Chapter I: PROMESSI SPOSI. SEE The Betrothed (21)

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1. The Mystery Girl. © 8Jul21; LP16752.

2. False Clues. © 16Jul21; LP16770.

3. The Mine of Menace. © 21Jul21; LP16795.

4. The Door of Doom. © 29Jul21; LP16824.

5. The Bridge of Disaster. © 3Aug21; LP16843.

6. The Ship of Surprise. © 12Aug21; LP16857.

7. The Palace of Fear. © 19Aug21; LP16881.

8. The Peril of the Palace. © 24Aug21; LP16902.

9. The Desert of Despair. © 2Sep21; LP16932.

10. Sands of Fate. © 9Sep21; LP16956.

11. The Menace of the Sea. © 16Sep21; LP16970.

12. The Isle of Eternity. © 23Sep21; LP17013.

13. The Forest of Fear. © 28Sep21; LP17027.

14. The Lure of the Jungle. © 7Oct21; LP17071.

15. The Jaws of Death. © 15Oct21; LP17102.

16. The Storm of Despair. © 22Oct21; LP17125.

17. The Arm of the Law. © 27Oct21; LP17146.

18. The Final Reckoning. © 5Nov21; LP17169.

TERROR TRAIL. 1933. 6 reels. Based on "Riders of Terror Trail" by
Grant Taylor.

Credits: Director, Armand Schaefer; screenplay, Jack Cunningham.

THE TERRORS OF A TURKISH BATH. 1916. 2 reels.

THE TERRORS OF WAR. Big U. 1917. 2 reels.

TERRY AND JERRY. SEE Field and Johnston in Terry and Jerry.

TERRY OF THE TIMES. 1930. 2 reels each. From the story by Hal Hodes. ©
Universal Pictures Corp.

Credits: Director, Henry MacRae.

1. The Mystic Mendicants. © 17Jul30; LP1425

2. The Fatal 30! © 17Jul30; LP1426.

3. Death's Highway. © 17Jul30; LP1427.

4. Eyes of Evil. © 18Aug30; LP1495.

5. Prowlers of the Night. © 21Aug30; LP1514.

6. The Stolen Bride. © 29Aug30; LP1523.

7. A Doorway of Death. © 9Sep30; LP1550.

8. A Trail of Trickery. © 12Sep30; LP1566.

9. Caught in the Net. © 18Sep30; LP1579.

10. A Race for Love. © 26Sep30; MP1946.

TERRY'S TEA PARTY. 1916. 1 reel.

Credits: Director, Lawrence Semon.

TESHA. SEE A Woman in the Night.

TESS OF THE D'URBERVILLES. 1924. 8 reels. From the novel by Thomas
Hardy.

Credits: Scenario, Dorothy Farnum.

TESS OF THE HILLS. 1915. 1 reel.

TESS OF THE STORM COUNTRY. 1922. 10 reels. From the novel by Grace
Miller White.

TESS OF THE STORM COUNTRY. 1932. 8 reels. From the novel by Grace
Miller White and the dramatization by Rupert Hughes.

Credits: Director, Alfred Santell; screenplay, S. N. Behrman, Sonya
Levien.

TESSIE. 1925. 7 reels. From the story "Tessie and the Little Shop" by
Sewell Ford.

Credits: Director, Dallas M. Fitzgerald.

TESSIE AND THE LITTLE SHOP. SEE Tessie.

THE TEST. 1913. 2 reels.

Credits: Director, Captain Lambart.

THE TEST. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE TEST. 1915. 3,000 ft.

Credits: Lee Arthur; director, James W. Castle.

THE TEST OF A MAN. Bison. 1915. 2 reels.

Credits: Producer, Henry McRae; scenario, Hugh Weir.

THE TEST OF CHIVALRY. 1916. 3 reels.

Credits: Director, William Robert Daly.

THE TEST OF DONALD NORTON. 1926. 8 reels. Adapted from the novel by
Robert E. Pinkerton.

Credits: Director, B. Reaves Eason.

THE TEST OF HONOR. Paramount. Presented by Adolph Zukor. 1919. 5
reels. Founded on the story "The Malefactor" by E. Phillips
Oppenheim.

Credits: Director, John S. Robertson; scenario, Eve Unsell.

THE TEST OF SINCERITY. 1915. 1 reel.

Credits: Adaptation, C. Lang Cobb, Jr.

TEST PILOT. Presented by Metro-Goldwyn-Mayer. 1938. 12 reels, sd.,
b&w.

Credits: Producer, Louis D. Lighton; director, Victor Fleming;
original story, Frank Wead; screenplay, Vincent Lawrence, Waldemar
Young; film editor, Tom Held; music score, Franz Waxman.

TEST SCENES OF COLOR SLIDE-FILM. Reels 1 and 2. © 1928. Filmstrip,
color, 35 mm.

TEST SCENES OF COLOR SLIDE-FILM. Reel 2. © 1928. Filmstrip, color, 16
mm.

TESTIMONY. 1921. 6 reels.

Credits: Alice and Claude Asken.

THE TESTING BLOCK. 1920. 6 reels.

Credits: William S. Hart; director, Lambert Hillyer.

THE TESTING OF MILDRED VANE. 1918. 5 reels.

Credits: Director, Wilfred Lucas; story, Charles T. Dazey; scenario,
George D. Baker.

TETCHED IN THE HEAD. (Barney Google) (Scrappy) Released by Columbia
Pictures Corp. 1935. 1 reel, sd., color. From the King Feature comic
page by Billy de Beck.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art
Davis; music, Joe de Nat.

A TÊTE-A-TÊTE IN SONGS. SEE Burke and Durkin in A Tête-a-tête in
Songs.

TEX. SEE Texas Trail.

TEX MCCLEOD IN A ROPE AND A STORY. 1928. 1 reel, sd.

TEX RIDES WITH THE BOY SCOUTS. 1937. 7 reels, sd.

Credits: Supervision, Lindsley Parsons; director, Ray Taylor; story,
Lindsley Parsons, Edmond Kelso; screenplay, Edmond Kelso; film
editor, Frederick Bain; music director, Frank Sanucci.

THE TEXAN. 1920. 5 reels. From the story by James B. Hendryx.

Credits: Director, Lynn F. Reynolds; scenario, Lynn F. Reynolds,
Julius Furthman.

THE TEXAN. 1930. 7,142 ft., sd. From the story "The Double-Dyed
Deceiver" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, John Cromwell; screenplay, Daniel N. Rubin;
adaptation, Oliver H. P. Garrett; film editor, Verna Willis.

THE TEXANS. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: Producer, Lucien Hubbard; director, James Hogan; story,
Emerson Hough; screenplay, Bertrand Millhauser, Paul Sloane, William
Wister Haines.

THE TEXAS BAD MAN. 1932. 7 reels.

Credits: Director, Edward Laemmle; story and screenplay, Jack
Cunningham.

THE TEXAS BEARCAT. Presented by Jesse Goldburg. Released by F. B. O.
1925. 5 reels.

Credits: Written and directed by Reaves Eason; story, F. J. Rhetore;
continuity, George H. Plympton.

TEXAS BUDDIES. 1932. 6 reels.

Credits: Direction, story, and adaptation, Robert N. Bradbury.

TEXAS CENTENNIAL HIGHLIGHTS. 1936. 1 reel, sd.

Credits: Director, Frank Morang; narration, Roy Cowan.

TEXAS CYCLONE. 1932. 6 reels.

Credits: Director, D. Ross Lederman; story, William Colt MacDonald;
adaptation and dialogue, Randall Faye; film editor, Otto Meyer.

TEXAS GUN FIGHTER. 1932. 7 reels, sd.

Credits: Director, Phil Rosen; story and continuity, Ben Cohen; film
editor, Jerry Webb.

THE TEXAS KID. 1920. 2 reels.

Credits: Direction and scenario, Reaves Eason; story, Henry Murray.

THE TEXAS RANGER. 1931. 6 reels, sd.

Credits: Director, Ross Lederman; story and dialogue, Forrest
Sheldon; film editor, Gene Milford.

A TEXAS RANGER. SEE Pure Grit.

THE TEXAS RANGERS. Presented by Adolph Zukor. 1936. 11 reels, sd.
Based upon data furnished from the book by Walter Prescott Webb.

Credits: Director, King Vidor; story, King Vidor, Elizabeth Hill;
screenplay, Louis Stevens.

THE TEXAS SPHINX. Bison. 1917. 2 reels.

Credits: Director, Fred C Kelsey; story, T. Shelley Sutton;
scenario, George Hively.

THE TEXAS SPHINX. 1922. 2 reels.

Credits: Director, Fred C. Kelsey; story, T. Shelly Sutton;
scenario, George Hively.

TEXAS STAMPEDE. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Charles Francis
Royal.

A TEXAS STEER. Red Seal. 1915. 5 reels.

Credits: Director, Giles R. Warren.

A TEXAS STEER. Presented by Sam E. Rork. 1927. 8 reels. From the play
by Charles H. Hoyt.

Credits: Produced and directed by Richard Wallace; screenplay,
Bernard McConville.

THE TEXAS STREAK. Jewel. 1926. 7 reels.

Credits: Story and direction, Lynn Reynolds.

TEXAS TERROR. Lone Star. 1935. 6 reels.

Credits: Producer, Paul Malvern; story and direction, R. N.
Bradbury.

THE TEXAS TORNADO. 1928. 5 reels.

Credits: Story and direction, Frank Howard Clark.

TEXAS TRAIL. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on
the story "Tex" by Clarence Edward Mulford.

Credits: Producer, Harry Sherman; director, Dave Selman; screenplay,
Jack O'Donnell; additional dialogue, Harrison Jacobs.

THAÏS. 1917. 6 reels. From the novel by Anatole France.

Credits: Director, Frank Crane; picturized by Edfrid Bingham.

THANK YOU. 1925. 7 reels, b&w, tinted sequences. From the play by
Winchell Smith and Tom Cushing.

Credits: Director, John Ford; scenario, Frances Marion.

THANK YOU, DOCTOR. 1930. 1 reel.

THANK YOU, JEEVES! 1936. 6 reels, sd. Based on the novel by P. G.
Wodehouse.

Credits: Director, Arthur Greville Collins; screenplay, Joseph
Hoffman, Stephen Gross; music director, Samuel Kaylin.

THANK YOU, MR. MOTO. 1937. 6,100 ft., sd. Based on a story by John P.
Marquand.

Credits: Director, Norman Foster; screenplay, Willis Cooper, Norman
Foster; music director, Samuel Kaylin.

THANKS A MILLION. 1935. 7,906 ft., sd.

Credits: Director, Roy Del Ruth; screenplay, Nunnally Johnson; music
director, Arthur Lange.

THANKS AGAIN. (Mr. Average Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story, adaptation and direction,
Harry Sweet; film editor, Fred Maguire.

THANKS FOR EVERYTHING. 1938. 6,604 ft., sd.

Credits: Director, William A. Seiter; story, Gilbert Wright;
screenplay, Harry Tugend; adaptation, Curtis Kenyon, Art Arthur;
music director, Louis Silvers.

THANKS FOR THE BOAT RIDE. (Stern Brothers Comedy) (What Happened to
Jane) 1926. 2 reels.

Credits: Director, Charles Lamont; story, Roy Evans.

THANKS FOR THE BUGGY RIDE. Universal-Jewel. 1927. 6 reels.

Credits: Director, William A. Seiter; story and continuity, Beatrice
Van.

THANKS FOR THE LOBSTER. 1914. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

THANKS FOR THE MEMORY. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THANKS FOR THE MEMORY. Presented by Adolph Zukor. 1938. 8 reels, sd.
Based on a play by Albert Hackett and Frances Goodrich.

Credits: Director, George Archainbaud; screenplay, Lynn Starling;
film editor, Alma Macrorie.

THANKS, MR. CUPID. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, music, and lyrics, Charlie
Williams, Marcy Klauber.

THANKSGIVING DAY. 1928. 1 reel, sd.

THARON OF LOST VALLEY. SEE The Crimson Challenge.

THAT BRUTE. 1915. Split reel.

Credits: Producer, J. A. Murphy.

THAT CERTAIN AGE. 1938. 11 reels, sd.

Credits: Producer, Joe Pasternak; director, Edward Ludwig; original
story, F. Hugh Herbert; screenplay, Bruce Manning, Charles Hackett,
Billy Wilder; film editor, Brunton Burton.

THAT CERTAIN THING. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Frank R. Capra; story and
adaptation, Elmer Harris; film editor, Arthur Roberts.

THAT CERTAIN WOMAN. First National. 1937. 10 reels, sd.

Credits: Written and directed by Edmund Goulding; music, Max
Steiner.

THAT DAWGONE DOG. 1917. 2 reels.

Credits: Director, Richard Smith.

THAT DEVIL BATEESE. 1918. 5 reels.

Credits: Director, William Wolbert; story and scenario, Bess
Meredith.

THAT DEVIL QUEMADO. Released by F. B. O. 1925. 5 reels.

Credits: Director, Del Andrews; story, Marvin Wilhite.

THAT FRENCH LADY. 1924. 6 reels. Adapted from the play by William J.
Hurlburt.

Credits: Director, Edmund Mortimer; scenario, Charles Kenyon.

THAT GIRL FROM PARIS. 1936. 12 reels, sd. Suggested by a story by J.
Carey Wonderly.

Credits: Producer, Pandro S. Berman; director, Leigh Jason; story,
Jane Murfin; screenplay, P. J. Wolfson, Dorothy Yost; adaptation,
Joseph A. Fields; editor, William Morgan; music director, Nathaniel
Shilkret.

THAT GOES DOUBLE. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian
Otvos.

THAT HEAVENLY COOK. 1915. 1 reel.

Credits: J. E. Hungerford.

THAT I MAY LIVE. 1937. 6,300 ft., sd.

Credits: Director, Allan Dwan; screenplay, Ben Markson, William
Conselman; music director, Samuel Kaylin.

THAT INFERIOR FEELING. Presented by Metro-Goldwyn-Mayer. 1939. 837
ft., sd., b&w.

Credits: Director, Basil Wrangell; film editor, Albert Akst.

THAT LITTLE BAND OF GOLD. 1915.

Credits: Producer, Mack Sennett.

THAT LITTLE BIT OF HEAVEN. (Around the World with Burton Holmes) 1930.
1 reel, sd.

Credits: Narrator, Burton Holmes.

THAT MAKES US EVEN. SEE The Main Event.

THAT MAN JACK! Presented by Jesse Goldburg Productions. Released by F.
B. O. 1925. 5 reels.

Credits: Director, William J. Craft; story, George Paul Bauer;
continuity, Adele S. Buffington.

THAT MAN SAMSON. 1937. 2 reels, sd.

Credits: Producer, Lee Marcus; direction and screenplay, Leslie
Goodwins; story, George Randol; film editor, Edward Mann; music
director, Hall Johnson.

THAT MAN'S HERE AGAIN. First National. 1937. 6 reels.

Credits: Director, Louis King; story, Ida A. R. Wylie; screenplay,
Lillie Hayward.

THAT MODEL FROM PARIS. 1926. 7 reels. From the story "The Right To
Live" by Gouverneur Morris.

Credits: Director, Louis J. Gasnier; scenario, Frederica Sagor.

THAT MOTHERS MIGHT LIVE. (A Miniature) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Fred Zinnemann; screenplay, Herman Boxer;
narrator, John Nesbitt; research compilations, Ryland R. Madison;
music score, David Snell.

THAT NIGHT. Presented by Hal Roach. 1928. 2 reels, b&w, tinted
sequences.

Credits: Director, Arch Heath; supervision and story, Leo McCarey;
editor, Richard Currier.

THAT OLD GANG OF MINE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

THAT ORIENTAL GAME. Century. 1924. 2 reels.

THAT PARTY IN PERSON. Presented by Adolph Zukor and Jesse L. Lasky.
1929. 1 reel, sd.

Credits: Producer, James R. Cowan; director, Joseph Santley.

THAT RASCAL. (Educational-Vanity Comedies) 1932. 21 min., sd.

Credits: Producer and director, Al Christie; story and dialogue,
Frank Roland Conklin, Robert Vernon.

THAT RED-HEADED HUSSY. 1929. 2 reels, sd.

Credits: Director, Alf Goulding; story, Raymond Leslie Goldman;
adaptation, Charley Grapewin.

THAT ROYLE GIRL. Paramount. 1925. 10,253 ft. From the serial and novel
by Edwin Balmer.

Credits: Producer and director, D. W. Griffith; screenplay, Paul
Schofield.

THAT SORT. 1916. 5 reels. From the stage play by Basil McDonald
Hastings.

Credits: Arrangement and direction by Charles J. Brabin.

THAT SPRINGTIME FEELING. 1915.

Credits: Producer, Mack Sennett.

THAT SUIT AT TEN. 1913. 1 reel.

Credits: Director, Bert Angeles.

THAT'S A GOOD GIRL. 1934. 7 reels, sd. Based on the play by Douglas
Furber.

Credits: Director, Jack Buchanan; music director, Philip Braham.

THAT'S AFRICA. 1939. 1 reel, sd.

Credits: Commentary, Justin Herman; film editor, Elise Grau;
narrator, David Ross.

THAT'S GOOD. 1919. 5 reels. Adapted from the Saturday Evening Post
story by Richard Washburn Child.

Credits: Director, Harry L. Franklin; scenario, A. G. Kenyon.

THAT'S GRATITUDE. 1934. 7 reels, sd.

Credits: Direction, story, and screenplay, Frank Craven; film
editor, Arthur Hilton.

THAT'S IT! (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Director, Eddie Lyons; scenario, Ralph Ceder.

THAT'S JUST COMMON SENSE. 1937. For Cook Laboratories, Inc. and The
Antidolor Mfg. Co. Filmstrip, 75 frames, sd.

THAT'S MY BABY. Paramount. 1926. 7 reels.

Credits: Director, William Beaudine; story, George J. Crone, Wade
Boteler; adaptation, Joseph Franklin Poland.

THAT'S MY BOY. 1932. 7 reels. From the novel by Francis Wallace.

Credits: Director, Roy William Neill; screenplay, Norman Krasna;
film editor, Jack Dennis.

THAT'S MY DADDY. Jewel. 1927. 6 reels.

Credits: Director, Fred Newmeyer; story, Reginald Denny; continuity,
Earl Snell; adaptation, Faith Thomas, Pierre Couderc.

THAT'S MY LINE. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; story, adaptation, and direction,
William Goodrich; film editor, Fred Maguire.

THAT'S MY MEAT. (Cameo Comedies) 1931. 11 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest
Pagano, Jack Townley, Johnnie Grey.

THAT'S MY MUMMY. (A Sunkist Comedy) Released by The Bray Studios.
1927. 2 reels.

Credits: Supervision, Al Nathan; written and directed by Edward I.
Luddy.

THAT'S MY STORY. 1937. 7 reels, sd. Based on the story "Scoop" by Vee
Terrys Perlman.

Credits: Associate producer, Robert Presnell; director, Sidney
Salkow; screenplay, Barry Trivers; film editor, Maurice Wright.

THAT'S MY WIFE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2
reels.

Credits: Supervision and story, Leo McCarey; director, Lloyd French;
editor, Richard Currier.

THAT'S NEWS TO ME. 1931. 2 reels, sd., b&w.

Credits: Director, Arvid Gilstrom; story and adaptation by the
Staff; film editor, Walter Thompson.

THAT'S NO EXCUSE. (Excuse Maker Series) (Stern Brothers Comedy) 1927.
2 reels.

Credits: Director, Scott Pembroke; story, William Anthony.

THAT'S PICTURES. (Broadway Brevity) 1936. 21 min., sd.

Credits: Written and directed by Roy Mack.

THAT'S RICH. Century. 1924. 2 reels.

THAT'S THAT. 1924. 2 reels.

Credits: Written and directed by Richard Thorpe.

THAT'S THAT. (A Stern Brothers Comedy) 1928. 2 reels. From the
cartoons by R. F. Outcault.

Credits: Director, Francis Corby.

THAT'S THE SPIRIT. 1924. 1 reel.

Credits: Director, William H. Watson.

THAT'S THE SPIRIT. 1933. 1 reel, sd.

Credits: Director, Roy Mack.

THAT'S THE SPIRIT. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, Raymond Kane; story, Marcy Klauber, Arthur
Jarrett.

THAT'S THEIR BUSINESS. Fairbanks & Carlisle. 1936. 1 reel, sd.

Credits: Written and narrated by Gayne Whitman.

THAT'S WHAT YOU THINK! 1936. For Consolidated Edison Co. of New York,
Inc. Filmstrip, 123 frames, sd.

THAT'S WHAT YOU THINK! 1937. For Brooklyn Union Gas Co. Filmstrip, 122
frames, sd.

THAT'S WHAT YOU THINK! 1937. For Consolidated Edison Co. of New York,
Inc. Filmstrip, 123 frames, sd.

THAT'S WHERE MY MONEY GOES. 1937. For United Autographic Register Co.
Filmstrip, 99 frames, sd.

THE THAYER TRIAL. (William J. Burns Detective Mysteries) 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue;
Russell Matson.

A THEATRICAL MANAGER'S OFFICE. SEE Willie and Eugene Howard in A
Theatrical Manager's Office.

A THEFT IN THE DARK. 1915. 3 reels.

THE THEFT OF THE MONA LISA. Superfilm G.m.b.H., Berlin. Presented by
Radio Pictures. 1932. 9 reels, sd.

Credits: Director, Geza Von Bolvary; adaptation, C. Hooper Trask.

THEIR ACT. Victor. 1916. 1 reel.

Credits: Scenario and production, Edward Ferguson; story, Laura
Oakley.

THEIR ANNIVERSARY. Rex. 1916. 1 reel.

Credits: Producer, Ben Wilson; story adaptation, Samuel Greiner.

THEIR ANNIVERSARY FEAST. 1918. 1 reel.

Credits: Edward Earle, Graham Baker; director, Graham Baker.

THEIR AWFUL PREDICAMENT. Nestor. 1916. 1 reel.

Credits: Story, William and M. Frost; scenario, Al. E. Christie.

THEIR BEWITCHED ELOPEMENT. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THEIR BIG MOMENT. 1934. 7 reels, sd. From the play "Afterwards" by
Walter Hackett.

Credits: Associate producer, Cliff Reid; director, James Cruze;
screenplay, Arthur Caesar, Marion Dix; editor, William Hamilton;
music director, Max Steiner.

THEIR BURGLAR. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THEIR COMPACT. 1917. 7 reels.

Credits: Maxwell Karger; director, Edwin Carewe; original story,
Charles A. Logue; adaptation, Albert Shelby LeVino.

Credits: Written and worked out by James O. Walsh, Rex Taylor,
Joseph A. Richmond.

THEIR DARK SECRET. Joker. 1916. 1 reel.

Credits: Director, William W. Beaudine; story, Sheeba Canne;
scenario, Harry Wulze.

THEIR DIVORCE. Metro-Drew. 1916. 1 reel.

Credits: Stella R. Cowen; producer, Sidney Drew.

THEIR DIVORCE FUND. 1915. 1 reel.

THEIR FIRST. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayres; producer, Sidney Drew.

THEIR FIRST ARREST. Joker. 1916. 1 reel.

Credits: Director, William W. Beaudine; story, Smythe Addison.

THEIR FIRST MISTAKE. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; editor, Richard Currier.

THEIR FIRST QUARREL. 1915. 1 reel.

Credits: Director, Sidney Drew.

THEIR FIRST TINTYPE. Century. 1920. 2 reels.

Credits: Written and directed by Bud Jamison.

THEIR FIRST VACATION. Released by Film Booking Offices of America.
1922. 2 reels.

Credits: Director, Malcolm St. Clair; story, Carter DeHaven;
scenario, Beatrice Van.

THEIR FRIEND, THE BURGLAR. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR GODSON. 1918. 1 reel.

Credits: Kenneth Webb; director, Graham Baker.

THEIR GOLDEN WEDDING. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; story, John Fleming Wilson.

THEIR HAPPY HONEYMOON. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR HAPPY LITTLE HOME. 1915. Split reel.

Credits: Mark Swan.

THEIR HOUR. 1928. 6 reels.

Credits: Director, Alfred Raboch; story, Albert Shelby LeVino;
editor, Martin G. Kohn.

THEIR INTEREST IN COMMON. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THEIR LAST BEAN. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel,
sd.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip
A. Scheib.

THEIR LITTLE DRUDGE. 1914. 1 reel.

THEIR MAD MOMENT. 1931. 5,161 ft., sd. From the novel "Basquerie" by
Eleanor Mercein.

Credits: Associate producer, A. L. Rockett; continuity and dialogue,
Leon Gordon; editor, Alex Troffey.

THEIR MOTHER. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THEIR MUTUAL CHILD. 1920. 6 reels. From the story by Pelham Grenville
Wodehouse.

Credits: Director, George L. Cox; scenario, Daniel F. Whitcomb.

THEIR MUTUAL FRIEND. 1913. 1 reel.

Credits: Director, Frederick Thomson.

THEIR MUTUAL MOTOR. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THEIR NIGHT OUT. 1915. 1 reel.

Credits: Director, Sidney Drew.

THEIR ONLY SON. Nestor. 1916. 1 reel.

THEIR OWN DESIRE. 1930. 7 reels, sd., b&w. From the novel by Sarita
Fuller, pseud.

Credits: Director, E. Mason Hopper; screenplay, Frances Marion;
dialogue, adaptation, and stage direction, James Forbes; film
editor, Harry Reynolds.

THEIR OWN WAYS. 1915. 1,000 ft.

Credits: Elizabeth Miller; director, Charles M. Seay.

Credits: Producer, George L. Tucker.

THEIR PURPLE MOMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, James Parrott;
titles, H. M. Walker; editor, Richard Currier.

THEIR QUIET HONEYMOON. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

THEIR QUIET LITTLE HONEYMOON. Metro-Drew. 1916. 1 reel.

Credits: C. Doty Hobart.

THEIR SECRET. Big U. 1915. 2 reels.

Credits: Producer, William C. Dowlan; scenario, Leonora Dowlan.

THEIR SINFUL INFLUENCE. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THEIR SOCIAL SMASH. Powers. 1916. 1 reel.

Credits: Written and produced by Harry Wulze.

THEIR SOCIAL SPLASH. 1915.

Credits: Producer, Mack Sennett.

THEIR SOLDIER BOY. 1914. 1 reel.

THEIR SPORTING BLOOD. Nestor. 1918. 1 reel.

Credits: Producer, R. A. Dillon; scenario, Harry Wulze.

THEIR STEADY JOB. 1922. 1 reel.

Credits: Producer, E. A. Martin.

THEIR VILLAGE FRIEND. 1915. 1 reel.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

THEIR WIVES' VACATION. (Mermaid Talking Comedies) 1930. 21 min., sd.

Credits: Written and directed by Stephen Roberts; continuity and
adaptation, John Lockert, George Coogan.

THELMA. 1922. 6 reels. From the story by Marie Corelli.

Credits: Producer and director, Chester Bennett; adaptation, Thomas
Dixon, Jr.

THEM EYES. Nestor. 1919. 1 reel.

Credits: Director, Ben Wilson; story, Frank R. Adams; scenario, Fred
Myton, Waldemar Young.

THEM THAR HILLS. (Hal Roach Comedy) (Laurel and Hardy Comedy) 1934. 2
reels, sd.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

THEM WAS THE GOOD OLD DAYS. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEM WERE THE HAPPY DAYS. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

THEME SONGS OF YESTERDAY. (Organlogue, no. 8) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

Credits: Producer, John L. Hawkinson.

THEN AND NOW. SEE Billy and Elsa Newell in Then and Now.

THEN CAME THE PAWN. 1930. 1 reel, sd.

Credits: Written and directed by Eddie Buzzell.

THEN CAME THE WOMAN. Released through Moeller Theatre Service, Inc.
1926. 7 reels.

Credits: Written and directed by David Hartford.

THEN CAME THE YAWN. 1932. 2 reels.

Credits: Director, Joseph Henabery; story, Glen Lambert, Jack
Henley.

THEN CAME THE YAWN. Educational. Treasure Chest. Presented by E. W.
Hammons. 1934. 694 ft., sd.

Credits: Directors, Ben Blake, Max Hayes.

THEN HELL BROKE LOOSE. SEE Shanghaied Love.

Credits: Director, George Irving.

THEODORA. 1921. 10 reels. From the drama by Victorien Sardou.

Credits: Director, Cavaliere Leopold Carlucci.

THEODORA GOES WILD. 1936. 10 reels, sd.

Credits: Director, Richard Boleslawski; original story, Mary
McCarthy; screenplay, Sidney Buchman; film editor, Otto Meyer; music
director, Morris Stoloff.

THEODORE ROOSEVELT, FRIEND OF THE BIRDS. (The Roosevelt Series of
History and Biography) 1928. 1 reel.

THEODORE ROOSEVELT, GREAT SCOUT. 1925. 2 reels.

THERE AIN'T NO JUSTICE. Presented by Carl Laemmle. 1934. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story,
Albert Austin, James W. Horne; editor, Harry Marker.

THERE AND BACK. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THERE AND BACK. Nestor. 1918. 1 reel.

THERE ARE NO VILLAINS. 1922. 5 reels.

Credits: Producer and director, Bayard Veiller; story, Frank R.
Adams; scenario, Mary O'Hara.

THERE GOES MY GIRL. 1937. 8 reels, sd.

Credits: Producer, William Sistrom; director, Ben Holmes; story,
George Beck; screenplay, Harry Segall; editor, Desmond Marquette.

THERE GOES MY HEART. Released through United Artists. Presented by Hal
Roach. 1938. 9 reels, sd.

Credits: Producer, Milton H. Bren; director, Norman Z. McLeod;
original story, Ed Sullivan; screenplay, Eddie Moran, Jack Jevne;
film editor, William Terhune; music director, Marvin Hatley.

THERE GOES RUSTY. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Don Seymour; editor,
Harry Foster.

THERE GOES THE BRIDE. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran, King W. Vidor; director, Roy S. Clements.

THERE GOES THE BRIDE. 1938. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

THERE GOES THE GROOM. 1937. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Joseph Santley; story,
David Garth; screenplay, S. K. Lauren, Dorothy Yost, Harold Kusell;
editor, Jack Hively.

THERE IS A REASON FOR RICHFIELD. 1936. For Richfield Oil Corporation
of New York. 1 reel, sd.

THERE IT IS. (Educational-Bowers Comedy) 1928. 2 reels.

Credits: Director, H. L. Muller.

THERE SHE GOES. (Stern Brothers Comedy) Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

THERE YOU ARE. 1926. 6 reels. Based on the novel by F. Hugh Herbert.

Credits: Producer and director, Edward Sedgwick; adaptation and
continuity, F. Hugh Herbert; film editor, Arthur Johns.

THERE'S A WILL. (Stern Brothers Comedy) (Mike and Ike) 1927. 2 reels.
From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

THERE'S ALWAYS A WOMAN. 1938. 8 reels, sd.

Credits: Producer, William Perlberg; director, Alexander Hall;
story, Wilson Collison; screenplay, Gladys Lehman, film editor,
Viola Lawrence; music director, Morris Stoloff.

THERE'S ALWAYS TOMORROW. 1934. 9 reels, sd.

Credits: Director, Edward Sloman; story, Ursula Parrott.

THERE'S MANY A FOOL. 1917. For Fox Film Corp. 3 reels.

Credits: Written and directed by Charles Parrott.

THERE'S MANY A SLIP. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Ben Cohn.

THERE'S MILLIONS IN IT. Released by Film Booking Offices. 1924. 6
reels. Adapted from the story "Men of Affairs" by Roland Pertwee.

Credits: Scenario and direction, Dennison Clift.

THERE'S MONEY IN WHIPPET AND WILLYS-6 TRUCKS. 1930. 1 reel.

THERE'S NO PLACE LIKE HOME. Rex. 1916. 1 reel.

Credits: Written and produced by Lois Weber.

THERE'S RHYTHM IN THE RIVER. SEE Rhythm in the River.

THERE'S SOMETHING ABOUT A SOLDIER. (Betty Boop Cartoon) 1934. 1 reel,
sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks
Lokey.

THERE'S THAT WOMAN AGAIN. 1938. 8 reels, sd. Based on a work by Wilson
Collison.

Credits: Associate producer, B. B. Kahane; director, Alexander Hall;
story, Gladys Lehman; screenplay, Philip G. Epstein, James Edward
Grant, Ken Englund; film editor, Viola Lawrence; music director, M.
W. Stoloff.

Credits: E. V. Juhlström;, director, Victor Sjöström.

THERMODYNAMICS. 1938. 1 reel, sd.

THERMOID MEANS BUSINESS. 1936. For Thermoid Rubber Co. 1 reel, sd.

THESE DRY DAYS. SEE Fred Ardath in These Dry Days.

THESE GLAMOUR GIRLS. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels,
sd., b&w. From the Cosmopolitan Magazine story by Jane Hall.

Credits: Producer, Sam Zimbalist; director, S. Sylvan Simon;
screenplay, Jane Hall, Marion Parsonnet; film editor, Harold Kress;
music score, Edward Ward, David Snell.

THESE THREE. 1936. 90 min., sd. Based on a play by Lillian Hellman.

Credits: Director, William Wyler; screenplay, Lillian Hellman; film
editor, Daniel Mandell; music director, Alfred Newman.

THEY ALL COME OUT. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels,
sd., b&w.

Credits: Producer, Jack Chertok; director, Jacques Tourneur;
original story and screenplay, John C. Higgins; film editor, Ralph
E. Goldstein.

THEY ALL FALL. 1925. 2 reels.

Credits: Written and directed by Ralph Ceder.

THEY ALWAYS OPEN THE DOOR FIRST. Presented by Fisher Body Division.
1937. For L. C. Chase Co. Filmstrip, 91 frames, sd.

THEY ASKED FOR IT. 1939. 7 reels, sd.

Credits: Associate producer, Max Golden; director, Frank McDonald;
original story, Lester Fuller; screenplay, Arthur T. Horman; film
editor, Phil Cahn.

THEY CALL IT LOVE. Bluebird. 1927. 1 reel.

THEY CALL IT SIN. 1932. 7 reels. Based on the novel by Alberta Stedman
Eagan.

Credits: Director, Thornton Freeland; screenplay, Lillie Hayward,
Howard J. Green.

THEY CALLED IT BABY. 1914. 1 reel.

THEY CAN'T HANG ME. SEE The Witness Vanishes.

THEY GAVE HIM A GUN. 1937. 10 reels, sd, b&w. From the novel by
William Joyce Cowen.

Credits: Producer, Harry Rapf; director, W. S. Van Dyke, II;
screenplay, Cyril Hume, Richard Maibaum, Maurice Rapf; film editor,
Ben Lewis.

THEY GO BOOM. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2
reels.

Credits: Director, James Parrott; story, Leo McCarey; film editor,
Richard Currier; story editor, H. M. Walker.

THEY HAD TO SEE PARIS. 1929. 8,620 ft.

Credits: Director, Frank Borzage; editor, Margaret Clancy.

THEY JUST HAD TO GET MARRIED. 1932. 7 reels. From a play by Cyril
Harcourt.

Credits: Director, Edward Ludwig; screenplay, Gladys Lehman, H. M.
Walker.

THEY KNOW THEIR GROCERIES. SEE Miller and Lyles in They Know Their
Groceries.

THEY LEARNED ABOUT WOMEN. 1930. 11 reels, sd.

Credits: Directors, Jack Conway, Sam Wood; story, A. P. Younger;
scenario, Sarah Y. Mason; dialogue, Arthur "Bugs" Baer; words and
music, Jack Yellen, Milton Ager; film editor, James McKay.

THEY LIKE 'EM ROUGH. 1922. 5 reels.

Credits: Producer, Harry Beaumont; story and scenario by Rex and
Irma Whepley Taylor.

THEY LIVE AGAIN. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938.
1 reel, sd., sepia.

Credits: Director, Fred Zinnemann; screenplay, Herman Boxer;
research compilations, Ryland R. Madison; narrator, John Nesbitt;
music score, David Snell.

THEY LOOKED ALIKE. 1914. Split reel.

THEY LOVED HIM SO. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEY MADE HER A SPY. 1939. 69 min., sd.

Credits: Producer, Robert Sisk; director, Jack Hively; story, George
Bricker; screenplay, Michael Kanin, Jo Pagano; editor, Harry Marker;
music director, Roy Webb.

THEY MADE ME A CRIMINAL. 1939. 11 reels, sd. From a novel by Bertram
Millhauser and Beulah Marie Dix.

Credits: Director, Busby Berkeley; screenplay, Sig Herzig; music,
Max Steiner.

THEY MET IN A TAXI. 1936. 7 reels, sd.

Credits: Production and screenplay, Howard J. Green; director,
Alfred E. Green; story, Octavus Roy Cohen; music director, Morris
Stoloff; film editor, Gene Milford.

THEY SHALL HAVE MUSIC. Released through United Artists. 1939. 10
reels, sd.

Credits: Producer, Samuel Goldwyn; director, Archie Mayo;
screenplay, Irmgard von Cube, John Howard Lawson; film editor,
Sherman Todd; music director, Alfred Newman.

THEY SHALL NOT PASS OUT. 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Hal Davitt.

THEY WANTED TO MARRY. 1937. 6 reels, sd.

Credits: Associate producer, Zion Myers; director, Lew Landers;
story, Larry Bachmann, Darwin L. Teilhet; screenplay, Paul Yawitz,
Ethel Borden; editor, Desmond Marquette.

THEY WERE COLLEGE BOYS. 1914. 1 reel.

THEY WERE FOUR. Victor. 1917. 1 reel.

Credits: Story and direction, George Marshall; scenario, Karl R.
Coolidge.

THEY WERE HEROES. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: Producer, Charles France.

THEY WERE ON THEIR HONEYMOON. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, A. E. Christie.

THEY WON'T FORGET. 1937. 10 reels, sd. From the novel "Death in the
Deep South" by Ward Greene.

Credits: Producer, Mervyn LeRoy; screenplay, Robert Rossen, Aben
Kandel; film editor, Thomas Richards; music director, Leo F.
Forbstein.

THEY WOULDN'T TAKE HIM SERIOUSLY. Gold Seal. 1916. 2 reels.

Credits: Ben Conn; producer, William Worthington.

THEY'RE ALWAYS CAUGHT. (A Crime Does Not Pay Subject) Presented by
Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay,
John C. Higgins.

THEY'RE COMING TO GET ME. SEE Charles (Chic) Sale in They're Coming to
Get Me.

THEY'RE OFF. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THEY'RE OFF. SEE The Speed Classic.

THICKER THAN WATER. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2
reels, sd., b&w.

Credits: Director, James W. Horne; film editor, Ray Snyder.

THE THIEF. 1914. 5 reels. Adapted from the play by Henri Bernstein.

Credits: Direction and adaptation, Edgar Lewis.

THE THIEF. 1920. 6 reels. From the play by Henri Bernstein.

Credits: Director, Charles Giblyn; scenario, Max Marcin, Paul H.
Sloane.

A THIEF IN PARADISE. First National. 1924. 8 reels. From the novel
"The Worldlings" by Leonard Merrick.

Credits: Producer, George Fitzmaurice; adaptation, Frances Marion.

A THIEF IN THE DARK. 1928. 6 reels, b&w, lavender sequences.

Credits: Director, Albert Ray; story, Andrew Bennison, Albert Ray;
scenario, Graham Baker.

THE THIEF IN THE NIGHT. 1915. 1,000 ft.

THIEF IN THE NIGHT. 1915. 2,000 ft. From the story by Albert Payson
Terhune.

Credits: Adapted and produced by George Terwilliger.

THE THIEF MAKER. Imp. 1917. 2 reels.

Credits: Director, George Cochrane; story, George Surprenant;
scenario, Harvey Gates.

THE THIEF OF BAGDAD. 1924. 14 reels.

Credits: Story, Elton Thomas.

© Pathé Frères (Compagnie Générale des Établissements Pathé Frères,
Phonographes & Cinématographies, author); title, descr. & 39 prints,
27Oct13; LU1468.

THE THIEF OF PROFITS. 1930. 1 reel.

THE THIEF OF THE DESERT. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

THIEVES. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THIEVES. 1919. 5 reels.

Credits: Director, Frank Beal; story, Will C. Beale; scenario,
Douglas Bronston.

THIEVES' CLOTHES. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Arthur Henry Gooden;
scenario, Hope Loring.

THIEVES' GOLD. Special Feature. 1918. 5 reels. Based on the story
"Back to the Right Trail" by Frederick R. Bechdolt.

Credits: Director, Jack Ford; scenario, George Hively.

THIMBLE, THIMBLE. 1920. 2 reels. From the story by O. Henry [pseud. of
William Sydney Porter].

Credits: Director, Edward H. Griffith; scenario, Paul M. Bryan.

THIN ICE. 1919. 5 reels.

Credits: Director, Thomas R. Mills; story, Shannon Fife; scenario,
G. Marion Burton.

THIN ICE. 1937. 7,041 ft., sd. From the play "Der Komet" by Attila
Orbok.

Credits: Director, Sidney Lanfield; screenplay, Boris Ingster,
Milton Sperling; music director, Samuel Kaylin.

THE THIN MAN. 1934. 10 reels, sd., b&w. From the novel by Dashiell
Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke;
screenplay, Albert Hackett, Frances Goodrich; film editor, Robert J.
Kern; music score, William Axt.

THIN TWINS. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, James W. Horne; story, Leo McCarey; editor,
Richard Currier.

THE THINGS IN THE BOTTOM DRAWER. Laemmle. 1915. 1 reel.

Credits: Producer, Alan Forest; scenario, James Dayton.

THE THING'S THE PLAY. 1918. 2 reels. From the story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Charles Risse.

THINGS TO COME. Released through United Artists. 1936. 10 reels, sd.
Based on the book by H. G. Wells.

Credits: Producer, Alexander Korda; director, William Cameron
Menzies; music, Arthur Bliss.

THE THINGS WE LOVE. 1918. 5 reels.

Credits: Director, Lou Tellegen; story, H. B. and M. G. Daniel;
scenario, Harvey Thew.

THINGS WIVES TELL. 1926. 7 reels.

Credits: Director, Hugh Dierker; adaptation, Lewis Allen Browne.

THINK FAST, MR. MOTO. 1937. 5,961 ft., sd. Based on the story by J. P.
Marquand.

Credits: Director, Norman Foster; screenplay, Howard Ellis Smith,
Norman Foster; music director, Samuel Kaylin.

THINK FIRST. (A Crime Does Not Pay Subject) Presented by
Metro-Goldwyn-Mayer. 1939. 1,893 ft., sd., b&w.

Credits: Director, Roy Rowland; original story and screenplay,
Douglas Foster, Alan Friedman; film editor, Harry Komer.

THINK IT OVER. (A Crime Does Not Pay Subject) Presented by
Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Jacques Tourneur; original story and screenplay,
Winston Miller.

THINK MOTHERS. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

THINK OF THE MONEY. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

THE THINKING COCKATOOS. 1915. 1/2 reel.

THE THIRD ACT. 1915. 2 reels.

THE THIRD ALARM. Released thru Film Booking Offices of America. 1922.
6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie
Johnson.

THE THIRD ALARM. 1930. 7 reels, sd.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity
and dialogue, Frances Hyland, John Francis Natteford.

THIRD CLASS MALE. Century. 1921. 2 reels.

Credits: Written and directed by William H. Watson.

THE THIRD DEGREE. 1919. 7 reels. From the play by Charles Klein.

Credits: Director, Tom Terriss; scenario, Phil Lang.

THE THIRD DEGREE. 1926. 8 reels. From the play by Charles Klein.

Credits: Director, Michael Curtiz; adaptation, Graham Baker.

Credits: Director, Horne; story, H. H. Van Loan.

THIRD HAND HIGH. 1915. 2 reels.

THE THIRD INGREDIENT. 1917. 2 reels. Based on a story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton
Bergman.

THE THIRD KISS. 1919. 5 reels.

Credits: Director, Robert G. Vignolo; story, Heliodore Tenno;
scenario, Edith Kennedy.

THE THIRD PARTNER. Powers. 1915. 1 reel.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE THIRD PARTY. 1915. 1 reel.

Credits: Director, Theodore Marston.

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Motion pictures, 1912-1939Chapter I: PROMESSI SPOSI. SEE The Betrothed (21)

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