Chapter XI: Part 11
=Hilda=. Art student in Rome, beloved by Kenyon, another artist, and friend of Miriam. Hilda is the accidental witness of the homicide committed by Donatello, and the horror of the secret drives her almost mad.—Nathaniel Hawthorne, _The Marble Faun_.
_Hilda_. Wife of _Herluf_, who has excited his father—the “Judge’s” wrath. The old man strikes his son while Hilda’s arms are about her husband, and Herluf, maddened, leaves home and wife for America. Letters from New York tell his father of his successes there, and he at last begs Hilda to bring him home. She obeys, and the two men embrace with tears.—Hjalmar Hjorth Boyesen, _A Child of the Age_ (1889).
_Hilda’s Little Hood_. Tale of a scarlet hood (with a pretty face within it) that won a man’s heart.—Hjalmar Hjorth Boyesen’s _Idylls of Norway_ (1882).
=Hilarius= (_Brother_), refectioner at St. Mary’s.—Sir W. Scott, _The Monastery_ (time, Elizabeth).
=Hildebrand=, Pope Gregory VII. (1013, 1073-1085). He demanded for the Church the right of “investiture” or presentation to all ecclesiastical benefices, the superiority of the ecclesiastical to the temporal authority, enforced the celibacy of all clergymen, resisted simony, and greatly advanced the domination of the popes.
We need another Hildebrand to shake
And purify us.
Longfellow, _The Golden Legend_ (1851).
_Hil´debrand_ (_Meister_), the Nestor of German romance, a magician and champion.
⁂ Maugis, among the paladins of Charlemagne, sustained a similar twofold character.
=Hil´debrod= (_Jacob_, _duke_), president of the Alsatian Club.—Sir W. Scott, _Fortunes of Nigel_ (time, James I.).
=Hil´desheim=. The monk of Hildesheim, doubting how a thousand years with God could be “only one day,” listened to the melody of a bird in a green wood, as he supposed, for only three minutes, but found that he had in reality been listening to it for a hundred years.
=Hill= (_Dr. John_), whose pseudonym was “Mrs. Glasse.” Garrick said of him:
For physic and farces,
His equal there scarce is.
For his farces are physic, and his physic a farce is.
=Hil´lary= (_Tom_), apprentice of Mr. Lawford, the town clerk. Afterwards Captain Hillary.—Sir W. Scott, _The Surgeon’s Daughter_ (time, George II.).
=Hinch´up= (_Dame_), a peasant, at the execution of Meg Murdockson.—Sir W. Scott, _Heart of Midlothian_ (time, George II.).
=Hin´da=, daughter of Al Hassan, the Arabian emir of Persia. Her lover, Hafed, a gheber or fire-worshipper, was the sworn enemy of the emir. Al Hassan sent Hinda away, but she was taken captive by Hafed’s party. Hafed, being betrayed to Al Hassan, burnt himself to death in the sacred fire, and Hinda cast herself headlong into the sea.—T. Moore, _Lalla Rookh_ (“The Fire-Worshippers,” 1817).
=Hinzelmann=, the most famous house-spirit or kobold of German legend. He lived four years in the old castle of Hudemühlen, and then disappeared for ever (1588).
=Hippol´ito=. So Browning spells the name of the son of Theseus (2 _syl._) and An´tiopê. Hippolito fled all intercourse with woman. Phædra, his mother-in-law, tried to seduce him, and when he resisted her solicitations, accused him to her husband of attempting to dishonor her. After death he was restored to life under the name of Virbius (_vir-bis_, “twice a man”). (See HIPPOLYTOS).
Hippolito, a youth who never knew a woman.
Browning.
=Hippol´yta=, queen of the Am´azons, and daughter of Mars. She was famous for a girdle given her by the war-god, which Herculês had to obtain possession of as one of his twelve labors.
⁂ Shakespeare has introduced Hippolyta in his _Midsummer Night’s Dream_, and betroths her to Theseus (2 _syl._) duke of Athens; but according to classic fable, it was her sister An´tiopê (4 _syl._) who married Theseus.
_Hippolyta_, a rich lady wantonly in love with Arnoldo. By the cross purposes of the plot, Leopold, a sea-captain, is enamoured of Hippolyta, Arnoldo is contracted to the chaste Zeno´cia, and Zenocia is dishonorably pursued by the Governor Count Clo´dio.—Beaumont and Fletcher, _The Custom of the Country_ (1647).
=Hippolytos= (in Latin, _Hippolytus_), son of Theseus. He provoked the anger of Venus by disregarding her love, and Venus, in revenge, made Phædra (his mother-in-law) fall in love with him, and when Hippolytos repulsed her advances, she accused him to her husband of seeking to dishonor her. Theseus prayed Neptune to punish the young man, and the sea-god, while the young man was driving in his chariot, scared the horses with sea-calves. Hippolytos was thrown from the chariot and killed, but Diana restored him to life again. (See HIPPOLITO.)
Hippolytus himself would leave Diana
To follow such a Venus.
Massinger, _A New Way to Pay Old Debts_, iii. 1 (1628).
=Hippom´enes= (4 _syl._), a Grecian prince who outstripped Atalanta in a foot-race, by dropping three golden apples, which she stopped to pick up. By this conquest he won Atalanta to wife.
E’en here, in this region of wonders, I find
That light-footed Fancy leaves Truth far behind;
Or, at least, like Hippomenês, turns her astray
By the golden illusions he flings in her way.
T. Moore.
=Hippot´ades= (4 _syl._), Eŏlus, the wind-god, son of Hippota.
[_He_] questioned every gust of rugged winds
That blows from off each beaked promontory:
They knew not of his story;
And sage Hippotadês, their answer brings,
That not a blast was from his dungeon strayed.
Milton, _Lycidas_ (1638).
=Hiren=, a strumpet. From Peele’s play _The Turkish Mahomet and Hyren the Fair Greek_ (1584).
In Italian called a _courtezan_; in Spain a _margarite_; in French _une putaine_; in English...a punk.
“There be Sirens in the sea of the world. Syrens? _Hirens_, as they are now called. What a number of these sirens [_Hirens_], cockatrices, courteghians, in plain English, harlots, swimme amongst us!”—Adams, _Spiritual Navigator_ (1615).
=Hiroux= (_Jean_), the French “Bill Sikes,” with all the tragic elements eliminated.
_Pres._ Where do you live? _Jean._ Haven’t got any. _Pres._ Where were you born? _Jean._ At Galard. _Pres._ Where is that? _Jean._ At Galard. _Pres._ What department? _Jean._ Galard. Henri Monnier, _Popular Scenes drawn with Pen and Ink_ (1825).
=Hislop= (_John_), the old carrier at Old St. Ronan’s.—Sir W. Scott, _St. Ronan’s Well_ (time, George III.).
=Histor´icus=, the _nom de plume_ of the Hon. E. Vernon Harcourt, for many years the most slashing writer in the _Saturday Review_, and a writer in the _Times_.
=History= (_Father of_). Herod´otos, the Greek historian, is so called by Cicero (B.C. 484-408).
_History_ (_Father of Ecclesiastical_), Polygnotos of Thaos (fl. B. C. 463-435). The Venerable Bede is so called sometimes (672-735).
_History_ (_Father of French_), Andre Duchesne (1584-1640).
=Histrio-mastix=, a tirade against theatrical exhibitions, by William Prynne (1632).
=Ho´amen=, an Indian tribe settled on a south branch of the Missouri, having Az´tlan for their imperial city. The Az´tecas conquered the tribe, deposed the queen, and seized their territory by right of conquest. When Madoc landed on the American shore, he took the part of the Hoamen, and succeeded in restoring them to their rights. The Aztecas then migrated to Mexico (twelfth century).—Southey, _Madoc_ (1805).
=Hob Miller= of Twyford, an insurgent.—Sir W. Scott, _The Betrothed_ (time, Henry II.).
=Hob or Happer=, miller at St. Mary’s Convent.
_Mysie Happer_, the miller’s daughter. She marries Sir Piercie Shafton.—Sir W. Scott, _The Monastery_ (time, Elizabeth).
=Hob´bididance= (_4 syl._), the prince of dumbness, and one of the five fiends that possessed “poor Tom.”—Shakespeare, _King Lear_, act iv. sc. 1 (1605).
⁂ This name is taken from Harsnett’s _Declaration of Egregious Popish-Impostures_ (1561-1631).
=Hobbie O’Sorbie´trees,= one of the huntsmen near Charlie’s Hope farm.—Sir. W. Scott, _Guy Mannering_ (time, George II.)
=Hob´bima= (_The English_), John Crome, of Norwich, whose last words were: “O Hobbima, Hobbima, how I do love thee!” (1769-1821).
_Hob´bima (The Scotch)_, P. Nasmyth (1831- ).
⁂ Minderhout Hobbima, a famous landscape painter of Amsterdam (1638-1709).
=Hobbinol.= (See HOBINOL).
=Hobbler= or CLOPINEL, Jehan de Meung, the French poet, who was lame (1260-1320). Meung was called by his contemporaries _Père de l’Eloquence_.
⁂ Tyrtæus, the Greek elegiac poet, was called “Hobbler” because he introduced the alternate pentameter verse, which is one foot shorter than the old heroic metre.
_Hobbler (The Rev. Dr.)_, at Ellieslaw Castle, one of the Jacobite conspirators with the laird of Ellieslaw.—Sir W. Scott _The Black Dwarf_ (time, Anne).
=Hobby-horse= (_The_), one of the masquers at Kennaquhair Abbey.—Sir W. Scott, _The Abbot_ (time Elizabeth).
=Hobinol= or =Hobbinol= is Gabriel Harvey, physician, LL.D., a friend and college chum of Edmund Spenser, the poet. Spenser, in his ecl. iv., makes Thenot inquire, “What gars thee to weep?” and Hobinol replies it is because his friend Colin, having been flouted by Rosalind (ecl. i.), has broken his pipe and seems heart-broken with grief. Thenot then begs Hobinol to sing to him one of Colin’s own songs, and Hobinol sings the lay of “Elisa, queen of the shepherds” (_Queen Elizabeth_), daughter of Syrinx and Pan (_Anne Boleyn_ and _Henry VIII._). He says Phœbus thrust out his golden head to gaze on her, and was amazed to see a sun on earth brighter and more dazzling than his own. The Graces requested she might make a fourth grace, and she was received amongst them and reigned with them in heaven. The shepherds then strewed flowers to the queen, and Elisa dismissed them, saying that at the proper season she would reward them with ripe damsons (ecl. iv.) Ecl. ix. is a dialogue between Hobinol and Diggon Davie, upon Popish abuses. (See DIGGON DAVIE).—Spenser, _Shephearde’s Calendar_ (1572.)
=Hobnel´ia=, a shepherdess, in love with Lubberkin, who disregarded her. She tried by spells to win his love, and after every spell she said:
With my sharp heel I three times mark the ground,
And turn me thrice around, around, around.
Gay, _Pastoral_, iv. (1717).
=Hob´son= (_Thomas_), a carrier who lived at Cambridge in the seventeenth century. He kept a livery stable, but obliged the university students to take his hacks in rotation. Hence the term _Hobson’s choice_ came to signify “this or none.” Milton (in 1660) wrote two humorous poems on the death of the old carrier.
=Hochspring´en= (_The young duke of_), introduced in Donnerhugel’s narrative.—Sir W. Scott, _Anne of Geierstein_ (time, Edward IV.).
=Hocus= (_Humphry_), “the attorney” into whose hands John Bull and his friends put the law-suit they carried on against Lewis Baboon (_Louis XIV_.). Of course, Humphry Hocus is John Churchill, duke of Mariborough, who commanded the army employed against the Grand Monarque.
Hocus was an old cunning attorney; and though this was the first considerable suit he was ever engaged in, he showed himself superior in address to most of his profession. He always kept good clerks. He loved money, was smooth-tongued, gave good words, and seldom lost his temper.... He provided plentifully for his family; but he loved himself better than them all. The neighbors reported that he was henpecked, which was impossible by such a mild-spirited woman as his wife was [_his wife was a desperate termagant_].—Dr. Arbuthnot, _History of John Bull_, v. (1712).
=Hodei´rah= (_3 syl._), husband of Zei´nab (_2 syl._) and father of Thalaba. He died while Thalaba was a mere lad.—Southey, _Thalaba the Destroyer_, i. (1797).
=Hodeken= (_i.e. little hat_), a German kobold or domestic fairy, noted for his little felt hat.
=Hö´der=, the Scandinavian god of darkness, typical of night. He is called the blind old god. Balder is the god of light, typical of day. According to fable Höder killed Balder with an arrow made of mistletoe, but the gods restored him to life again.
Höder, the blind old god,
Whose feet are shod with silence.
Longfellow, _Tegner’s Death_.
=Hodge=, Gammer Gurton’s goodman, whose breeches she was repairing when she lost her needle.—Mr. S., Master of Arts, _Gammer Gurton’s Needle_ (1551).
⁂ Mr. S. is said to be J. Still, afterwards bishop of Bath and Wells, but in 1551 he was only eight years old.
=Hodges= (_John_), one of Waverley’s servants.—Sir W. Scott, _Waverley_ (time, George II.).
_Hodges (Joe)_, landlord of Bertram, by the lake near Merwyn Hall.—Sir W. Scott, _Guy Mannering_ (time, George II.).
=Hodge´son= (_Gaffer_), a puritan.—Sir W. Scott, _Peveril of the Peak_ (time, Charles II.).
=Hoel= (_2 syl._), king of the Armorican Britons, and nephew of King Arthur. Hoel sent an army of 15,000 men to assist his uncle against the Saxons (501). In 509, being driven from his kingdom by Clovis, he took refuge in England; but in 513 he recovered his throne, and died in 545.
[_Arthur_], calling to his aid
His kinsman Howel, brought from Brittany, the less,
Their armies they unite.... [_and conquer the Saxons at Lincoln_].
Drayton, _Polyolbion_, iv. (1612).
_Ho´el_, son of Prince Hoel and Lla´ian. Prince Hoel was slain in battle by his half-brother David, king of North Wales, and Llaian, with her son, followed the fortunes of Prince Madoc, who migrated to North America. Young Hoel was kidnapped by Ocell´opan, an Az´tec, and carried to Az´tlan for a propitiatory sacrifice to the Aztecan gods. He was confined in a cavern without food; but Co´atel, a young Aztecan wife, took pity on him, visited him, supplied him with food, and assisted Madoc to release him.—Southey, _Madoc_ (1805).
=Ho´garth= (_William_), called “The Juvenal of Painters” (1695-1764).
_Hogarth (The Scottish)_, David Allan (1744-1796).
=Hogarth of Novelists=, Henry Fielding (1707-1754).
=Hold´enough= (_Master Nehemiah_), a Presbyterian preacher, ejected from his pulpit by a military preacher.—Sir W. Scott, _Woodstock_ (time, Commonwealth).
=Holgrave=, daguerreotypist, who rents a room from Miss Hepzibah Pyncheon, falls in love with and marries Phœbe Pyncheon.—Nathaniel Hawthorne, _The House of the Seven Gables_ (1851).
=Holiday= (_Erasmus_), schoolmaster in the Vale of Whitehorse.—Sir W. Scott, _Kenilworth_ (time, Elizabeth).
=Holipher´nes= (_4 syl._), called “English Henry,” one of the Christian knights in the allied army of Godfrey, in the first crusade. He was slain by Dragu´tês (_3 syl._). (See HOLOPHERNES).—Tasso, _Jerusalem Delivered_, ix. (1575).
=Hollingsworth=. Big, one-ideaed philanthropist, and a leader in the Blithedale farm project. “He had taught his benevolence to pour its warm tide exclusively through one channel, so that there was nothing to spare for other great manifestations of love to man, nor scarcely for the nutriment of individual attachments, unless they could minister, in some way, to the terrible egotism which he mistook for an angel of GOD.”
He is beloved by _Zenobia_, and gives what love he can spare from himself and his Idea to weak, silly _Priscilla_.—Nathaniel Hawthorne, _The Blithedale Romance_ (1852).
=Holman= (_Lieutenant James_), the blind traveller (1787-1857).
=Hol´opherne= (_Thubal_), the great sophister, who, in the course of five years and three months, taught Gargantua to say his ABC backwards.—Rabelais, _Gargantua_, i. 14 (1533).
=Holopher´nes= (_4 syl._). a pedantic schoolmaster, who speaks like a dictionary. The character is meant for John Florio, a teacher of Italian in London, who published, in 1598, a dictionary called _A World of Words_. He provoked the retort by condemning wholesale the English dramas, which, he said, were “neither right comedies nor right tragedies, but perverted histories without decorum.” The following sentence is a specimen of the style in which Shakespeare caricatured his style:
The deer was...in _sanguis_ (blood), ripe as a pomewater who now hangeth like a jewel in the ear of _cœlo_ (the sky, the welkin, the heaven); and anon falleth like a crab on the face of _terra_ (the soil, the land, the earth).—Shakespeare, _Love’s Labor’s Lost_, act iv. sc. 2 (1594).
⁂ _Holophernes_ is an imperfect anagram of “Joh´nes Florio,” the first and last letters being omitted, F=ph.
=Holt= (_Felix_). A collarless radical who sets a neighborhood by the ears, and stultifies himself by wooing a gentlewoman.—George Eliot, _Felix Holt_ (_Radical_).
=Holy Bottle= (_The Oracle of the_), the object of Pantag´ruel’s search. He visited various lands with his friend Panurge (2 _syl._), the last place being the island of Lantern-land, where the “bottle” was kept in an alabaster fount in a magnificent temple. When the party arrived at the sacred spot, the priestess threw something into the fount; whereupon the water began to bubble, and the word “Drink” issued from the “bottle.” So the whole party set to drinking Falernian wine, and, being inspired with drunkenness, raved with prophetic madness; and so the romance ends.—Rabelais, _Pantagruel_ (1545).
Like Pantagruel and his companions in quest of the “Oracle of the Bottle.”—Sterne.
=Holy Brotherhood= (_The_), in Spain called _Santa Hermandad_, was an association for the suppression of highway robbery.
The thieves,...believing the Holy Brotherhood was coming...got up in a hurry, and alarmed their companions.—Lesage, _Gil Blas_, i. 6 (1715).
=Holy Maid of Kent=, Elizabeth Barton, who incited the Roman Catholics to resist the progress of the Reformation, and pretended to act under divine inspiration. She was executed in 1534 for “predicting” that the king (Henry VIII.) would die a sudden death if he divorced Queen Katharine and married Anne Boleyn. At one time she was thought to be inspired with a prophetic gift, and even the lord chancellor, Sir Thomas More, was inclined to think so.
=Home, Sweet Home=. The words of this popular song are by John Howard Payne, an American. It is introduced in his melodrama called _Clari_, or _The Maid of Milan_. The music is by Sir Henry Bishop, and was originally sung in 1823 by Miss M. Tree.
=Homer= (_The British_). Milton is so called on Gray’s monument in Westminster Abbey.
No more the Grecian muse unrivalled reigns;
To Britain let the nations homage pay:
She felt a Homer’s fire in Milton’s strains,
A Pindar’s rapture in the lyre of Gray.
_Homer_ (_The Casket_), an edition of _Homer_ corrected by Aristotle, which Alexander the Great carried about with him, and placed in the golden casket richly studded with gems, found in the tent of Darīus. Alexander said there was but one thing in the world worthy to be kept in so precious a casket, and that was Aristotle’s _Homer_.
_Homer_ (_The Celtic_), Ossian, son of Fingal, king of Morven.
_Homer_ (_The Oriental_), Ferdusi, the Persian poet, who wrote the _Shâh Nâmeh_, or history of the Persian kings. It contains 120,000 verses, and was the work of thirty years (940-1020).
_Homer_ (_The Prose_). Henry Fielding, the novelist, is called by Byron “The Prose Homer of Human Nature” (1707-1764).
_Homer_ (_The Scottish_), William Wilkie, author of _The Epigon´iad_ (1721-1772).
=Homer of our Dramatic Poets= (_The_). So Shakespeare is called by Dryden (1564-1616).
Shakespeare was the Homer or father of our dramatic poets; Jonson was the Virgil. I admire rare Ben, but I love Shakespeare.—Dryden.
=Homer of Ferra´ra= (_The_). Ariosto was called by Tasso, _Omero Ferraresê_ (1474-1533).
=Homer of the Franks= (_The_), Angilbert was so called by Charlemagne (died 814).
=Homer of the French Drama= (_The_). Pierre Corneille was so called by Sir Walter Scott (1606-1684).
=Homer of Philosophers= (_The_), Plato (B. C. 429-347).
=Homer the Younger=, Philiscos, one of the seven Pleiad poets of Alexandria, in the time of Ptolemy Philadelphos.
=Homeric Characters.=
AGAMEMNON, haughty and imperious; ACHILLES, brave, impatient of command, and relentless; DIOMED, brave as Achilles, but obedient to authority; AJAX _the Greater_, a giant in stature, fool-hardy, arrogant, and conceited; NESTOR, a sage old man, garrulous on the glories of his youthful days; ULYSSES, wise, crafty, and arrogant; PATROCLOS, a gentle friend; THERSITES, a scurrilous demagogue.
HECTOR, the protector and father of his country, a brave soldier, an affectionate husband, a wise counsellor, and a model prince; SARPEDON, the favorite of the gods, gallant and generous; PARIS, a gallant and a fop; TROILUS, “the prince of chivalry;” PRIAM, a broken-spirited old monarch.
HELEN, a heartless beauty, faithless, and fond of pleasure; ANDROM´ACHÊ, a fond young mother and affectionate wife; CASSANDRA, a querulous, croaking prophetess; HECUBA, an old she-bear robbed of her whelps.
=Homespun= (_Zekiel_), a farmer of Castleton. Being turned out of his farm, he goes to London to seek his fortune. Though quite illiterate, he has warm affections, noble principles, and a most ingenious mind. Zekiel wins £20,000 by a lottery ticket, bought by his deceased father.
_Cicely Homespun_, sister of Zekiel, betrothed to Dick Dowlas (for a short time the Hon. Dick Dowlas). When Cicely went to London with her brother, she took a situation with Caroline Dormer. Miss Dormer married “the heir-at-law” of Baron Duberly, and Cicely married Dick Dowlas.—G. Colman, _The Heir-at Law_ (1797).
=Hominy= (_Mrs._), philosopher and authoress, wife of Major Hominy, and “mother of the modern Gracchi,” as she called her daughter, who lived at New Thermopylæ, three days this side of “Eden,” in America. Mrs. Hominy was considered by her countrymen a “very choice spirit.”—C. Dickens, _Martin Chuzzlewit_ (1844).
=Homo Sum.= A story by George Ebers, telling of the life, temptations, and victories of certain anchorites living on Mt. Sinai.
=Honest George.= General George Monk, duke of Albemarle, was so called by the Cromwellites (1608-1670).
=Honest Man.= Diogenês, being asked one day what he was searching for so diligently that he needed the light of a lantern in broad day, replied, “An honest man.”
Searched with lantern-light to find an honest man.
Southey, _Roderick, etc._, xxi. (1814).
Still will he hold his lantern up to scan
The face of monarchs for an honest man.
Byron, _Age of Bronze_, x. (1821).
=Honest Thieves= (_The_). The “thieves” are Ruth and Arabella, two heiresses, brought up by Justice Day, trustee of the estates of Ruth and guardian of Arabella. The two girls wish to marry Colonel Careless and Captain Manly, but do not know how to get possession of their property, which is in the hands of Justice Day. It so happens that Day goes to pay a visit, and the two girls, finding the key of his strong box, help themselves to the deeds, etc., to which they are respectively entitled. Mrs. Day, on her return, accuses them of robbery; but Manly says, “Madam, they have taken nothing but what is their own. They are honest thieves, I assure you.”—T. Knight (a farce).
⁂ This is a mere _rifacimento_ of _The Committee_ (1670), by the Hon. Sir R. Howard. Most of the names are identical, but “Captain Manly” is substituted for Colonel Blunt.
=Honey.= Glaucus, son of Minos, was smothered in a cask of honey.
=Honeycomb= (_Will_), a fine gentleman, the great authority on the fashions of the day. He was one of the members of the imaginary club from which the _Spectator_ issued.—_The Spectator_ (1711-1713).
=Honeycombe= (_Mr._), the uxorious husband of Mrs. Honeycombe, and father of Polly. Self-willed, passionate, and tyrannical. He thinks to bully Polly out of her love-nonsense, and by locking her in her chamber to keep her safe, forgetting that “love laughs at locksmiths,” and “where there’s a will there’s a way.”
_Mrs. Honeycombe_, the dram-drinking, maudling, foolish wife of Mr. Honeycombe, always ogling him, calling him “lovey,” “sweeting,” or “dearie,” but generally muzzy, and obfuscated with cordials or other messes.
_Polly Honeycombe_, the daughter of Mr. and Mrs. Honeycombe; educated by novels, and as full of romance as Don Quixote. Mr. Ledger, a stock broker, pays his addresses to her; but she hates him, and determines to elope with Mr. Scribble, an attorney’s clerk, and nephew of her nurse. This folly, however, is happily interrupted.—G. Colman, the elder, _Polly Honeycombe_ (1760).
=Honeyman= (_Charles_), a free-and-easy clergyman, of social habits and fluent speech,—Thackeray, _The Newcomes_ (1855).
=Honeymoon= (_The_), a comedy by J. Tobin (1804). The general scheme resembles that of the _Taming of the Shrew_, viz., breaking-in an unruly colt of high mettle to the harness of wifely life. The duke of Aranza marries the proud, overbearing, but beautiful Juliana, eldest daughter of Balthazar. After marriage, he takes her to a mean hut, and pretends he is only a peasant, who must work for his daily bread, and that his wife must do the household drudgery. He acts with great gentleness and affection; and by the end of the month, Juliana, being thoroughly reformed, is introduced to the castle, where she finds that her husband after all is the duke, and that she is the duchess of Aranza. It is an excellent and well written comedy.
=Honeywood=, “the good-natured man,” whose property is made the prey of swindlers. His uncle, Sir William Honeywood, in order to rescue him from sharpers, causes him to be seized for a bill to which he has lent his name “to a friend who absconded.” By this arrest the young man is taught to discriminate between real friends and designing knaves. Honeywood dotes on Miss Richland, but fancies she loves Mr. Lofty, and therefore forbears to avow his love; eventually, however, all comes right. Honeywood promises to “reserve his pity for real distress, and his friendship for real merit.”
_Sir William Honeywood_, uncle of Mr. Honeywood “the good-natured man.” Sir William sees with regret the faults of his nephew, and tries to correct them. He is a dignified and high-minded gentleman.—Goldsmith, _The Good-natured Man_ (1767).
=Hono´ra=, daughter of General Archas, “the loyal subject” of the great-duke of Moscovia, and sister of Viola.—Beaumont and Fletcher, _The Loyal Subject_ (1618).
=Hono´ria=, a fair but haughty dame, greatly loved by Theodore of Ravenna; but the lady “hated him alone,” and, “the more he loved the more she disdained.” One day she saw the ghost of Guido Cavalcanti hunting with two mastiffs a damsel who despised his love and who was doomed to suffer a year for every month she had tormented him. Her torture was to be hunted by dogs, torn to pieces, disemboweled, and restored to life again every Friday. This vision so acted on the mind of Honoria, that she no longer resisted the love of Theodore, but, “with the full consent of all, she changed her state.”—Dryden, _Theodore and Honoria_ (a poem).
⁂ This tale is from Boccaccio, _Decameron_ (day v. 8).
=Honour= (_Mrs._), the waiting gentlewoman of Sophia Western.—Fielding, _Tom Jones_ (1749).
This is worse than Sophy Western and Mrs. Honour about Tom Jones’s broken arm.—Prof. J. Wilson.
=Honour and Glory Griffiths.= Captain Griffiths, in the reign of William IV., was so called because he used to address his letters to the Admiralty, to “Their Honours and Glories at the Admiralty.”
Honor is often personified by the poets. Emerson said of Judge Hoar, “When he sat upon the bench, Honor came and sat beside him.”
=Honors= (_Crushed by His_ or _Her_).
Tarpeia (3 _syl._), daughter of Tarpeius (governor of the citadel of Rome), promised to open the gates to Tatius, if his soldiers would give her the ornaments they wore on their arms. As the soldiers entered the gate, they threw on her their shields, and crushed her to death, saying, “These are the ornaments we Sabines wear on our arms.”
Draco, the Athenian legislator, was crushed to death in the theatre of Ægīna by the number of caps and cloaks showered on him by the audience, as a mark of honor.
Elagab´alus, the Roman emperor, invited the leading men of Rome to a banquet, and, under pretense of showing them honor, rained roses upon them till they were smothered to death.
=Hood= (_Riley_), smart boy who is willing that his grandmother “may pit Gener’l Washington an’ the old man Noah agin one ’nother right at the door of the ark,” provided his father does not compel him to authenticate her stories or be thrashed.—Richard Malcolm Johnston, _Other Georgia Folk_ (1887).
_Hood_ (_Robin_), a famous English outlaw. Stow places him in the reign of Richard I., but others make him live at divers periods between Cœur de Lion and Edward II. His chief haunt was Sherwood Forest, in Nottinghamshire. Ancient ballads abound with anecdotes of his personal courage, his skill in archery, his generosity, and great popularity. It is said that he robbed the rich, but gave largely to the poor, and protected women and children with chivalrous magnanimity. The ballad, “The Death of Robin Hood,” says that he was treacherously bled to death by his sister, the Prioress of the Abbey of Kirklees.
Stukeley asserts that Robin Hood was Robert Fitzooth, earl of Huntingdon; and it is probable that his name _hood_, like _capet_ given to the French king of the Hugues, refers to the cape or hood which he usually wore.
⁂ The chief incidents of his life are recorded by Stow. Ritson has collected a volume of songs, ballads, and anecdotes called _Robin Hood ... that Celebrated English Outlaw_ (1795). Sir W. Scott has introduced him in his famous novel _Ivanhoe_, which makes the outlaw contemporary with Cœur de Lion.
_Robin Hood’s Men._ The most noted of his followers were Little John, whose surname was Nailor; his chaplain, Friar Tuck; William Scarlet, Scathelooke (2 _syl._), or Scadlock, sometimes called two brothers; Will Stutly or Stukely; Mutch, the miller’s son; and the maid Marian.
=Hookem= (_Mr._), partner of lawyer Clip-purse at Waverley Honor.—Sir. W. Scott, _Waverley_ (time, George II.).
=Hooker= (_Thomas_). In his eulogy upon Master Thomas Hooker, Cotton Mather “invites the reader to behold at once the wonders of New England, and it is in one Thomas Hooker that he shall behold them.”—Cotton Mather, D. D., _Magnolia Christi Americana_ (1702).
=Hop= (_Robin_), the hop plant.
Get into thy hop-yard, for now it is time
To teach Robin Hop on his pole how to climb.
T. Tusser, _Five Hundred Points of Good
Husbandry_, xli. 17 (1557).
=Hope.= The name of the first woman, according to Grecian mythology, was Pandôra, made by Hephæstos (_Vulcan_) out of earth. She was called Pandôra (“all-gifted”) because all the deities contributed something to her charms. She married Epime´theus (4 _syl._), in whose house was a box which no mortal might open. Curiosity induced Pandôra to peep into it, when out flew all the ills of humanity, and she had just time to close the lid to prevent the escape of Hope also.
When man and nature mourned their first decay ...
All, all forsook the friendless, guilty mind,
But Hope—the charmer lingered still behind.
Campbell, _Pleasures of Hope_, i. (1799).
_Hope_ (_The Bard of_), Thomas Campbell, who wrote _The Pleasures of Hope_, in two parts (1777-1844).
_Hope_ (_Dorothy_). An ingenuous, dimpled village girl, who attracts the fancy and satisfies the heart of a world-weary man.—Ellen Olney Kirk, _Daughter of Eve_ (1889).
_Hope_ (_The Cape of Good_), originally called “The Cape of Storms”.
Similarly, the Euxine (_i.e._ “hospitable”) Sea was originally called by the Greeks, the Axine (_i.e._ “the inhospitable”) Sea.
=Hope Diamond= (_The_), a blue brilliant, weighing 44-1/4 carats.
It is supposed that this diamond is the same as the blue diamond bought by Louis XIV. in 1608, of Tavernier. It weighed in the rough 112-1/4 carats, and after being cut 67-1/8 carats. In 1792 it was lost. In 1830 Mr. Daniel Eliason came into possession of a blue diamond without any antecedent history. This was bought by Mr. Henry Thomas Hope, and is called “The Hope Diamond.”
=Hope of Troy= (_The_), Hector.
[_He_] stood against them, as the Hope of Troy
Against the Greeks.
Shakespeare, 3 _Henry VI._ act ii. sc. 1 (1592).
=Hopeful=, a companion of Christian after the death of Faithful at Vanity Fair.—Bunyan, _The Pilgrim’s Progress_, i, (1678).
=Hope-on-High Bomby=, a puritanical character, drawn by Beaumont and Fletcher.
“Well,” said Wildrake, “I think I can make a Hope-on-High Bomby as well as thou canst.”—Sir W. Scott, _Woodstock_, vii.
=Hopkins= (_Matthew_), of Manningtree, Essex, the witch-finder. In one year he caused sixty persons to be hanged as reputed witches.
Between three and four thousand persons suffered death for witchcraft between 1643 and 1661.—Dr. Z. Grey.
_Hopkins_ (_Nicholas)_, a Chartreux friar, who prophesied “that neither the king [_Henry VIII._] nor his heirs should prosper, but that the duke of Buckingham should govern England.”
_1st Gent._ That devil-monk, Hopkins, hath made this mischief.
_2nd Gent._ That was he that fed him with his prophecies.
Shakespeare, _Henry VIII._ act ii. sc. 1 (1601).
=Hop-o’-my-Thumb=, a character in several nursery tales. Tom Thumb and Hop-o’-my-thumb are not the same, although they are often confounded with each other. Tom Thumb was the son of peasants, knighted by King Arthur, and was killed by a spider; but Hop-’o-my-thumb was a nix, the same as the German _daumling_, the French _le petit pouce_, and the Scotch _Tom-a-lin_ or Tamlane. He was not a human dwarf, but a fay of usual fairy proportions.
Yon Stump-o’-the-gutter, yon Hop-o’-my-thumb,
Your husband must from Lilliput come.
Kane O’Hara, _Midas_ (1778).
=Horace=, son of Oronte (2 _syl._) and lover of Agnes. He first sees Agnes in a balcony, and takes off his hat in passing. Agnes returns his salute, “pour ne point manquer à la civilité.” He again takes off his hat, and she again returns the compliment. He bows a third time, and she returns his “politeness” a third time. “Il passe, vient, repasse, et toujours me fait a chaque fois révérence, et moi nouvelle révérence aussi je lui rendois.” An intimacy is soon established, which ripens into love. Oronte tells his son he intends him to marry the daughter of Enrique (2 _syl._), which he refuses to do; but it turns out that Agnes is in fact Enrique’s daughter, so that love and obedience are easily reconciled.—Molière, _L’école des Femmes_ (1662).
_Horace_ (_The English_). Ben Jonson is so called by Dekker the dramatist (1574-1637).
Cowley was preposterously called by George, duke of Buckingham “The Pindar, Horace, and Virgil of England” (1618-1667).
_Horace_ (_The French_), Jean Macrinus or Salmon (1490-1557).
Pierre Jean de Béranger is called “The Horace of France,” and “The French Burns” (1780-1857).
_Horace_ (_The Portuguese_), A. Ferreira (1528-1569).
_Horace_ (_The Spanish_). Both Lupercio Argen´sola and his brother Bartolome are so called.
=Horace de Brienne= (2 _syl._), engaged to Diana de Lascours; but after the discovery of Ogari´ta [_alias_ Martha, Diana’s sister], he falls in love with her, and marries her with the free consent of his former choice.—E. Stirling, _The Orphan of the Frozen Sea_ (1856).
=Horatia=, daughter of Horatius, “the Roman father.” She was engaged to Caius Curiatius, whom her surviving brother slew in the well-known combat of the three Romans and three Albans. For the purpose of being killed, she insulted her brother Publius in his triumph, and spoke disdainfully of his “patriotic love,” which he preferred to filial and brotherly affection. In his anger he stabbed his sister with his sword.—Whitehead, _The Roman Father_ (1741).
=Hora´tio=, the intimate friend of Prince Hamlet.—Shakespeare, _Hamlet, Prince of Denmark_ (1596).
_Horatio_, the friend and brother-in-law of Lord Al´tamont, who discovers by accident that Calista, Lord Altamont’s bride, has been seduced by Lothario, and informs Lord Altamont of it. A duel ensues between the bridegroom and the libertine, in which Lothario is killed; and Calista stabs herself.—N. Rowe, _The Fair Penitent_ (1703).
=Horatius=, “the Roman father.” He is the father of the three Horatii chosen by the Roman Senate to espouse the cause of Rome against the Albans. He glories in the choice, preferring his country to his offspring. His daughter, Horatia, was espoused to one of the Curiatii, and was slain by her surviving brother for taunting him with murder under the name of patriotism. The old man now renounced his son, and would have given him up to justice, but king and people interposed in his behalf.
_Publius Horatius_, the surviving son of “the Roman father.” He pretended flight, and as the Curiatii pursued, “but not with equal speed,” he slew them one by one as they came up.—Whitehead, _The Roman Father_, (1741).
=Horatius= [=Cocles=], captain of the bridge-gate over the Tiber. When Por´sĕna brought his host to replace Tarquin on the throne, the march on the city was so sudden and rapid that the consul said, “The foe will be upon us before we can cut down the bridge.” Horatius exclaimed, “If two men will join me, I will undertake to give the enemy play till the bridge is cut down.” Spurius Lartius and Herminius volunteered to join him in this bold enterprise. Three men came against them and were cut down. Three others met the same fate. Then the lord of Luna came with his brand, “which none but he could wield,” but the Tuscan was also despatched. Horatius then ordered his two companions to make good their escape, and they just crossed the bridge as it fell in with a crash. The bridge being down, Horatius threw himself into the Tiber and swam safe to shore, amidst the applauding shouts of both armies.—Lord Macaulay, _Lays of Ancient Rome_ (“Horatius,” 1842).
=Horn= (_King_), hero of a French metrical romance, the original of our _Childe Horne_ or _The Geste of Kyng Horn_. The French romance is ascribed to Maistre Thomas; and Dr. Percy thinks the English romance is of the twelfth century, but this is probably at least a century too early.
=Horn of Chastity and Fidelity=.
Morgan la Faye sent King Arthur a drinking-horn, from which no lady could drink who was not true to her husband, and no knight who was not feal to his liege lord. Sir Lamorake sent this horn as a taunt to Sir Mark, king of Cornwall.—Sir T. Malory, _History of Prince Arthur_, (1470).
Ariosto’s enchanted cup.
_The cuckold’s drinking-horn_, from which “no cuckold could drink without spilling the liquor.”
=Horner= (_Jack_), the little boy who sat in a corner to eat his Christmas pie, and thought himself wondrously clever because he contrived to pull out a plum with his thumb.
Little Jack Horner sat in a corner,
Eating a Christmas pie;
He put in his thumb and pulled out a plum,
Saying, “What a good boy am I!”
_Nursery Rhyme_.
In _Notes and Queries_, xvi. 156, several explanations are offered, ascribing a political meaning to the words quoted—Jack Horner being elevated to a king’s messenger or king’s steward, and “the plum” pulled out so cleverly being a valuable deed which the messenger abstracted.
=Horse.= The first to ride and tame a horse for the use of man was Melizyus, king of Thessaly. (See MELIZYUS).
_Horse_ (_The Black_), the 7th Dragoon Guards (_not_ the 7th Dragoons). They have black velvet facings, and their plume is black and white. At one time they rode black horses.
_Horse_ (_The Green_), the 5th Dragoon Guards. (These are called “The Princess Charlotte of Wales’s ...”). Facings dark green velvet, but the plume is red and white.
_Horse_ (_The White_), the 3d Dragoon Guards. (These are called “The Prince of Wales’s ...”).
⁂ All the Dragoon Guards have _velvet_ facings, except the 6th (or “Carabiniers”), which have white _cloth_ facings. By facings are meant the collar and cuffs.
N.B.—“The white horse within the Garter” is _not_ the heraldic insignia of the White Horse Regiment or 3d Dragoon Guards, but of the 3d Hussars (or “The King’s Own”), who have also a white plume. This regiment used to be called “The 3d Light Dragoons.”
_Horse_ (_The Royal_), the Blues.
_Horse_ (_The Wooden_), a huge horse constructed by Ulysses and Diomed, for secreting soldiers. The Trojans were told by Sinon it was an offering made by the Greeks to the sea-god, to ensure a safe home-voyage, adding that the blessing would pass from the Greeks to the Trojans if the horse were placed within the city walls. The credulous Trojans drew the monster into the city; but at night Sinon released the soldiers from the horse and opened the gates to the Greek army. The sentinels were slain, the city fired in several places, and the inhabitants put to the sword. The tale of the “Wooden Horse” forms no part of Homer’s _Iliad_, but is told by Virgil in his _Æne´id_. Virgil borrowed the tale from Arctīnos of Milētus, one of the Cyclic poets, who related the story of the “Wooden Horse” and the “burning of Troy.”
⁂ A very similar strategem was employed in the seventh century A.D. by Abu Obeidah in the siege of Arrestan, in Syria. He obtained leave of the governor to deposit in the citadel some old lumber which impeded his march. Twenty boxes (filled with soldiers) were accordingly placed there, and Abu, like the Greeks, pretended to march homewards. At night the soldiers removed the sliding bottoms of the boxes, killed the sentries, opened the city gates, and took the town.—Ockley, _History of the Saracens_, i. 185.
The capture of Sark was affected by a similar trick. A gentleman of the Netherlands, with one ship, asked permission of the French to bury one of his crew in the chapel. The request was granted, but the coffin was full of arms. The pretended mourners, being well provided with arms, fell on the guards and took the island by surprise.—Percy, _Anecdotes_, 249.
_Horse_ (_Merlin’s Wooden_), Clavilēno. This was the horse on which Don Quixote effected the disenchantment of the infanta Antonomāsia and others.
_Horse_ (_The Enchanted_), a wooden horse with two pegs. By turning one the horse rose into the air, and by turning the other it descended where and when the rider listed. It was given by an Indian to the shah of Persia, as a New Year’s gift.—_Arabian Nights_ (“The Enchanted Horse”), and Chaucer (“The Squire’s Tale”).
_Horse_ (_The Fifteen points of a good_).
A good horse sholde have three propyrtees of a man, three of a woman, three of a foxe, three of a haare, and three of an asse. Of a _man_, bolde, prowde, and hardye. Of a _woman_, fayre-breasted, faire of heere, and easy to move. Of a _foxe_, a fair taylle, short eers, with a good trotte. Of a _haare_, a grate eye, a dry head, and well rennynge. Of an _asse_, a bygge chynn, a flat legge, and a good hoof.—_Wynkyn de Worde_ (1496).
=Horse Neighing=. On the death of Smerdis, the several competitors for the Persian crown agreed that he whose horse neighed first should be appointed king. The horse of Darius neighed first and Darius was made king. Lord Brooke calls him a Scythian; he was son of Hystaspês, the satrap.
The brave Scythian
Who found more sweetness in his horse’s neighing
Than all the Phrygian, Dorian, Lydian playing.
Lord Brooke.
=Horse Painted=. Apellês of Cos painted Alexander’s horse so wonderfully well that a real horse seeing it, began to neigh at it, supposing it to be alive.
Myron, the statuary, made a cow so true to life that it was said to have deceived men and animals.
Valasquez painted a Spanish admiral so true to life that Philip IV., mistaking it for the officer himself, reproved him sharply for wasting his time in a painter’s studio, when he ought to have been with his fleet.
Xeuxis painted some grapes so admirably that birds flew at them, thinking them real fruit.
Parrhasios of Ephesus painted a curtain so inimitably that Xeuxis thought it to be a real curtain, and bade the artist draw it aside that he might see the painting behind.
Quintin Matsys of Antwerp painted a bee on the outstretched leg of a fallen angel so naturally that when old Mandyn, the artist, returned to the studio, he tried to frighten it away with his pocket-handkerchief.
=Horse of Brass= (_The_), a present from the king of Araby and Ind to Cambuscan´, king of Tartary. A person whispered in its ear where he wished to go, and having mounted, turned a pin, whereupon the brazen steed rose in the air as high as the rider wished, and within twenty-four hours landed him at the end of his journey.
This steed of brass, that easily and well
Can, in the space of a day natural....
Bearen your body into every place
To which your heartè willeth for to pace.
Chaucer, _Canterbury Tales_ (“The Squire’s Tale,” 1388).
=Horse Shoe Robinson=. A daring American trooper, who captures five English soldiers without other assistance than a small boy and a horse. When surprised reconnoitering the enemy’s camp from a cliff, he drops upon his knees and “is digging up sassafras roots.”—John Pendleton Kennedy, _Horse Shoe Robinson_ (1852).
=Horste= (_Conrade_), one of the insurgents at Liège.—Sir W. Scott, _Quentin Durward_ (time, Edward IV.).
=Hortense´= (2 _syl._), the vindictive French maid-servant of Lady Dedlock. In revenge for the partiality shown by Lady Dedlock to Rosa, the village beauty, Hortense murdered Mr. Tulkinghorn, and tried to throw the suspicion of the crime on Lady Dedlock.—C. Dickens, _Bleak House_ (1853).
=Horten´sio=, a suitor to Bianca, the younger sister of Katharina, “the Shrew.” Katharina and Bianca are the daughters of Baptista.—Shakespeare, _Taming of the Shrew_ (1594).
_Hortensio_, noted for his chivalrous love and valor.—Massinger, _The Bashful Lover_ (1636).
=Hosier’s Ghost= (_Admiral_), a ballad by Richard Glover (1739). Admiral Hosier was sent with twenty sail to the Spanish West Indies, to block up the galleons of that country. He arrived at the Bastimentos, near Portobello, but had strict orders not to attack the foe. His men perished by disease but not in fight, and the admiral himself died of a broken heart. After Vernon’s victory, Hosier and his 3000 men rose, “all in dreary hammocks shrouded, which for winding-sheets they wore,” and lamented the cruel orders that forbade them to attack the foe, for “with twenty ships he surely could have achieved what Vernon did with only six.”
=Hotspur.= So Harry Percy was called from his fiery temper, over which he had no control.—Shakespeare, _1 Henry IV._ (1597).
William Bensley [1738-1817] had the true poetic enthusiasm.... None that I remember possessed even a portion of that fine madness which he threw out in Hotspur’s fine rant about glory. His voice had the dissonance and at times the inspiring effect of the trumpet.—C. Lamb.
=Hotspur of Debate= (_The_), Lord Derby, called by Maccaulay “The Rupert of Debate” (1799-1869).
=Houd= (_1 syl._), a prophet sent to preach repentance to the Adites (_2 syl._), and to reprove their King Shedad for his pride. As the Adites and their king refused to hear the prophet, God sent on the kingdom first a drought of three years’ duration, and then the Sarsar or icy wind for seven days, so that all the people perished. Houd is written “Hûd” in Sale’s _Korân_, i.
Then stood the prophet Houd and cried,
“Woe! woe to Irem! woe to Ad!
Death is gone up into her palaces!
Woe! woe! a day of guilt and punishment!
A day of desolation!”
Southey, _Thalaba, the Destroyer_, i. 41 (1797).
=Hough´ton= (_Sergeant_), in Waverley’s regiment.—Sir W. Scott, _Waverley_ (time, George II.).
=Hounds= (_Gen. Custer’s_). “His pack of hounds was an endless source of delight to the general. He had about forty, the stag-hounds that run by sight, and are on the whole, the fleetest and most enduring dogs in the world, and the fox-hounds that follow the trail with their noses close to the ground. The first rarely bark, but the latter are very noisy. We used to listen with amusement to their attempts to strike the key-note of the bugler when he sounded the calls summoning the men to guard-mount, stables, or retreat.”—Elizabeth Bacon Custer, _Boots and Saddles_, (1885).
=Hounslow=, one of the gang of thieves that conspire to break into Lady Bountiful’s house.—Farquhar, _The Beaux’ Stratagem_ (1705).
=Houri=, plu. =Houris=, the virgins of paradise; so called from their large black eyes (_hûr al oyûn_). According to Mohammedan faith, intercourse with these lovely women is to constitute the chief delight of the faithful in the “world to come.”—_Al Korân_.
=House that Jack Built= (_The_), a cumulative nursery story, in which every preceding statement is repeated after the introduction of a new one; thus;
1. [_This is_] the house that Jack built.
2. [_This is_] the malt that lay in ...
3. [_This is_] the rat that ate ...
4. [_This is_] the cat that killed ...
5. [_This is_] the dog that worried ...
6. [_This is_] the cow with the crumpled horn, that tossed ...
7. [_This is_] the maiden all forlorn, that milked ...
8. [_This is_] the man all tattered and torn, that kissed ...
9. This is the priest all shaven and shorn, that married ...
A similar accumulation occurs in another nursery tale, with this difference—the several clauses are repeated twice: once by entreaty of the old woman to perform some service to get her pig to cross over a bridge that she may get home; and then the reverse way, when each begins the task requested of them. It begins with a statement that an old woman went to market to buy a pig; they came to a bridge, which the pig would not go over, so the old woman called to a stick, and said:
1. [_Stick, stick, beat pig, for_] pig won’t go over the bridge, and
I shan’t get home to-night.
2. [_Fire, fire_] burn stick, stick won’t beat pig ...
3. [_Water, water_] quench fire, fire won’t ...
4. [_Ox, ox_] drink water, water won’t ...
5. [_Butcher, butcher_] kill ox, ox won’t ...
6. [_Rope, rope_] hang butcher, butcher won’t ...
7. [_Rat, rat_] gnaw rope, rope won’t ...
8. [_Cat, cat_] kill rat, rat won’t ...
Then the cat began to kill the rat, and the rat began to gnaw the rope, and the rope began ... etc., and the pig went over the bridge, and so the old woman got home that night.
Dr. Doran gave the following Hebrew “parable” in _Notes and Queries_:—
1. [_This is_] the kid that my father bought for two zuzim
[=1/2_d._].
2. [_This is_] the cat that ate ...
3. [_This is_] the dog that bit ...
4. [_This is_] the stick that beat ...
5. [_This is_] the fire that burnt ...
6. [_This is_] the water that quenched ...
7. [_This is_] the ox that drank ...
8. [_This is_] the butcher that killed ...
9. This is the angel, the angel of death, that slew ...
=Hous´sain= (_Prince_), the elder brother of Prince Ahmed. He possessed a carpet of such wonderful powers that if any one sat upon it it would transport him in a moment to any place he liked. Prince Houssain bought this carpet at Bisnagar, in India.—_Arabian Nights_ (“Ahmed and Paribanou”).
⁂ Solomon’s carpet (_q. v._) possessed the same locomotive power.
=Houyhnhnms= [_Whin´.ims_], a race of horses endowed with human reason, and bearing rule over the race of man.—Swift, _Gulliver’s Travels_ (1726).
“True, true, ay, too true,” replied the Domine, his houyhnhnms laugh sinking into an hysterical giggle.—Sir W. Scott, _Guy Mannering_ (1815).
=Hover= (_Paul_), bee-hunter in _Last of the Mohicans_, in love with Ellen Wade.—James Fennimore Cooper.
=Howard=, in the court of Edward IV.—Sir W. Scott, _Anne of Geierstein_ (time, Edward IV.).
=How´atson= (_Luckie_), midwife at Ellangowan.—Sir W. Scott, _Guy Mannering_ (time, George II.).
=Howden= (_Mrs._), a saleswoman.—Sir W. Scott, _Heart of Midlothian_ (time, George II.).
=Howe= (_Miss_), the friend of Clarissa Harlowe, to whom she presents a strong contrast. She has more worldly wisdom and less abstract principle. In questions of doubt, Miss Howe would suggest some practical solution, while Clarissa was mooning about hypothetical contingencies. She is a girl of high spirit, disinterested friendship, and sound common sense.—Richardson, _Clarissa Harlowe_ (1749).
=Howel= or =Hoel=, king of the West Welsh in the tenth century, surnamed “the Good.” He is a very famous king, especially for his code of laws. This is not the Howel or Hoel of Arthurian romance, who was the duke of Armorica in the sixth century.
What Mulmutian laws, or Martian, ever were
More excellent than those which our good Howel here
Ordained to govern Wales?
Drayton, _Polyolbion_, ix. (1612).
=Howie= (_Jamie_), bailie to Malcolm Bradwardine (_3 syl._), of Inchgrabbit.—Sir W. Scott, _Waverley_ (time, George II.).
=Howlaglass= (_Master_), a preacher. Friend of Justice Maulstatute.—Sir W. Scott, _Peveril of the Peak_ (time, Charles II.).
=Howle´glas= (_Father_), the abbot of Unreason, in the revels held at Kennaquhair Abbey.—Sir W. Scott, _The Abbot_ (time, Elizabeth).
=Howleglass= (_2 syl._), a clever rascal, so called from the hero of an old German jest-book, popular in England in Queen Elizabeth’s reign.—See _Eulenspiegel_.
=Hoyden= (_Miss_), a lively, ignorant, romping country girl.—Vanbrugh, _The Relapse_ (1697).
_Hoyden_ (_Miss_), daughter of Sir Tunbelly Clumsy, a green, ill-educated, country girl, living near Scarborough. She is promised in marriage to Lord Foppington, but as his lordship is not personally known, either by the knight or his daughter, Tom Fashion, the nobleman’s younger brother, passes himself off as Lord Foppington, is admitted into the family, and marries the heiress.—Sheridan, _A Trip to Scarborough_ (1777).
⁂ Sheridan’s comedy is _The Relapse_ of Vanbrugh (1697), abridged, recast, and somewhat modernized.
=Hrasvelg=, the giant who keeps watch on the North side of the root of the Tree of the World, to devour the dead. His shape is that of an eagle. Winds and storms are caused by the movement of his wings.—_Scandinavian Mythology._
=Hrimfax´i=, the horse of Night, from whose bit fall the rime-drops that every morning bedew the earth.—_Scandinavian Mythology._
=Hrothgar=, king of Denmark, whom Beowulf delivered from the monster Grendel. Hrothgar built Heorot, a magnificent palace, and here he distributed rings (treasure), and held his feasts; but the monster, Grendel, envious of his happiness, stole into the hall after a feast, and put thirty of the thanes to death in their sleep. The same ravages were repeated night after night, till Beowulf, at the head of a mixed band of soldiers, went against him and slew him.—_Beowulf_ (an Anglo-Saxon epic poem, sixth century).
=Hry´mer=, pilot of the ship _Nagelfar_ (made of the “nails of the dead”).—_Scandinavian Mythology._
=Hubba and Ingwar=, two Danish chiefs, who, in 870, conquered East Anglia and wintered at Thetford, in Norfolk. King Edmund fought against them, but was beaten and taken prisoner. The Danish chiefs offered him his life and kingdom if he would renounce Christianity and pay them tribute; but as he refused to do so, they tied him to a tree, shot at him with arrows, and then cut off his head. Edmund was therefore called “St. Edmund.” Alu´red fought seven battles with Hubba, and slew him at Abington, in Berkshire.
Alured ...
In seven brave foughten fields their champion Hubba chased,
And slew him in the end at Abington [_sic_].
Drayton, _Polyolbion_, xii. (1613).
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Character Sketches of Romance, Fiction, and the Drama, Vol. 2Chapter XI: Part 11
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