Chapter L: C. card, 51-60018 (11)

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THE BORDER WHIRLWIND. Released by F. B. O. 1926.

Credits: Director, John P. McCarthy; story, James Ormont;
continuity, Enid Hibbard.

THE BORDER WILDCAT. 1928. 5 reels.

Credits: Director, Ray Taylor; story and continuity, Carl Krusada,
Vin Moore.

THE BORDER WIRELESS. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart;
story, Howard E. Morton; screen adaptation, C. Gardner Sullivan.

THE BORDER WOLF. (Ted Carson Western) (Mounty Series) 1929. 2 reels.

Credits: Director, Josef Levigard.

BORDER WOLVES. Red Feather. 1917. 2 reels.

Credits: Direction and story, George Marshall; scenario, Karl A.
Coolidge.

BORDER WOLVES. 1938. 6 reels.

Credits: Associate producer, Paul Malvern; director, Joseph H.
Lewis; original story and screenplay, Norton S. Parker; film editor,
Charles Craft.

BORDERLAND. 1922. 6 reels.

Credits: Director, Paul Powell; story, Beulah Marie Dix.

BORDERLAND. Presented by Adolph Zukor. 1937. 9 reels, sd. Based on the
story "Bring Me His Ears" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Watt; screenplay
and dialogue, Harrison Jacobs.

BORDERTOWN. Presented by Warner Bros. Productions Corp. and The
Vitaphone Corp. 1934. 10 reels, sd. Suggested by the novel by
Carroll Graham.

Credits: Director, Archie L. Mayo; story, Robert Lord; screenplay,
Laird Doyle, Wallace Smith.

BORED OF EDUCATION. (Hal Roach Our Gang Comedy) Presented by Hal
Roach. 1936. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

BORN AND LAWRENCE IN PIGSKIN TROUBLES. 1929. 1 reel, sd.

BORN AND LAWRENCE IN THE ARISTOCRATS. 1929. 1 reel, sd.

BORN AND LAWRENCE IN THE SIDE SHOW. 1929. 1 reel, sd.

BORN AND LAWRENCE, THE COUNTRY GENTLEMEN. 1929. 1 reel, sd.

BORN APRIL FIRST. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story,
Albert Austin, James W. Horne; film editor, Harry Marker.

BORN FOR GLORY. 1935. 7 reels, sd.

Credits: Director, Walter Forde; story, C. S. Forester; adaptation
and scenario, J. O. C. Orton; dialogue, Michael Hogan, Gerald
Fairlie; editor, Otto Ludwig; music director, Louis Levy.

BORN OF THE PEOPLE. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Grace Cunard.

BORN RECKLESS. 1930. 7,400 ft., sd. From the novel "Louis Beretti" by
Donald Henderson Clarke.

Credits: Associate producer, J. K. McGuinness; director, John Ford;
editor, Frank E. Hull.

BORN RECKLESS. 1937. 5,313 ft., sd.

Credits: Director, Malcolm St. Clair; story, Jack Andrews;
screenplay, John Patrick, Robert Ellis, Helen Logan; music director,
Samuel Kaylin.

BORN RICH. Presented by Garrick Pictures Corp. 1924. 8 reels. From the
novel by Hughes Cornell.

Credits: Producer, Will Nigh.

BORN TO BATTLE. F. B. O. 1926. 5 reels.

Credits: Director, Robert De Lacy; story and scenario, William E.
Wing.

BORN TO BE BAD. Presented by Joseph M. Schenck. Released through
United Artists. 1934. 7 reels.

Credits: Producer, Darryl F. Zanuck; director, Lowell Sherman;
original story and screenplay, Ralph Graves; continuity, Harrison
Jacobs; film editor, Maurice Wright; music director, Alfred Newman.

BORN TO BE WILD. 1938. 7 reels.

Credits: Associate producer, Harold Shumate; director, Joe Kane;
original screenplay, Nathaniel West; film editor, William Morgan;
music director, Alberto Colombo.

BORN TO DANCE. 1936. 11 reels, sd., b&w.

Credits: Producer, Jack Cummings; director, Roy Del Ruth; story,
Jack McGowan, Sid Silvers, B. G. DeSylva; screenplay, Jack McGowan,
Sid Silvers; film editor, Blanche Sewell; music director, Alfred
Newman.

BORN TO DIE. (A Battle for Life Release) Educational Pictures.
Presented by E. W. Hammons. 1934. 808 ft., sd.

Credits: Producers, Stacy Woodward, Horace Woodward; narrator, Gayne
Whitman.

BORN TO GAMBLE. 1935. 8 reels, sd. Suggested by "The Greek Poropulos"
by Edgar Wallace.

Credits: Director, Phil Rosen; story, continuity and dialogue, E.
Morton Hough.

BORN TO LOVE. 1931. 9 reels, sd., b&w.

Credits: Director, Paul L. Stein; screenplay and dialogue, Ernest
Pascal; film editor, Claude Berkeley; music director, Francis
Groman.

BORN TO THE SADDLE. 1928. 5 reels.

Credits: Director, Joseph Levigard.

BORN TO THE WEST. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1926. 6 reels.

Credits: Director, John Waters; story, Zane Grey; adaptation and
screenplay, Lucien Hubbard.

BORN TO THE WEST. Presented by Adolph Zukor. 1937. 6 reels, sd. From a
novel by Zane Grey.

Credits: Director, Charles Barton; screenplay, Stuart Anthony,
Robert Yost; film editor, John Link.

BORNEO. Presented by Osa Johnson. 1937. 9 reels, sd.

Credits: Supervision, Truman Tally; narration, Lowell Thomas;
continuity, Lew Lehr, Russell Shields.

BORO-BODOR AND THE BROMO. (Paramount-Burton Holmes Travel Picture)
1921. 1 reel.

Credits: Screenplay, Burton Holmes.

BORRAH MINEVITCH & HIS HARMONICA RASCALS. 1935. 1 reel, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos.

BORRAH MINEVITCH AND HIS MUSICAL RASCALS IN BOYHOOD DAYS. 1929. 2
reels, sd.

THE BORROWED BABY. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; story, Tom Gibson.

THE BORROWED BOOK. 1914. 1 reel.

BORROWED CLOTHES. Universal Special. 1918. 6 reels. From the story
"Orange Blossoms" by Marlon Orth.

Credits: Lois Weber; director, Edward Langley.

THE BORROWED FINERY. 1914. 1 reel.

Credits: Alice Williams.

BORROWED FINERY. 1925. 7 reels. From the story by George Bronson
Howard.

Credits: Director, Oscar Apfel.

BORROWED HUSBANDS. 1924. 7 reels. From the novel by Mildred K.
Barbour.

Credits: Director, David Smith.

BORROWED LOVE. SEE Call of the West.

THE BORROWED NECKLACE. 1915. 1 reel.

BORROWED PLUMES. Rex. 1916. 1 reel.

Credits: Florence Blankenship; producer, Ben Wilson; scenario,
Helmer W. Bergman.

BORROWED SUNSHINE. 1916. 2 reels.

Credits: Delos Avery; director, L. C. Windom; adaptation, Edw. T.
Lowe, Jr.

BORROWED TROUBLE. Released by Film Booking Offices of America. 1923. 2
reels.

Credits: Director, Roy Clements; story, George Bartlett, Monte
Brice; scenario, Walter McNamara; film editor, Hal Yates.

BORROWED WIVES. 1930. 7 reels, sd.

Credits: Director, Frank Strayer; dialogue director, Leander de
Cordova; screenplay, Scott Darling; editor, Byron Robinson.

Credits: Producer, Charles H. France.

BORROWING TROUBLE. Metro-Drew. 1916. 1 reel.

Credits: Harry Gennel; producer, Sidney Drew.

BORROWING TROUBLE. 1937. 6 reels, sd. Based on characters created by
Katharine Kavanaugh.

Credits: Director, Frank R. Strayer; original story and screenplay,
Robert Chapin, Karen De Wolf; music, Samuel Kaylin.

BO'S GUEST. Released by F. B. O. 1927. 2 reels.

Credits: Philip Tannura; director, Gil Pratt; story, H. C. Witwer;
supervising editor, James Wilkinson.

BOSKO IN DUTCH. Presented by Vitaphone. 1933. 1 reel, sd.

Credits: Drawn by Isadore Freleng and Thomas McKimson.

BOSKO IN PERSON. (Looney Tunes, no. 6) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawn by Rollin
Hamilton, Bob McKimson; musical score, Frank Marsales.

BOSKO THE DRAWBACK. Presented by Vitaphone. 1933. 1 reel.

BOSKO THE MUSKETEER. (Looney Tunes, no. 12) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Rollin
Hamilton, Robert Stokes; musical score, Frank Marsales.

BOSKO THE SHEEPHERDER. (Looney Tunes, Series 3, no. 9) 1933. 1 reel.

BOSKO THE SPEED KING. 1933. 1 reel.

Credits: Drawn by Isadore Freleng, Thomas McKimson.

BOSKO'S DIZZY DATE. Presented by Vitaphone. 1933. 1 reel.

BOSKO'S EASTER EGGS. 1937. 713 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

BOSKO'S KNIGHT-MARE. (Looney Tunes, no. 8) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Bob
McKimson, Robert Stokes; music score, Frank Marsales.

BOSKO'S MECHANICAL MAN. (Looney Tunes, no. 11) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore
Freleng and Thomas McKimson.

BOSKO'S PARLOR PRANKS. (Happy Harmonies) 1934. 735 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

BOSKO'S PICTURE SHOW. (Looney Tunes, no. 13) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore
Freleng, Max Maxwell; musical score, Frank Marsales.

BOSKO'S WOODLAND DAZE. 1933. 1 reel.

BOSOM FRIENDS. Treasure Chest. Educational Pictures. Presented by E.
W. Hammons. 1934. 778 ft., sd.

Credits: Narration, F. J. Clemenger; editor, Sam Citron.

THE BOSS DIDN'T SAY GOOD MORNING. 1937. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, Douglas Foster;
narrator, Carey Wilson.

THE BOSS OF BAR 20. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story and scenario, Arthur Henry
Gooden.

THE BOSS OF CAMP FOUR. 1923. 5 reels.

Credits: Director, W. S. Van Dyke; story, Arthur P. Haskins;
scenario, Paul Schofield.

THE BOSS OF COPPERHEAD. 1920. 2 reels.

Credits: Director, Ed. Feeney; story, A. W. Kruckeberg; scenario, R.
A. Sanborn.

BOSS OF LONELY VALLEY. 1937. 6 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; story, Forrest
Brown; screenplay, Frances Guihan.

THE BOSS OF POWDERVILLE. SEE The Grand Passion.

THE BOSS OF RUSTLER'S ROOST. Leo Maloney Productions. 1928. 4,833 ft.

Credits: Director, Leo Maloney; story, W. D. Hoffman; adaptation,
Ford I. Beebe.

THE BOSS OF THE FAMILY. Joker. 1917. 1 reel.

Credits: C. B. Hoadley; director, William W. Beaudine.

BOSS OF THE RANCHO. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Arthur
Henry Gooden.

THE BOSS RIDER OF GUN CREEK. 1936. 7 reels, sd.

Credits: Producer, Buck Jones; director, Lesley Selander; story, E.
B. Mann; screenplay, Frances Guihan.

THE BOSS'S ORDERS. (Follies Comedies) 1930. 2 reels, sd.

Credits: Producer, E. B. Derr; written and directed by Fred Guiol;
film editor, John Link; music director, Josiah Zuro.

LE BOSSU. SEE The Hunchback; or, The Little Parisian Lagardere.

BOSTON BLACKIE. 1923. 5 reels.

Credits: Director, Scott Dunlap; story, Jack Boyle; scenario, Paul
Schofield.

BOSTON BLACKIE'S LITTLE PAL. 1918. 5 reels. From the Red Book Magazine
story by Jack Boyle.

Credits: Director, E. Mason Hopper; adaptation, Albert Shelby Le
Vino.

BOSTON BLACKIE'S MARY. SEE Blackie's Redemption.

THE BOSTON TEA PARTY. 1915. 2 reels.

Credits: Director, Eugene Nowland.

BOSTON TEA PARTY. Vitaphone Corp. 1935. 1 reel, sd.

THE BOSWELL SISTERS. 1933. 2 reels.

Credits: Producers, William Rowland, Monte Brice; director, Monte
Brice; story, William Rowland; adaptation, Arthur Jarrett, Sr.

BOTH BARRELS. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert
Dillon.

BOTH BARRELS. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story and scenario, Robert
Dillon.

BOTH BOOTHS. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, A. R.
Thompson.

BOTH SIDES OF LIFE. Laemmle. 1915. 3 reels.

Credits: Producers, Robert Leonard, Lynn Reynolds; scenario, Louis
V. Jefferson.

A BOTTLE BABY. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal
Conklin.

THE BOTTLE IMP. 1917. 5 reels. Based on the story by Robert Louis
Stevenson.

Credits: Producer, Marshall Neilan; adaptation, Paul West; scenario,
Charles Maigne.

BOTTLES. (Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Sam B. Jacobson; director, Jacques Rollens.

BOTTLES. (Happy Harmonies) 1936. 1 reel, sd., color.

THE BOTTOM OF THE WELL. 1917. 5 reels.

Credits: Director, John Robertson; story, Frederick Upham Adams.

BOTTOMS UP. 1934. 10 reels, sd.

Credits: Director, David Butler; story and screenplay, B. G.
DeSylva, David Butler, Sid Silvers; editor, Irene Morra; music
director, Constantine Bakaleinikoff.

THE BOUDOIR BUTLER. 1932. 22 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy, John Grey.

THE BOUDOIR DIPLOMAT. Presented by Carl Laemmle. 1930. 8 reels. From
the play by Rudolph Lothar and Fritz Gottwald.

Credits: Producer, Carl Laemmle, Jr.; director, Malcolm St. Clair;
screenplay and dialogue, Tom Reed.

BOUGHT. 1931. 9 reels, sd. Based on the novel "Jackdaws Strut" by
Harriet Henry.

Credits: Director, Archie Mayo; adaptation and dialogue, Charles
Kenyon, Raymond Griffith.

BOUGHT AND FOUGHT FOR. 1920. 2 reels.

Credits: Director, Martin Murphy; story, Alma Hearn; scenario,
Harvey Gates.

BOUGHT AND PAID FOR. Peerless. Presented by William A. Brady Picture
Plays, Inc. in association with World Pictures. © 1916. From the
play by George Broadhurst.

Credits: Director, Harley Knoles.

BOUGHT AND PAID FOR. Presented by Adolph Zukor. 1922. 6 reels. From
the play by George Broadhurst.

Credits: Producer and director, William De Mille; adaptation, Clara
Beranger.

BOULDER DAM. Presented by Warner Bros. Pictures, Inc. and The
Vitaphone Corp. 1936. 7 reels, sd. Based on the story by Dan M.
Templin.

Credits: Director, Frank McDonald; screenplay, Sy Bartlett, Ralph
Block.

THE BOULEVARD SPEED HOUNDS. Nester. 1917. 1 reel.

Credits: Frederick A. Palmer; director, Burton George.

BOULEVARDIER FROM THE BRONX. (Merrie Melodies) 1936. 7 min., sd.,
color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng;
animation, Cal Dalton, Paul Smith; music, Carl W. Stalling.

BOUNCING BABIES. (Our Gang Comedies) Presented by Hal Roach. 1929. 2
reels, sd., b&w.

Credits: Story and production, Robert F. McGowan; story editor, H.
M. Walker; film editor, Richard Currier.

BOUND AND GAGGED. © 1919. © Pathe Exchange, Inc. (Frank Leon Smith,
author).

1. The Wager. © title, descr. & 60 prints, 18Sep19; LU14195.

2. Overboard. © title, descr. & 40 prints, 18Sep19; LU14196.

3. Help, Help. © title, descr. & 40 prints, 18Sep19; LU14197.

4. An Unwilling Princess. © title, descr. & 40 prints, 18Sep19;
LU14198.

5. Held for Ransom. © title, descr. & 40 prints, 18Sep19; LU14199.

6. Out Again, in Again. © title, descr. & 40 prints, 18Sep19;
LU14200.

7. The Fatal Error. © title, descr. & 40 prints, 1Nov19; LU14358.

8. Arrested. © title, descr. & 40 prints, 1Nov19; LU14359.

9. A Harmless Princess. © title, descr. & 40 prints, 1Nov19;
LU14360.

10. Hopley Takes the Liberty. © title, descr. & 40 prints, 1Nov19;
LU14361.

BOUND BY THE LEOPARD'S LOVE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, William H. Lippert.

BOUND IN MOROCCO. 1918. 4 reels.

Credits: Story and direction, Allan Dwan.

BOUND ON THE WHEEL. Rex. 1915. 3 reels.

Credits: Producer, Joseph De Grasse; story, Julius G. Furthmann;
scenario, Ida May Park.

THE BOUNDARY BATTLE. 1928. 2 reels.

Credits: Director, Josef Levigard; story, Rose Kurland.

THE BOUNDARY LINE. Mustang. 1925. 2 reels.

Credits: Director, William Crinley; story, William Lester.

THE BOUNDING MAIN. (A Song Hit Story) Educational Films Corp. of
America. Presented by E. W. Hammons. 1934. 939 ft., sd.

Credits: Director, William Watson; story, Art Jarrett.

THE BOUQUET. 1915. 1 reel.

Credits: Announcements, Norman Brokenshire.

BOW STRING. (Sportscope, no. 6) 1939. 872 ft., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R.
Donovan.

BOW WOW. 1922. 2 reels.

Credits: Director, Fred W. Jackman; editor, Allen McNeil.

THE BOWERY. Released by United Artists. 1933. 11 reels, sd. Based on
the novel by Michael L. Simmons and Bessie R. Solomon.

Credits: Associate producers, William Goetz, Ray Griffith; director,
Raoul Walsh; screenplay, Howard Estabrook, James Gleason; film
editor, Allen McNeil; music director, Alfred Newman.

BOWERY BIMBOS. (An Oswald Animated Sound Cartoon) (A Walter Lantz
Cartoon) Snappy. 1930. 1 reel, sd.

THE BOWERY BISHOP. 1924. 6 reels.

Credits: Director, Colin Campbell; story, Alexander Irvine.

A BOWERY CINDERELLA. Presented by Samuel Zierler. 1927. 7 reels.

Credits: Director, Bernard McEveety; story, Melvin Houston;
adaptation and scenario by Adrian Johnson.

BOWERY DAZE. (A Krazy Kat Cartoon) Presented by Columbia Pictures
Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation,
Allen Rose, Preston Blair; musical score, Joe De Nat.

THE BOWL OF SACRIFICE. 1917.

BOWS AND ARROWS. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

BOWS AND ARROWS. (The World of Sports) 1939. 1 reel, sd.

Credits: Producer, Elmer G. Dyer; narrative by Jack Kofoed;
narration, Dan Seymour; editor, Harry Foster.

BOX CAR BILL FALLS IN LUCK. 1917. 1 reel.

Credits: Pat Sullivan; animation, Bill Cause.

THE BOX OF BANDITS. 1915. 1 reel.

THE BOX OF CHOCOLATES. 1915. 1 reel.

A BOX OF TRICKS. Special Victor. 1917. 1 reel.

Credits: Harry Wulze; director, John Stepping.

BOXING GLOVES. (A Hal Roach Our Gang Comedy) Presented by Hal Roach.
1929. 2 reels.

Credits: Supervision, production and story, Robert McGowan;
director, Anthony Mack; dialogue, H. M. Walker; editor, Richard
Currier.

A BOY AND A BAD MAN. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

A BOY AND HIS DOG. (A Color Rhapsody) (Scrappy) Released by Columbia
Pictures Corp. 1936. 629 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art
Davis; music, Joe De Nat.

BOY-CRAZY. 1922. 5 reels.

Credits: Director, William A. Seiter; story. Beatrice Van.

THE BOY FRIEND. 1926. 6 reels. From the play "The Book of Charm" by
John Alexander Kirkpatrick.

Credits: Director, Monta Bell; adaptation, Alice D. G. Miller; film
editor, Blanche Sewell.

THE BOY FRIEND. 1927. 1 reel.

Credits: Paul Terry and Harry Bailey.

THE BOY FRIEND. Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Supervision and story, Leo McCarey; director, Fred L.
Guiol; editor, Richard Currier.

BOY FRIEND. 1939. 6,379 ft., sd.

Credits: Director, James Tinling; original story, Lester Ziffren,
Louis Moore; screenplay, Joseph Hoffman, Barry Trivers; music
director, Samuel Kaylin.

THE BOY FROM THE GILDED EAST. Nestor. 1916. 1 reel.

Credits: James Dayton; director, Louis William Chaudet.

THE BOY GIRL. 1917. 5 reels.

Credits: John C. Brownell; director, Edwin Stevens.

THE BOY IN BLUE. 1923. 2 reels.

Credits: Director, Harry Edwards.

BOY MEETS GIRL. 1938. 9 reels, sd. From the stage play by Bella and
Samuel Spewack.

Credits: Director, Lloyd Bacon; screenplay, Bella and Samuel
Spewack.

BOY MEETS JOY. 1939. 2 reels, sd.

Credits: Director, Ralph Staub; dialogue, Larry Rhine; film editor,
Charles Maynard; music director, Charles Previn.

A BOY OF FLANDERS. 1924. 7 reels. From the story "A Dog of Flanders"
by Ouida [pseud. of Louise De La Ramee].

Credits: Supervision, Jack Coogan, Sr.; director, Victor
Schertzinger; continuity and scenario, Walter Anthony; adaptation,
Marian B. Jackson; editor, Irene Morra.

BOY OF MINE. First National. Presented by J. K. McDonald. 1923. 7
reels. From the book by Booth Tarkington.

Credits: Director, William Beaudine; scenario, Hope Loring, Louis D.
Lighton.

BOY OF THE STREETS. 1937. 9 reels, sd.

Credits: Director, William Nigh; original story, Rowland Brown;
adaptation and dialogue, Gilson Brown, Scott Darling.

BOY, OH BOY. 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest
Pagano, Ewart Adamson, Phil Whitman, Clarence Hennecke.

BOY, OH BOY. (An Educational Top Notch Comedy) Presented by E. W.
Hammons. 1936. 1,744 ft., sd.

Credits: Producer, Al Christie; story, David Freedman.

THE BOY RANGERS. 1912. 1 reel.

THE BOY RIDER. 1927. 5 reels.

Credits: Director, Louis King; story and continuity, Frank Howard
Clark.

BOY SCOUTS TO THE RESCUE. Universal Special. 1918. 2 reels each. ©
Universal Film Mfg. Co., Inc.

1. Aids of the Nation. © 4Apr18; LP12269.

2. On the Trail. © 4Apr18; LP12274.

3. The Great Mine Disaster. © 11Apr18; LP12298.

4. The Spies' Nest. © 22Apr18; LP12326.

5. Treachery at Sea. © 22Apr18; LP12342.

BOY SLAVES. 1939. 7 reels, sd.

Credits: Producer and director, P. J. Wolfson; original story,
Albert Bein; screenplay, Albert Bein, Ben Orkow; editor, Desmond
Marquette; music director, Frank Tours.

THE BOY, THE GIRL, AND THE AUTO. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Neal Burns; scenario, Al. E.
Christie.

BOY TROUBLE. 1939. 8 reels, sd.

Credits: Director, George Archainbaud; story, Lloyd Corrigan, Monte
Brice; screenplay, Laura and S. J. Perelman; film editor, Alma
Macrorie.

BOY WANTED. 1913. 1 reel.

Credits: Lucy S. Oppenheim.

BOY WANTED. 1929. 1 reel, sd.

Credits: Director, Basil Smith; story, Jack Lait.

THE BOY WHO CRIED WOLF. 1917. 2 reels. From the story by Richard
Harding Davis.

Credits: Director, Edward H. Griffith; adaptation, E. Clement D'Art.

THE BOY WHO SAVED A NATION. (Strange as It Seems) Screen Classics.
1937. 874 ft., sd.

Credits: John Hix; director, Leonard M. Poole; editor, Charles
Diltz; music, Lee Zahler.

BOYHOOD DAYS. Century. 1923. 2 reels.

Credits: Written and directed by Harry Edward.

BOYHOOD DAYS. SEE Borrah Minevitch and His Musical Rascals in Boyhood
Days.

THE BOYHOOD HE FORGOT. Rex. 1917. 1 reel.

Credits: Producers, The Smalleys.

BOYHOOD MEMORIES. (Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

BOYS. (Sport Pictorial, no. 17) Town and Country Films, Inc. 1921. 1
reel.

Credits: Editor, Grantland Rice.

THE BOYS OF I. O. U. 1914. 1 reel.

BOY'S REFORMATORY. 1939. 6 reels, sd.

Credits: Associate producer, Lindsley Parsons; director, Howard
Bretherton; original story, Ray Trampe, Norman S. Hall; screenplay,
Ray Trampe, Wellyn Totman.

Credits: Director, Tom McNamara.

BOY'S TOWN. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd.,
sepia.

Credits: Producer, John W. Considine, Jr.; director, Norman Taurog;
original story, Dore Schary, Eleanore Griffin; screenplay, John
Meehan, Dore Schary; film editor, Elmo Veron; music score, Edward
Ward.

BOYS WILL BE BOYS. 1915. 3 reels.

Credits: Joseph Byron Totten.

BOYS WILL BE BOYS. Goldwyn Studios. 1921. 5 reels. Based on the story
by Irvin S. Cobb and the play by Charles O'Brien Kennedy.

Credits: Director, Clarence G. Badger.

BOYS WILL BE BOYS. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, George Stevens; story, Fred Guiol.

BOYS WILL BE BOYS. 1935. 8 reels, sd. Based on the Narkover
characterizations of Beachcomber [pseud. of John Bingham Morton].

Credits: Director, William Beaudine; screenplay, Will Hay, R.
Edmunds; editor, A. Roome; music, Louis Levy.

BOYS WILL BE GIRLS. (The Beauty Parlor Series, no. 4) Released by F.
B. O. 1927. 2 reels.

Credits: Director, Reggie Morris; story, H. C. Witwer; adaptation,
Tom McNamara; continuity, Jean Dupont; supervising editor, James
Wilkinson.

BRACE UP. 1918. 5 reels.

Credits: Written and directed by Elmer Clifton.

BRAGA'S DOUBLE. 1915. 2 reels.

Credits: Henry C. Rowland.

BRAGG'S NEW SUIT. 1913. 1 reel.

Credits: Charles M. Seay.

A BRAHMIN'S DAUGHTER. (Kendall-de Vally Operalogue) Released by
Educational Film Exchanges, Inc. 1933. 22 min., sd. Suggested by the
opera "Lakme" by Leo Delibes.

Credits: Adaptation and supervision, Antoine De Vally; director,
Howard Higgin.

THE BRAIN BUSTERS. (Coronet Comedies) Presented by E. W. Hammons.
1936. 1,580 ft., sd.

Credits: Director, Harry J. Edwards; story, Vernon Smith.

THE BRAINLESS HORSEMAN. 1925. 2 reels.

Credits: Director, Ralph Ceder.

BRAINSTORM. 1917. For Fox Film Corporation. 2 reels.

Credits: Written and directed by H. Edwards.

BRAIN STORMS. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Production and supervision. Jack White; director, Stephen
Roberts.

THE BRAMBLE BUSH. 1919. 5 reels.

Credits: Director, Tom Terriss; story, Nalbro Bartley; scenario,
Katharine S. Reed.

THE BRAND. Released through Goldwyn. 1919. 7 reels. From the story by
Rex Beach.

Credits: Director, Reginald Barker.

THE BRAND OF CAIN. 1916. 2 reels.

Credits: Wallace C. Clifton; director, Colin Campbell.

THE BRAND OF COURAGE. 1921. 2 reels.

Credits: Director, Robert Hill; story and scenario, George H.
Plympton.

BRAND OF COURAGE. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William
Lester.

THE BRAND OF COWARDICE. 1916. For the Metro program. 5 reels.

Credits: Charles M. Maigne; producer, John W. Noble.

THE BRAND OF DEATH. Big U. 1917. 1 reel.

THE BRAND OF HATE. Gold Seal. 1917. 3 reels.

Credits: Director, Edwin Stevens; story, Elizabeth Burbridge;
scenario, John C. Brownell.

Credits: Director, George Archainbaud; story, Jere F. Looney.

BRANDED. 1931. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and dialogue, Randall
Faye; film editor, Gene Milford.

BRANDED. SEE The Branded Woman.

BRANDED A BANDIT. 1924. 5 reels.

Credits: Written and directed by Paul Hurst.

Credits: Director, Neal Hart.

BRANDED FOUR. 1920. 2 reels each.

Credits: Director, Duke Worne; story and scenario, Hope Loring,
George W. Pyper.

1. A Strange Legacy. © 20Jul20; LP15382.

2. The Devil's Trap. © 24Jul20; LP15385.

3. Flames of Revenge. © 12Aug20; LP15810.

4. The Blade of Death. © 30Aug20; LP15478.

5. Fate's Pawn. © 6Sep20; LP15515.

6. The Hidden Cave. © 31Aug20; LP15479.

7. Shanghaied. © 3Sep20; LP15506.

8. Mutiny. © 9Sep20; LP15526.

9. The House of Doom. © 2Oct20; LP15607.

10. The Ray of Destruction. © 3Oct20; LP15679.

11. Buried Alive. © 18Oct20; LP15977.

12. Lost to the World. © 28Oct20; LP15738.

13. The Valley of Death. © 24Oct20; LP15758.

14. From the Sky. © 28Oct20; LP15739.

15. Sands of Torment. © 5Nov20; LP15759.

THE BRANDED MAN. 1918. 2 reels.

BRANDED MEN. 1931. 7 reels, sd.

Credits: Producer, Phil Goldstone; director, Phil Rosen; story,
continuity and dialogue, Earle Snell; editor, Earl Turner.

THE BRANDED SOMBRERO. 1927. 5 reels.

Credits: Story, Cherry Wilson; scenario and direction, Lambert
Hillyer.

A BRANDED SOUL. 1917. 5 reels.

Credits: Director, Bertram Bracken; story, E. Lloyd Sheldon;
scenario, Franklin Hall, Bertram Bracken.

THE BRANDED SOUL. 1921. 5 reels. From the novel "The Iron Stair" by
Rita [pseud. of Eliza Margaret J. (Gollan) Humphreys].

Credits: Director, E. Martin Thornton.

THE BRANDED WOMAN. © 1920. Adapted from the play "Branded" by Oliver
D. Bailey.

Credits: Director, Albert Parker; adaptation, Anita Loos, Albert
Parker.

THE BRANDED WOMAN. 1921. 7 reels. From the play "Branded" by Oliver D.
Bailey.

Credits: Director, Albert Parker; adaptation, Anita Loos, Albert
Parker.

BRANDING BROADWAY. Artcraft. Presented by Thomas H. Ince. 1918. 5
reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart;
story and scenario, C. Gardner Sullivan.

THE BRANDING IRON. 1920. 7 reels. From the story by Katherine Newlin
Burt.

Credits: Supervision and direction, Reginald Barker; adaptation, J.
G. Hawks.

BRANDON'S LAST RIDE. 1914. 2 reels.

Credits: Director, Ulysses Davis.

BRAND'S DAUGHTER. Falcon Features. 1917. 4 reels.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Harry
Harvey; story, Harry S. Stabler; scenario, Leslie T. Peacocke.

BRANNIGAN'S BAND. 1914. Split reel.

BRANSCOMBE'S PAL. Rex 1916. 2 reels.

Credits: Bannister Merwin; producer, Harold Shaw.

BRASS. 1923. 9 reels. Adapted from the novel by Charles G. Norris.

Credits: Producer, Henry Rapf; director, Sidney Franklin; scenario,
Julian Josephson.

THE BRASS BOTTLE. 1923. 6 reels. Based on the novel by F. Anstey
[pseud. of Thomas Anstey Guthrie].

Credits: Producer and director, Maurice Tourneur; scenario, Fred
Kennedy Myton.

THE BRASS BOWL. 1914. 2 reels. Adapted from the novel by Louis Joseph
Vance.

THE BRASS BOWL. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Jerome Storm; story, Louis J. Vance; adaptation,
Thomas Dixon, Jr.

THE BRASS BULLET. Universal Special. 1918. 2 reels each. © Universal
Film Mfg. Co., Inc.

Credits: Producer and director, Ben Wilson; story, Frank R. Adams;
scenario, Walter Woods.

1. A Flying Start. © 17Jul18; LP12680.

2. The Muffled Man. © 19Jul18; LP12687.

3. The Mysterious Murder. © 3Aug18; LP12714.

4. Smoked Out. © 17Aug18; LP12756.

5. The Mock Bride. © 28Aug18; LP12784.

6. A Dangerous Honeymoon. © 26Aug18; LP12806.

7. Pleasure Island. © 4Sep18; LP12827.

8. The Magnetic Bug. © 5Sep18; LP12822.

9. The Room of Flame. © 18Sep18; LP12887.

10. A New Peril. © 24Sep18; LP12910.

11. Evil Waters. © 2Oct18; LP12952.

12. Caught by Wireless. © 8Sep18; LP12962.

13. $500 Reward. © 22Oct18; LP13003.

14. On Trial for His Life. © 9Nov18; LP13022.

15. In the Shadow. © 9Nov18; LP13023.

16. The Noose. © 15Nov18; LP13040.

17. The Avenger. © 18Nov18; LP13049.

18. The Amazing Confession. © 21Nov18; LP13061.

BRASS BUTTON. 1925. 2 reels.

Credits: Director, Ted Bursten.

BRASS BUTTONS. 1919. 5 reels.

Credits: Director, Henry King; story and scenario, Stephen Fox.

THE BRASS CHECK. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; director, William S. Davis;
story, George Allan England; scenario, June Mathis.

THE BRASS CHOIR. 1930. 1 reel.

THE BRASS CHOIR. 1938. 1 reel, sd.

BRASS COMMANDMENTS. 1923. 5 reels. Based on the novel by Charles A.
Seltzer.

Credits: Director, Lynn Reynolds; scenario, Charles Kenyon.

THE BRASS GIRL. Victor. 1917. 2 reels.

Credits: Burk Symon; director, Matt Moore.

BRASS KNUCKLES. 1927. 7 reels.

Credits: Director, Lloyd Bacon; story and scenario, Harvey Gates.

A BRASS MONKEY. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director, J. A. Richmond.

THE BRAT. Presented by Richard A. Rowland and Maxwell Karger. 1919. 7
reels. Adapted from the play by Maude Fulton.

Credits: Supervision, Maxwell Karger; director, Herbert Blache;
scenario, June Mathis; adaptation, Charles Bryant.

THE BRAT. 1931. 6,000 ft., sd. From the play by Maude Fulton.

Credits: Director, John Ford; adaptation, continuity and dialogue,
S. N. Behrman, Sonya Levien; editor, Alex. Troffey.

BRATS. (Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd.,
b&w.

Credits: Director, James Parrott; story, Leo McCarey; dialogue, H.
M. Walker; editor, Richard Currier.

BRAVE AND BOLD. 1918. 5 reels. Based on the story "Four-forty at the
Fort Penn" by Perley Poore Sheehan.

Credits: Direction and scenario, Carl Harbaugh.

BRAVE COWARDS. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

THE BRAVE DESERVE THE FAIR. 1915. 2 reels.

Credits: Written and directed by Tom Mix.

BRAVE LITTLE TAILOR. (A Walt Disney Mickey Mouse) 1938. 1 reel, sd.

BRAVE LITTLE WALDO. 1917. 1 reel.

THE BRAVE TIN SOLDIER. (A Comic Color Cartoon) 1934. 1 reel, color.

Credits: Animation, Jimmie Culhane, Al Eugster.

BRAVEHEART. Presented by Cecil B. De Mille. Released by Producers
Distributing Corp. 1925. 7 reels. From the play "Strongheart" by
William C. De Mille.

Credits: Producer and director, Alan Hale; adaptation, Mary O'Hara.

THE BRAVEST OF THE BRAVE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; story, Thomas Delmar; scenario,
Clarence Badger.

BRAVEST OF THE BRAVE. (An Historical Mystery) Presented by
Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Herman Boxer; historical
compilations, Charles E. Whittaker; narrator, Carey Wilson.

THE BRAVEST WAY. 1918. 5 reels.

Credits: Director, George H. Melford; story, Edith Kennedy.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

BRAWN OF THE NORTH. First National. 1922. 8 reels.

Credits: Producers, Laurence Trimble, Jane Murfin; continuity,
Philip E. Hubbard.

THE BRAZEN BEAUTY. 1918. 5 reels.

Credits: Director, Tod Browning; story, Louise Winters; scenario,
William E. Wing.

BRAZIL. 1932, 1933. 2 reels. Contents.—pt. 1. Amazonian lowlands.—pt.
2. Eastern highlands.

BREACH OF PROMISE. Presented by E. W. Hammons. 1932. 7 reels, sd.
Based on the story "Obscurity" by Rupert Hughes.

Credits: Director, Paul L. Stein; screenplay, Ben Verschleiser;
adaptation and continuity, John Goodrich; dialogue, Anthony Veiller;
film editor, Charles Kraft.

BREAD. 1918. 6 reels.

BREAD. Presented by Louis B. Mayer. 1924. 7 reels. Based on the novel
by Charles G. Norris.

Credits: Director, Victor Schertzinger; adaptation, Leonore Coffee;
continuity, Albert Lewin.

BREAD ON THE WATERS. 1913. 1 reel.

Credits: Bannister Merwin.

BREAD UPON THE WATERS. 1914. 2 reels.

Credits: Director, Wilfrid North.

BREAD UPON THE WATERS. SEE Strange Wives.

BREAK AWAY. (Educational-Christie Comedies) 1927. 2 reels.

Credits: Director, Harold Beaudine; story, Frank Roland Conklin.

BREAK, BREAK, BREAK. SEE A Day That Is Dead.

THE BREAK OF DAY. (Fables, no. 399) 1929. 1 reel.

Credits: Paul Terry, Mannie Davis.

BREAK OF HEARTS. 1935. 9 reels, sd.

Credits: Producer, Pandro S. Berman; director, Philip Moeller;
story, Lester Cohen; screenplay, Sarah Y. Mason, Victor Heerman,
Anthony Veiller; music director, Max Steiner.

BREAK THE NEWS TO MOTHER. 1919. 5 reels. Founded on the song by
Charles K. Harris.

BREAK THE TAPE FIRST! 1937. 1 reel.

THE BREAKER. Released thru Kleine-Edison-Selig-Essanay Service. 1916.
83 min. From the story by Arthur Stringer.

Credits: Arranged and directed by Fred E. Wright.

BREAKERS AHEAD. Presented by B. A. Rolfe. 1918. 5 reels.

Credits: Director, Charles Brabin; story and scenario, Charles J.
Brabin, H. P. Keeler.

BREAKFAST AT SUNRISE. 1927. 7 reels. From the play by André Birabeau.

Credits: Director, Malcolm St. Clair; screen story, Fred de Gresac;
adaptation, Gladys Unger.

BREAKFAST FOR TWO. 1937. 65 min., sd.

Credits: Producer, Edward Kaufman; director, Alfred Santell; story,
David Garth; screenplay, Charles Kaufman, Paul Yawitz, Viola
Brothers Shore; editor, George Hively.

BREAKFAST IN BED. (Rainbow Comedies) Presented by E. B. Derr. 1930. 2
reels, sd.

Credits: Producer, Fred Lalley; director, Fred Guiol; story, Robert
Besche; screenplay, Charles Callahan; film editor, John Link.

BREAKIN' LOOSE. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

BREAKING CAMP. SEE Roosevelt Brazilian Expedition.

BREAKING EVEN. 1932. 1 reel.

Credits: Director, Aubrey Scotto; story, Harry W. Conn.

© Associated Exhibitors, Inc. (Frank N. Seltzer & George K. Rolands,
authors); title, descr. & 118 prints, 11Nov22; LU18390.

BREAKING IN. 1915. 1 reel.

Credits: Director, Wilfrid North.

BREAKING INTO JAIL. 1914. 1 reel.

BREAKING INTO SOCIETY. 1923. 5 reels.

Credits: Written and directed by Hunt Stromberg.

THE BREAKING POINT. Paramount. Presented by Adolph Zukor and Jesse L.
Lasky. 1924. 7 reels. From the novel and play by Mary Roberts
Rinehart.

Credits: Director, Herbert Brenon; screenplay, Julie Herne, Edfrid
Bingham.

BREAKING THE FAMILY STRIKE. Victor. 1917. 1 reel.

Credits: H. J. Shepard; director, Matt Moore.

BREAKING THE NEWS. (Paramount Paragraphics) 1939. 1 reel, sd.

Credits: Justin Herman; narrator, Ted Husing; editors, Leslie Roush,
Robert Blanvelt.

BREAKING THE SHACKLES. 1915. 1 reel.

Credits: Frank Hart.

Credits: Director, Robert Ensminger; story and scenario, C. Graham
Baker.

BREAKING THROUGH THE APPALACHIAN BARRIER. (Westward movement, no. 1)
1920. 1 reel.

THE BREAKS OF THE GAME. 1915. 1,000 ft.

Credits: Director, Eugene Nowland.

THE BREATH OF ARABY. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

A BREATH OF BROADWAY. SEE Jack Waldron in A Breath of Broadway.

THE BREATH OF SCANDAL. Preferred. 1925. 7 reels. Based on the story by
Edwin Balmer.

Credits: Director, Gasnier; screen adaptation, Eve Unsell.

THE BREATH OF THE GODS. Jewel. 1920. 6 reels. From the story by Sydney
McCall [pseud. of Mary McNeil Fenollosa].

Credits: Adaptation and direction, Rollin Sturgeon.

BREATHING. 1929. 1 reel.

THE BREATHLESS MOMENT. 1923. 6 reels.

Credits: Director, Robert F. Hill; story, Raymond C. Schrock, Harvey
Gates; scenario, William S. Wing.

BREATHLESS MOMENTS. 1938. 2 reels, sd.

Credits: Produced & directed by Charles E. Ford; narrator, Graham
McNamee; editor, Joseph O'Brien; musical adaptation, Milton
Schwarzwald.

BRED IN OLD KENTUCKY. Released by F. B. O. 1926. 6 reels.

Credits: Director, Edward Dillon; story, Louis Weadock, C. D.
Lancaster; scenario, Gerald C. Duffy.

BREED OF COURAGE. Released by F. B. O. 1927. 5 reels.

Credits: Director, Howard Mitchell; story, John Stuart Twist;
adaptation, Leon D'Usseau.

BREED OF MEN. Artcraft. Presented by Thomas H. Ince. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer;
story, J. G. Hawks.

THE BREED OF THE BORDER. Released by F. B. O. 1924. 5 reels.

Credits: Producer and director, Harry Garson; story, William D.
Hoffman; continuity, Paul Gangelin, Dorothy Arzner.

BREED OF THE BORDER. 1933. 6 reels, sd.

Credits: Producers, Trem Carr, Paul Malvern; director, Robert N.
Bradbury; story and continuity, Harry O. Jones.

BREED OF THE SEA. Released by F. B. O. 1926. 7 reels.

Credits: Director, Ralph Ince; story, Peter B. Kyne; adaptation, J.
G. Hawks; continuity, J. Grubb Alexander.

BREED OF THE SUNSETS. 1928. 5 reels.

Credits: Director, Wallace W. Fox; story, S. E. V. Taylor;
screenplay, Oliver Drake.

A BREEZE FROM THE SOUTH. SEE Gilbert Wells in A Breeze from the South.

BREEZING ALONG. (Educational-Hamilton Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

BREEZING HOME. 1937. 7 reels, sd.

Credits: Associate producer, Edmund Grainger; director, Milton
Carruth; original story, Finley Peter Dunne, Jr., Philip Dunne;
screenplay, Charles Grayson.

BREEZY RHYTHM. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity Milton Hocky, Fred Rath.

BRENNON O' THE MOOR. Universal Special. 1916. 2 reels. Based on an old
Irish poem.

Credits: Produced and written by Grace Cunard, Francis Ford.

© Jesse L. Lasky Feature Play Co., Inc. (Melville Stone and Winchell
Smith, authors); title, descr. & 17 prints, 9Apr14; LU2478.

BREWSTER'S MILLIONS. 1921. 6 reels. From the novel by George Barr
McCutcheon and the play by Winchell Smith.

Credits: Director, Joseph Henabery; scenario, Walter Woods.

BREWSTER'S MILLIONS. 1935. 9 reels, sd.

Credits: Director, Herbert Wilcox; screenplay, Arthur Wimperis.

BREWSTER'S MILLIONS. SEE Miss Brewster's Millions.

BRICK-A-BRAC. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Leslie
Goodwins, Ewart Adamson; film editor, John Lockert.

BRICK DUST ROW. SEE Everybody's Girl.

BRICK TOP. Big U. 1916. 1 reel.

Credits: Directed and written by John McDermott.

BRIDAL BAIL. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Jean
Yarbrough, Dick Smith; film editor, John Lockert.

BRIDAL GRIEFS. (Superba, no. 2) 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story,
Charles Roberts, George Jeske; film editor, John Lockert.

BRIDAL NIGHT. 1930. 1 reel.

THE BRIDAL PATH. SEE All's Fair in Love.

BRIDAL SUITE. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd.,
b&w.

Credits: Producer, Edgar Selwyn; director, William Thiele; story,
Gottfried Reinhardt, Virginia Faulkner; screenplay, Samuel
Hoffenstein; film editor, Frank E. Hull; music, Arthur Gutmann.

THE BRIDE. (James Montgomery Flagg's Girls You Know) 1917. 1 reel.

Credits: Director, Jack Eaton.

THE BRIDE. SEE The Danger Girl.

BRIDE AND GLOOMY. (Educational's Comedies) (Tuxedo Comedies) 1931. 20
min., sd.

Credits: Director, A. Leslie Pearce; story, John Kirkpatrick;
dialogue, Walter DeLeon, Neal Burns.

THE BRIDE COMES HOME. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Director, Wesley Ruggles; story, Elizabeth Sanxay Holding;
screenplay, Claude Binyon.

A BRIDE FOR HENRY. 1937. 7 reels, sd.

Credits: Producer, Dorothy Reid; director, William Nigh; story,
Josephine Bentham; adaptation, Marion Orth.

THE BRIDE OF FEAR. 1918. 5 reels.

Credits: Direction and scenario, S. A. Franklin; story, Bennett
Cohn.

BRIDE OF FRANKENSTEIN. A James Whale production. Presented by Carl
Laemmle. 1935. 8 reels, sd. Suggested by the story by Mary
Wollstonecraft Shelley.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale;
screenplay, William Hurlbut; adaptation, William Hurlbut, John L.
Balderston; editorial supervision, Maurice Pivar; film editor, Ted
Kent.

THE BRIDE OF HATE. 1924. 5 reels.

Credits: Director, Walter Edwards; story, John Lynch.

Credits: Arthur Maude.

THE BRIDE OF THE NANCY LEE. Laemmle. 1915. 2 reels.

Credits: Written and produced by Lynn Reynolds.

BRIDE OF THE REGIMENT. First National and Vitaphone. 1930. 12 reels,
sd., color. Based on the operetta "The Lady in Ermine" by Rudolph
Schanzer and Ernst Welisch.

Credits: Producer, John Francis Dillon; screen version, Humphrey
Pearson.

THE BRIDE OF THE REVOLUTION; or, THE REVOLUTION MARRIAGE. 1913. 2
reels.

BRIDE OF THE STORM. 1926. 7 reels. From the novel "Maryland, My
Maryland" by James Francis Dwyer.

Credits: Producer and director, J. Stuart Blackton; adaptation,
Marian Constance.

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Motion pictures, 1912-1939Chapter L: C. card, 51-60018 (11)

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