Chapter II: Application of Light-Gas (29)

The _par_ of two coins results from the comparison of their weight and standard fineness. Let us take for an example the conversion of English gold sovereigns worth 20 shillings or a pound sterling, in relation to the French louis of 20 francs. The standard of the sovereign gold is 0·917, fine gold being 1000; its weight is 125·256 gr. English, or 7·980855 grammes; by multiplying this weight into its standard, we have a product of 7·318444035; this is, in grammes, the quantity of pure gold contained in the sovereign piece. The piece of 20 francs has a legal standard of 0·9; and multiplying this number by the weight of the louis, 6·45161 grammes, we find that it contains 5·806449 of pure metal. We then make this proportion:--

As 5·806449 : 20 francs ∷ 7·31844 : 25·2079 francs; or the value of the English sovereign is nearly 25·21 francs, in French gold coin. A similar calculation may be made for silver coins. The French rule for finding the _par_ of a foreign gold coin, or its intrinsic value in francs, is to multiply its weight by its standard or titre, and that product by 3-4/9. The par of foreign silver money, or its intrinsic value in francs, is obtained by multiplying its weight in grammes by its standard in thousand parts, and by 2/9. The French 5-franc piece has its standard or titre at 0·9, and weighs 25 grammes.

The assaying of gold for coin and trinkets requires very delicate management. The French take half a gramme at most (about 7-1/2 grains) of gold, and fuse it with thrice its weight of silver, as already described under ASSAY. The parting is the next operation. For this purpose the button of gold and silver alloy is first hammered flat on a piece of steel, and then made feebly red hot in burning charcoal or over a lamp flame. After being thus annealed, the metal is passed through the rolling press, till it be converted into a plate about 1/70 of an inch thick. After annealing this riband, it is coiled into a spiral form, introduced immediately into a small matrass of a pear shape, an assay matrass, and about 500 grains of nitric acid, sp. grav. 1·185, are poured over it. Heat being now applied to the vessel, the solution of the silver and copper alloys ensues, and after 22 minutes of constant ebullition, the liquid is poured off and replaced by an equal quantity of nitric acid, likewise very pure, but of the density 1·28. This is made to boil for about 10 minutes, and is then poured off, when the matrass is filled up with distilled water to the brim. In conclusion, a small annealing crucible is inverted as a cup over the mouth of the matrass, which is now turned upside down with a steady hand; the slip of metal falls into the crucible through the water; which by sustaining a part of its weight, softens its descent and prevents its tearing. The matrass is then dexterously removed, without letting its water overflow the crucible. The water is gently decanted from the crucible, which is next covered, placed in the middle of burning charcoal, and withdrawn whenever it becomes red hot. After cooling, the metal slip is weighed very exactly, whence the weight of fine gold in the alloy is known. Stronger acid than that prescribed above would be apt to tear the metallic riband to pieces, and it would be difficult to gather the fine particles of gold together again. The metallic plate becomes at last merely a golden sieve, with very little cohesion. When copper is to be separated from gold by cupellation, a higher temperature is requisite than in cupelling silver coin.

The coining apparatus of the Royal Mint of London is justly esteemed a masterpiece of mechanical skill and workmanship. It was erected in 1811, under the direction of the inventor, Mr. Boulton; and has since been kept in almost constant employment.

The melting pots (_fig._ 738.) are made of cast iron, and hold conveniently 400 pounds of metal. They are furnished with a spout or lip for pouring out the metal, and with two ears, on which the tongs of the crane lay hold in lifting them out of the furnace. The pot rests on pedestals on the grate of the furnace, and has a ring cast on its edge to prevent the fuel falling into it. Whenever it becomes red hot, the metal properly prepared and mixed, so as to produce an alloy containing 0·915 parts of gold, is put in, and during the melting, which occupies some hours, it is occasionally stirred. The moulds are meanwhile prepared by warming them in a stove, and thereafter by rubbing their inside surfaces with a cloth dipped in oil, by which means the ingots cast in them get a better surface. _Fig._ 739. represents a side view of the carriage, charged with its moulds. When the proper number of moulds is introduced, the screws at the end, represented at _t_ T, are screwed fast, to fix them all tight.

The pot of fused metal is lifted out of the furnace by the crane (_fig._ 740.), then swung round, and lowered down into the cradle _l_, _m_, _n_, _o_ of the pouring machine, until the ring on the edge of it rests on the iron hoop _n_, which, being screwed tight up, holds it secure, and the crane-tongs are removed. One of the assistants now takes the winch handle _s_ in one hand, and _y_ in the other. By turning _y_ he moves the carriage forward, so as to bring the first mould beneath the lip of the melting pot; and by turning _s_, he inclines the pot, and pours the metal into the mould. He then fills the other moulds in succession. The first portion of liquid metal is received in a small iron spoon, and is reserved for the assay-master; a second sample is taken from the centre of the pot, and a third from the bottom part. Each of these is examined as to its quality.

The ingots, which are about 10 inches long, 7 broad, and 6 tenths of an inch thick, are now carried to the rolling mill.

_Fig._ 741., where A represents a large spur wheel, fixed on the extremity of a long horizontal shaft B B, extending beneath the whole mill. This wheel and shaft are driven by a smaller wheel, fixed on the main or fly-wheel shaft of a steam engine of 36-horse power. The main shaft B of the rolling mill has wheels C, D, E fixed upon it, to give motion to the respective rollers, which are mounted at F and G, in strong iron frames, bolted to the iron sills _a a_, which extend through the whole length of the mill, and rest upon the masonry, in which the wheels are concealed. The two large wheels C and E give motion to the wheels H, I, which are supported on bearings between two standards _b_, _b_, bolted down to the ground sills. On the ends of the axes of these wheels are heads for the reception of coupling boxes _d_, _d_, which unite them to short connecting shafts K L; and these again, by means of coupling boxes, convey motion to the upper rollers _e_, _e_, of each pair, at F and G. The middle wheel D upon the-main shaft B gives motion to the lower rollers in a similar manner. Thus both the rollers _e_, _f_ of each frame receive their motion from the main shaft with equal velocity, by means of wheels of large radius, which act with much more certainty than the small pinions usually employed in rolling mills to connect the upper and lower rollers, and cause them to move together.

The rolling mill contains four pairs of rollers, each driven by its train of wheel work; the mill, therefore, consists of two such sets of wheels and rollers as are represented in our figure. The two shafts are situated parallel to each other, and receive their motion from the same steam engine. This admirable rolling mill was erected by John Rennie, Esq.

The ingots are heated to redness in a furnace before they are rolled. The two furnaces for this purpose are situated before two pairs of rollers, which, from being used to consolidate the metal by rolling whilst hot, are termed breaking-down rollers. Two men are employed in this operation; one taking the metal from the furnace with a pair of tongs, introduces it between the rollers; and the other, catching it as it comes through, lifts it over the top roller, and returns it to his fellow, who puts it through again, having previously approximated the rollers a little by their adjusting screws. After having been rolled in this manner four or five times, they are reduced to nearly two-tenths of an inch thick, and increased lengthwise to about four times the breadth of the ingot. These plates, while still warm, are rubbed over with a dilute acid or _pickle_, to remove the colour produced by the heat, and are then cut up into narrow slips across the breadth of the plate, by means of the circular shears _fig._ 742.

This machine is worked by a spur-wheel at the extremity of the main shaft B of the rolling mill (_fig._ 741.) It consists of a framing of iron A A, supporting two shafts B B, which are parallel to each other, and move together by means of two equal spur-wheels C C, the lower one of which works with the teeth of the great wheel above mentioned, upon the main shaft of the rolling mill. At the extremities of the two shafts, wheels or circular cutters are fixed with their edges overlapping each other a little way. F represents a shelf on which the plate is laid, and advanced forward to present it to the cutter; and G is a ledge or guide, screwed down on it, to conduct the metal and to regulate the breadth of the piece to be cut off. Hence the screws which fasten down the ledge are fitted in oblong holes, which admit of adjustment. The workman holds the plate flat upon the surface F, and pushing it towards the shears, they will lay hold of it, and draw it through until they have cut the whole length. The divided parts are also prevented from curling up into scrolls, as they do when cut by a common pair of shears; because small shoulders on E and D, behind the cutting edge, keep them straight. Behind the standard, supporting the back pivots of the shafts B B of the cutter, is a frame _l_, with a screw _m_ tapped through it. This is used to draw the axis of the upper cutter D endwise, and keep its edge in close contact with the edge of the other cutter E. The slips or ribands of plate are now carried to the other two pairs of rollers in the rolling mill, which are made of case-hardened iron, and better polished than the breaking-down rollers. The plates are passed cold between these, to bring them to exactly the same thickness; whence they are called adjusting or planishing rollers. The workman here tries every piece by a common gauge, as it comes through. This is a piece of steel having a notch in it; the inside lines of which are very straight, and inclined to one another at a very acute angle. They are divided by fine lines, so that the edge of the plate being pressed into the notch, will have its thickness truly determined by the depth to which it enters, the divisions showing the thickness in fractions of an inch.

In rolling the plate the second time, all the plates are successively passed through the rollers; then the rollers being adjusted, they are passed through another time. This is repeated thrice or even four times; after which they are all tried by the gauge, and thus sorted into as many parcels as there are different thicknesses. It is a curious circumstance, that though the rollers are no less than 14 inches in diameter, and their frame proportionally strong, they will yield in some degree, so as to reduce a thick plate in a less degree than a thin one; thus the plates which have all passed through the same rollers, may be of 3 or 4 different degrees of thickness, which being sorted by the gauge into as many parcels, are next reduced to the exact dimension, by adapting the rollers to each parcel. The first of the parcel which now comes through is tried, by cutting out a circular piece with a small hand machine, and weighing it. If it proves either too light or too heavy, the rollers are adjusted accordingly, till by a few such trials they are found to be correct, when all the parcel is rolled through. The trial plates which turn out to be too thin, are returned as waste to the melting-house. By these numerous precautions, the blanks or circular discs, when cut out by the next machine, will be very nearly of the same weight; which they would scarcely be, even if the gauge determined all the plates to the same thickness, because some being more condensed than others, they would weigh differently under the same volume.

A great improvement has been made on that mode of lamination, by the late Mr. Barton’s machine for equalizing the thickness of slips of metal for making coin, which has been for several years introduced into the British mint. A side elevation is shown in _fig._ 743., and a plan in _fig._ 744. It operates in the same way as wire-drawing mechanisms; namely, pulls the slips of metal forcibly through an oblong opening, left between two surfaces of hardened steel. The box or case which contains the steel dies, composed of two hardened cylinders, is represented at C in _fig._ 743. The pincers employed to hold the metal, and draw it through, are shown at _s r_.

The slips of metal to be operated on by the drawing machine, are first rendered thinner at one end, that they may be introduced between the dies, and also between the jaws of the pincers. This thinning of the ends is effected by another machine, consisting of a small pair of rollers, mounted in an iron frame, similar to a rolling-mill. The upper roller is cylindrical, but the lower is formed with 3 flat sides, leaving merely portions of the cylinder entire, between these flat sides. The distance between the centres of the rollers is regulated by screws, furnished with wheels on their upper ends, similar to what is seen in the drawing dies at C. The two rollers have pinions on their axes, which make them revolve together; they are set in motion by an endless strap passing round a drum, upon whose axis is a pinion working into the teeth of a wheel fixed upon the axis of the lower roller.

The end of a slip of metal is presented between the rollers while they are in motion, not on that side of the roller which would operate to draw in the slip between them, as in the rolling-press above described, but on the contrary side, so that when one of the flat sides of the under roller fronts horizontally the circumference of the upper roller, an opening is formed, through which the slip of metal is to be inserted until it bears against a fixed stop at the back of the rollers. As the rollers continue to turn round, the cylindrical portions come opposite to each other, and press the metal between them, forcing it outwards, and rendering the part which has been introduced between the rollers as thin as the space between their cylindrical surfaces. Thus the end of the slip of metal becomes attenuated enough to pass between the dies of the drawing machine, and to be seized by the pincers.

In using the drawing machine, a boy takes hold of the handle _s_ of the pincers, their hook of connexion with the endless chain _l_, _l_, not shown in the present figure, being disengaged, and he moves them upon their wheels towards the die-box C. In this movement the jaws of the pincers get opened, and they are pushed up so close to the die-box that their jaws enter a hollow, which brings them near the dies, enabling them to seize the end of the slip of metal introduced between them by the action of the preparatory rollers. The boy now holds the handle _s_ on the top of the pincers fast, and with his other hand draws the handle _x_ backwards. Thus the jaws are closed, and the metal firmly griped. He now presses down the handle _x_ till a hook on the under side of the pincers seizes the endless chain as it moves along, when it carries the pincers, and their slip of metal, onwards with it. Whenever the whole length of the metallic riband has passed through between the dies, the strain on the pincers is suddenly relieved, which causes the weight _r_ to raise their hook out of the chain, and stop their motion. The machine in the mint has two sets of dies, and two endless chains, as represented in the plan, _fig._ 744. N N, are toothed wheels in the upper end of the die-box, furnished with pinions and levers, for turning them round, and adjusting the distance between the dies. A large spur-wheel G, is fixed upon the axis F, to give motion to the endless chains; see both figures. This spur-wheel is turned by a pinion H, fixed upon an axis _m_, extending across the top of the frame, and working in bearings at each end. A spur-wheel I, is fixed upon the axis _m_, and works into the teeth of a pinion K, upon a second axis across the frame, which carries likewise a drum wheel L, through which motion is communicated to the whole mechanism by an endless strap.

The cutting-out machine is exhibited in _fig._ 745. A A is a basement of stone to support an iron plate B B, on which stand the columns C C, that bear the upper part D of the frame. The iron frame of the machine E, F, E, is fixed down upon the iron plate B, B. The punch _d_ is fixed in the lower part of the inner frame, and is moved up and down by the screw _a_, which is worked by wipers turned by a steam engine, impelling the lever H, and turning backwards and forwards the axis G, through a sufficient space for cutting the thickness of the metallic lamina. A boy manages this machine. There are twelve of them mounted on the same basement frame in a circular range contained in an elegant room, lighted from the roof. The whole are moved by a steam engine of 16-horse power.

The _blanks_ or _planchets_ thus cut out, were formerly adjusted by filing the edges, to bring them to the exact weight; a step which Mr. Barton’s ingenious mechanism has rendered in a great measure unnecessary. The edge is then milled, by a process which Mr. Boulton desires to keep secret, and which is therefore not shown in our mint.

But the French mint employs a very elegant machine for the purpose of lettering or milling the edges, called the _cordon des monnaies_, invented by M. Gengembre, which has entirely superseded the older milling machine of M. Castaing, described in the Encyclopedias. The Napoleon coins of France bear on the edge, in sunk letters, the legend, _Dieu protège la France_; and those of the king, _Domine salvum fac regem_. This is marked before striking the blank or _flan_. One machine imprints this legend, and its service is so prompt and easy, that a single man marks in a day 20,000 pieces of 5 francs, or 100,000 francs.

Each of the two _arc_ dies E, D, (_fig._ 746.) carries one half of the legend, engraved in relief on the curved face; these arcs are pieces of steel tempered very hard, and fixed with two screws, one immoveably at E, on the sill which bears the apparatus; the other at D, at the extremity of the lever P, D, which turns round the axis C. The letters of these demi-legends are exactly parallel, and inscribed in an inverse order on the dies. An alternating circular motion is communicated to the handle P. The curvatures of the two dies are arcs of circles described from the centre C; and the interval which separates them, or the difference of the radii, is precisely the diameter of the piece to be milled.

As the centre C sustains the whole strain of the milling, and produces, of consequence, a hard friction, this axis must possess a considerable size. It is composed of a squat truncated cone of tempered steel, which enters into an eye of the moveable piece P, D. This cone is kept on the plate of the metal N N, which bears the whole machine, by a nut, whose screw, by being tightened or slackened, gives as much freedom as is requisite for the movement of rotation, or removes the shake which hard service gives to the cone in its eye. The middle thickness of the hole of the moveable piece P, D, and the axis of the lever P, which terminates it, are exactly on a level with the engraved letters of the die, so that no strain can derange the movable piece, or disturb the centre by its oscillations.

At _a_ is a vertical tube, containing a pile of blanks for milling. It is kept constantly full; the tube being open at both ends, a little elevated above the circular space _a_, K, _b_, which separates the dies, and fixed by a tail _m_ with a screw to the motionless piece A, B. The branch I, _c_, movable with the piece P, D, passes under the tube, and pushes before it the blank at the bottom of the column, which is received into a small excavation in the form of a circular step, and carried forwards. Matters are thus so arranged as to regulate the issue of the blanks, one by one, on the small step, called the _posoir_ (bed.)

As soon as the blank is pushed forwards into contact with the lower edge of the engraved grooves, it is seized by them, and carried on by the strain of milling, without exposing the upper or under surfaces of the _blank_ to any action which may obstruct the printing on its edge.

The blank is observed to revolve between the two dies according as the lever P completes its course, and this blank passing from _a_ to K, then to _b_, meets a circular aperture _b_, through which it falls into a drawer placed under the sill.

The range of the movable lever P is regulated by four pieces, F, F, F, F, solidly sunk in the plate N, N, which bears the whole apparatus. A stud placed on this lever towards D, makes the arm of the _posoir_ I _c_ retire no farther than is necessary for the little blank to issue from the column; and a spring fixed to the centre _c_, and supported on a peg, brings back the _posoir_; so that when a screw I comes to strike against the column, the _posoir_ stops, and the movable die D, which continues its progress, finds the blank in a fit position for pressing, seizing, and carrying it on, by reaction of the fixed die E. Thus the edge of the blank is lettered in half a second. A hundred may easily be marked in about three minutes.

The coining press is the most beautiful part of the whole mechanism in the British mint; but the limits of this volume will not allow of its being figured upon an adequate scale. An engraving of it may be seen in the Encyclopedia Britannica.

The only attention which this noble machine requires is that of a little boy, who stands in a sunk place before the press, and always keeps the tube full of blanks. He has two strings, one of which, when pulled, will put the press in motion by the concealed mechanism in the apartment above; and the other string, when snatched, stops the press. This coining operation goes on at the rate of 60 or 70 strokes per minute; and with very few interruptions during the whole day. The press-room at the Royal Mint contains eight machines, all supported on the same stone base; and the iron beams between the columns serve equally for the presses on each side. The whole has therefore a magnificent appearance. The eight presses will strike more than 19,000 coins in an hour, with only a child to supply each. The grand improvement in these presses, consists; 1. in the precision with which they operate to strike every coin with equal force, which could not be ensured by the old press impelled by manual labour; 2. The rising collar or steel ring in which they are struck, keeps them all of one size, and makes a fair edge, which was not the case with the old coins, as they were often rounded and defaced by the expansion of the metal under the blow; 3. The twisting motion of the upper die is thought to produce a better surface on the flat parts of the coin; but this is somewhat doubtful; 4. The feeding mechanism is very complete, and enables the machine to work much quicker than the old press did, where the workman, being in constant danger of having his fingers caught, was obliged to proceed cautiously, as well as to place the coin true on the die, which was seldom perfectly done. The feeding mechanism of the above press is a French invention; but Mr. Boulton is supposed to have improved upon it.

MIRRORS. See COPPER and GLASS.

MISPICKEL, is arsenical pyrites.

MOHAIR, is the hair of a goat which inhabits the mountains in the vicinity of Angora, in Asia Minor.

MOIRÉE METALLIQUE, called in this country crystallized tin-plate, is a variegated primrose appearance, produced upon the surface of tin-plate, by applying to it in a heated state some dilute nitro-muriatic acid for a few seconds, then washing it with water, drying, and coating it with lacquer. The figures are more or less beautiful and diversified, according to the degree of heat, and relative dilution of the acid. This mode of ornamenting tin-plate is much less in vogue now than it was a few years ago.

MOLASSE, is a sandstone belonging to the tertiary strata, employed under that name by the Swiss for building.

MOLASSES, is the brown viscid uncrystallizable liquor, which drains from cane sugar in the colonies. See SUGAR.

MOLYBDENUM (_Molybdène_, Fr.; _Molybdan_, Germ.); is a rare metal which occurs in nature sometimes as a sulphuret, sometimes as molybdic acid, and at others as molybdate of lead. Its reduction from the acid state by charcoal requires a very high heat, and affords not very satisfactory results. When reduced by passing hydrogen over the ignited acid, it appears as an ash-gray powder, susceptible of acquiring metallic lustre by being rubbed with a steel burnisher; when reduced and fused with charcoal, it possesses a silver white colour, is very brilliant, hard, brittle, of specific gravity 8·6; it melts in a powerful air-furnace, oxidizes with heat and air, burns at an intense heat into molybdic acid, dissolves in neither dilute sulphuric, muriatic, nor fluoric acids, but in the concentrated sulphuric and nitric.

The protoxide consists of 85·69 of metal, and 14·31 of oxygen; the deutoxide consists of 75 of metal, and 25 of oxygen; and the peroxide, or molybdic acid, of 66·6 of metal, and 33·4 of oxygen. These substances are too rare at present to be used in any manufacture.

MORDANT, in dyeing and calico-printing, denotes a body which, having a twofold attraction for organic fibres and colouring particles, serves as a bond of union between them, and thus gives fixity to dyes; or it signifies a substance which, by combining with colouring particles in the pores of textile filaments, renders them insoluble in hot soapy and weak alkaline solutions. In order properly to appreciate the utility and the true functions of mordants, we must bear in mind that colouring matters are peculiar compounds possessed of certain affinities, their distinctive characters being not to be either acid or alkaline, and yet to be capable of combining with many bodies, and especially with salifiable bases, and of receiving from each of them modifications in their colour, solubility, and alterability. Organic colouring substances, when pure, have a very energetic attraction for certain bodies, feeble for others, and none at all for some. Among these immediate products of animal or vegetable life, some are soluble in pure water, and others become so only through peculiar agents. We may thus readily conceive, that whenever a dye-stuff possesses a certain affinity for the organic fibre, it will be able to become fixed on it, or to dye it without the intervention of mordants, if it be insoluble by itself in water, which, in fact, is the case with the colouring matters of safflower, annotto, and indigo. The first two are soluble in alkalis; hence, in order to use them, they need only be dissolved in a weak alkaline lye, be thus applied to the stuffs, and then have their tinctorial substance precipitated within their pores, by abstracting their solvent alkali with an acid. The colouring matter, at the instant of ceasing to be liquid, is in an extremely divided state, and is in contact with the organic fibres for which it has a certain affinity. It therefore unites with them, and, being naturally insoluble in water, that is, having no affinity for this vehicle, the subsequent washings have no effect upon the dye. The same thing may be said of indigo, although its solubility in the dye-bath does not depend upon a similar cause, but is due to a modification of its constituent elements, in consequence of which it becomes soluble in alkalis. Stuffs plunged into this indigo bath get impregnated with the solution, so that when again exposed to the air, the dyeing substance resumes at once its primitive colour and insolubility, and washing can carry off only the portions in excess above the intimate combination, or which are merely deposited upon the surface of the stuff.

Such is the result with insoluble colouring matters; but for those which are soluble it should be quite the reverse, since they do not possess an affinity for the organic fibres which can counterbalance their affinity for water. In such circumstances, the dyer must have recourse to intermediate bodies, which add their affinity for the colouring matter to that possessed by the particles of the stuff, and increase by this twofold action the intimacy and the stability of the combination. These intermediate bodies are the true _mordants_.

Mordants are in general found among the metallic bases or oxides; whence they might be supposed to be very numerous, like the metals; but as they must unite the twofold condition of possessing a strong affinity for both the colouring matter and the organic fibre, and as the insoluble bases are almost the only ones fit to form insoluble combinations, we may thus perceive that their number may be very limited. It is well known, that although lime and magnesia, for example, have a considerable affinity for colouring particles, and form insoluble compounds with them, yet they cannot be employed as mordants, because they possess no affinity for the textile fibres.

Experience has proved, that of all the bases, those which succeed best as mordants are alumina, tin, and oxide of iron; the first two of which, being naturally white, are the only ones which can be employed for preserving to the colour its original tint, at least without much variation. But whenever the mordant is itself coloured, it will cause the dye to take a compound colour quite different from its own. If, as is usually said, the mordant enters into a real chemical union with the stuff to be dyed, the application of the mordant should obviously be made in such circumstances as are known to be most favourable to the combination taking place; and this is the principle of every day’s practice in the dyehouse.

In order that a combination may result between two bodies, they must not only be in contact, but they must be reduced to their ultimate molecules. The mordants that are to be united with stuffs are, as we have seen, insoluble of themselves, for which reason their particles must be divided by solution in an appropriate vehicle. Now this solvent or menstruum will exert in its own favour an affinity for the mordant, which will prove to that extent an obstacle to its attraction for the stuff. Hence we must select such solvents as have a weaker affinity for the mordants than the mordants have for the stuffs. Of all the acids which can be employed to dissolve alumina, for example, vinegar is the one which will retain it with least energy, for which reason the acetate of alumina is now generally substituted for alum, because the acetic acid gives up the alumina with such readiness, that mere elevation of temperature is sufficient to effect the separation of these two substances. Before this substitution of the acetate, alum alone was employed; but without knowing the true reason, all the French dyers preferred the alum of Rome, simply regarding it to be the purest; it is only within these few years that they have understood the real grounds of this preference. This alum has not, in fact, the same composition as the alums of France, England, and Germany, but it consists chiefly of cubic alum having a larger proportion of base. Now this extra portion of base is held by the sulphuric acid more feebly than the rest, and hence is more readily detached in the form of a mordant. Nay, when a solution of cubic alum is heated, this redundant alumina falls down in the state of a subsulphate, long before it reaches the boiling point. This difference had not, however, been recognised, because Roman alum, being usually soiled with ochre on the surface, gives a turbid solution, whereby the precipitate of subsulphate of alumina escaped observation. When the liquid was filtered, and crystallized afresh, common octahedral alum alone was obtained; whence it was most erroneously concluded, that the preference given to Roman alum was unjustifiable, and that its only superiority was in being freer from iron.

Here a remarkable anecdote illustrates the necessity of extreme caution, before we venture to condemn from theory a practice found to be useful in the arts, or set about changing it. When the French were masters in Rome, one of their ablest chemists was sent thither to inspect the different manufactures, and to place them upon a level with the state of chemical knowledge. One of the fabrics, which seemed to him furthest behindhand, was precisely that of alum, and he was particularly hostile to the construction of the furnaces, in which vast boilers received heat merely at their bottoms, and could not be made to boil. He strenuously advised them to be new modelled upon a plan of his own; but, notwithstanding his advice, which was no doubt very scientific, the old routine kept its ground, supported by utility and reputation, and very fortunately, too, for the manufacture; for had the higher heat been given to the boilers, no more genuine cubical alum would have been made, since it is decomposed at a temperature of about 120° F., and common octahedral alum would alone have been produced. The addition of a little alkali to common alum brings it into the same basic state as the alum of Rome.

The two principal conditions, namely, extreme tenuity of particles, and liberty of action, being found in a mordant, its operation is certain. But as the combination to be effected is merely the result of a play of affinity between the solvent and the stuff to be dyed, a sort of partition must take place, proportioned to the mass of the solvent, as well as to its attractive force. Hence the stuff will retain more of the mordant when its solution is more concentrated, that is, when the base diffused through it is not so much protected by a large mass of menstruum; a fact applied to very valuable uses by the practical man. On impregnating in calico printing, for example, different spots of the same web with the same mordant in different degrees of concentration, there is obtained in the dye-bath a depth of colour upon these spots intense in proportion to the strength of their various mordants. Thus, with solution of acetate of alumina in different grades of density, and with madder, every shade can be produced, from the fullest red to the lightest pink; and, with acetate of iron and madder, every shade from black to pale violet.

We hereby perceive that recourse must indispensably be had to mordants at different stages of concentration; a circumstance readily realized by varying the proportions of the watery vehicle. See CALICO-PRINTING and MADDER. When these mordants are to be topically applied, to produce partial dyes upon cloth, they must be thickened with starch or gum, to prevent their spreading, and to permit a sufficient body of them to become attached to the stuff. Starch answers best for the more neutral mordants, and gum for the acidulous; but so much of them should never be used, as to impede the attraction of the mordant for the cloth. Nor should the thickened mordants be of too desiccative a nature, lest they become hard, and imprison the chemical agent before it has had an opportunity of combining with the cloth, during the slow evaporation of its water and acid. Hence the mordanted goods, in such a case, should be hung up to dry in a gradual manner, and when oxygen is necessary to the fixation of the base, they should be largely exposed to the atmosphere. The foreman of the factory ought, therefore, to be thoroughly conversant with all the minutiæ of chemical reaction. In cold and damp weather he must raise the temperature of his drying-house, in order to command a more decided evaporation; and when the atmosphere is unusually dry and warm, he should add deliquescent correctives to his thickening, as I have particularized in treating of some styles of calico-printing. But, supposing the application of the mordant and its desiccation to have been properly managed, the operation is by no means complete; nay, what remains to be done is not the least important to success, nor the least delicate of execution. Let us bear in mind that the mordant is intended to combine not only with the organic fibre, but afterwards also with the colouring matter, and that, consequently, it must be laid entirely bare, or scraped clean, so to speak, that is, completely disengaged from all foreign substances which might invest it, and obstruct its intimate contact with the colouring matters. This is the principle and the object of two operations, to which the names of _dunging_ and _clearing_ have been given.

If the mordant applied to the surface of the cloth were completely decomposed, and the whole of its base brought into chemical union with it, a mere rinsing or scouring in water would suffice for removing the viscid substances added to it, but this never happens, whatsoever precautions may be taken; one portion of the mordant remains untouched, and besides, one part of the base of the portion decomposed does not enter into combination with the stuff, but continues loose and superfluous. All these particles, therefore, must be removed without causing any injury to the dyes. If in this predicament the stuff were merely immersed in water, the free portion of the mordant would dissolve, and would combine indiscriminately with all the parts of the cloth not mordanted, and which should be carefully protected from such combination, as well as the action of the dye. We must therefore add to the scouring water some substance that is capable of seizing the mordant as soon as it is separated from the cloth, and of forming with it an insoluble compound; by which means we shall withdraw it from the sphere of action, and prevent its affecting the rest of the stuff, or interfering with the other dyes. This result is obtained by the addition of cow-dung to the scouring bath; a substance which contains a sufficiently great proportion of soluble animal matters, and of colouring particles, for absorbing the aluminous and ferruginous salts. The heat given to the dung-bath accelerates this combination, and determines an insoluble and perfectly inert coagulum.

Thus the dung-bath produces at once the solution of the thickening paste; a more intimate union between the alumina or iron and the stuff, in proportion to its elevation of temperature, which promotes that union; an effectual subtraction of the undecomposed and superfluous part of the mordant, and perhaps a commencement of mechanical separation of the particles of alumina, which are merely dispersed among the fibres; a separation, however, which can be completed only by the proper scouring, which is done by the dash-wheel with such agitation and pressure (see BLEACHING and DUNGING) as vastly facilitate the expulsion of foreign particles. See also BRAN.

Before concluding this article, we may say a word or two about astringents, and especially gall-nuts, which have been ranked by some writers among mordants. It is rather difficult to account for the part which they play. Of course we do not allude to their operation in the black dye, where they give the well known purple-black colour with salts of iron; but to the circumstance of their employment for madder dyes, and especially the Adrianople red. All that seems to be clearly established is, that the astringent principle or tannin, whose peculiar nature in this respect is unknown, combines like mordants with the stuffs and the colouring substance, so as to fix it; but as this tannin has itself a brown tint, it will not suit for white grounds, though it answers quite well for pink grounds. When white spots are desired upon a cloth prepared with oil and galls, they are produced by an oxygenous discharge, effected either through chlorine or chromic acid.

MORDANT, is also the name sometimes given to the adhesive matter by which gold-leaf is made to adhere to surfaces of wood and metal in gilding. Paper, vellum, taffety, &c., are easily gilt by the aid of different mordants, such as the following: 1. beer in which some honey and gum arabic have been dissolved; 2. gum arabic, sugar, and water; 3. the viscid juice of onion or hyacinth, strengthened with a little gum arabic. When too much gum is employed, the silver or gold leaf is apt to crack in the drying of the mordant. A little carmine should be mixed with the above colourless liquids, to mark the places where they are applied. The foil is applied by means of a dossil of cotton wool, and when the mordant has become hard, the foil is polished with the same.

The best medium for sticking gold and silver leaf to wood, is the following, called _mixtion_ by the French artists:--1 pound of amber is to be fused, with 4 ounces of mastic in tears, and 1 ounce of Jewish pitch, and the whole dissolved in 1 pound of linseed oil rendered drying by litharge.

Painters in distemper sometimes increase the effect of their work, by patches of gold leaf, which they place in favourable positions; they employ the above mordant. The manufacturers of paper hangings of the finer kinds attach gold and silver leaf to them by the same varnish.

MOROCCO. See LEATHER.

MORPHIA (_Morphine_, Fr.; _Morphin_, Germ.), is a vegeto-alkali which exists associated with opian, codeïne, narcotine, meconine, meconic acid, resin, gum, bassorine, lignine, fat oil, caoutchouc, extractive, &c., in opium. Morphia is prepared as follows: Opium in powder is to be repeatedly digested with dilute muriatic acid, slightly heated, and sea-salt is to be added, to precipitate the opian. The filtered liquid is to be supersaturated with ammonia, which throws down the morphia, along with the meconine, resin, and extractive. The precipitate is to be washed with water, heated, and dissolved in dilute muriatic acid; the solution is to be filtered, whereby the foreign matters are separated from the salt of morphia, which concretes upon cooling, while the meconine remains in the acid liquid. The muriate of morphia having been squeezed between folds of blotting paper, is to be sprinkled with water, again squeezed, next dissolved in water, and decomposed by water of ammonia. The precipitate, when washed, dried, dissolved in alcohol, and crystallized, is morphia.

These crystals, which contain 6·32 per cent. of combined water, are transparent, colourless, four-sided prisms, without smell, and nearly void of taste, fusible at a moderate heat, and then concrete into a radiated translucent mass, but at a higher temperature they grow purple-red. Morphia consists of 72·34 of carbon; 6·366 of hydrogen; 5 of azote; and 16·3 of oxygen. It burns with a red and very smoky flame, is stained red by nitric acid, is soluble in 30 parts of boiling anhydrous alcohol, in 500 parts of boiling water, but hardly if at all in cold water, and is insoluble in ether and oils. The solutions have a strong bitter taste, and an alkaline reaction upon litmus paper. The saline compounds have a bitter taste, are mostly crystallizable, are soluble in water and alcohol (but not in ether), and give a blue colour to the peroxide salts of iron. It is a very poisonous substance. Acetate of morphia is sometimes prescribed, instead of opium, in medicine.

MORTAR, HYDRAULIC, called also _Roman Cement_, is the kind of mortar used for building piers, or walls under or exposed to water, such as those of harbours, docks, &c. The poorer sorts of limestone are best adapted for this purpose, such as contain from 8 to 25 per cent. of foreign matter, in silica, alumina, magnesia, &c. These, though calcined, do not slake when moistened; but if pulverized they absorb water without swelling up or heating, like _fat_ lime, and afford a paste which hardens in a few days under water, but in the air they never acquire much solidity. Smeaton first discovered these remarkable facts, and described them in 1759.

The following analyses of different hydraulic limestones, by Berthier, merit confidence:--

+---------------------------------+------+------+------+------+------+
| |No. 1.|No. 2.|No. 3.|No. 4.|No. 5.|
| +------+------+------+------+------+
| A. _Analyses of limestones._ | | | | | |
|Carbonate of lime | 97·0 | 98·5 | 74·5 | 76·5| 80·0|
|Carbonate of magnesia | 2·0 | -- | 23·0 | 3·0| 1·5|
|Carbonate of protoxide of iron | -- | -- | -- | 3·0| -- |
|Carbonate of manganese | -- | -- | -- | 1·5| -- |
|Silica and alumina | 1·0 | 1·5 | 1·2 |} 15·2|} 18·0|
|Oxide of iron | | | |} |} |
| +------+------+------+------+------+
| |100·0 |100·0 |100·0 | 100·0| 100·0|
+---------------------------------+------+------+------+------+------+
| B. _Analyses of the burnt lime._| | | | | |
|Lime | 96·4 | 97·2 | 78·0 | 68·3| 70·0|
|Magnesia | 1·8 | -- | 20·0 | 2·0| 1·0|
|Alumina | 1·8 | 2·8 | 2·0 | 24·0| 29·0|
|Oxide of iron | -- | -- | -- | 5·7| -- |
| +------+------+------+------+------+
| |100·0 |100·0 |100·0 | 100·0| 100·0|
+---------------------------------+------+------+------+------+------+

No. 1. is from the fresh-water lime formation of Château-Landon, near Nemours; No. 2. the large-grained limestone of Paris; both of these afford a fat lime when burnt. Dolomite affords a pretty fat lime, though it contains 42 per cent. of carbonate of magnesia; No. 3. is a limestone from the neighbourhood of Paris, which yields a poor lime, possessing no hydraulic property; No. 4. is the secondary limestone of Metz; No. 5. is the lime marl of Senonches, near Dreux; both the latter have the property of hardening under water, particularly the last, which is much used at Paris on this account.

All good hydraulic mortars must contain alumina and silica; the oxides of iron and manganese, at one time considered essential, are rather prejudicial ingredients. By adding silica and alumina, or merely the former, in certain circumstances, to fat lime, a water-cement may be artificially formed; as also by adding to lime any of the following native productions, which contain silicates; puzzolana, trass or tarras, pumice-stone, basalt-tuff, slate-clay. Puzzolana is a volcanic product, which forms hills of considerable extent to the south-west of the Appenines, in the district of Rome, the Pontine marshes, Viterbo, Bolsena, and in the Neapolitan region of Puzzuoli, whence the name. A similar volcanic tufa is found in many other parts of the world. According to Berthier, the Italian puzzolana consists of 44·5 silica; 15·0 alumina; 8·8 lime; 4·7 magnesia; 1·4 potash; 4·1 soda; 12 oxides of iron and titanium; 9·2 water; in 100 parts.

The _tufa_ stone, which when ground forms _trass_, is composed of 57·0 silica, 16·0 clay, 2·6 lime, 1·0 magnesia, 7·0 potash, 1·0 soda, 5 oxides of iron and titanium, 9·6 water. This tuff is found abundantly filling up valleys in beds of 10 or 20 feet deep, in the north of Ireland, among the schistose formations upon the banks of the Rhine, and at Monheim in Bavaria.

The fatter the lime, the less of it must be added to the ground puzzolana or trass, to form a hydraulic mortar; the mixture should be made extemporaneously, and must at any rate be kept dry till about to be applied. Sometimes a proportion of common sand mortar instead of lime is mixed with the trass. When the hydraulic cement hardens too soon, as in 12 hours, it is apt to crack; it is better when it takes 8 days to concrete. Through the agency of the water, silicates of lime, alumina, (magnesia), and oxide of iron are formed, which assume a stony hardness.

Besides the above two volcanic products, other native earthy compounds are used in making water cements. To this head belong all limestones which contain from 20 to 30 per cent. of clay and silica. By gentle calcination, a portion of the carbonic acid is expelled, and a little lime is combined with the clay, while a silicate of clay and lime results, associated with lime in a subcarbonated state. A lime-marl containing less clay will bear a stronger calcining heat without prejudice to its qualities as a hydraulic cement; but much also depends upon the proportion of silica present, and the physical structure of all the constituents.

The mineral substance most used in England for making such mortar, is vulgarly called _cement-stone_. It is a reniform limestone, which occurs distributed in single nodules or rather lenticular cakes, in beds of clay. They are mostly found in those argillaceous strata which alternate with the limestone beds of the oolite formation, as also in the clay strata above the chalk, and sometimes in the London clay. On the coasts of Kent, in the isles of Sheppey and Thanet, on the coasts of Yorkshire, Somersetshire, and the Isle of Wight, &c., these nodular concretions are found in considerable quantities, having been laid bare by the action of the sea and weather. They were called by the older mineralogists _Septaria_ and _Ludus Helmontii_ (Van Helmont’s coits). When sawn across, they show veins of calc-spar traversing the siliceous clay, and are then sometimes placed in the cabinets of _virtuosi_. They are found also in several places on the Continent, as at Neustadt-Eberswalde, near Antwerp, near Altdorf in Bavaria; as also at Boulogne-sur-mer, where they are called Boulogne-pebbles (_galets_). These nodules vary in size from that of a fist to a man’s head, they are of a yellow-gray or brown colour, interspersed with veins of calc-spar, and sometimes contain cavities bestudded with crystals. Their specific gravity is 2·59.

Analyses of several cement-stones, and of the cement made with them:--

+------------------------------+------+------+------+------+------+
| |No. 1.|No. 2.|No. 3.|No. 4.|No. 5.|
+------------------------------+------+------+------+------+------+
|A. _Constituents of the | | | | | |
| cement-stones._ | | | | | |
|Carbonate of lime | 65·7 | 61·6 | | 82·9 | 63·8 |
| ---- magnesia | 0·5 | | | | 1·5 |
| ---- protoxide of iron| 6·0 | 6·0 | | } | 11·6 |
| ---- manganese | 1·6 | | | }4·3 | |
|Silica | 18·0 | 15·0 | | 13·0 | 14·0 |
|Alumina or clay | 6·6 | 4·8 | |trace | 5·7 |
|Oxide of iron | | 3·0 | | | |
|Water | 1·2 | 6·6 | | | 3·4 |
| | | | | | |
|B. _Constituents of the | | | | | |
|cement._ | | | | | |
|Lime | 55·4 | 54·0 | 55·0 | | 56·6 |
|Magnesia | | | | | 1·1 |
|Alumina or clay | 36·0 | 31·0 | 38·0 | | 21·0 |
|Oxide of iron | 8·6 | 15·0 | 13·0 | | 13·7 |
+------------------------------+------+------+------+------+------+

No. 1. English cement-stone, analyzed by Berthier; No. 2. Boulogne stone, by Drapiez; No. 3. English ditto, by Davy; No. 4. reniform limestone nodules from Arkona, by Hühnefeld; No. 5. cement-stone of Avallon, by Dumas.