Chapter D: Mackenzie Big Game Hunting in British East Africa. © 1917 (28)

Text size

HUSBAND'S HOLIDAY. 1935. 2 reels.

Credits: Director, Ralph Staub; story, Joe Traub.

HUSBANDS MUST PLAY. (Tuxedo Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Jules White.

HUSBANDS OF EDITH. SEE The Fast Worker.

HUSBANDS PREFERRED. SEE The Truthful Sex.

HUSBANDS' REUNION. 1933. 2 reels, sd.

Credits: Director, George Marshall.

HUSBANDS WANTED. 1924. 2 reels.

Credits: Director, Archie Mayo.

HUSBANDS WON'T TELL. (A Stern Brothers Comedy) 1928. 2 reels. From the
cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

HUSH. 1920. 6 reels.

Credits: Director, Harry Garson.

HUSH MONEY. 1921. 5 reels.

Credits: Director, Charles Maigne; story, Samuel Merwin.

HUSH MONEY. 1931. 6,100 ft., sd.

Credits: Associate producer, A. L. Rockett; director, Sidney
Lanfield; story, Sidney Lanfield, Philip Klein, Courtenay Terrett;
dialogue, Dudley Nichols; editor, Irene Morra.

HUSHING THE SCANDAL. 1915. 1 reel.

Credits: Producer, Mack Sennett.

HUSK. SEE We're Only Human.

HUSKS. 1916. 3 reels.

Credits: Director, William Humphrey.

HUSKS OF LOVE. Gold Seal. 1916, 3 reels.

Credits: Directed and written by William V. Mong.

HUSTLE AND HARMONY. 1917. 1 reel.

Credits: Written and directed by Henry Kernan.

THE HUT. SEE Nina Tarasova in The Hut.

THE HUT IN SYCAMORE GAP. 1915. 1 reel.

Credits: Director, Burton L. King.

Credits: Scenario, J. F. Natteford.

HY MAYER'S SKITS 'N' SKETCHES. 1936. 1 reel.

HYDRO-MANIACS. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

HYENA'S LAUGH. (Unnatural History Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

HYGEIA AT THE SOLITO. 1917. 2 reels. Based on a story by O. Henry
[pseud. of William Sydney Porter].

Credits: Director, David Smith.

HYPNO-AND TRANCE-SUBJECTS. 1915. 1 reel.

Credits: Earl Edwards.

HYPNOTIC EYES. (Paul Terry-Toons) Educational Pictures. 1933. 6 min.,
sd.

Credits: Frank Moser, Paul Terry.

THE HYPNOTIST. (Out of the Inkwell) 1922. 1 reel.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

THE HYPNOTIST. SEE London after Midnight.

HYPNOTIZED. 1925. 2 reels. Formerly entitled "Oh! What a Night!"

Credits: Written and directed by Harry Sweet.

HYPNOTIZED. 1932. 7 reels.

Credits: Supervision and direction, Mack Sennett; screenplay, Mack
Sennett, Arthur Ripley; adaptation and dialogue, John A. Waldron,
Earle Rodney, Harry McCoy.

HYPNOTIZING FOR LOVE. (The Great Hokum Mystery) (A Johnnie Walker
Novelty) Atlas Sound Studios, Educational Film Exchanges, Inc.
Presented by E. W. Hammons. 1932. 1,420 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator,
Lew Lehr; music director, Paul Vincent.

THE HYP-NUT-TIST. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

THE HYPOCHONDRIAC. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

HYPOCRISY. 1916. For Fox Film Corp. 6 reels.

Credits: Director, Keenan Buel; scenario, Hugh C. Weir.

Credits: Written and produced by Lois Weber.

Credits: Adapted and produced by George Loane Tucker.

HYSTERICAL HISTORY OF BENJAMIN FRANKLIN. (Hysterical History Comedies)
1924. 1 reel.

Credits: Director, Bryan Foy.

THE HYSTERICAL HISTORY OF RIP VAN WINKLE. (Hysterical History
Comedies) (Mirthquakes) 1924. 1 reel.

Credits: Director, Bryan Foy.

I ACCUSE. Released by United Artists Corp. 1922. 8 reels.

Credits: Written and directed by Abel Gance.

I AIN'T GOT NOBODY. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas
Bonfiglio.

I AM A CRIMINAL. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original
story, Harrison Jacobs; screenplay, John W. Krafft; film editor,
Russell Schoengarth; music director, Abe Meyer.

I AM A FUGITIVE FROM A CHAIN GANG. 1932. 10 reels. From the story "I
Am a Fugitive from a Georgia Chain Gang" by Robert E. Burns.

Credits: Director, Mervyn Le Roy; screenplay, Howard J. Green, Brown
Holmes.

I AM A FUGITIVE FROM A GEORGIA CHAIN GANG. SEE I Am a Fugitive from a
Chain Gang.

I AM A POLYGAMIST. SEE Polygamy.

I AM A THIEF. Presented by Warner Bros. Productions Corp. and the
Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Ralph Block,
Doris Malloy; dialogue director, Frank McDonald.

I AM GUILTY. Associated Producers, Inc. 1921. 7 reels.

Credits: Produced and supervised by J. Parker Read, Jr.; director,
Jack Nelson; scenario, Bradley King; continuity, Charles J. Stumar.

I AM SUZANNE. 1933. 8,959 ft., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Rowland V.
Lee, Edwin Justus Mayer; music director, Louis de Francesco; editor,
Harold Schuster.

I AM THE LAW. 1922. 7 reels. From the story "Poetic Justice of Uko
San" by James Oliver Curwood.

Credits: Director, Edwin Carewe; scenario, Raymond L. Schrock.

I AM THE LAW. Presented by C. C. Burr. 1923. 6,500 ft. Adapted from
the work "The Poetic Justice of Uko San" [by James Oliver Curwood].

Credits: Producer and director, Edwin Carewe; story and scenario,
Raymond L. Schrock.

I AM THE LAW. 1938. 9 reels, sd. Based on the Liberty Magazine serial
by Fred Allhoff.

Credits: Producer, Everett Riskin; director, Alexander Hall;
screenplay, Jo Swerling; film editor, Viola Lawrence; music
director, Morris Stoloff.

Credits: Story and direction, Ivan Abramson.

I AM THE MAN. 1925. 7 reels.

Credits: Written and directed by Ivan Abramson.

I AM THE WAY. SEE A Reproduction of the Famous Oil Painting "I Am The
Way".

Credits: Production and adaptation, George L. Tucker.

I BELIEVED IN YOU. 1934. 6,172 ft., sd.

Credits: William Anthony McGuire; director, Irving Cummings;
screenplay, William Conselman; music director, Samuel Kaylin.

I CAME FIRST. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1
reel, sd.

Credits: Director, Monte Brice.

I CAN EXPLAIN. 1922. 5 reels.

Credits: Producer and director, George D. Baker; adaptation, Edgar
Franklin.

I CONQUER THE SEA! 1936. 7 reels, sd.

Credits: Director, Victor Halperin; story adaptation, Richard
Carroll; dialogue, Rollo Lloyd, Howard Higgin.

I COVER THE WAR. 1937. 7 reels, sd.

Credits: Associate producer, Paul Malvern; director, Arthur Lubin;
original story, Barnard McConville; screenplay, George Waggner; film
editor, Charles Craft.

I COVER THE WATERFRONT. 1933. 8 reels. Based on the book by Max
Miller.

Credits: Producer, Edward Small; director, James Cruze; screenplay,
Wells Root; additional dialogue, Jack Jevne; film editor, Grant
Whytock.

I DIDN'T RAISE MY BOY TO BE A SOLDIER. SEE I'm Glad My Boy Grew Up To
Be a Soldier.

I DON'T REMEMBER. 1935. 888 ft., sd.

Credits: Story, screenplay, and direction, Preston Black.

I DON'T WANT TO KNOW WHO YOU ARE. SEE Ich Will Nicht Wissen Wer Du
Bist.

I DON'T WANT TO MAKE HISTORY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave
Hoffman.

I DREAM TOO MUCH. 1935. 11 reels, sd.

Credits; Producer, Pandro S. Berman; director, John Cromwell; story,
Elsie Finn, David G. Wittels; screenplay, Edmund North, James Gow;
editor, William Morgan; music, Jerome Kern; lyrics, Dorothy Fields;
music director, Max Steiner; orchestra conducted by Andre
Kostelanetz.

I EATS MY SPINACH. (A Popeye Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

I FEEL LIKE A FEATHER IN THE BREEZE. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and
Harold Walker.

I FOUND STELLA PARISH. Presented by First National Pictures, Inc. and
The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Mervyn LeRoy; story, John Monk Saunders;
screenplay, Casey Robinson.

I GIVE MY HEART. 1936. 7 reels, sd. From the operetta "The DuBarry" by
Paul Knepler and J. M. Welleminsky.

Credits: Director, Marcel Varnel; adaptation and scenario, Frank
Launder, Roger Burford, Kurt Siodmak; film editor, E. B. Jarvis;
music, C. Millocker; lyrics, Desmond Carter; music arrangements,
Theo Mackeben; music director, Harry Acres.

I GIVE MY LOVE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeldman; director, Karl Freund; story,
Vicki Baum; screenplay and dialogue, Doris Anderson; adaptation,
Milton Krims; film editor, Edward Curtiss.

I HATE WAR. 1937. 3 reels, sd.

Credits: Written and narrated by Tom Terriss; editor, Milton
Schwarz.

I HATE WOMEN. 1934. 6,450 ft.

Credits: Director, Aubrey H. Scotto; story and screenplay, Mary E.
McCarthy.

I HAVE LIVED. Presented by George R. Batcheller. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Louis E. Heifetz;
screenplay and dialogue, Winifred Dunn.

I HAVEN'T GOT A HAT. (Merrie Melodies) Vitaphone. 1935. 7 min., sd.,
color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng;
animation, Rollin Hamilton, Jack King; music, Bernard Brown.

I HEARD. SEE Betty Boop in I Heard.

I, JERRY, TAKE THEE JOAN. SEE Merrily We Go to Hell.

I KNOW EVERYBODY AND EVERYBODY'S RACKET. Rowland-Brice. 1933. 2 reels,
sd.

Credits: Director, Monte Brice; story, Mark Hellinger.

I LIKE BABIES AND INFINKS. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel,
Graham Place.

I LIKE IT THAT WAY. 1934. 7 reels.

Credits: Director, Harry Lachman; story, Harry Sauber; screenplay,
Chandler Sprague, Joseph Santley.

I LIKE MOUNTAIN MUSIC. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron
Waldman.

I LIKE MOUNTAIN MUSIC. (Merrie Melodies, no. 10) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore
Freleng, Larry Martin; music score, Frank Marsales.

I LIKE YOUR NERVE. 1931. 7 reels, sd.

Credits: Roland Pertwee; director, William McGann; adaptation,
Huston Branch; dialogue, Roland Pertwee.

I LIVE FOR LOVE. Warner Bros. Productions Corp. Presented by Warner
Bros. Pictures and The Vitaphone Corp. 1935. 8 reels, sd.

Credits: Director, Busby Berkeley; story and screenplay, Jerry Wald,
Julius J. Epstein, Robert Andrews; music and lyrics, Allie Wrubel,
Mort Dixon.

I LIVE MY LIFE. 1935. 10 reels, sd., b&w. Based upon a short story by
A. Carter Goodloe.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke;
screenplay, Joseph L. Mankiewicz; story, Gottfried Reinhardt, Ethel
Borden; film editor, Tom Held; music, Dimitri Tiomkin.

I LOST MY HEART IN HEIDELBERG. SEE The Student's Romance.

I LOVE A LASSIE. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough.
1931. 1 reel, sd.

I LOVE AN ACTRESS. SEE The Great Flirtation.

I LOVE THAT MAN. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown;
story, Gene Towne, Graham Baker; screenplay, Gene Towne, Graham
Baker, Casey Robinson.

I LOVE TO SINGA. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
animation, Charles Jones, Virgil Ross; music, Norman Spencer.

I LOVE YOU. Triangle Film Corp. 1923. 6 reels. Re-edited and
re-titled.

I LOVE YOU. SEE Lovin' the Ladies.

I LOVE YOU MADLY. SEE Te Quiero con Locura.

I LOVED A WOMAN. Presented by First National, Inc. and The Vitaphone
Corp. 1933. 80 mins., sd. Based on novel by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon,
Sidney Sutherland; film editor, Bert Levy.

I LOVED YOU WEDNESDAY. 1933. 6,900 ft., sd. From the comedy of the
same name which is a revised version of "It Couldn't Happen Twice"
by Molly Ricardel and William Du Bois.

Credits: Directors, Henry King, William Cameron Menzies; screenplay,
Philip Klein, Horace Jackson; editor, Frank Hull.

I MARRIED A DOCTOR. Presented by Warner Bros. Pictures, Inc. and The
Vitaphone Corp. 1936. 9 reels, sd. From the novel "Main Street" by
Sinclair Lewis.

Credits: Director, Archie Mayo; dramatization, Harriet Ford, Harvey
O'Higgins; screenplay, Casey Robinson.

I MARRIED A SPY. 1938. 6 reels, sd. From the novel "Secret Lives" by
Paul de Sainte-Colombe.

Credits: Producer, Hugh Perceval; director, Edmond Greville;
screenplay, Basil Mason, Hugh Perceval, Edmond Greville.

I MET HIM IN PARIS. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Helen
Meinardi; screenplay, Claude Binyon; editor, Otho Lovering; music
director, Boris Morros.

I MET MY LOVE AGAIN. Released thru United Artists. 1938. 8 reels, sd.
Based upon the novel "Summer Lightning" by Allene Corliss.

Credits: Directors, Arthur Ripley, Joshua Logan; screenplay, David
Hertz; film editors, Otho Lovering, Edward Mann; music director, Rox
Rommell.

I-O-U MY HEART. Trailer. 1936. 1 reel, sd.

I ONLY HAVE EYES FOR YOU. (Merrie Melodies) 1937. 8 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery;
animation, Bob Clampett, Virgil Ross; music, Carl W. Stalling.

I PROMISE TO PAY. 1937. 7 reels, sd.

Credits: Director, D. Ross Lederman; original screenplay, Mary C.
McCall, Jr., Lionel Houser; film editor, James Sweeney; music
director, Morris Stoloff.

I QUIT! Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

I SCREAM. 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Eddie Moran.

I SELL ANYTHING. Presented by First National Productions Corp. and The
Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Robert Florey; story, Albert J. Cohen, Robert T.
Shannon; screenplay, Brown Holmes, Sidney Sutherland.

I STAND ACCUSED. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original
screenplay, Gordon Kahn; additional dialogue, Alex Gottlieb; film
editor, Ernest Nims; music director, Cy Feuer.

I STAND CONDEMNED. Released thru United Artists. 1936. 8 reels, sd.
Based on "Moscow Nights" by Pierre Benoit.

Credits: Producer, Alexis Granowsky; director, Anthony Asquith;
scenario, Eric Siepmann; film editor, Francis D. Lyon.

I STOLE A MILLION. 1939. 10 reels, sd.

Credits: Associate producer, Burt Kelly; director, Frank Tuttle;
original story, Lester Cole; screenplay, Nathanael West; film
editor, Edward Curtis.

I SURRENDER, DEAR. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A.
Waldron, Earle Rodney, Harry McCoy.

I SURRENDER, DEAR. Presented By E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A.
Waldron, Earl Rodney, Harry McCoy; film editor, William Hornbeck.

I TAKE THIS WOMAN. 1931. 8 reels. From the novel "Lost Ecstasy" by
Mary Roberts Rinehart.

Credits: Director, Marion Gering; adaptation, Vincent Lawrence.

I THANK YOU. SEE Eddie White in I Thank You.

I WANNA BE A LIFE GUARD. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William
Sturm.

I WANNA PLAY HOUSE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

I WANT MY MAN. 1925. 7 reels. From the novel "The Interpreter's House"
by Struthers Burt.

Credits: Director, Lambert Hillyer; adapted and supervised. Earl
Hudson; scenario, Joseph Poland, Earle Snell.

Credits: Producer, Charles E. Bartlett.

I WANT TO BE AN ACTRESS. (A Scrappy Cartoon) 1937. 628 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation,
Harry Love; music, Joe de Nat.

I WANT TO FORGET. 1918. 5 reels.

Credits: Scenario and direction, James Kirkwood; story, Harry O.
Hoyt, Hamilton Smith.

I WANTED RED WINGS. SEE Baby Rabbit in I Wanted Red Wings.

I WAS A CONVICT. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Aubrey Scotto;
original story, Robert D. Andrews; screenplay, Ben Markson, Robert
D. Andrews; film editor, Gene Milford; music director, Cy Feuer.

I WAS A SPY. Gaumont British Picture Corp. 1933. 7,750 ft., sd.

Credits: Director, Victor Saville; story, Marthe McKenna; scenario
and dialogue, W. P. Lipscomb; additional dialogue, J. H. Beith.

I WILL BE FAITHFUL. SEE Human Cargo.

I WILL REPAY. 1916. 3 reels.

I WILL REPAY. 1917. 5 reels. Based on the story "A Municipal Report"
by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. Searle; adaptation, William Addison
Lathrop.

I WISH I HAD WINGS. (Merrie Melodies, no. 2) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin
Hamilton, Paul Smith; music score, Frank Marsales.

I WISHED ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

I WONDER WHO'S KISSING HER NOW. 1931. 1 reel.

Credits: Max E. Fleischer; director, Dave Fleischer.

I YAM LOVE SICK. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel,
William Henning.

Previous Next

Comments

0%13 min left in chapter