Chapter L: C. card, 51-60018 (3)

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ALL FOR A WOMAN. First National. Presented by Andrew J. Callaghan.
1921. 7 reels.

Credits: Director, Dimitri Buchowetzki; adaptation, Johnstone Craig.

ALL FOR BUSINESS. 1914. 1 reel.

ALL FOR GERALDINE. (Let George Do It Series) (Stern Brothers Comedy)
1928. 2 reels. From cartoons by George McManus.

ALL FOR GOLD. 1918. 2 reels.

Credits: Story, T. Shelley Sutton.

ALL FOR HIS SAKE. 1914. 2 reels.

Credits: Anne Merwin and Bannister Merwin.

ALL FOR MABEL. (Campus Comedies) Presented by E. B. Derr. 1930. 2
reels, sd.

Credits: Producer, John C. Flinn; director, Harry Delmar; story,
Bobby Carney; adaptation, Charles Diltz; film editor, Fred Allen;
music director, Josiah Zuro.

ALL FOR NOTHING. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, James Parrott; titles,
Reed Heustis; editor, Richard Currier.

ALL FOR OLD IRELAND. 1915. 3 reels.

Credits: Written and produced by Sidney Olcott.

ALL FOR ONE. (A Young Romance Comedy) Presented by E. W. Hammons.
1935. 1,665 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur
Jarrett.

ALL FOR PEGGY. Rex. 1915. 1 reel.

Credits: Ida May Park; producer, Joseph De Grasse.

ALL FOR THE BAND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Rube Welch.

ALL FOR THE BOY. 1914. 1 reel.

ALL FOR THE DOUGH BAG. Rainbow. 1920. 2 reels.

Credits: Written and directed by J. A. Howe.

ALL FOR THE LOVE OF A GIRL. 1915. 1 reel.

Credits: Director, Sidney Drew.

ALL FOR THE LOVE OF A GIRL and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1
reel.

ALL FOR UNCLE. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2
reels.

Credits: Director, Francis Corby.

THE ALL GIRL REVUE. 1929. 1 reel, sd.

A LL GUMMED UP. (Whoopee Comedies) 1931. 2 reels, sd., b&w.

Credits: Story and direction, Harry Sweet; film editor, Walter
Thompson; musical direction, Francis Groman.

ALL IN A DAY. 1917. 15 min.

ALL IN FUN. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

ALL IN THE SAME BOAT. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: R. L. Herrick.

ALL IN THE SWIM. (Lyons-Moran Star Comedy) 1919. 1 reel.

ALL IS FAIR. (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Vincent
Bryan.

ALL IS LOST. (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene DeRue.

ALL JAZZED UP. 1919. 2 reels.

Credits: Director, Bill Watson.

Credits: Director, Emile Chautard; story, Willard Mack.

ALL MAN. 1918. 5 reels.

Credits: Donn Byrne; director, Paul Scardon; picturization, Garfield
Thompson.

ALL MEN ARE ENEMIES. 1934. 7,193 ft., sd. From the novel by Richard
Aldington.

Credits: Director, George Fitzmaurice; screenplay and dialogue,
Samuel Hoffenstein, Lenore Coffee; music director, Louis de
Francesco; editor, Harold Schuster.

ALL NIGHT. 1918. 5 reels. Adapted from the story "One Bright Idea" by
Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Paul Powell; scenario, Fred Myton.

ALL NIGHT LONG. SEE The Outside Woman.

ALL-OF-A-SUDDEN PEGGY. 1919. 5 reels. From the play by Ernest Denny.

Credits: Director, Walter Edwards; scenario, Edith Kennedy.

ALL OF ME. 1934. 8 reels, sd. Based on the play "Chrysalis" by Rose
Albert Porter.

Credits: Producer, Louis D. Lighton; director, James Flood;
screenplay, Sidney Buchman, Thomas Mitchell; music, Ralph Rainger.

ALL ON ACCOUNT OF A PHOTO. Victor. 1915. 1 reel.

ALL ON ACCOUNT OF A PORTRAIT. 1913. 1 reel.

Credits: Mark Swan.

ALL ON ACCOUNT OF A TRANSFER. 1913. 1 reel.

Credits: Henry W. Otto.

ALL ON ACCOUNT OF AN EGG. © 1913. From a story by O. Henry [pseud. of
William Sydney Porter].

ALL ON ACCOUNT OF THE CHEESE. 1914. Split reel.

ALL ON ACCOUNT OF TOWSER. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALL ON DECK. 1934. 1 reel, sd.

ALL OUT. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL OVER A STOCKING. Nestor. 1916. 1 reel.

Credits: Arthur (Sheriff) Mackley; producer, Al. E. Christie.

ALL OVER TOWN. 1937. 6 reels, sd.

Credits: Associate producer, Leonard Fields; director, James Horne;
original story, Richard English; screenplay, Jack Townley, Jerome
Chodorov; film editors, Murray Seldeen, Howard O'Neill; music
director, Alberto Colombo.

ALL OVER TWIST. Century. 1923. 2 reels.

ALL PARTS. Presented by Hal Yates. 1928. 2 reels, b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor,
Richard Currier.

ALL PARTS. 1929. 2 reels, sd., b&w.

Credits: Director, Hal Yates; story and supervision, Leo McCarey;
editor, Richard Currier.

ALL QUIET ON THE WESTERN FRONT. 1930. 14 reels. Based on the book by
Erich Maria Remarque.

Credits: Director, Lewis Milestone; adaptation and dialogue, Maxwell
Anderson.

ALL SCARLET. SEE Racing Lady.

ALL SEALED UP. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, Andrew Bennison.

ALL SEALED UP. 1934. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley.

ALL SET. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Harry Sweet.

ALL SIGNS POINT TO SALES. 1937. 1 reel.

ALL SOULS EVE. 1921. 6 reels. From the play by Anne Crawford Flexner.

Credits: Director, Chester Franklin; scenario, Elmer Harris.

ALL SQUARE. 1930. 2 reels.

ALL STAR VAUDEVILLE. 1935. 1 reel, sd.

ALL STEAMED UP. Presented by William Fox. 1929. 3 reels.

Credits: Director, Norman Taurog; story, Andrew Bennison; scenario,
Andrew Bennison, Clark and McCullough.

ALL STUCK UP. 1915. 1 reel.

ALL STUCK UP. 1918. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

ALL STUCK UP. (A Checker Comedy) 1930. 2 reels, sd.

Credits: Producer and director, George Lemaire; story, George W.
Barry, John Cantwell; adaptation, Daniel Kusell; film editor, Edward
Pfitzenmeier.

ALL TEED UP. (Hal Roach Comedy) 1930. 1,891 ft., sd., b&w.

Credits: Director, Edgar Kennedy; story, Leo McCarey.

ALL THE BROTHERS WERE VALIANT. 1923. 7 reels. From the story by Ben
Ames Williams.

Credits: Producer, Irvin V. Willat; scenario and adaptation, Julien
Josephson.

ALL THE BROTHERS WERE VALIANT. SEE Across to Singapore.

ALL THE COMFORTS OF HOME. 1930. 1 reel.

ALL THE KING'S HORSES. Presented by Adolph Zukor. 1935. 10 reels, sd.
Based on a play by Laurence Clark and Max Giersberg and a play by
Frederick Herendeen and Edward Horan.

Credits: Producer, William LeBaron; director, Frank Tuttle;
screenplay, Frank Tuttle, Frederick Stephani; music and lyrics, Sam
Coslow.

ALL THE KING'S MEN. SEE Second Wife.

ALL THE WORLD TO NOTHING. 1918. 5 reels.

Credits: Director, Henry King; story, Wyndham Martyn; scenario,
Stephen Fox.

ALL THE WORLD WONDERED. SEE The Last Mile.

ALL TIED UP. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL TOGETHER. 1937. Filmstrip, 75 frames, sd.

Credits: Producer, John L. Hawkinson.

ALL WASHED UP. (Karnival Komedies, no. 2) 1928. 2 reels.

Credits: Producer, Larry Darmoor; director, Albert Herman; story, E.
V. Durling, E. T. Montgomery, Joseph Basil.

ALL WET. 1922. 2 reels.

Credits: Director, Al St. John.

ALL WET. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

ALL WET. 1930. 2 reels.

Credits: Director, Sam Newfield.

ALL WOMAN. 1918. 5 reels.

Credits: E. Lloyd Sheldon; director, Hobart Henley.

ALL WOMEN ARE BAD. SEE Don't Bet on Women.

ALL WOMEN HAVE SECRETS. 1939. 8 reels, sd.

Credits: Director, Kurt Neumann; story. Dale Eunson; screenplay,
Agnes Christine Johnston; film editor, Arthur Schmidt.

Credits: Directors, William Worthington, Raymond West; story,
Mildred Considine; scenario, Jack Cunningham.

ALL WRONG. 1921. 2 reels.

Credits: Director, J. Blystone.

ALL WRONG. (Mirthquake Comedy, no. 4) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

ALLADIN FROM MANHATTAN. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Ewart
Adamson; film editor, Edward Mann.

ALLADIN, JUNIOR. 1922. 1 reel.

ALLAH IL ALLAH. (U.F.A. Oddity) 1929. 1 reel.

ALLEGHENY UPRISING. 1939. 81 min., sd. Based on the story "The First
Rebel" by Neil H. Swanson.

Credits: Pandro S. Berman in charge of production; production and
screenplay, P. J. Wolfson; director, William A. Seiter; editor,
George Crone; music, Anthony Collins.

AN ALLEY ROMANCE. SEE Dud Visits the Zoo.

ALLEZ-OOP. (A Sports Champion Picture) 1933. 911 ft.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

ALLEZ OOP. (An Educational Star Comedy) Presented by E. W. Hammons.
1934. 2 reels, sd.

Credits: Director, Charles Lamont; story, Ernest Pagano, Ewart
Adamson.

ALLIES. SEE Love In a Hurry.

ALL'S FAIR. 1938. 1 reel, sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy
Klauber.

ALL'S FAIR IN LOVE. Goldwyn Studios. 1921. 5 reels. Adapted from the
stage play "The Bridal Path" by Thompson Buchanan.

Credits: Directed and supervised by E. Mason Hopper; scenario,
Arthur F. Statter.

ALL'S WET THAT ENDS WET. (World of Sports) Bray Pictures Corp. 1933. 1
reel, sd.

ALLURING BALI. 1936. 400 ft., si., 16 mm.

ALLURING BALI. 1936. 400 ft., sd., 16 mm.

Credits: Narrator, Harlow Wilcox.

THE ALMA MARTYR. 1933. 1 reel.

Credits: Director, Roy Mack.

THE ALMIGHTY DOLLAR. Paragon Films, Inc. Presented by William A. Brady
in association with World Pictures. © 1916. 72 min.

Credits: Director, Robert Thornby; original story, and scenario,
Eugenie Magnus Ingleton.

AN ALMOND-EYED MAID. 1913. 1 reel.

Credits: Dora M. Lynn.

ALMOST A GENTLEMAN. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Charles
Diltz, Roy McCarey; editor. Earl Neville.

ALMOST A GENTLEMAN. 1939. 65 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story,
Harold Shumate; screenplay, David Silverstein, Jo Pagano; editor,
Desmond Marquette; music director, Frank Tours.

ALMOST A HERO. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALMOST A HUSBAND. 1919. 5 reels. Founded on the story "Old Ebenezer"
by Opie Read.

Credits: Director, Clarence G. Badger.

ALMOST A HUSBAND. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

ALMOST A KING. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

ALMOST A KNOCKOUT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, E. M. Campbell.

ALMOST A LADY. Released by Producers Distributing Corp. 1926. 6 reels.
From the story "Skin Deep" by Frank R. Adams.

Credits: Director, E. Mason Hopper; screenplay and editorial
supervision, F. McGrew Willis; adaptation, Anthony Coldewey.

ALMOST A PAPA. Imp. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

ALMOST A RANCHER. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott
Darling.

ALMOST A WIDOW. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Robert McGowan.

THE ALMOST GOOD MAN. Gold Seal. 1917. 5 reels.

Credits: Director, Fred A. Kelsey; story, Shelley Sutton; scenario,
Charles J. Wilson, Jr.

THE ALMOST GOOD MAN. 1923. 2 reels.

ALMOST GUILTY. Nestor. 1916. 1 reel.

Credits: Producer, Louis Chaudet; story, Walter H. Newman.

ALMOST HUMAN. De Mille Pictures Corp. Presented by William C. De
Mille. 1927. 6 reels. Suggested by "The Bar Sinister" by Richard
Harding Davis.

Credits: Director, Frank Urson; screenplay, Clara Beranger; film
editor, Adelaide Cannon.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

ALMOST MARRIED. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Charles Swickard;
story, E. V. Durling; scenario, Luther A. Reed, June Mathis.

ALMOST MARRIED. 1923. 2 reels.

Credits: Producer, Eddie Lyons.

ALMOST MARRIED. 1932. 4,700 ft. Based on the novel "The Devil's
Triangle" by Andrew Soutar.

Credits: Directors, William C. Menzies, Marcel Varnel; screenplay,
Wallace Smith, Guy Bolton; editor, Harold Schuster.

ALMOST WELCOME. 1918. 1 reel.

Credits: Story and direction, Eddie Lyons, Lee Moran.

ALOHA. Rogell Productions, Ltd. Released by Tiffany Productions, Inc.
1931. 9 reels, sd.

Credits: Production manager, Rudolph Flothow; director, Albert
Rogell; story, Thomas H. Ince, J. G. Hawks; adaptation and
continuity, Adele Buffington; dialogue, Leslie Mason, W. Totman;
film editor, Richard Cahoon.

Credits: Supervision, Thomas H. Ince.

ALOHA OE. 1915. 5 reels.

ALOHA OE. 1933. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

ALOMA OF THE SOUTH SEAS. Paramount. Presented by Adolph Zukor and
Jesse L. Lasky. 1926. 8,514 ft. From the play by John B. Hymer and
Leroy Clemens.

Credits: Producer, Maurice Tourneur; screenplay, James A. Creelman.

ALONE AT LAST. 1924. 1 reel.

Credits: Producer, Colin Campbell.

© Selig Polyscope Co. (Big Otto Breitkreutz, author); pt. 1, title,
descr. & 33 prints, 28Jun13; LU891; pt. 2, title, descr. & 48
prints, 28Jun13; LU892.

ALONE IN THE WORLD. Special Laemmle. 1916. 1 reel.

Credits: Directors, Louis Weber, Phillips Smalley.

ALONE WITH YOU. SEE Cheer Up and Smile.

ALONG CAME A DUCK. (Burt Gillett's Toddle Tales) Presented by RKO
Radio. 1934. 1 reel.

Credits: Directors, Burt Gillett, Steve Muffati.

ALONG CAME FIDO. (A Hot Dog Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

ALONG CAME LOVE. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Richard A. Rowland; director, Bert Lytell;
original screenplay, Austin Strong; continuity and additional
dialogue, Arthur Caesar; music director, Borros Morros.

ALONG CAME RUTH. 1924. 5 reels. From the Henry W. Savage play adapted
by Holman Day from the French "La Demoiselle de Magasin" by Fonson
and Wicheler.

Credits: Director, Edward Cline; story, F. Fonson, F. Wicheler;
scenario, Holman Day; screen adaptation, Winifred Dunn.

ALONG CAME RUTH. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian
Otvos.

ALONG CAME YOUTH. 1930. 6,623 ft., sd. Suggested by the novel
"Molinoff" by Maurice Bedel.

Credits: Directors, Lloyd Corrigan, Norman McLeod; story, George
Marion, Jr.; scenario, Marion Dix.

ALONG FLIRTATION WALK. (Merrie Melodies, no. 6) Vitaphone. 1935. 7
min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng;
animation, Bob McKimson, Paul Smith; music, Norman Spencer.

ALONG MAIN STREET. 1936. 1 reel.

ALONG THE BORDER. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

ALONG THE FRENCH RIVIERA. Released by Compagnie Générale
Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ALONG THE LIFE-LINE OF THE BRITISH EMPIRE—SUEZ, MALTA, GIBRALTAR.
Released by Harold Auten. 1936. 1 reel.

ALONG THE MEDITERRANEAN. SEE E. M. Newman's Along the Mediterranean.

ALONG THE NILE. 1913. 1 reel.

ALONG THE RIO GRANDE. (Paramount-Burton Holmes Travel Picture) 1922. 1
reel.

ALONG THE RIVIERA. (A Paramount-Burton Holmes Travel Picture) 1921. 1
reel.

ALPINE ANTICS. Snappy. Winkler. 1929. 1 reel.

Credits: Tom Palmer.

ALPINE ANTICS. 1936. 1 reel.

Credits: Animation, Riley Thompson, Jack Carr.

ALPINE CABARET. Mentone. 1937. 10 min., sd.

Credits: Director, Milton Schwarzwald.

ALPINE CLIMBERS. (A Walt Disney Mickey Mouse) 1936. 1 reel.

ALPINE GRANDEUR. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Alan
Kent.

ALPINE RENDEZVOUS. Educational Pictures. Presented by E. W. Hammons.
1936. 968 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art
Jarrett, William Watson.

AN ALPINE ROMANCE. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

THE ALPINE YODELER. (Paul Terry-Toons) Presented by E. W. Hammons.
1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip
Scheib.

AL'S TROUBLES. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE ALSTER CASE. 1915. 5 reels.

Credits: Rufus Gillmore; director, J. Charles Haydon.

THE ALTAR OF LOVE. 1915. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

AN ALTAR ON LITTLE THUNDER. SEE His Divorced Wife.

THE ALTAR ON THE HILL. SEE The Silent Watcher.

THE ALTAR STAIRS. 1922. 5 reels.

Credits: Director, Lambert Hillyer; story, G. B. Lancaster;
scenario, Doris Schroeder.

ALTARS OF DESIRE. 1926. 7 reels.

Credits: Director, Christy Cabanne; story, Maria Thompson Daviess;
adaptation, Alice D. G. Miller, Agnes Christine Johnston; film
editor, George Hively.

ALUM AND EVE. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2
reels, sd.

Credits: Director, George Marshall; editor, Richard Currier.

ALWAYS A GENTLEMAN. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

ALWAYS AUDACIOUS. Presented by Jesse L. Lasky. 1920. 5 reels. Based on
the story "Toujours de l'Audace" by Ben Ames Williams.

Credits: Director, James Cruze; scenario, Tom Geraghty.

ALWAYS FAITHFUL. SEE Blanche Sweet in Always Faithful.

ALWAYS GOODBYE. 1931. 5,400 ft.

Credits: Associate producer, John W. Considine, Jr.; directors,
William C. Menzies, Kenneth MacKenna; original story, Kate McLaurin;
continuity and dialogue, Lynn Starling; editor, Harold Schuster.

ALWAYS GOODBYE. 1938. 6,750 ft., sd.

Credits: Director, Sidney Lanfield; story, Gilbert Emery, Douglas
Doty; screenplay, Kathryn Scola, Edith Skouras; music director,
Louis Silvers.

ALWAYS IN THE WAY. Dyreda Art Films. 1915. 6 reels. A picturization of
the song classic by Charles K. Harris.

ALWAYS KICKIN! (The Gleasons' Sports Featurettes) 1932. 20 min., sd.

Credits: Director, James Gleason; story, Charles W. Paddock.

ALWAYS KICKIN! (Color Classic) 1939. 1 reel, sd., color.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Arnold
Gillespie.

ALWAYS LATE. (Monty Banks Comedy) 1923. 2 reels.

Credits: Director, Herman C. Raymaker.

ALWAYS THE WOMAN. 1922. 6 reels.

Credits: Adapted and directed by Arthur Rosson; story, Perley Poore
Sheehan.

AM I DREAMING? (Star Comedy) 1920. 1 reel.

AM I HAVING FUN! 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Al Ray,
Arthur Ripley.

AM TEETISCH. SEE Tea for Three.

AMARILLY OF CLOTHES-LINE ALLEY. 1918. 2 reels. Based on the book by
Belle K. Maniates.

Credits: Director, Marshall A. Neilan; scenario, Frances Marion.

THE AMATEUR ADVENTURESS. 1919. 5 reels. From the Young's Magazine
story by Thomas Edgelow.

Credits: Producer, Maxwell Karger; director, Henry Otto; adaptation,
June Mathis, Luther A. Reed.

AMATEUR ANTICS. (A Grantland Rice Sportlight) Presented by Amédée J.
Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

AMATEUR BROADCAST. (Oswald) (A Walter Lantz Cartoon) Snappy. 1935. 1
reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation,
Cecil Surry, Ray Abrams, Ed. Benedict.

THE AMATEUR CRACKSMAN. SEE Raffles.

AMATEUR DADDY. 1932. 6,300 ft., sd. From the novel "Scotch Valley" by
Mildred Cram.

Credits: Director, John Blystone; screenplay, Doris Malloy, Frank
Dolan; dialogue, William Conselman; editor, Louis Loeffler.

THE AMATEUR DETECTIVE. 1925. 2 reels.

Credits: Director, Robert P. Kerr; story, Richard Harding Davis;
scenario, W. Scott Darling.

AN AMATEUR DEVIL. 1920. 5 reels. Adapted from the story "Wanted a
Blemish" by Jessie E. Henderson and Henry J. Buxton.

Credits: Director, Maurice Campbell; scenario, Douglas Bronston.

THE AMATEUR GENTLEMAN. 1926. 8 reels. From the novel by Jeffery
Farnol.

Credits: Director, Sidney Olcott; scenario, Lillie Hayward.

THE AMATEUR GENTLEMAN. Released through United Artists. 1936. 9 reels,
sd. From the novel by Jeffery Farnol.

Credits: Producer, Marcel Hellman; director, Thornton Freeland;
screen adaptation, Clemence Dane, Sergei Nolbandov; dialogue,
Clemence Dane; film editor, Conrad von Molo; music score, Walter
Goehr; music, Richard Addinsell.

THE AMATEUR HUSBAND. (Star Personality Comedy) Presented by E. W.
Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy
Klauber.

THE AMATEUR LIAR. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2
reels.

Credits: Albert Payson Terhune; supervision, Mr. & Mrs. Sidney Drew.

AMATEUR NIGHT. 1927. 1 reel.

Credits: Murray Roth; director, Bryan Foy; music director, Bert
Fiske.

AMATEUR NIGHT. (Paul Terry-Toons) Educational Pictures. Presented by
E. W. Hammons. 1935. 532 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

AN AMATEUR PRODIGAL. 1915. 2 reels.

Credits: Albert Payson Terhune.

Credits: Director, Oscar Apfel; story, Joseph Franklin Poland.

THE AMATEUR WIFE. Paramount-Artcraft. Presented by Adolph Zukor. 1920.
6 reels.

Credits: Director, Edward Dillon; story, Nalbro Bartley; scenario,
Jane Murfin.

AMATURE NITE. (Oswald) 1929. 1 reel.

Credits: Animation, Walter Lantz.

THE AMAZING ADVENTURE. Rex. 1917. 2 reels.

Credits: Director, Burton George; story, Eleanor M. Ingram;
adaptation, Harvey Gates.

THE AMAZING DR. CLITTERHOUSE. First National. 1938. 9 reels, sd. From
the play by Barré Lyndon.

Credits: Director, Anatole Litvak; screenplay, John Wexley, John
Huston.

THE AMAZING IMPOSTOR. 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, Joseph Franklin Poland;
scenario, Frank Howard Clark.

THE AMAZING LIFE-SAVER TREAD. Presented by Goodrich. 1938. 1 reel, sd.

AMAZING LOVERS. U.F.A. 1928. 1 reel.

Credits: Editor, Edward Bowes.

Credits: Billy Beecher.

THE AMAZING MR. WILLIAMS. 1939. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Alexander Hall; story,
Sy Bartlett; screenplay, Dwight Taylor, Sy Bartlett, Richard
Maibaum; film editor, Viola Lawrence; music director, M. W. Stoloff.

THE AMAZING QUEST OF MR. ERNEST BLISS. SEE Romance and Riches.

THE AMAZING STORY OF MOHAIR. Presented by Lesher, Wittman & Co. and
the Goodall Mills. 1929. Filmstrip, 52 frames (9 in color).

THE AMAZING VAGABOND. F. B. O. Pictures Corp. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank
Howard Clark.

THE AMAZING WIFE. 1919. 6 reels. From the story "Whose Widow" by
Eleanor Chipp.

Credits: Scenario and direction, Ida May Park.

Credits: Director, Lloyd B. Carleton.

THE AMAZONS. 1917. 5 reels.

Credits: Director, Joseph Kaufman.

AMBASSADOR BILL. 1931. 6,300 ft., sd.

Credits: Director, Sam Taylor; story and dialogue, Guy Bolton;
editor, Harold Schuster.

AN AMBASSADOR FROM THE DEAD. 1915. 1,000 ft.

Credits: Written and produced by Paul Powell.

THE AMBASSADOR'S DAUGHTER. 1913. 1 reel.

Credits: Bannister Merwin.

THE AMBER VASE. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

AMBITION. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; scenario, Mary Murillo.

THE AMBITION OF THE BARON. 1915. 2 reels. Adapted from The Smart Set
Magazine.

AMBITIOUS PEOPLE. (A Colortone Novelty) 1931. 2 reels.

Credits: Director, Nick Grindé.

AMBROSE AND HIS WIDOW. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Fredericks.

AMBROSE THE LION-HEARTED. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

AMBROSE'S FIRST FALSEHOOD. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S FURY. 1915. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S ICY LOVE. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Frederick.

AMBROSE'S LITTLE HATCHET. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S LOFTY PERCH. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S NASTY TEMPER. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S SOUR GRAPES. 1915.

Credits: Producer, Mack Sennett.

THE AMBUSCADE. (Texas Ranger Series) 1928. 2 reels.

Credits: Director, Joseph Levigard; story and continuity, Basil
Dickey.

AMBUSH. 1939. 6 reels, sd.

Credits: Director, Kurt Neumann; story, Robert Ray; screenplay,
Laura and S. J. Perelman; film editor, Stuart Gilmore.

AMBUSH. SEE The Reckless Hour.

AMERICA. 1924. 14 reels.

Credits: Director, D. W. Griffith; story and titles, Robert W.
Chambers; historical arrangement, John L. E. Pell.

AMERICA HONORS BRITAIN'S PRINCE. 1920. 1 reel.

AMERICA KNEELS. SEE The World Changes.

AMERICA OR BUST. 1930. 2 reels, sd., b&w.

Credits: Producer, E. B. Derr; director, Frank T. Davis; story, Paul
Gerard Smith; film editor, John Link; music director, Josiah Zuro.

AMERICAN ARISTOCRACY. SEE The Blue Blood.

THE AMERICAN BEAUTY. 1916. 5 reels.

AMERICAN BEAUTY. 1927. 7 reels.

Credits: Director, Richard Wallace; story, Wallace Irwin: scenario,
Carey Wilson.

AMERICAN BUDS. 1918. 6 reels.

Credits: Direction and scenario, Kenean Buel; story, M. Strauss.

THE AMERICAN CONSUL. 1917. 5 reels. From the story by Paul West.

Credits: Harvey F. Thew, Thomas J. Geraghty; producer, Rollin S.
Sturgeon.

THE AMERICAN GOVERNMENT. SEE Uncle Sam at Work.

AN AMERICAN KING. 1914. 2 reels.

Credits: Mark Swan; director, George Lessey.

THE AMERICAN LEGION. 1919. 2 reels.

AMERICAN LEGION PARADE. (A Century of Progress Exposition) 1933. 1
reel.

AN AMERICAN LIVE WIRE. 1918. 5 reels. Based on a story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, William Addison
Lathrop.

AMERICAN MADNESS. 1932. 8 reels.

Credits: Director, Frank R. Capra; story and dialogue, Robert
Riskin; film editor, Maurice Wright.

AMERICAN MANNERS. 1924. 6 reels.

Credits: Director, James W. Horn; screen adaptation, Frank Howard
Clark.

AMERICAN METHODS. 1917. For Fox Film Corp. 6 reels. From "The
Ironmaster" by Georges Ohnet.

Credits: Adaptation and direction, Frank Lloyd.

AMERICAN PLAN. Century. 1922. 2 reels.

Credits: Written and directed by Al. Herman.

AMERICAN PLUCK. Presented by I. E. Chadwick. 1925. 6 reels. From the
novel "Blaze Derringer" by Eugene P. Lyle, Jr.

Credits: Director, Richard Stanton; scenario, Ralph Spence.

AMERICAN SADDLE HORSES. (The Color Parade) 1939. 10 min., sd., color.

Credits: Written and directed by Del Frazier; narrator, John
Deering.

THE AMERICAN SEX. SEE Meet the Prince.

AN AMERICAN TRAGEDY. 1931. 10 reels, sd. Based on the novel by
Theodore Dreiser.

Credits: Producer and director, Joseph Von Sternberg; screenplay,
Samuel Hoffenstein.

THE AMERICAN VENUS. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1926. 7,931 ft., b&w, color sequences.

Credits: Townsend Martin; producer and director, Frank Tuttle;
scenario, Frederick Stowers.

Credits: Director, Frank Reicher; story, Florence C. Bolles;
scenario, Wallace C. Clifton.

AN AMERICAN WIDOW. 1917. 5 reels. From the play by Kellett Chambers.

Credits: Producer, Maxwell Karger; director, Frank Reicher;
scenario, Albert Shelby Le Vino.

THE AMERICANO. 1915. 2 reels.

THE AMERICANO. 1923. 5 reels.

Credits: Story, John Emerson, Anita Loos.

AMERICANS AFTER ALL. 1916. 1 reel.

Credits: Director, Clay M. Greene.

THE AMERICANS COME. Tec-Art Corp. United Artists. Presented by Joseph
M. Schenck. 1930. 1 reel, sd. Based on the song story by Fay Foster.

Credits: Supervision, Alfred Mannon, Elmer Clifton; story, Alfred
Mannon.

AMERICA'S GREATEST COMPOSERS SERIES. SEE Morton Downey in America's
Greatest Composers Series ...

AMERICA'S GREATEST DISASTER. SEE The Menace of the Mississippi.

AMERICA'S PRIDE. (Our World Today, no. 1869). 1928. 1 reel.

L'AMI FRITZ. SEE In Old Alsace.

Credits: Producer, John L. Hawkinson.

AMONG DANCING NATIONS. (Walter Futter's Travelaughs) Presented by
Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P.
Medbury; film editor, Moe G. Miller.

AMONG THE COCOONS. (A Walter Futter Novelty) Columbia. 1934. 844 ft.,
sd.

Credits: Written and spoken by John P. Medbury.

AMONG THE GREAT OPEN FACES. (Walter Futter's Travelaughs) 1932. 1
reel.

Credits: Written and spoken by John P. Medbury; film editor, Moe G.
Miller.

AMONG THE LATINS. Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P.
Medbury.

AMONG THE MARRIED. SEE Men Call It Love.

AMONG THE MISSING. 1934. 7 reels, sd.

Credits: Director, Albert Rogell; story, Florence Wagner;
screenplay, Fred Niblo, Jr.; Herbert Asbury; film editor, John
Rawlins.

AMONG THE MOURNERS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMONG THE SNOW-CAPPED CASCADES. 1917. 1/2 reel.

AMONG THOSE KILLED. 1915. 1 reel.

AMONG THOSE PRESENT. Black Cat. 1917. 30 min.

Credits: Charles Michelson; director, L. C. Windom.

AMONG THOSE PRESENT. 1919. 2 reels.

Credits: Directors, Erle Kenton, Ray Grey.

AMONG THOSE PRESENT. SEE The Headleys at Home.

AMOS JUDD. SEE The Young Rajah.

AMPHIBIAN ODDITIES. Powers. 1916 1/2 reel.

AMUSE YOURSELF. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

AMY JOLLY. SEE Morocco.

ANAESTHESIA. (A Pete Smith Specialty) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Will Jason; screenplay, Jack Woodford.

Credits: L. DeLorme.

ANANIAS HAS NOTHING ON HOOLIGAN. 1917. 1/2 reel.

Credits: F. Opper; animation, Frank Moser.

AN ANCIENT ART. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

ANCIENT CITIES OF SOUTHERN FRANCE. Released by Compagnie Générale
Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ANCIENT EGYPT. (A Fitzpatrick Traveltalk) Presented by
Metro-Goldwyn-Mayer. 1938. 798 ft., sd., color.

Credits: Music score, Jack Shilkret; photographer, Hone M.
Glendining.

ANCIENT GREECE. 1928. 1 reel.

THE ANCIENT HIGHWAY. 1925. 6,034 ft. From the story by James Oliver
Curwood.

Credits: Producer and director, Irvin Willat; screenplay, James S.
Hamilton, Eve Unsell.

THE ANCIENT MARINER. 1925. 6 reels, b&w, tinted sequences. Adapted
from the poem "The Rime of the Ancient Mariner" by Samuel Taylor
Coleridge.

Credits: Directors, Henry Otto, Chester Bennett; story, Eve Unsell.

THE ANCIENT ORDER OF GOOD FELLOWS. 1913. 2 reels.

Credits: Director, Harry Lambart.

ANCIENT ROME. 1928. 1 reel.

AND A LITTLE CHILD. SEE Gossip.

AND BY THESE DEEDS. 1915. 2 reels.

AND GEORGE DID! (Let George Do It) (Stern Brothers Comedy) 1926. 2
reels.

Credits: Director, Scott Pembroke.

AND HOW, WITH ANN GREENWAY. 1930. 1 reel, sd.

AND MORNING CAME. (A Stern Brothers Comedy) 1928. 2 reels. From the
cartoons by Rube Goldberg.

AND NOW—A 23 JEWEL MOTOR CAR. 1928. 1 reel.

Credits: Scenario, Bert Angeles.

AND SHE NEVER KNEW. 1914. 1 reel.

AND SO THEY WERE MARRIED. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Elliott Nugent; story,
Sarah Addington; screenplay, Doris Anderson, Joseph Anthony, A.
Laurie Brazee; film editor, Gene Milford; music director, Howard
Jackson.

AND SO TO WED. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story,
Jean W. Yarbrough, Monty Collins; film editor, John Lockert.

AND SUDDEN DEATH. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Director, Charles Barton; story, Theodore Reeves, Madeleine
Ruthven; screenplay, Joseph Moncure March.

AND THE BEST MAN WON. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, George Marshall; scenario,
Al. E. Christie.

AND THE GREEN GRASS GREW ALL AROUND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

AND THE PARROT SAID ...? 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

AND THEN IT HAPPENED. 1915. 1 reel.

Credits: Director, Norval MacGregor.

AND THEY CALLED HIM HERO. Bison. 1915. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

... AND WIFE. 1930. 1 reel, sd.

ANDERSON AND GRAVES IN FISHING AROUND. 1929. 1 reel, sd.

ANDY CLYDE GETS SPRING CHICKEN. 1939. 1,624 ft.

Credits: Producer and director, Jules White; story and screenplay,
Clyde Bruckman, Felix Adler.

ANDY HARDY GETS SPRING FEVER. Presented by Metro-Goldwyn-Mayer. 1939.
9 reels, sd., b&w. Based on characters created by Aurania Rouverol.

Credits: Director, W. S. Van Dyke II; screenplay, Kay Van Riper;
film editor, Ben Lewis; music score, Edward Ward, David Snell.

ANDY OF THE ROYAL MOUNTED. 1915. 1 reel.

ANGEL. Presented by Adolph Zukor. 1937. 9 reels. From the play by
Melchior Lengyel.

Credits: Producer and director, Ernst Lubitsch; screenplay, Samson
Raphaelson; English play adaptation, Guy Bolton, Russell Medcraft.

ANGEL CAKE. 1931. 2 reels.

ANGEL EYES. (Big Boy-Juvenile Comedy) 1928. 2 reels.

Credits: Director, Charles Lamont.

ANGEL FACE MOLLY. SEE The Heart Bandit.

THE ANGEL OF BROADWAY. De Mille Pictures Corp. 1927. 7 reels.

Credits: Director, Lois Weber; original story and continuity, Lenore
J. Coffee; film editor, Harold MacLernon.

THE ANGEL OF CROOKED STREET. 1922. 5 reels.

Credits: Director, David Smith; story, Harry Dittmar.

ANGEL OF MERCY. (John Nesbitt's Passing Parade) Presented by
Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Herman Boxer; film
editor, Mildred Rich; music score, David Snell.

THE ANGEL OF PIETY FLAT. 1916. 2 reels.

THE ANGEL OF SPRING. 1915. 1 reel.

Credits: Producer, Guy Oliver; story, W. E. Wing.

THE ANGEL OF THE ATTIC. Imp. 1916. 2 reels.

Credits: Catherine Carr; director, Francis J. Grandon.

AN ANGEL OF THE SLUMS. SEE As a Man Sows, So Shall He Reap.

AN ANGEL PASSES. SEE Blonde or Brunette.

AN ANGELIC ATTITUDE. 1916. 1 reel.

Credits: Producer, Tom Mix.

ANGELINA; or, EL HONOR DE UN BRIGADIER. 1935. 8 reels, sd. From the
comedy by Enrique Jardiel Poncela.

Credits: Director, Luis King; adaptation, screenplay, and dialogue,
Enrique Jardiel Poncela; musical director, Edward Kileny.

ANGEL'S FEATHERS. 1921. 2 reels.

Credits; Kingsley Benedict.

ANGEL'S HOLIDAY. 1937. 6,565 ft., sd.

Credits: Director, James Tinling; original story and screenplay,
Frank Fenton, Lynn Root; music director, Samuel Kaylin.

ANGELS OF DOOM. SEE The Saint Strikes Back.

ANGELS UNAWARES. 1915. 2 reels.

THE ANGELS WASH THEIR FACES. First National. 1939. 9 reels, sd.

Credits: Jonathan Finn; director, Ray Enright; screenplay, Michael
Fessier, Niven Busch, Robert Buckner.

ANGELS WITH DIRTY FACES. First National. 1938. 10 reels, sd.

Credits: Director, Michael Curtiz; story, Rowland Brown; screenplay,
John Wexley, Warren Duff; music, Max Steiner.

ANGIE, UPTOWN WOMAN. SEE Uptown New York.

Credits: Director, George M. Merrick; original story, Henry Warner,
Roy Purdon; adaptation, Armine Von Tempski, Minnie F. Shrope.

ANGLES OF ANGLING. 1930. 1 reel.

Credits: Jack Eaton.

ANGORA LOVE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor,
Richard Currier.

ANIAKCHAK. 1933. 4 reels, sd.

Credits: Narrator and photographer, Father Hubbard.

ANIAKCHAK, THE STORY OF HELL ON EARTH. 1933. 10 reels, sd.

Credits: Editorial supervision, Truman Talley, Beverly Jones, Louis
de Rochemont.

ANIMAL ANTICS. 1934. 1 reel, sd.

ANIMAL CATCHERS. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Written and directed by Robert B. Wilcox.

Credits: Producer, John L. Hawkinson.

THE ANIMAL CRACKER CIRCUS. (Scrappy) (A Color Rhapsody) Released by
Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation,
Manny Gould; music, Joe de Nat.

ANIMAL CRACKERS. 1930. 8,897 ft., sd. Based on the musical play by
George S. Kaufman, Bert Kalmar, Morrie Ryskind and Harry Ruby.

Credits: Director, Victor Heerman; screenplay, Morrie Ryskind;
continuity, Pierre Collings.

ANIMAL CUNNING. Treasure Chest. Presented by E. W. Hammons. 1936. 941
ft.

Credits: Story and narration, A. L. Alexander; editor, Sam Citron.

THE ANIMAL FAIR. (Aesop's Fable) 1931. 1 reel.

Credits: John Foster, Mannie Davis.

ANIMAL INTELLIGENCE. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE ANIMAL KINGDOM. 1932. 9 reels, sd. From the play by Philip Barry.

Credits: Producer, David O. Selznick; director, Edward H. Griffith;
screenplay, Horace Jackson; film editor, Daniel Mandell; music
director, Max Steiner.

ANIMAL SNAPS. 1928. 1 reel.

Credits: Edited and titled by Beth Brown.

ANIMALS IN MODERN LIFE. 1937. 1 reel, sd.

ANIMALS OF THE CAT TRIBE. 1933. 1 reel.

ANIMALS OF THE ZOO. 1933. 1 reel.

ANIMATED CANDY SALES. Trailer. 1933. 103 ft.

Credits: Directors, Henry McCarty, Rudolph Bylek.

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Comments

Motion pictures, 1912-1939Chapter L: C. card, 51-60018 (3)

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