Chapter V: F. W. National Home. © 1928 (3)

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WATER BABIES. (Silly Symphony) 1935. 1 reel, sd.

WATER BUGS. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

WATER BUGS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1
reel.

THE WATER CLUE. Laemmle. 1915. 1 reel.

Credits: Producer, Rupert Julian; scenario, Anthony Coldeway.

THE WATER CURE. 1929. 1 reel.

Credits: Paul Terry.

THE WATER CYCLE. 1928. 1 reel.

THE WATER HOLE. Presented by Adolph Zukor and Jesse L. Lasky. 1928.
6,319 ft., sd., color. From the story by Zane Grey.

Credits: Producer and director, F. Richard Jones.

THE WATER JAMBOREE. (Grantland Rice's Sports-Eye-View, no. 2) 1932. 1
reel.

Credits: Director, Jack Eaton.

THE WATER LURE. (Grantland Rice Sportlight) 1933. 1 reel, sd.

WATER ON THE BRAIN. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

WATER POWER. 1928. 1 reel.

WATER POWER. 1937. 1 reel, sd.

WATER POWERS OF EASTERN CANADA. 1918. 1 reel.

WATER POWERS OF WESTERN CANADA. 1917. 1 reel.

WATER RODEO. (Sportlight) 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

WATER RUSTLERS. Presented by Grand National Pictures, Inc. 1939. 6
reels, sd.

Credits: Producer, Don Lieberman; director, Samuel Diege; original
story, Lawrence Meade, Don Laurie; screenplay, Arthur Hoerl; editor,
Guy V. Thayer, Jr.; music score, Ross Dimaggio; music supervision,
Lee Zahler.

WATER SPORTS. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

Credits: Producer, John L. Hawkinson.

THE WATER SUPPLY OF A GREAT CITY. (Ford Educational Library,
Sanitation and Health) Ford Motion Picture Laboratories. 1923. 1
reel.

WATER THRILLS. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

WATER, WATER, EVERYWHERE. 1919. 5 reels. Founded on the novel "Billy
Fortune" by William R. and Louis D. Lighton.

Credits: Director, Clarence G. Badger; scenario, Robert F. Hill.

WATER, WATER, EVERYWHERE. (The Grantland Rice Sportlight) 1937. 1
reel, sd.

Credits: Narrator, Ted Husing.

WATER WONDERS. (Grantland Rice Sportlight) Presented by the Van Beuren
Corporation. 1929. 1 reel.

Credits: Jack Eaton.

WATERFRONT. 1928. 7 reels.

Credits: Producer, William A. Seiter; story. Will Chappell, Gertrude
Orr; continuity, Tom Geraghty.

WATERFRONT. 1939. 6 reels, sd. From the play by Kenyon Nicholson.

Credits: Director, Terry Morse; screenplay, Lee Katz, Arthur Ripley.

WATERFRONT LADY. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Colbert Clark; director, Joseph Santley; story
and screenplay, Wellyn Totman; additional dialogue, Joseph Fields;
film editor, Ray Curtiss.

WATERLOO BRIDGE. 1931. 9 reels. From the stage play by Robert E.
Sherwood.

Credits: Director, James Whale; screenplay, Tom Reed; adaptation and
added dialogue, Benn Levy.

** © American Kineto Corp.; title, descr. & 72 prints, 7Oct13;
LU1348.

THE WATERS OF LETHE. 1916. 3 reels.

Credits: Producer, William Wolbert.

WATER-TIGHT UNIT MASONRY. 1935. For the National Lime Association. 1
reel, sd.

WATERY GRAVEY. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

WATTS AND GILBERT. 1927. 1 reel.

WAVE MOTION. 1931. 3 reels.

Credits: Producer, Frank Lisintzki.

THE WAX FIGURES. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens; story, Sam B. Jacobson.

THE WAX MODEL. 1917. 5 reels.

Credits: G. Vere Tyler; director, E. Mason Hopper.

WAX WORKS. (An Oswald Cartoon) 1934. 1 reel.

THE WAY. SEE When Strangers Meet.

THE WAY BACK. 1914. 1 reel.

THE WAY BACK. 1915. 4,000 ft.

Credits: Mary Rider; director, Carlton King.

WAY BACK HOME. 1931. 9 reels, sd.

Credits: Director, William Seiter; story and screenplay, Jane
Murfin.

'WAY DOWN EAST. 1920. 13 reels. From the novel by Lottie Blair Parker
and the play by William A. Brady.

Credits: Producer, D. W. Griffith; scenario, Anthony P. Kelly;
elaborated by Joseph R. Grismer.

'WAY DOWN EAST. Presented by Fox Film. 1935. 7,661 ft., sd. From the
play by Lottie Blair Parker.

Credits: Director, Henry King; screenplay, Howard Estabrook, William
Hurlbut; music director, Oscar Bradley.

WAY DOWN NORTH. 1920. 1 reel.

Credits: Director, Vin Moore.

WAY DOWN SOUTH. Presented by RKO Radio Pictures, Inc. 1939. 63 min.
sd.

Credits: Producer, Sol Lesser; director, Bernard Vorhaus; original
story and screenplay, Clarence Muse, Langston Hughes; film editor,
Arthur Hilton; music director, Victor Young.

WAY DOWN SOUTH. SEE Mary Lewis in Way Down South.

WAY DOWN YONDER. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Producer, Al Christie; director, William Watson; story,
Marcy Klauber, Charlie Williams.

WAY FOR A SAILOR. 1930. 9 reels, sd., b&w. From the book by Albert
Richard Wetjen.

Credits: Producer, Sam Wood; scenario and dialogue, Laurence
Stallings, W. L. River; additional dialogue, Charles MacArthur; film
editor, Frank Sullivan.

THE WAY HE WON THE WIDOW. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THE WAY HOME. 1914. 1 reel.

THE WAY OF A GIRL. Presented by Louis B. Mayer. 1925. 6 reels.

Credits: Producer and director, Robert G. Vignola; story, Katherine
Newlin Burt; adaptation, Albert Shelby Le Vino.

THE WAY OF A MAID. 1921. 5 reels.

Credits: Director, William P. S. Earle; story, Rex Taylor; scenario,
Lewis Allen Browne.

THE WAY OF A MAN. © 1923-24. © Pathe Exchange, Inc. (George B. Seitz,
author).

1. Into the Unknown. © title, descr. & 52 prints, 31Oct23; LU19554.

2. Redskin and White. © title, descr. & 40 prints, 14Dec23; LU19719.

3. In the Toils of the Torrent. © title, descr. & 34 prints,
14Dec23; LU19720.

4. Lost in the Wilds. © title, descr. & 38 prints, 14Dec23; LU19721.

5. White Medicine. © title, descr. & 39 prints, 14Dec23; LU19722.

6. The Firing Squad. © title, descr. & 40 prints, 20Feb24; LU19923.

7. Gold! Gold! © title, descr. & 40 prints, 20Feb24; LU19924.

8. The Fugitive. © title, descr. & 38 prints, 20Feb24; LU19925.

9. California. © title, descr. & 40 prints, 20Feb24; LU19926.

10. Trail's End. © title, descr. & 40 prints, 20Feb24; LU19927.

THE WAY OF A MAN WITH A MAID. Paramount. Presented by Jesse L. Lasky.
1918. 5 reels. Based on The Saturday Evening Post story by Ida M.
Evans.

Credits: Director, Donald Crisp; scenario, Edith M. Kennedy.

THE WAY OF A WOMAN. Select Pictures. Presented by Joseph M. Schenck.
1919. 5 reels. Adapted from the play "Nancy Lee" by Eugene Walter.

Credits: Director, Robert J. Leonard.

THE WAY OF A WOMAN'S HEART. 1915. 2 reels.

Credits: Director, Fred Beal.

THE WAY OF ALL FISH. (A Skylark Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

THE WAY OF ALL FISH. 1931. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story, Ned
Sparks; adaptation and dialogue, Scott Darling, Mauri Grashin, Mark
Sandrich; film editor, Ted Cheesman.

THE WAY OF ALL FLESH. 1927. 8,486 ft.

Credits: Director, Victor Fleming; story, Lajos Biro, Jules
Furthman; continuity, Jules Furthman.

THE WAY OF ALL FRESHMEN. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story. Jack Henley, Cliff Hess.

THE WAY OF ALL MEN. 1930. From the story "Sin Flood" by Henning
Berger.

Credits: Producer, Frank Lloyd; screen version and dialogue, Bradley
King.

THE WAY OF ALL MEN. Trailer. First National. 1930. 1 reel.

THE WAY OF ALL PANTS. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, James Parrott; editor,
Richard Currier.

Credits: Producer, Hardee Kirkland.

THE WAY OF PATIENCE. 1916. 3 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE WAY OF THE REDMAN. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE WAY OF THE STRONG. 1919. 5 reels. From the novel by Ridgewell
Cullum.

Credits: Director-general, Maxwell Karger; director, Edwin Carewe;
scenario, June Mathis, Finis Fox.

THE WAY OF THE STRONG. A Frank Capra production. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Frank Capra; screenplay,
William Counselman; continuity, Peter Milne.

THE WAY OF THE STRONG. SEE The Strong Way.

THE WAY OF THE TRANSGRESSOR. 1915. 3 reels.

Credits: Director, William Humphrey.

THE WAY OF THE WEST. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein;
continuity, Carl Krusada.

THE WAY OF THE WORLD. Red Feather. 1916. 5 reels. From the play by
Clyde Fitch.

Credits: Producer, L. B. Carleton; scenario, F. McGrew Willis.

THE WAY OUT. 1915. 1 reel.

Credits: Director, George Kelson; story, Jack O'Mara.

WAY OUT WEST. 1930. 8 reels, sd., b&w.

Credits: Director, Fred Niblo; story and continuity, Byron Morgan,
Alfred Block; dialogue, Joe Farnham; film editor, William S. Gray.

WAY OUT WEST. Presented by E. W. Hammons. 1935. 944 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story,
Marcy Klauber, Charles Williams.

WAY OUT WEST. (Hal Roach Feature Comedy) Presented by Hal Roach
Studios. 1937. 7 reels, sd., b&w.

Credits: Producer, Stan Laurel; director, James W. Horne; original
story, Jack Jevne, Charles Rogers; screenplay, Charles Rogers, Felix
Adler, James Parrott; film editor, Bert Jordon; music director,
Marvin Hatley.

THE WAY TO HEAVEN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE WAY TO LOVE. 1933. 9 reels.

Credits: Director, Norman Taurog; original screenplay, Gene Fowler,
Benjamin Glazer; additional dialogue, Claude Binyon, Frank Butler.

WAY UP NORTH. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

WAY UP THAR. (A Young Romance Comedy) Presented by E. W. Hammons.
1935. 1,645 ft., sd.

Credits: Producer and director, Mack Sennett; story, Oliver Hatch;
adaptation, Hugh Cummings, Joseph Montague, Jr.

THE WAY WOMEN LOVE. © 1920. From the novel "Behind the Green
Portieres" by Herman Landon.

Credits: Scenario and direction, Marcel Perez.

THE WAYVILLE SLUMBER PARTY. 1915. Split reel.

WAYWARD. 1932. 8 reels. Based on the novel "Wild Beauty" by Mateel
Howe Farnham.

Credits: Director, Edward Sloman; screenplay, Gladys Unger, Lillian
Day.

THE WAYWARD CANARY. (Mickey Mouse, no. U. A. 4) 1932. 1 reel.

A WAYWARD DAUGHTER. 1914. 2 reels.

THE WAYWARD PUPS. 1937. 775 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

WE AIM TO PLEASE. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David
Tendlar.

WE AMERICANS. Jewel. 1928. 9 reels. From the stage play by Milton
Herbert Gropper and Max Siegel.

Credits: Director, Edward Sloman; adaptation and continuity, Alfred
A. Cohn.

WE ARE FRENCH. SEE The Bugler of Algiers.

WE ARE NOT ALONE. 1939. 12 reels, sd. From the novel by James Hilton.

Credits: Director, Edmund Goulding; screenplay, James Hilton, Milton
Krims; music, Max Steiner.

WE CAN'T BE AS BAD AS ALL THAT. SEE A Society Exile.

WE CAN'T HAVE EVERYTHING. 1918. 6 reels. Based on the novel by Rupert
Hughes.

Credits: Produced and directed by Cecil B. De Mille; scenario,
William C. De Mille.

WE DID IT. 1936. 1 reel.

WE DO OUR PART. 1935. 1 reel, sd.

WE EAT TO LIVE. (E. M. Newman's Our Own United States) 1936. 1 reel,
sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

WE FAW DOWN. 1928. 2 reels, b&w.

Credits: Director, Leo McCarey; editor, Richard Currier.

WE HAVE OUR MOMENTS. 1937. 7 reels.

Credits: Associate producer, Edmund Grainger; director, Alfred L.
Werker; original story, Charles F. Belden, Frederick Stephani;
screenplay, Bruce Manning, Charles Grayson.

WE KNOW YOUR WORTH—DO YOU? 1928. 1 reel.

WE LEARNED ABOUT BRAKES FROM THEM. 1936. For United States Asbestos
Division. Filmstrip, sd.

WE LIVE AGAIN. Released through United Artists. 1934. 9 reels, sd.
Based on the novel "Resurrection" by Leo Tolstoy.

Credits: Producer and director, Rouben Mamoulian; adaptation,
Maxwell Anderson, Leonard Praskins, Preston Sturges; film editor,
Otho Lovering; music director, Alfred Newman.

WE LIVE IN TWO WORLDS. Treasure Chest. Educational Films Corp. of
America. Presented by E. W. Hammons. 1938. 968 ft., sd.

Credits: Narration, J. B. Priestley.

WE MODERNS. Presented by John McCormick. 1925. 7 reels. Adapted from
the stage play by Israel Zangwill.

Credits: Director, John Francis Dillon; screenplay, June Mathis.

WE SHOULD WORRY. 1918. 5 reels.

Credits: Direction, story and scenario, Kenean Buel.

WE SHOULD WORRY FOR AUNTY. Victor. 1915. 1 reel.

Credits: J. Nelson; producer, Harry C. Myers.

WE, THE O'LEARY'S. SEE In Old Chicago.

WE WANT A TOUCHDOWN. (World of Sports) Bray Pictures Corp. 1933. 1
reel, sd.

Credits: Narrator, Ford Bond.

WE WANT OUR MUMMY. 1938. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Elwood Ullman,
Searle Kramer.

WE! WE! MARIE! (Slim Summerville, no. 2) 1930. 2 reels.

Credits: Producer, Stanley Bergerman; director, Albert Ray; story,
Ralph Ceder, James Mulhauser.

WE WENT TO COLLEGE. 1936. 7 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Joseph Santley; story,
George Oppenheimer, Finley Peter Dunne, Jr.; screenplay, Richard
Maibaum, Maurice Rapf; film editor, James E. Newcom; musical score,
William Axt.

WE WHO ARE ABOUT TO DIE. 1936. 9 reels, sd. From the novel by David
Lamson.

Credits: Producer, Edward Small; director, Christy Cabanne;
screenplay, John Twist; editor, Arthur Roberts.

WEAK BUT WILLING. (Walter Hiers Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, Archie Mayo.

WEAK BUT WILLING. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Will King.

THE WEAK-END PARTY. 1922. 2 reels.

WEAK HEARTS AND WILD LIONS. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

WEAK KNEES. (Cameo Comedy) 1925. 1 reel.

WEAK KNEES. (Fistical Culture, no. 10) 1927. 2 reels.

Credits: Written and directed by Glen Lambert.

WEAK SISTERS. SEE Dumb-Bells in Ermine.

THE WEAKER VESSEL. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elmer Elsworth.

THE WEAKLING. 1924. 2 reels.

Credits: Director, Noel Smith.

Credits: Collated and directed by A. Lincoln Miller.

THE WEAKNESS OF MAN. Peerless. © 1916. Adapted from "The Living Death"
[i.e. "The Living Corpse"] by Count Leo N. Tolstoi. Title changed
from "The Greater Love."

Credits: Director, Barry O'Neill; story, E. Lloyd Sheldon.

THE WEAKNESS OF STRENGTH. 1916. 5 reels.

Credits: Director, Harry Revier; story, Aaron Hoffman; scenario,
Wallace C. Clifton.

WEALTH. 1921. 5 reels.

Credits: Director, William D. Taylor; story, Cosmo Hamilton;
scenario, Julia Crawford Ivers.

THE WEALTH OF THE POOR. 1915. 1 reel.

WEAPONS OF LOVE. Big U. 1916. 1 reel.

Credits: Producer, C. S. Elfelt; story, Hapsburg Liebe; scenario,
Olga Printzlau.

WEARY RIVER. Presented by Richard A. Rowland. 1929. 8 reels.

Credits: Director, Frank Lloyd; story, Courtney Ryley Cooper; screen
version, Bradley King.

WEARY RIVER. SEE Announcement of Richard Barthelmess in Weary River.

WEARY WILLIES. (Oswald Cartoon) Winkler. 1929. 1 reel.

Credits: Animation, Isadore Freleng.

WEARY WILLIE'S BIRTHDAY. 1916. 1 reel.

Credits: Producer, Frank Currier.

WEARY WILLIE'S RAGS. 1914. Split reel.

WEATHER FORECASTING. 1931. 973 ft.

WEATHER WIZARDS. (A Pete Smith Specialty) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Fred Zinnemann; screenplay, Robert Lees, Fred
Rinaldo.

Credits: Producer, John L. Hawkinson.

WEAVER OF CLAYBANK. 1915. 2 reels.

A WEAVER OF DREAMS. Presented by B. A. Rolfe. 1918. 5 reels. Based on
the book by Myrtle Reed.

Credits: Director, John H. Collins; scenario, John H. Collins,
William Parker.

THE WEB. (Star Featurette) 1917. 2 reels.

Credits: Director, George Cochrane; story, Katherine Kingsbury;
scenario, Harvey Gates.

WEB FEET. Winkler Pictures. Inc. 1927. 2 reels. Adapted from George
Herriman's cartoons "Krazy Kat."

THE WEB OF CHANCE. 1919. 5 reels.

Credits: Director, Alfred Green; story, Edgar Franklin; scenario,
Douglas Bronston.

THE WEB OF CRIME. 1915. 2 reels.

Credits: Director, Edwin Carewe; story, Finis Fox.

Credits: Director, Emile Chautard; story, E. Lloyd Sheldon.

THE WEB OF HATE. 1915. 2 reels.

Credits: Producer, Leon D. Kent.

WEDDED BLISTERS. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Jules White.

WEDDING BELLES. SEE Lorraine Howard and Florence Newton in Wedding
Belles.

WEDDING BELLS. First National. 1921. 72 min. From the play by
Salisbury Field.

Credits: Producer, Chet Withey; adaptation, Zelda Crosby.

WEDDING BELLS. 1924. 2 reels.

Credits: Director, Harry Edwards.

WEDDING BELLS. (Krazy Kat) Presented by Columbia Pictures Corp. 1933.
1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz;
animation, Al Eugster, Preston Blair; music score, Joe De Nat.

WEDDING BELLS OUT OF TUNE. 1921. 2 reels.

Credits: Director, Mal St. Clair.

WEDDING BELLS SHALL RING. Joker. 1915. Split reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

WEDDING BILLS. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1927. 5,869 ft.

Credits: Director, Erle Kenton; screenplay, Grover Jones, Keene
Thompson, Lloyd Corrigan.

WEDDING BILLS. 1931. 1 reel. Title changed from "Stocks and Bonds."

WEDDING DAZE. 1926. 2 reels.

THE WEDDING DEAL. (The Court of Human Relations) 1937. 1 reel, sd.

Credits: Director, B. K. Blake; editor, Florence Bricker; music,
Milton Schwarzwald.

THE WEDDING GUEST. Bison. 1916. 2 reels.

Credits: Producer, Jacques Jaccard; story, Lucia Chamberlain.

THE WEDDING MARCH. Presented by Adolph Zukor and Jesse L. Lasky. 1928.
10,400 ft.

Credits: Producer, Erich Von Stroheim; story, Erich Von Stroheim,
Harry Carr.

THE WEDDING NIGHT. 1935. 9 reels, sd.

Credits: Director, King Vidor; original story, Edwin Knopf;
screenplay, Edith Fitzgerald.

THE WEDDING OF PALO. Presented by J. H. Hoffberg. 1935. 84 min., sd.

Credits: Production and scenario, Knud Rasmussen; directors,
Friedrich Dalsheim, Knud Rasmussen; original music, Emil Reesen.

WEDDING PRESENT. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, B. P. Schulberg; director, Richard Wallace;
story, Paul Gallico; screenplay, Joseph Anthony; editor, Robert
Bischoff.

WEDDING PUMPS. Century. 1922. 2 reels.

Credits: Written and directed by Fred Hibbard.

WEDDING RINGS. 1930. 7 reels, sd. Adapted from "The Dark Swan" by
Ernest Pascal.

Credits: Director, William Beaudine.

WEDDING RINGS. Trailer. 1930. 1 reel, sd.

WEDDING SLIPS. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

THE WEDDING SONG. Presented by Cecil B. De Mille. 1925. 7 reels.
Adapted from the play by Ethel Watts Mumford.

Credits: Producer and director, Alan Hale; adaptation, Charles
Whittaker, Douglas Doty.

WEDDING WOWS. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

WEDDING YELLS. (Educational-Tuxedo Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

WEDDING YELLS. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

WEDNESDAY AT THE RITZ. (Variety Comedy) 1930. 2 reels, sd.

Credits: Director, Philip Tannura; story and production, Gordon
Bostock; film editor, E. Pfitzenmeier.

WEDNESDAY'S CHILD. 1934. 8 reels, sd. From the play by Leopold L.
Atlas.

Credits: Associate producer, Kenneth MacGowan; director, John
Robertson; screenplay, Willis Goldbeck; editor, George Hively; music
director, Max Steiner.

A WEDTIME STORY. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Al
Boasberg; screenplay, Leslie Goodwins, Charles Roberts; film editor,
Edward Mann.

A WEE BIT O' SCOTCH. 1930. 1 reel.

Credits: Director, Robert C Bruce; story, Richard Cameron.

WEE' MEN. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE WEE SCOTCH PIPER. 1928. 1 reel. From the story by Mary Gibsone
Whitlock.

Credits: Producer and director, Madeline Brandeis.

WEE WEE MONSIEUR. 1938. 2 reels.

Credits: Director, Del Lord; story and screenplay, Searle Kramer.

WEE WILLIE WINKIE. 1937. 9,615 ft., sd. Based on the story by Rudyard
Kipling.

Credits: Director, John Ford; screenplay, Ernest Pascal, Julien
Josephson; music director, Alfred Newman.

THE WEEK-END. 1920. 6 reels.

Credits: Story, Cosmo Hamilton; adaptation, George L. Cox, Arthur J.
Zellner.

A WEEK-END AT HAPPYHURST. 1914. 1 reel.

Credits: Charles M. Seay.

WEEK-END MARRIAGE. 1932. 8 reels, sd. From the novel by Faith Baldwin.

Credits: Director, Thornton Freeland; screenplay, Sheridan Gibney.

WEEK END MILLIONAIRE. 1936. 6 reels, sd.

Credits: Director, Arthur Woods; scenario and dialogue, Jack Davies,
Jr., Geoffrey Kerr, Max Kester; film editor, George Black, Jr.

© Gaumont British Picture Corp. of America (British International
Pictures, Ltd., author); 3Aug36; LP6989. (See also Once in a
Million; 3Aug36; LP6555)

WEEK END WIVES. British International Pictures. 1929. 7 reels.

Credits: Victor Kendall, Rex Taylor; director, Harry Lachman.

WEEK ENDS ONLY. 1932. 6,245 ft., sd. From the novel by Warner Fabian
[pseud.]

Credits: Director, Alan Crosland; screenplay, William Conselman;
editor, Louis Loeffler.

A WEEK OFF. Presented by Century Comedies. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

WEENIE ROAST. (A Krazy Kat Cartoon) Winkler. 1931. 1 reel, sd. Adapted
from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

Credits: Adaptation, Bettina Brown.

WEIGHT EVENTS. 1938. 1 reel.

Credits: Producer, Harry C. Myers.

A WEIGHTY MATTER FOR A DETECTIVE. 1915. Split reel.

Credits: Written and directed by Charles M. Seay.

THE WEIRD NEMESIS. Victor. 1915. 2 reels.

Credits: Story, G. E. Jenks; scenario and production by Jacques
Jaccard.

WELCHE LIEBEN, WENN SIE STERBEN. SEE Those Who Die When They Love.

WELCOME DANGER. (Cameo Comedy) Educational. 1925. 1 reel.

Credits: Director, Albert Ray.

WELCOME DANGER. 1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal,
Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME DANGER. 1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal,
Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME HOME. Nestor. 1917. 1 reel.

Credits: Henry McRae; director, Roy S. Clements; scenario, Frederick
A. Palmer.

WELCOME HOME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1925. 5,909 ft. From a play by Edna Ferber and George S. Kaufman.

Credits: Producer, James Cruze; screenplay, Walter Woods.

WELCOME HOME. 1935. 6,569 ft., sd.

Credits: Director, James Tinling; original story, Arthur T. Horman;
screenplay, Marion Orth, Arthur T. Horman; additional dialogue, Paul
Gerard Smith; music director, Oscar Bradley.

WELCOME, LITTLE STRANGER. 1919. 2 reels.

Credits: Director, Earl Metcalfe; story, James Montgomery Flagg.

WELCOME STRANGER. 1924. 6 reels. From the play by Aaron Hoffman.

Credits: Director, James Young.

WELCOME TO BOHEMIA. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

WELCOME UNCLE. 1923. 2 reels.

Credits: Story, Edward I. Luddy.

Credits: Producer, Lem B. Parker.

WELL, BY GEORGE! Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

WELL CURED HAM. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film
editors, John Lockert, Edward Mann.

WELL I'LL BE ——. 1919. 2 reels.

Credits: Story and direction, Lawrence Semon.

THE WELL OF FORTALEZA. (Vagabond Adventure Series, no. 22) 1931. 1
reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

THE WELL SICK MAN. 1913. 1 reel.

Credits: Charles Menges.

WELLESLEY'S YOUNG AMAZONS. (Sport Pictorial, no. 16) 1921. 1 reel.

WELLS FARGO. Presented by Adolph Zukor. 1937. 12 reel, sd.

Credits: Producer and director, Frank Lloyd; story, Stuart N. Lake;
screenplay, Paul Schofield, Gerald Geraghty, Frederick Jackson; film
editor, Hugh Bennett.

A WELSH SINGER. Filmed by Hepworth Co., England. © 1915. From the
novel by Allen Raine [pseud. of Anne Adaliza (Evans) Puddicombe].

WENN DIE MASKE FÄLLT. SEE When the Mask Falls.

WE'RE ALL GAMBLERS. 1927. 7 reels. Adapted from the play "Lucky Sam
McCarver" by Sydney Howard.

Credits: Producer and director, James Cruze; screenplay, Hope
Loring.

WE'RE GOING TO BE RICH. 1938. 8 reels, sd.

Credits: Director, Monty Banks; story, James Edward Grant;
screenplay, Sam Hellman, Rohama Siegel.

WE'RE IN THE LEGION NOW. Presented by Edward L. Alperson. 1937. 8
reels, sd., color.

Credits: Producer, George A. Hirliman; direction and additional
dialogue, Crane Wilbur; original story, J. D. Newsom; screenplay,
Roger Whately.

WE'RE IN THE MONEY. (Merrie Melodies, no. 13) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore
Freleng, Larry Martin; musical score, Frank Marsales.

WE'RE IN THE MONEY. Warner Brothers Productions Corp. Presented by
Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7
reels.

Credits: Director, Ray Enright; story, George R. Dilson; screenplay,
F. Hugh Herbert, Brown Holmes; adaptation, Erwin Gelsey.

WE'RE IN THE NAVY NOW. Paramount. Presented by Adolph Zukor and Jesse
L. Lasky. 1926. 6 reels.

Credits: Director, Edward Sutherland; story, Monte Brice;
screenplay, John McDermott.

WE'RE NOT DRESSING. 1934. 8 reels, sd.

Credits: Production and story, Benjamin Glazer; director, Norman
Taurog; screenplay, Horace Jackson, Francis Martin, George Marion,
Jr.; music, Harry Revel, Mack Gordon.

WE'RE ON THE JURY. 1937. 8 reels, sd. From the play "Ladies of the
Jury" by John Frederick Ballard.

Credits: Producer, Lee Marcus; director, Ben Holmes; screenplay,
Franklin Coen; editor, Ted Cheesman.

WE'RE ONLY HUMAN. 1935. 7 reels, sd. From the story "Husk" by Thomas
Walsh.

Credits: Associate producer, Edward Kaufman; director, James Flood;
screenplay, Rian James; editor, Archie F. Marshek; music director,
Roy Webb.

WE'RE RICH AGAIN. 1934. 7 reels, sd. From a play by Alden Nash.

Credits: Associate producer, Glendon Allvine; director, William A.
Seiter; screenplay, Ray Harris; editor, George Crone; music
director, Max Steiner.

WEREWOLF OF LONDON. Presented by Carl Laemmle. 1935. 2 reels, sd.

Credits: Director, Stuart Walker; original story, Robert Harris;
screenplay, John Colton; adaptation, Harvey Gates, Robert Harris;
film editor, Milton Carruth.

THE WEST-BOUND LIMITED. Released by Film Booking Offices of America.
1923. 7 reels.

Credits: Director, Emory Johnson; story and scenario, Emilie
Johnson.

WEST BOUND LIMITED. 1937. 7 reels, sd.

Credits: Associate producers, Henry McRae, Ben Koenig; direction and
original story, Ford Beebe; screenplay, Maurice Geraghty; film
editor, Phil Cahn.

WESTBOUND MAIL. 1937. 6 reels, sd.

Credits: Director, Folmer Blangsted; story, James P. Hogan;
screenplay, Frances Guihan; film editor, Richard Fantl.

WEST INDIES CRUISE. (Along the Road to Romance on the Magic Carpet of
Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr; described by Ed Thorgersen.

WEST IS BEST. 1920. 2 reels.

Credits: Director, Philip E. Rosen; story, Gwendolyn Logan;
scenario, Philip Hubbard.

WEST IS WEST. 1920. 5 reels.

Credits: Director, Val Paul; story, Eugene Manlove Rhodes; scenario,
George C. Hull.

WEST IS WEST. 1922. 2 reels.

Credits: Director, George E. Marshall.

WEST IS WEST. 1925. 2 reels.

Credits: Written and directed by Jess Robbins.

WEST OF ARIZONA. 1925. 5 reels.

Credits: Director, Tom Gibson; story, Barr Cross; adaptation, Victor
Roberts.

WEST OF BROADWAY. Released by Producers Distributing Corp. Presented
by John C. Flinn. 1926. 6 reels. From the story "New York West" by
Wallace Smith.

Credits: Director, Robert Thornby; adaptation, Harold Shumate;
editor, Jack Cunningham.

WEST OF BROADWAY. 1931. 7 reels, sd., b&w.

Credits: Director, Harry Beaumont; story, Ralph Graves, Bess
Meredyth; adaptation and dialogue, Gene Markey; additional dialogue,
J. K. McGuinness; film editor, George Hively.

WEST OF CARSON CITY. 1939. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Milton Raison;
screenplay, Milton Raison, Sherman Lowe, Jack Bernhard.

WEST OF CHEYENNE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Ed Earl Repp;
film editor, William Lyon; music director, Morris Stoloff.

WEST OF CHICAGO. 1922. 5 reels, b&w, blue sequences.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, George
Scarborough; scenario, Paul Schofield.

WEST OF HOT DOG. 1924. 2 reels.

Credits: Producer, Joe Rock; director, Percy Pembroke.

WEST OF RAINBOW'S END. Concord Productions, Inc. 1938. 6 reels, sd.

Credits: Supervision, Maurice Cohn; director, Alan James; original
story, Robert Emmett; screenplay, Stanley Roberts, Gennard Rea;
music, Connie Lee.

WEST OF SHANGHAI. First National. 1937. 7 reels, sd. From a play by
Porter Emerson Browne.

Credits: Director, John Farrow; screenplay, Crane Wilbur.

WEST OF SINGAPORE. 1933. 7 reels, sd.

Credits: Producer, M. H. Hoffman; supervision, Trem Carr; director,
Albert Ray; story, Houston Branch; continuity and dialogue, Adele
Buffington.

WEST OF THE DIVIDE. Presented by Lone Star Productions. 1934. 6 reels,
sd.

Credits: Producer, Paul Malvern; story, screenplay, and direction,
Robert N. Bradbury.

Credits: Direction, story, and screen adaptation, Neal Hart.

WEST OF THE PECOS. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Associate producer, Cliff Reid; director, Phil Rosen;
screenplay, Milton Krims, John Twist; editor, Archie Marshek; music
director, Roy Webb.

WEST OF THE SANTA FE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R.
Cohen; film editor, William Lyon; music director, Morris Stoloff.

WEST OF THE WATER TOWER. Paramount. Presented by Adolph Zukor. 1924. 8
reels. From the novel by Homer Croy.

Credits: Director, Rollin S. Sturgeon; scenario, Doris Schroeder;
adaptation, Lucien Hubbard.

WEST OF ZANZIBAR. 1928. 7 reels, b&w.

Credits: Director, Tod Browning; story, Chester De Vonde, Kilbourn
Gordon; scenario, Elliott Clawson; titles, Joe Farnham; film editor,
Harry Reynolds.

WEST POINT. 1928. Produced by permission of the War Dept. with
cooperation of U. S. Military Academy. 9 reels, sd., b&w.

Credits: Producer and director, Edward Sedgwick; technical
supervision, Raymond G. Moses; story and continuity, Raymond L.
Schrock; titles, Joe Farnham; film editor, Frank Sullivan.

WEST POINT OF THE AIR. 1935. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Richard Rosson; original
story, James K. McGuinness, John Monk Saunders; screenplay, Frank
Wead, Arthur J. Beckhard; film editor, Frank Sullivan.

WEST POINT OF THE SOUTH. (A Miniature) 1936. 687 ft., sd.

Credits: Director, Richard Rosson; commentator, Pete Smith.

WEST SIDE MIRACLE. SEE Secrets of a Nurse.

WEST WIND. 1915. 3 reels.

Credits: Director, Lionel Belmore.

WESTERN BLOOD. 1918. 5 reels.

Credits: Direction and adaptation, Lynn F. Reynolds; story, Tom Mix.

Credits: Scenario, Frank E. Montgomery.

WESTERN CARAVANS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R.
Cohen; film editor, William Lyon; music director, M. W. Stoloff;
music and lyrics, Bob Nolan.

THE WESTERN CODE. 1932. 6 reels, sd.

Credits: Director, J. P. McCarthy; story, William Colt MacDonald;
screenplay, Milton Krims; film editor, Otto Meyer.

WESTERN COURAGE. 1935. 6 reels, sd.

Credits: Director, Spencer Gordon Bennett; story, Charles Francis
Royal; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

A WESTERN ENGAGEMENT. 1925. 5 reels.

Credits: Director, Paul Hurst.

WESTERN FATE. 1924. 5 reels.

Credits: Director, George Holt; story and scenario, George H.
Plympton.

WESTERN FEUDS. 1923. 5 reels.

Credits: Director, Francis Ford; story and scenario, Isabel
Blodgett, Ashton Dearholt.

WESTERN FRONTIER. 1935. 6 reels, sd.

Credits: Director, Albert Herman; story, Ken Maynard; screenplay,
Nate Gatzert; film editor, Dwight Caldwell.

WESTERN GOLD. 1937. 6 reels, sd. Adapted from the novel "Helen of the
Old House" by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton;
screenplay, Earle Snell, Forrest Barnes; film editors, Arthur
Hilton, Carl Pierson.

A WESTERN GOVERNOR'S HUMANITY. 1915. 3,000 ft.

Credits: Written and produced by Romaine Fielding.

WESTERN GRANDEUR. (Along the Road to Romance on the Magic Carpet of
Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed
Thorgersen.

WESTERN GRIT. 1924. 5 reels.

Credits: Written and directed by Ad Cook.

WESTERN HEARTS. Presented by Cliff Smith Productions. 1921. 5 reels.

Credits: Director, Cliff Smith; story and continuity, Cliff Smith,
Alvin J. Neitz.

WESTERN JAMBOREE. 1938. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, Ralph Staub;
original story, Pat Harper; screenplay, Gerald Geraghty; film
editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

WESTERN JUSTICE. 1922. 5 reels.

Credits: Written and directed by Fred Caldwell.

WESTERN KNIGHTS. (Educational-Mermaid Talking Comedies) 1930. 18 min.,
sd.

Credits: Production and supervision, Jack White; director, Stephen
Roberts.

WESTERN LUCK. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, George Andre Beranger; story and scenario, Robert
N. Lee.

A WESTERN MASQUERADE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

Credits: Written and directed by Aubrey M. Kennedy.

WESTERN PLUCK. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Travers Vale; story, W. C. Tuttle.

Credits: Producer, Lem B. Parker.

THE WESTERN ROVER. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Albert Rogell; story and scenario, George Hively.

WESTERN SKETCHES. 1936. 1 reel, color.

WESTERN SKIES. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, Karl Coolidge.

WESTERN SPEED. 1922. 5 reels.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, William
Patterson White; scenario, Scott Dunlap.

THE WESTERN TRAIL. (Paul Terry Toons) Presented by E. W. Hammons.
1936. 1 reel.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and
conducted by Philip A. Scheib.

WESTERN TRAILS. 1938. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, George Waggner;
original story and screenplay, Norton S. Parker; film editor,
Charles Craft.

THE WESTERN WALLOP. 1924. 5 reels. Adapted from the story "On Parole"
by Adolph Bennauer.

Credits: Director, Clifford S. Smith.

THE WESTERN WAY. 1915. 1 reel.

A WESTERN WELCOME. 1938. 19 min., sd., color.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story,
Charles Roberts, Leslie Goodwins; film editor, John Lockert.

THE WESTERN WHIRLWIND. (Blue Streak Western) 1926. 5 reels.

Credits: Written and directed by Albert Rogell.

WESTERN WHOOPEE. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A WESTERN WOOING. 1919. 2 reels.

Credits: Director, George Holt; story, Harvey Gates; scenario,
Anthony W. Coldeway.

WESTERN YESTERDAYS. 1924. 5 reels.

Credits: Producer, Ashton Dearholt; adapted and directed by Francis
Ford; story, E. R. Hickson, Ashton Dearholt.

THE WESTERNER. 1934. 6 reels, sd.

Credits: Director, David Selman; story, Walt Coburn; screenplay,
Harold Shumate; film editor, Ray Snyder.

WESTINGHOUSE 8-1/2 INCH CROSS-COMPOUND AIR COMPRESSOR ON LOCOMOTIVES,
BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND
COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

WESTINGHOUSE NO. 6 E-T BRAKING EQUIPMENT, INCLUDING OPERATING VALVES
IN CAB AND VALVES UNDER THE RUNNING BOARD OF LOCOMOTIVE, BOTH IN
REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND
COMPLETE DETAILED EXPLANATIONS. 1928. 4 reels.

WESTINGHOUSE PLAIN TRIPLE VALVES OF THE BRAKING APPARATUS ON
LOCOMOTIVE'S TENDER, TOGETHER WITH WESTINGHOUSE STANDARD QUICK
ACTION TRIPLE VALVES AND WESTINGHOUSE TYPE "K" VALVES ON CARS, BOTH
IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND
COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

THE WESTLAND CASE. Crime Club. 1937. 7 reels, sd. From the novel
"Headed for a Hearse" by Jonathan Latimer.

Credits: Producers, Larry Fox, Irving Starr; director, Christy
Cabanne; screenplay, Robertson White.

WESTWARD BOUND. (E. M. Newman's See America First Series, no. 9) 1935.
1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

WESTWARD HO! Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

WESTWARD HO. 1935. 7 reels, sd.

Credits: Producer, Paul Malvern; director, R. N. Bradbury; story and
screenplay, Robert Emmett, Lindsley Parsons; continuity, Harry
Friedman; editor, Carl Pierson.

WESTWARD PASSAGE. Presented by RKO Pathe. 1932. 8 reels, sd. From the
novel by Margaret Ayer Barnes.

Credits: Producer, David O. Selznick; director, Robert Milton;
adaptation, Bradley King; dialogue, Humphrey Pearson; film editor,
Charles Craft; music director, Max Steiner.

WESTWARD WHOA. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott
Darling.

WESTWARD WHOA. 1924. 2 reels.

Credits: Director, Lewis Seiler.

WESTWARD WHOA. (Looney Tunes) 1936. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Ben
Clopton; music, Norman Spencer.

WET AND WARMER. 1921. 2 reels.

Credits: Director, Henry Lehrman.

WET AND WEARY. 1923. 2 reels.

Credits: Edited and titled by Ralph Spence.

WET GOLD. 1921. 6 reels.

Credits: Producer, J. Ernest Williamson; director, Ralph Ince.

A WET KNIGHT. (An Oswald Comedy) Snappy. 1932. 1 reel.

WET PAINT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky.
1926. 6 reels.

Credits: Director, Arthur Rosson; original story, Reginald Morris;
scenario, Lloyd Corrigan.

THE WET PARADE. 1932. 13 reels, sd. From the novel by Upton Sinclair.

Credits: Producer, Victor Fleming; adaptation, John L. Mahin; film
editor, Anne Bauchens.

WHACKS MUSEUM. (A Krazy Kat Cartoon) Presented by Columbia Pictures
Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love, Al Eugster;
animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

WHALE! HO! 1937. 1 reel, sd.

A WHALE OF A YARN. Presented by Vitaphone. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

THE WHALERS. 1938. 1 reel, sd.

WHALING IN THE FAR NORTH OFF THE COAST OF ALASKA IN THE TREACHEROUS
BERING SEA. 1912. 1 reel.

THE WHARF ANGEL. 1934. 7 reels, sd.

Credits: Producer, Albert Lewis; director, William Cameron Menzies,
George Somnes; story, Frederick Schlick; screenplay, Samuel
Hoffenstein, Frank Partos; dialogue, Stephen Morehouse Avery; music,
Ralph Rainger.

WHAT A BLIND MAN SAW. Laemmle. 1915. 2 reels.

Credits: Producer, Sydney Ayres; scenario, M. R. MacKinstry.

WHAT A BOZO. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor,
Richard Currier.

WHAT A BUSINESS! 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Melvin Aaronson.

WHAT A CINCH. 1915. Split reel.

WHAT A CLUE WILL DO. Nestor. 1917. 1 reel.

Credits: C. B. Hoadley, Frederick A. Palmer; director, Louis William
Chaudet.

WHAT A DAY. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

WHAT A DAY! (George LeMaire Comedies) Sound Studios, Inc. 1929. 2
reels, sd.

Credits: Director, George LeMaire; story, George LeMaire, Walter
DeLeon; editor, E. Pfitzenmeier.

WHAT A GIRL CAN DO. 1924. 7 reels.

Credits: Scenario and production, Edward Stuart.

WHAT A HEAD! (Tuxedo Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Robert Hall; story and
dialogue, Frank R. Conklin.

WHAT A KNIGHT. (Krazy Kat Cartoon) 1932. 1 reel. Adapted from the
cartoon character by Geo. Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Harry
Love; musical score, Joe de Nat.

WHAT A LIFE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

WHAT A LIFE. 1930. 1 reel, sd.

WHAT A LIFE. (Flip the Frog Cartoon) 1932. 1 reel.

WHAT A LIFE. 1939. 8 reels, sd. Based on the play by Clifford
Goldsmith.

Credits: Producer and director, Jay Theodore Reed; screenplay,
Charles Brackett, Billy Wilder; film editor, William Shea.

WHAT A LION! (A Captain and the Kids Cartoon) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based upon the United
Features comic "The Captain and the Kids."

Credits: Supervision, William Hanna.

WHAT A MAN. 1930. 9 reels, sd. Adapted from the novel "His Dark
Chapter."

Credits: Director, George J. Crone.

WHAT A NIGHT. (Mermaid Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Norman Taurog.

WHAT A NIGHT! 1928. 6 reels.

Credits: Director, A. Edward Sutherland; story, Lloyd Corrigan,
Grover Jones; screenplay, Louise Long.

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