. Dunaev.

SIBERIA. 1937. 2 reels.

SIC 'EM BROWNIE. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

SIC 'EM SAM! 1918. 1 reel.

Credits: Director, Albert Parker; story, Ted Reed.

SICK ABED. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5
reels. From the play by Ethel Watts Mumford.

Credits: Director, Sam Wood; scenario, Clara Genevieve Kennedy.

SICK CYLINDERS. Snappy. 1928. 1 reel.

Credits: Animation, Hugh Harman, Ben Clopton.

THE SIDESHOW. 1929. 7 reels.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story and
continuity, Howard J. Green.

SIDE SHOW. 1931. 7 reels, sd.

Credits: Director, Roy Del Ruth; screenplay, Arthur Caesar, Raymond
Enright.

THE SIDE SHOW. SEE Born and Lawrence in The Side Show.

SIDE SHOW FAKIR. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE SIDE SHOW OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky.
1924. 8 reels. From the novel "The Mountebank" by William J. Locke
and the play by Ernest Denny.

Credits: Producer and director, Herbert Brenon; screenplay, Willis
Goldbeck, Julie Hern.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair,
George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair,
George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREETS. Presented by First National Pictures, Inc. and The
Vitaphone Corp. 1934. 7 reels. Based on the story "Fur Coats" by Ann
Garrick and Ethel Hill.

Credits: Director, Alfred E. Green; screenplay, Manuel Seff.

THE SIDEWALKS OF NEW YORK. (Screen Songs, no. 1) 1929. 1 reel, sd.

Credits: Animation, Max Fleischer.

SIDEWALKS OF NEW YORK. 1931. 8 reels, sd., b&w.

Credits: Producer, Buster Keaton; directors, Jules White, Zion
Myers; story, George Landy, Paul Gerald Smith; dialogue, Robert E.
Hopkins, Eric Hatch; film editor, Charles Hochberg.

THE SIDEWALKS OF NEW YORK. SEE The Swell Head.

SID'S LONG COUNT. (Sid Saylor Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield; story, Bill Weber, T. Page Wright.

SIEGE. Jewel. 1925. 7 reels. From the novel by Samuel H. Adams.

Credits: Director, Svend Gade; screen story, Harvey Thew.

THE SIEGE AND FALL OF THE ALAMO; story of the Heroism of Travis,
Crockett, Bowie, and Bonham and Their Garrison, and the Battle of
San Jacinto. © 1913.

SIEGFRIED. 1925. 9 reels.

Credits: Director, Fritz Lang; scenario, Thea Von Harbou; music,
Richard Wagner; music score, Hugo Reisenfeld.

SIERRA WINTER SPORTS. Bison. 1917. Split reel.

THE SIGN INVISIBLE. 1918. 6 reels.

Credits: Anthony P. Kelly.

THE SIGN OF FOUR. Presented by World Wide Pictures. 1932. 7 reels, sd.
Adapted from the story by Sir Arthur Conan Doyle.

Credits: Producer, Rowland V. Lee; director, Graham Cutts;
screenplay, W. P. Lipscomb.

THE SIGN OF THE CACTUS. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story and continuity, Charles
Logue.

THE SIGN OF THE CLAW. Gotham. Presented by Sam Sax. 1926. 6 reels.

Credits: Supervision, Renaud Hoffman; director, Reeves "Breezy"
Eason; story and continuity, James Bell Smith.

THE SIGN OF THE CROSS. 1932. 14 reels, sd. From the play by Wilson
Barrett.

Credits: Producer and director, Cecil B. De Mille; screenplay,
Waldemar Young, Sidney Buchman.

THE SIGN OF THE CUCUMBER. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE SIGN OF THE POPPY. 1916. 5 reels.

Credits: J. Grubb Alexander; director, Charles Swickard.

THE SIGN OF THE ROSE. Presented by Harry Garson. 1922. 6 reels.

Credits: Director, Harry Garson; written and supervised by George
Beban; scenario, J. A. Brocklehurst, Carroll Owen; film editor,
Violet Blair.

THE SIGN OF THE ROSE. SEE An Alien.

THE SIGN ON THE DOOR. 1921. 7 reels. From the play by Channing
Pollock.

Credits: Producer and director, Herbert Brenon; adaptation, Mary
Murillo, Herbert Brenon.

THE SIGN ON THE DOOR. SEE The Locked Door.

THE SIGNAL; a Drama of the French Revolution. 1913. 1 reel.

Credits: Bannister Merwin.

THE SIGNAL TOWER. Jewel. 1924. 7 reels.

Credits: Director, Clarence Brown; story, Wadsworth Camp.

THE SIGNET RING. (The Perils of the Secret Service, no. 6) Imp. 1917.
2 reels. Founded on the Yorke Norroy Stories by George Bronson
Howard.

Credits: Director, George Bronson Howard.

SIGNING OFF. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

SIGNS OF TROUBLE. Victor. 1917. 1 reel. From the "Lucille, the
Waitress" series by Bide Dudley.

Credits: Director, William Bailey.

SILAS MARNER. 1913. 2 reels. Adapted from the novel by George Eliot
[pseud.]

SILAS MARNER. © 1922. 6,344 ft. Adapted from the novel by George Eliot
[pseud.]

Credits: Scenario and direction, Frank Donovan.

SILENCE. Presented by Cecil B. De Mille. Released by Producers
Distributing Corp. 1926. 8 reels. From the play by Max Marcin.

Credits: Producer and director, Rupert Julian; adaptation, Beulah
Marie Dix.

SILENCE. 1931. 8 reels, sd. From the stage play by Max Marcin.

Credits: Directors, Louis Gasnier, Max Marcin.

THE SILENCE OF DEAN MAITLAND. SEE Sealed Lips.

THE SILENCE OF THE DEAD. 1913. 4 reels.

THE SILENCE SELLERS. 1917. 5 reels. From the story by Blair Hall.

Credits: Director, Burton L. King; adaptation, Wallace C. Clifton.

SILENCIO! 1928. 2 reels.

Credits: Story, scenario, and direction, Marcel G. Silver.

THE SILENT ACCUSER. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

THE SILENT ACCUSER. Metro-Goldwyn-Mayer. Presented by Louis B. Mayer.
1924. 6 reels, b&w, tinted sequences.

Credits: Director, Chester M. Franklin; film editor, Lloyd Nezler.

THE SILENT AVENGER. 1920. 2 reels each, except no. 1 which is 3 reels.
© The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, Cleveland
Moffett; scenario, Graham Baker, William B. Courtney.

1. The Escape. © 27Feb20; LP14795.

2. Fighting Back. © 27Feb20; LP14796.

3. Within the Noose. © 15Mar20; LP14889.

4. Tearing Through. © 18Mar20; LP14905.

5. Blotted Out. © 10Apr20; LP15017.

6. The Hidden Blow. © 22Apr20; LP15044.

7. Dynamite Doom. © 6May20; LP15078.

8. The Crusher. © 12May20; LP15113.

9. Into the Jaws. © 21May20; LP15156.

10. Blades of Horror. © 25May20; LP15169.

11. Shot into Space. © 4Jun20; LP15208.

12. Facing Eternity. © 11Jun20; LP15242.

13. A Human Pendulum. © 18Jun20; LP15265.

14. The Lake of Fire. © 28Jun20; LP15318.

15. The Final Trump. © 3Jul20; LP15332.

THE SILENT AVENGER. 1927. 6 reels.

Credits: Supervision and story, Frank Foster Davis; director, James
P. Hogan; adaptation, George Greene, Doris Schroeder; continuity,
Herbert C. Clark; titles, Delos Sutherland; film editor, Fred
Bornworth.

SILENT BARRIERS. 1937. 9 reels, sd. Based on the novel "The Great
Divide" by Alan Sullivan.

Credits: Director, Milton Rosmer; screenplay, Michael Barringer,
Milton Rosmer; dialogue, Ralph Spence, Milton Rosmer; editors,
Charles Trend, B. H. Hipkins; music score, Hubert Bath; music
director, Louis Levy.

THE SILENT BATTLE. 1916. 5 reels. From the novel by George Gibbs.

Credits: Producer, Jack Conway; adaptation, F. McGrew Willis.

THE SILENT CALL. 1921. 7 reels. From "The Cross Pull" by Hal G.
Evarts.

Credits: Producers, Jane Murfin, Laurence Trimble; director,
Laurence Trimble; adaptation, Jane Murfin.

THE SILENT COMMAND. Laemmle. 1915. 4 reels.

Credits: Written and produced by Robert Leonard.

THE SILENT COMMAND. 1923. 8 reels, b&w, tinted sequences. Filmed with
the cooperation of the United States Navy.

Credits: Producer and director, J. Gordon Edwards; story, Rufus
King; scenario, Paul Kelly.

THE SILENT DEATH. 1914. 2 reels.

Credits: Frank Blighton; director, Richard R. Ridgely.

THE SILENT ENEMY. 1930. 7,551 ft., sd.

Credits: Producers, W. Douglas Burden, William C. Chanler; director,
H. P. Carver; story, W. Douglas Burden; scenario, Richard Carver.

THE SILENT FLYER. 1926. 2 reels each. © Universal Pictures Corp.

Credits: Director, Wm. James Craft; story, George Morgan.

1. The Jaws of Death. © 26Jun26; LP22854.

2. Dynamited. © 6Jul26; LP22878.

3. Waters of Death. © 8Jul26; LP22900.

THE SILENT GUARDIAN. 1926. 5,000 ft.

Credits: Director, William Bletcher; story, Ewart Adamson.

SILENT KNIGHT, THE TRIUMPH OF SILENCE OVER NOISE. 1929. 1 reel.

THE SILENT LADY. Butterfly. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Elliott J. Clawson.

THE SILENT LIE. 1917. For Fox Film Corp. 5 reels. From the story
"Conohan" by Larry Evans.

Credits: Director, R. A. Walsh.

THE SILENT LOVER. 1926. 7 reels. Adapted from the play "The Legionary"
by Ludwig Biro.

Credits: Director, George Archainbaud; scenario, Carey Wilson.

THE SILENT MAN. 1915. 2,000 ft.

Credits: Producer, Leon D. Kent.

THE SILENT MAN. 1917. 5 reels.

Credits: Director, William S. Hart; story, Charles Kenyon.

THE SILENT MAN OF TIMBER GULCH. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Robert Leonard.

THE SILENT MASTER. 1917. 7 reels. From the novel "The Court of St.
Simon" by E. Phillips Oppenheim.

Credits: Direction and adaptation, Leonel Perret.

THE SILENT MEMBER. Rex. 1916. 1 reel.

Credits: Written and produced by Robert Leonard.

SILENT MEN. 1933. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Walt Coburn; screenplay,
Stuart Anthony; film editor, Otto Meyer.

THE SILENT PAL. Presented by Samuel Sax. 1925. 6 reels.

Credits: Adapted and directed by Henry McCarty; story, Frank Foster
Davis.

THE SILENT PARTNER. 1917. 5 reels.

Credits: Director, Marshall Neilan; story, Edmund Goulding;
scenario, George D. Proctor.

THE SILENT PARTNER. Paramount. Presented by Jesse L. Lasky. 1923. 6
reels. From the Saturday Evening Post story by Maximilian Foster.

Credits: Producer and director, Charles Maigne; adaptation, Sada
Cowan.

THE SILENT PARTNER. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Basil Dicky; continuity,
George Morgan.

THE SILENT PLEA. 1915. 3 reels.

Credits: Director, Lionel Belmore.

THE SILENT POWER. Gotham. Presented by Sam Sax. 1926. 5 reels.

Credits: Supervision, Renaud Hoffman; director, Frank O'Connor;
story, James J. Tynan; adaptation and continuity, James Bell Smith.

THE SILENT PRISONER. Laemmle. 1917. 1 reel.

THE SILENT RIDER. Jewel. 1926. 6 reels. From the story "The Red Headed
Husband" by Katherine Newlin Burt.

Credits: Director, Lynn Reynolds.

SILENT SANDERSON. Presented by Hunt Stromberg. Released by Producers
Distributing Corp. 1925. 6 reels.

Credits: Supervision, Hunt Stromberg; director, Scott R. Dunlap;
story, Kate Corbaley; adaptation, Harvey Gates; editor, Harry S.
Decker.

THE SILENT SENTINEL. 1918. 2 reels.

Credits: Director, Harry Harvey; story, Alvin J. Neitz.

THE SILENT STRANGER. Big U. 1916. 1 reel.

Credits: Frank Smith; director, King Baggot.

THE SILENT STRANGER. 1924. 5 reels.

Credits: Director, Albert Rogell; story, Stewart Heisler.

SILENT STRENGTH. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Laurence McCloskey;
scenario, Garfield Thompson.

SILENT THUNDER. SEE The Man Called Back.

THE SILENT TONGUE. 1915. 1,000 ft. A revival of the Edison comedy.

Credits: Louis Sydsmith; director, Will Louis.

SILENT TRAILS. 1914.

Credits: Director, Rollin S. Sturgeon.

THE SILENT VOICE. 1915. 6 reels.

THE SILENT VOW. 1922. 5 reels.

Credits: Director, William Duncan; scenario, Bradley J. Smollen.

THE SILENT W. 1915. 2 reels.

Credits: Director, Wilfrid North.

THE SILENT WATCHER. 1924. 8 reels. Adapted from the Saturday Evening
Post story "The Altar on the Hill" by Mary Roberts Rinehart.

Credits: Director, Frank Lloyd; screen adaptation, J. G. Hawks; film
editor, Edward M. Roskam.

THE SILENT WITNESS. 1932. 6,614 ft., sd. Based on the stage play by
Jack DeLeon and Jack Celestin.

Credits: Directors, Marcel Varnel, R. L. Hough; screenplay, Douglas
Doty; editor, Jack Murray.

THE SILENT WOMAN. 1918. 5 reels.

Credits: Director, Herbert Blache; story, Lois Zellner; scenario,
June Mathis, Katharine Kavanaugh.

SILENT YEARS. 1921. 6 reels.

Credits: Producer and director, Louis Gasnier; story, Harriet T.
Comstock.

SILK. (Eastman Classroom Films) 1929. 1 reel.

THE SILK EXPRESS. Presented by Warner Brothers Pictures, Inc. and The
Vitaphone Corp. 1933. 7 reels, sd.

Credits: Director, Ray Enright; story, Houston Branch; screenplay,
Houston Branch, Ben Markson.

SILK HAT KID. 1935. 6,250 ft., sd.

Credits: Director, H. Bruce Humberstone; story, Gerald Beaumont;
screenplay, Edward Eliscu, Lou Breslow, Dore Schary; music, Samuel
Kaylin.

SILK HOSE AND HIGH PRESSURE. L-Ko. 1915. 3 reels.

SILK HOSIERY. 1920. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story,
Frank Dazey; scenario, Agnes Christine Johnston.

SILK HOSIERY, YESTERDAY'S LUXURY, TO-DAY'S NECESSITY. Presented by The
Phoenix Hosiery Co. 1929. Filmstrip, 66 frames.

SILK HUSBANDS AND CALICO WIVES. 1920. 6 reels.

Credits: Director, Alfred E. Green; story, Monte M. Katterjohn.

SILK LEGS. 1927. 6 reels.

Credits: Director, Arthur Rosson; story, Frederica Sagor; scenario,
Frances Agnew.

SILK LEGS. SEE Piernas de Seda.

THE SILK LINED BURGLAR. 1919. 6 reels.

Credits: Director, Jack Dillon; story, Jack Boyle; scenario, Fred
Myton.

SILK SOCK HAL. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Pinto
Colvig, H. A. Woodmansee.

SILK STOCKING SAL. Presented by Gothic Pictures. Released by F. B. O.
1924. 5 reels.

Credits: Director, Tod Browning; story and scenario, E. Richard
Schayer.

SILK STOCKINGS. Universal Jewel. 1927. 5,947 ft. From the stage play
by Cyril Harcourt.

Credits: Director, Wesley Ruggles; adaptation, Beatrice Van.

SILK TEXTILES. 1920. 2 reels.

SILK, THE FABRIC OF BEAUTY. Presented by H. R. Mallinson & Co., Inc.
1929. Filmstrip, 70 frames.

SILKEN SHACKLES. 1926. 6 reels.

Credits: Director, Walter Morosco; story and adaptation, Walter
Morosco, Philip Klein.

Credits: Wilson Mizner; director, Carl Harbaugh.

SILKS AND SADDLES. Universal Jewel. 1928. 6 reels.

Credits: Director, Robert F. Hill; story, Gerald Beaumont;
adaptation, Edward Clark; continuity, Paul Gangelin, Faith Thomas.

SILKS AND SATINS. SEE Karyl Norman, the Creole Fashion Plate, in Silks
and Satins.

SILLY BILLIES. 1936. 7 reels, sd.

Credits: Associate producer, Lee Marcus; director, Fred Guiol;
story, Thomas Lennon, Fred Guiol; screenplay, Al Boasberg, Jack
Townley; editor, John Lockert; music director, Roy Webb.

SILLY NIGHT. Presented by E. W. Hammons. 1937. 1,718 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

A SILLY SAILOR. Presented by William Fox. 1927. 2 reels.

Credits: Director, Wallace MacDonald; story and scenario, Max Gold,
William Kernell.

SILLY SCANDALS. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SILLY SEALS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Lester Kline; story,
Victor McLeod, James Miele; animation, George Nicholas, Ralph
Sommerville.

A SILLY SULTAN. Nestor. 1916. 1 reel.

Credits: Ben Cohn; director, Louis William Chaudet.

SILLY SUPERSTITION. (A Walter Lantz Cartune) (A Walter Lantz Lil'
Eightball) 1939. 1 reel, sd.

SILVER. 1930. 1 reel.

THE SILVER CAR. 1921. 6 reels.

Credits: Director, David Smith; story, Wyndham Martyn.

SILVER COMES THROUGH. Released by F. B. O. 1927. 6 reels.

Credits: Original story, Frank M. Clifton; adaptation, continuity
and direction, Lloyd Ingraham.

THE SILVER CORD. 1933. 8 reels, sd. Based on the play by Sidney
Howard.

Credits: Associate producer, Pandro S. Berman; director, John
Cromwell; screenplay, Jane Murfin; film editor, George Nichols, Jr.;
music director, Max Steiner.

SILVER DOLLAR. Presented by First National Pictures, Inc. and The
Vitaphone Corp. 1933. 9 reels, sd. From the book by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Carl Erickson,
Harvey Thew.

SILVER FOX. SEE Rendezvous at Midnight.

Credits: Producer, William Duncan.

THE SILVER HAWK. SEE Mysterious Pilot.

THE SILVER HORDE. 1920. 7 reels. From the story of the Alaskan
fisheries.

Credits: Director, Frank Lloyd.

THE SILVER HORDE. 1930. 8 reels. From the novel by Rex Beach.

Credits: Producer, William LeBaron; director, George Archainbaud;
screenplay, continuity and dialogue, Wallace Smith; film editor,
Otto Ludwig.

THE SILVER KING. Paramount-Artcraft Special. Presented by Adolph
Zukor. 1918. 5 reels.

Credits: Henry Arthur Jones; director, George Irving; scenario,
Burns Mantle.

THE SILVER LINING. 1920. For Iroquois Film Corp. 6 reels.

Credits: Written, directed, and produced by Roland West; adaptation,
D. J. Buchanan, Charles H. Smith.

THE SILVER LINING. 1931. 6 reels, sd. Title changed from "Thirty
Days."

Credits: Producer and director, Alan Crosland; story, Hal Conklin;
adaptation and dialogue, Gertrude Orr; added dialogue, Claire
Corvalho; film editor, Doris Drought; musical score, Lee Zahler.

SILVER LININGS. SEE The Man Hunt.

SILVER MILLIONS. (A Paramount Paragraphic). Presented by Adolph Zukor.
1938. 1 reel, sd.

Credits: Commentary, Justin Herman; editor, Robert Blauvelt;
narrator, Alois Havrilla.

SILVER ON THE SAGE. 1939. 7 reels, sd. Based on characters created by
Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander;
screenplay, Maurice Geraghty.

THE SILVER SHELL. SEE The Suspect.

THE SILVER SLAVE. 1927. 7 reels.

Credits: Director, Howard Bretherton; story, Howard Smith; scenario,
Peter Milne, Anthony Coldewey.

THE SILVER SNUFF BOX. 1914.

Credits: Director, Theodore Marston; story, W. A. Tremayne.

THE SILVER SPOON. SEE Let's Make a Night of It.

SILVER SPRINGS, FLORIDA. 1935. 200 ft., 16 mm.

THE SILVER STREAK. 1934. 8 reels, sd.

Credits: Associate producer, Glendon Allvine; director, Tommy
Atkins; story, Roger Whately; screenplay, Roger Whately, H. W.
Hanemann, Jack O'Donnell; editor, Fred Knudtson; music director, Al
Colombo.

SILVER THREADS. (Strange As It Seems) Screen Classics. 1937. 938 ft.,
sd.

Credits: John Hix; supervision and direction, Leonard M. Poole;
editor, Charles Diltz; music director, Lee Zahler.

THE SILVER TREASURE. 1926. 6 reels, b&w, tinted sequences. Adapted
from the story "Nostromo" by Joseph Conrad.

Credits: Director, Rowland V. Lee; scenario, Robert N. Lee.

SILVER VALLEY. 1927. 5 reels, b&w.

Credits: Director, Benjamin Stoloff; story, Harry Sinclair Drago;
scenario, Harold B. Lipsitz.

SILVER WINGS. 1922. 9 reels.

Credits: Directors, Edwin Carewe, Jack Ford; scenario, Paul H.
Sloane.

SILVERSPURS. Buck Jones Productions. Presented by Carl Laemmle. 1936.
6 reels, sd. From the book by Charles Alden Seltzer.

Credits: Director, Ray Taylor; screenplay, Joseph Francis Polland;
film editor, Bernard Loftus.

SILVERY MOON. (Aesop's Sound Fables, no. 10) 1933. 7 min., sd.

Credits: John Foster, Mannie Davis.

SIMEON TETLOW'S SHADOW. SEE Ruler of the Road.

SIMON, THE JESTER. Released by Producers Distributing Corp. 1925. 7
reels.

Credits: Production and adaptation, Frances Marion; director, George
Melford; story, William J. Locke.

THE SIMP. 1921. 2 reels.

Credits: Director, Ferris Hartman.

THE SIMP AND THE SOPHOMORES. 1915. 1,000 ft.

Credits: Eldon Raymond; director, Will Louis.

THE SIMP-PHONEY CONCERT. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Eddie
Conrad, Joseph A. Fields.

SIMP SIMPSON AND THE SPIRITS. 1914. 1 reel.

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Motion pictures, 1912-1939Chapter I: PROMESSI SPOSI. SEE The Betrothed (11)

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